I was excited but a little intimidated to see that my post today was scheduled for Halloween. Then I thought to myself, “Who am I kidding?” Writing about spooky things is something I believe I was born to do. You’re looking at a gal who has tickets this weekend to attend a haunted doll hunt at a historic plantation in town. In fact, I’ve just spent the last week heavily immersed in books and newspaper articles about legends and hauntings in North and South Carolina all in the name of research for my podcast, Missing in the Carolinas. In the end, I had to surrender the script at 11 plus pages and tell myself there will be other ways to repurpose some of the tales I uncovered. Here are a few things I learned when putting together the perfect script to make the hair on the back of listeners necks stand on end . . .
Creating Spooky Content
I was excited but a little intimidated to see that my post today was scheduled for Halloween. Then I thought to myself, “Who am I kidding?” Writing about spooky things is something I believe I was born to do. You’re looking at a gal who has tickets this weekend to attend a haunted doll hunt at a historic plantation in town. In fact, I’ve just spent the last week heavily immersed in books and newspaper articles about legends and hauntings in North and South Carolina all in the name of research for my podcast, Missing in the Carolinas. In the end, I had to surrender the script at 11 plus pages and tell myself there will be other ways to repurpose some of the tales I uncovered. Here are a few things I learned when putting together the perfect script to make the hair on the back of listeners necks stand on end . . .
The Year Isn't Over Yet
When I looked ahead at my posting date today, I wondered what I would say. I didn't have words of wisdom from writing lessons learned these past few weeks. In all honesty, I just haven't been writing that much. At least, not creatively.
To inspire myself, I looked over a few posts that I wrote last year and came across this gem of a piece that talked about celebrating small successes. This time last year I was getting rejection letters that seemed really positive. In my blog post, I encouraged people to keep submitting and to celebrate any successes along the way.
After reading this post, I wondered which story I might have been talking about, and realized something pretty amazing -
The very story that had been rejected last year had been accepted by a literary magazine a couple of months ago.
Isn't that something?
Despite my lack of motivation to write, I have been trying to submit a few stories. I keep getting rejection letters, which is hard because I believe in the stories I'm trying to get published. However, reading this post from last year reminded me that it's worth it to keep trying. It's worth it to keep submitting. You just never know when that story will receive the acceptance it deserves.
And lately, as this whirlwind of a year draws to a close, I encourage you to keep trying. Keep writing. Keep submitting. And don't forget - this year isn't over yet! You may just get a plot twist in your life that you have desperately needed.
Hope is never totally lost, and as long as you have a breath in your chest, it's important to keep moving forward. Writing one word in front of another. So, if you are struggling to find something to feel hopeful about, I'm sure you aren't alone. Everyone is struggling these days. I just encourage you to not feel too defeated for too long. Because you just never know what might be around the corner.
When Is it Smart To Give Your Work Away For Free?
But before we talk specifically about writing, think about how often you've gone to a store because it was giving away something free. Have you bought one brand over another because of its "buy one get one free" deal? I mean, maybe I'm alone here, but pre-pandemic, I LOVED free sample day at the grocery store, especially when the free samples were wine! Free is not a marketing tactic that's only for books and writing, but sometimes, I think creatives take special offense to this tactic.
And I totally understand why. Many of us sacrifice a lot to get the words on a page--we get up at 4:00 am while our kids are still sleeping. We stay up until midnight after our partners go to bed. We use our vacation time to work on our writing. We pay money to take classes, go to conferences, and get editing and writing advice.
But still, I believe in using the "free" marketing strategy during these four situations:
1. If you are unknown: If you're unknown and competing with famous and well-liked authors, it doesn't matter if your book is better or your essay is the next award-winner. If readers don't know you or know they even need to find you, then they won't. I've said on The Muffin before that you have to look at yourself as a consumer, too. What are your buying habits? Do you search out the most unknown but well-reviewed piece of literature, or do you buy what your book club is reading and what's featured in the Scholastic Book order? If you're unknown and you plan to write more than one book (so this is a career), then don't be scared to give your book away for free sometimes to create buzz and interest.
2. If you need reviews: You need them. It's just a fact of being an author. If you're a book author, you need reviews, and I'm here to tell you that if you're not famous with a bestseller, getting reviews is very difficult. Readers are busy. Readers are now dealing with a global pandemic. Readers want to help you, but they don't understand (really) how much their review will help you. And it doesn't have to be five star (although that's great!). It has to be honest and give a little detail about the book to show they have read it. I recently gave away ecopies of both Finding My Place (middle-grade historical fiction) and Read-Aloud Stories with Fred Vol 1 (from my publishing company, Editor-911 Books). We are now getting new reviews (and an added bonus--readers have started checking out Fred's book in the Kindle Unlimited program--I am THRILLED!). Reviews are social proof. (PSA: If you read a book and you love it, go give the author a review on Amazon or Goodreads!)
3. If you have a book series: If you have a series of books (three or more), one popular marketing strategy is making the first book perma-free (always free) to entice readers to give it a try, get hooked, and then buy the rest of the books in your series. Again, think of yourself as a consumer--if you find an author whom you like, do you buy more of his/her books?
4. If you need credits for a bio: If you don't have a book out yet, maybe you didn't even make it this far in the post, but you need to be willing to give away work for free too, especially if you are JUST STARTING OUT! I know that "selling" your story to a magazine for copies or putting your work on a website for impressions and views and likes aren't the ideal situations, but if these platforms give you some of your first writing credits and samples, then don't be afraid to do this. You know, a lot of professions, such as teaching, require UNPAID internships. You need experience and you do the work, and it is part of your degree or what you put on your resume. These first writing credits--think of them as an internship--you need something to put in that bio paragraph when you're querying agents to show them that you're not a one-book wonder, that you're in this for the long haul and willing to do your homework!
5. If you need names for a mailing list: Whether or not you are a book author or planning to be, many writers have enewsletters, and to get people to join, they giveaway a reading magnet, usually an ecopy of something. The cost? An email address! Then hopefully, you've gained a long-time subscriber and fan of your work. This is the last time I will say this, I promise (because this is almost over), but haven't you signed up for a newsletter to get a free story or a coupon or a helpful worksheet or template? I have. Very few people are dying for more email in their inbox, but they're dying for a great short story or to keep in touch with their favorite essayist...
Don't be afraid to give your work away for free. Just be smart about it. See what other writers and authors are doing who write the same material that you do. And if some tactic doesn't work, it's not the end of the world. You didn't make "the biggest mistake." Just take a deep breath, and try someting else.
Interview with Sally Keeble: 2020 Spring Flash Fiction Contest Runner Up
Sally’s Bio:
Sally’s new to fiction-writing, using the medium to explore the social issues that originally drove her into a career in politics.
A former Member of Parliament in the UK, and before that a journalist, she’s had non-fiction published previously. But she finds writing fiction much more challenging and rewarding.
“Batman and Crunchy Nuts” is one of a series of pieces she’s written on people’s experiences during the Covid19 lockdown in the UK. She’s just finished her first novel called Ocracoke set in London and on the Outer Banks of North Carolina. Sally’s an avid reader of literature from around the world, and spends her spare time travelling, and with her family.
If you haven't done so already, check out Sally's award-winning story "Batman and Crunchy Nuts" and then return here for a chat with the author.
WOW: Congratulations on placing in the Spring 2020 Flash Fiction Contest! What excited you most about writing this story?
Sally: The spark for the story came from a Zoom community meeting where someone complained about homeless people camping in the local woods. When I got down to writing it, what was most exciting was the way different experiences of the coronavirus lockdown came together: parents juggling childcare, home-schooling and food shortages, children caught between warring adults, rough-sleepers with nowhere to go. It’s been intriguing to hear people’s different responses to the story. I saw it as a story about two people, but some see it as a story about three people, some don’t see it as being about COVID-19 at all.
WOW: Isn’t it such a rewarding experience to hear different responses to your story, to know that people are reading it, thinking about it, and taking away different perspectives that resonate with them? That’s one of my favorite parts of storytelling. What did you learn about yourself or your writing while crafting this piece?
Sally: The main thing I learned was that, after a lot of false starts and disappointments, I can actually write fiction. So, thank you to Women on Writing for giving me that hope. It’s been a huge boost to be a runner up in this competition. Flash fiction is really good for teaching you to pay attention to detail which is especially useful as I tend to write too quickly.
WOW: How has fiction writing helped you to explore social issues in ways other forms of writing have not?
Sally: My background is in politics and political writing. Fiction has made me be a lot less dogmatic and directional, and enabled me to look at social issues in the round. As a fiction writer, you create the characters and the context. What comes next can be unpredictable. Homelessness is one of the issues I care and campaign about most passionately. “Batman and Crunchy Nuts” doesn’t reach any of the usual neat conclusions, but probably says more about homelessness than any number of political pieces.
WOW: I agree. Sharing an issue as a story is very effective. What are you reading right now, and why did you choose to read it?
Sally: Bernadine Evaristo’s Girl, Woman, Other, which I wanted to read for its exploration of diversity and experimental style. It turned out to be one of the greatest novels I’ve ever read.
WOW: Good to know! That’s been on my to-read list for a while. If you could give your younger self one piece of writing advice, what would it be and why?
Sally: Just do it. I put off fiction writing for far too long. The second piece of advice I’d give my younger self is to remember that writing is a craft that you have to learn and practice, luckily with the support of the writing community.
WOW: Thank you for sharing your story and for your other thoughtful responses! Congratulations again, and happy writing!
Interviewed by Anne Greenawalt, who keeps a blog of journal entries, memoir snippets, interviews, training logs, and profiles of writers and competitive sportswomen with the purpose giving them a forum to discuss their own athletic careers, bodies, and lives in their own words. For more on the power of storytelling, join the conversation on Facebook, Twitter, or Instagram.
Must Have: Yoga Pose (Interview and Giveaway)
Cindy Rogers, Yoga Pose Founder |
Are We There Yet?
It's the cry of many children all across the land when they're on a family road trip, "Are we there yet?" As a child I remember all too well asking that question over and over when I was traveling with my parent's and sister in our blue station wagon to go visit relatives out of state. It was the same when traveling with my children when they were younger, and also my grandchildren. That chanting question, "Are we there yet?" permeated our road trips until we reached our destination.
Still, as many times as my husband and I were asked by our then young children, and later on our grandchildren, "Are we there yet?"...one fact remained the same. We got to the end point of our journey when we got there. We got there after frequent rest stop visits to the bathroom, too many stops at fast food restaurants because no one wanted to eat the sandwiches that were packed, minor squabbles between siblings, and a wrong turn every now and then. We even got there even after stopping at little known historic landmarks that only the adults were interested in seeing and taking photos with someone always sticking out their tongue or grumbling under their breath. We got there...in one piece...as a family...and in the end, as we reminisce even now about those road trips many years later, we are thankful and content for the bonding, the fun, and the lessons that happened along the scenic route.
I was reminded of this on a recent road trip with my husband. I couldn't wait to reach our destination. I had to quiet the voice inside of me that was itching to ask the adult version of the question, "Are we there yet?"...you know, "Isn't this route longer than the other one we took before?" or "Is the GPS a bit off today?" instead of savoring the scenery along the way, the sereneness of the open country roads and beautiful fall foliage that looked like a painting in a art museum. I had to take several deep breaths to remind myself to relax and enjoy the ride.
Once I did, it prompted me to think about writing and how as writers we often worry so much about our destination we don't enjoy the process of getting there or appreciate our progress, no matter how small, as much as we should.
"Are we there yet?" we question, concerning ourselves, sometimes obsessively, with the long winding road in front of us instead of focusing on the goals we reached that are behind us. We gloss over the meaningful stories we've already written and trouble ourselves with thoughts about how we will get to the next tier as a writer. We forget to immerse ourselves in the good feeling that comes from knowing we're creative beings that work diligently to tell our stories. We forget to stand back and see the worth of all we have done and who we have impacted. We forget to enjoy the scenic route during our journey.
Savoring the scenic route as writers doesn't make us stagnant. We know what the future holds for us as writers during this road trip. It does mean though, that we savor our profound writing moments without constantly fretting about what's next on the writing agenda. It means, for example, that we get excited about completing that first draft of our novel and not stressed because we're already worried about revising the second draft. It means, that even if we didn't place at all in a writing contest, at least we dusted off a manuscript, reworked it, and had enough courage to submit it. It means we relax and enjoy the scenery (the creative process, finding our true voice and point of view, creating memorable protagonists our readers can identify with, researching the archives, learning the ins and outs of marketing, etc.)
It means that we can embrace the lessons and admire the work of other prolific writers without comparing our style of writing or body of work to them, thinking we haven't quite made it. The measure of our success should be in knowing that we write about what compels us or to make sense of this world, and that we give our all to pull our readers into our stories, hoping to teach them, make them laugh, or cry, and muffle out the emotional clatter in their own life. That is no easy feat and is a part of the writing life we should celebrate more often. So relax and enjoy the ride.
I implore you to think fondly about your scenic route on the way to your writing destination. You will get there when you get there as I used to tell my children during our road trips when they were younger. Sooner rather than later. In one piece...slow and steady... as a writer. Through your day to day tasks...when you sit down at your computer or with your laptop...you will finish that novel and get it submission ready...you will find the right literary agent to represent you...you will have that book launch...you will accomplish all of the writing goals you wrote in those notebooks years ago or on your vision board next to your desk.
So relax. Ease up on yourself and where you think you should be in your career so you can enjoy the ride. You will get to your destination...in one piece...as a writer...content... knowing you put in the mileage and learned so many lessons along the way.
---Jeanine
Jeanine DeHoney has had her writing published in several anthologies, magazines and blogs. She enjoys taking road trips with her husband and has gotten good at not asking, "Are we there yet?"
A Writing Class You Should Say "Yes" To
I’m finishing up a six-week WOW class (“Face Your Fears”) with Chelsey Clammer. This is not my MO. I’m cheap. (I buy my clothes from thrift stores.) I’m broke. (I’m a teacher. Do I need to say more?) I’m busy. (In my spare time I’m working on putting the finishing touches on a manuscript that’s getting published. I have a publisher! Have I mentioned that in the last 7 seconds?) Shell out money for a class? A class that involves reading every week and responding every week and writing every week? Fuhgedddabotit.
Until Angela Mackintosh said, “I love working with Chelsey. My favorite workshop she teaches is ‘Face Your Fears: Women Writers Anonymous’ - and there's one starting on Monday, Sept 14th!” and then I immediately paid my class fee and put my name on the class list.
Now I’m going to sing a duet with Angela Mackintosh. Chelsey Clammer is the bomb (as my students used to say). Here’s why I recommend you sign up for any class taught by Chelsey Clammer… and one reason why you might hestitate:
Chelsey has two lasers for eyes. Her suggestions zero in on the heart of your piece. She guides readers into figuring out what is the real point. You might think that’s easy to do, but when you’re writing about subjects filled with emotion and family dysfunction--sometimes the point is buried deep down.
The work is not work. I thought reading multiple pieces chosen by an instructor would be a chore. You know, like reading something out of a textbook. During the first week, we were given three essays to read, in preparation for our writing. They were inspiring. Thought-provoking. That level was maintained throughout the course of the class. Clammer knows good “stuff” when she sees it (and you know what I really wanted to say when I wrote “stuff”).
Chelsey opens up to and looks out for her writers. She made it clear that if we got judgmental with our comments, she’d put a stop to it. Before it even happened, because she’d pre-approve posts. She gave us her phone number. She offered to chat us up via email or Facebook. Like most of us, I’ve been in writing groups where the members were heavy-handed/clueless/heartless. It’s impossible for that to happen with Clammer at the helm.
And since I’m being completely honest, I must include one reason why you might want to say a vehement “no” to taking one of Chelsey Clammer’s clases: I like to include at least 42 ellipses in every short story or essay. They add so much to a piece when you can pepper every sentence or two with ‘em. She disagrees. Clammer thinks they should be used sparingly (the horror!) and only for certain reasons (grammar-schlammer), which means she’s wrong. I won’t hold it against her too much. Some day, she’ll see the light.
If you'd like to read something written by Chelsey Clammer, check out her essay, "A Striking Resemblance." I guarantee it will blow you away.
To sum up my advice: if you can ignore her horribly off-kilter ideas about ellipses, keep an eye out for the next class Chelsey Clammer teaches. You’ll dive deeply into your writing. You’ll become a more reflective reader and writer. And the work you do--the reading, the writing and the critiquing--will be tasks of joy.
Sioux Roslawski is a middle-school teacher and a freelance writer. She thoroughly enjoyed doing the heavy lifting that was involved in writing for Chelsey Clammer's class. Sioux's historical novel (for middle grades) will debut in spring of 2021... and she is beyond thrilled.
First Person Present: Yay! Or Nay?
I’m a big fan of mysteries, and I especially love mysteries with an historical bent where I can learn a little something something. One of my favorite periods is Victorian England so I was beside myself when a creepy mystery with a female protagonist popped up in my search. Until I started reading it.
Failing Forward
Several years ago I was given a promotion and a raise and a few weeks later fired. I still don't understand it and I'm told it's just what happens and it's big business. It took me a long time to come to grips with being fired - I felt like a failure. Here's what I have learned:
~Crystal
and now...a little more about me...
Shown from left to right: Delphine riding Honey Mr. Otto holding Eudora Crystal riding Marv. Thank you Forward Farm, LLC |
mother, Auntie, babywearing mama, business owner, active journaler, writer and blogger, Blog Tour Manager with WOW! Women on Writing, Press Corp teammate for the DairyGirl Network, Unicorn Mom Ambassador, as well as a dairy farmer. She lives in Wisconsin with her husband and their five youngest children, two dogs, four little piggies, a handful of cats and kittens, horses Darlin' and Miss Maggie May, a bunny named Penelope who is absolutely the most amazing companion, and over 250 Holsteins.
You can find Crystal milking cows, riding horses, and the occasional unicorn (not at the same time), taking the ordinary and giving it a little extra (making it extraordinary), blogging and reviewing books here, and at her own blog - Crystal is dedicated to turning life's lemons into lemonade and she has never (not once) been accused of being normal!
Interview with Kelley Hicken, Spring 2020 Flash Fiction Contest Runner Up
----------Interview by Renee Roberson
WOW: Congratulations, Kelly, and welcome! "I Decided to Jump Off a Bridge" is such a poignant tale full of "what ifs?" What was the process of creating it like—did any of the characters change or transform as you worked through the revision process?
Kelley: I came up with the idea for this story and wrote a two-sentence prompt that sat in my "flash fiction ideas" file for several years collecting digital dust. Every once in a while, I will grab a random idea out of the folder and complete it. I believe it took less than two hours from start to finish, and I didn't vary from my original idea of who the characters should be. The story was easy to write because I am passionate about the fact that every life has value and purpose. It came from a place of love, which makes all the difference in whether or not my writing "works."
WOW: I love it when a story flows so easily out of a writer and the message behind this one. You are also the author of a middle-grade novella inspired by your experience as a foster mother. What are some books from your childhood that helped guide you through those pre-teen and teen years?
Kelley: This question makes me laugh because the books that meant the most to me as a teen were the books I hesitated to read because I considered them "old lady" stories. My grandma recommended The Good Earth by Pearl S. Buck, and it was a life-altering experience, pulling me out of teenage entitlement and forcing me to question women's rights and my value as a girl. A family friend gifted me a stack of books one summer, including Number the Stars by Lois Lowry, and The Diary of Anne Frank. Both of these books fostered sincere gratitude for the freedom and security I had previously taken for granted.
Then, there was Eric by Doris Lund, a book that you only have to read once to feel it's power for the rest of your life. It's a story of a boy with Leukemia as told by his mother. I remember falling in love with Eric, hoping against all hope that he would overcome the disease, and then feeling devastated when he didn't. I hated the book because it hurt my heart in ways I'd never experienced before. Nine years later, I met my future husband, who is a cancer survivor. The scenes from Eric flooded back to me as if I'd just read it. For the first time, I fully recognized the power books have to develop empathy and human connection. It's why I choose to write, even if it is a painful effort at times.
WOW: It sounds like the book "Eric" made its way into your life for a reason! Based on what I've seen on your blog, in addition to being a writer, you are also a talented illustrator. What are some ways you prioritize which projects you are working on and when?
Kelley: My formula for prioritization is quite simple. When I make time for creative endeavors, I ask myself two questions:
1. Are my kids awake?
2. Am I stressed out?
If the answer to either of those questions is yes, I will opt for illustration. Drawing is a stress relief for me, and if interruptions happen, it's not difficult to pick up where I left off. On the other hand, writing takes a significant amount of focus, and I often feel the very emotions I am writing. When I have just plotted the untimely death of a beloved character, and my kids walk in to see me bawling, it doesn't feel like the best mothering moment.
WOW: I can understand that. I'm glad drawing can provide you with such a stress relief in the times you need it. Having written a novella and award-winning flash fiction, which form do you prefer the most and why?
Kelley: In my heart, I want to say I prefer to write novels. I love nothing more than to delve into a fantasy world and create meaning and emotion where there was none before. In practicality, flash fiction is my favorite because it's so much easier to finish a project. I also love the challenge of making someone laugh or cry with the fewest words possible.
WOW: What are you working on now?
Kelley: Besides endless illustration classes? I am currently working on a fantasy novel about a selfish quarry prisoner on the verge of losing her job as the royal tomb engraver. When she develops a dangerous and illegal gift of visions and foresees the unborn prince's murder, she must decide to either hide her gift or risk her own life to save him.
I am always writing flash fiction pieces, too. I love this contest because I always receive valuable advice from the critiques. Thanks again for a great experience. I feel honored to see my work among such talented writers.
3 Reasons Character Motivation Matters
Recently I read a Tweet from an agent. “Make your character’s motivations come through loud and clear in your query.” It seems that too many authors query, stating the character’s goal, but not the motivations behind the goal.
Without motivations being stated loud and clear in the query, the answer was consistently “good luck placing this elsewhere.” Why is motivation such a big deal?
Motivation Makes the Goal Matter
Think about a book that pulled you in and wouldn’t let you go. Character goals vary from attempting to win the Triwizard Cup to trying to win a beauty pageant. Without motivation, you hear a character’s goals and think what is that and who cares? Motivation is what makes a goal meaningful.
In Harry Potter and the Goblet of Fire, Harry has been set up and has no choice but to compete. Failure could mean death to himself or his friends. Finding out who set him up alone is a powerful motivation. Add a struggle to survive and his goal is even more compelling.
In Dumplin, Willodeen may be chubby but she’s comfortable with who she is until she starts dating a handsome private school boy. She can’t believe he loves her for who she is and her self-esteem plummets. She decides the best way to bolster her flagging confidence is to enter the pageant.
Life or death. A girl struggling to rediscover her self-esteem. Motivations like these make readers care.
Motivation Provides a Bridge to Believability
Motivation is also what makes your characters believable. Me? I’ve never battled for to be a Triwizard winner and getting me on stage would take a miracle. These just aren’t goals I can identify with. But struggle? Most of us have battled, even if it wasn’t life-or-death, to meet a particular goal so we understand struggle. And at some point in our lives, we’ve lost faith in ourselves and our own abilities. We get wanting to find self-worth. I get that. I get wanting to believe in yourself.
Your reader’s life may be completely different from your character’s life and that can make it hard to build reader interest. Fortunately, the right motivation can provide the bridge your reader needs to enter your character’s world. You do this by utilizing motivations and emotions with which your reader is familiar.
Motivations Make Your Character Complex
Last but not least, motivations are another way to create a complex character. All you have to do is set up conflicting goals. How do you do this? Give your character a goal that is in conflict with a core value. A character who values law and order has to break the rules to achieve their goal. A character who values her independence above all else has to work with others to achieve her goal. A character who values might has to turn to cunning.
Motivations are essential when attempting to create believable characters, accessible stories and complex worlds that readers are eager to explore.
And? Don’t forget to express these motivations clearly in your query letter.
--SueBE
Sue Bradford Edwards' is the author of over 25 books for young readers. To find out more about her writing, visit her blog, One Writer's Journey.
Sue is also the instructor for Research: Prepping to Write Nonfiction for Children and Young Adults (next session begins November 2, 2020) and Writing Nonfiction for Children and Young Adults (next session begins November 2, 2020).
Meet Nikki Blake - runner up in the WOW! Quarter 3 2020 Essay Contest with a moving story titled "Ghost Hunting in Diablo Valley"
Nikki Blake enjoys writing all sizes and genres of fiction and creative nonfiction from her home in the SF bay area, CA. She shares her office with a gray tabby named Tedz, and a flatulent dog named Pluto. She has been an avid reader and writer since childhood. Her favorite part of writing is creating characters and then tagging along on their adventures. Nikki has written and illustrated a children’s book, is currently working on a YA novel, and hopes to publish some of the short stories she has written. When she is not writing, she enjoys drawing, painting, gardening and artisan bread baking.
If you haven't done so already, check out Nikki's moving story Ghost Hunting in Diablo Valley and then return here for a chat with the author.
WOW: Congratulations Nikki! Thank you for writing this essay - I'm sure readers will enjoy Ghost Hunting in Diablo Valley. Let's get right down to the nitty gritty. What role has journaling and/or writer's groups played in your writing life?
Interviewed by Crystal Otto who just keeps on keeping on!
Creating When You Can't Focus
I don't know what to blame lately. COVID? The election? My ever changing, ever elusive writing goals? Whatever the reason is, I can't seem to focus too well lately. At least, not on creative stuff. So, what's a writer to do? Today, I thought I'd put together a few suggestions on what to do if you have a hard time focusing on your creative project lately.
What Happens When Your Child Is Old Enough to Read Your Book?
So the first message I received from her (through a shared Google doc we use to communicate while she's at virtual school) was (spoiler alert): "Why did you make Ma die? I am so mad at you!"
And I thought, Hey, she really is reading this book of mine, and she is at least invested enought that she cares about the characters.I told her (and all my Facebook friends) that Ma had to die for the story to work, but my daughter still wasn't buying it.
Then she was quiet about the book for a couple weeks, and I thought, Well, she lost interest. It happens. She's used to the excitement of Harry Potter and Dork Diaries. But then yesterday, she started messaging me again: "Does Albert like Anna? Is there a book two? You better get busy writing book two next! I'll proofread."
All right, all right, I will confess to you, my writing friends, that these messages from my daughter did make me tear up. I mean, I think my writing life is now complete--even if I have no more success.
My daughter likes my book!
My daughter said that she would like to dress up as Anna (my main character) for Halloween and also Luna Lovegood from Harry Potter. She can be both. (Is there even trick or treating during a pandemic?)
Take that, J.K Rowling.
My daughter then went on to tell me that no one has made a YouTube video about my book--she was sorry to say. Oh, trust me, I was laughing--it's so funny that she would even think to go on YouTube and look for Finding My Place, thinking that surely someone would have made a YouTube video about it. She knows there are a lot of fan fic videos about the Harry Potter series, so why not Finding My Place? When I told her I had 25 reviews on Amazon and 4.5 stars, she was amazed.
This week, I suppose, my daughter discovered that I really am a writer, and other people (although not a ton) really do read my books. And wow, other kids might like them.
(I told her to tell all her friends.)
And I'm now getting started on a third book in the series (Anna and the Baking Championship is a prequel that I put out this summer) which my daughter has already decided there should be a dance in the middle of the book, even if they are still at war, because then Albert can ask Anna to dance.
I hope that if you have children, you get to experience this feeling some day. I swear that 2020 has been a year full of a lot of bad stuff, but this--this week was amazing.
Happy writing!
Margo L. Dill is a writer and editor, living in St. Louis, MO, with her 10-year-old daughter and 1.5-year-old dog. She also teaches classes for WOW! Women On Writing, including a monthly novel writing course which offers critique. Check it out here. You can find out more about Margo and her books on her website.
Twelve Simple And Inspiring Writing Tasks To Do When You Don't Feel Like Writing
As writers we write. We stay the course even in the midst of a pandemic by sitting down at our computers or with our laptops with a mental or sometimes real sign on our office (or bedroom) door that says, "Do Not Disturb- Writer At Work."
But there are those days, when I for one, just want to hold a warm cup of chamomile tea in the palms of my hands and thumb through some old magazines and not think about revising, or querying, or finishing a story to submit to that new literary magazine or anthology with the deadline quickly approaching. And lately, not frequently, but every now and then, I throw out all of the "I must get this writing project done now!" and say, "I need a break."
And maybe you do too. Maybe you too have to give yourself permission to be not so knee deep in a writing project for a few days. Maybe you need to tell yourself to slow down, not speed up...just until you shake off some things like stress and anxiety...or as much of it as possible. You won't lose your writer's credentials if you do, and you'll also gain a multitude of restorative benefits.
We writers have this finely honed ability for life. It will always rebound back to us even if we take a short sojourn away from it. But if the thought of not writing for a day sends shivers through your body and you must write, something, anything, here are twelve simple and inspiring writing tasks you can do:
1. Write a letter. Letters have become a lost art with the ease of social media and texting but I hope the art of letter writing is soon revived. Buy some beautiful stationary and pen a letter to a loved one to share a loving or humorous memory or to show how much they are appreciated. If you want to be fancy place a wax seal on your envelope. And here's a bit of information you may already know, Jane Austen's epistolary novel, "Lady Susan," was written as letters exchanged among her title protagonist Lady Susan Vernon, her family, friends, and enemies.
2. Have you been cooking more since the pandemic? What has been your favorite quarantine recipes? What have been food fails and "clean their plate of even the crumbs or sauce" hits with your family? Write down those recipes and the stories and lessons and bonding that came about because of them. Who knows, you may want to publish them in a magazine or write your own cookbook.
3. Write a short biography of an elder in your family and the era they grew up in. This is a great history lesson to share with children and teens.
4. Write one positive or motivational mantra for each day of the week, and yes, it can pertain to writing.
5. Write a realistic day in your life comic strip. Don't worry about being a great illustrator, stick figures are allowed.
6. Write an acronym for your name.
7. Write your name on a check for a charity, essential workers, an organization that assists poor or disenfranchised communities, or any cause that is dear to your heart and changes lives for the better. No amount is too small, every penny counts.
8. Describe a DIY you completed and write down step by step instructions you can later submit to a magazine. DIY projects have skyrocketed since the pandemic and people have been stuck at home. The fact that you refurbished an old desk to look like a piece of art can inspire others to tackle a craft or home improvement project.
9. Write down your vision for yourself as a writer. Where do you see yourself in the next six months? What writing goals do you want to accomplish?
10. Write greeting card verses. Who doesn't love receiving a greeting card with a thoughtful or humorous verse. Have you ever thought you could have written that? Well you can. Even if you only write them for friends and family. If you have a knack for it, you can send those verses, poems, and phrases, to greeting card companies in the hopes they'll publish and pay you for your sentiments.
11. We all need a superheroine these days when we don't feel as if we have the emotional and physical energy to be one ourselves. Create a fictional superheroine, maybe one that saves the world from Coronavirus. This heroine might even plant the seeds for your next sci-fi novel.
12. Write lists. Write a list of fun trivia questions and see if your friends and family can come up with the answers on Zoom. Have an adult version and a children's version. Write the best list of all, a list of the things you're grateful for during these testing and unusual times, because there are still many things, and sometimes you have to take a break and pause to remember them.
---Jeanine
Jeanine DeHoney's writing has been published in numerous magazines, anthologies, and blogs. She was recently interviewed by author Kathryn Schleich for her author's blog, and will have an essay published in the upcoming Winter Issue of "Please See Me," an online literary journal.Interview with Heather Siegel, author of The King and the Quirky
Her creative nonfiction has appeared in Salon.com, The Flexible Persona, and Entrophy Magazine. She holds an MFA from The New School University, and lives on Long Island where she teaches academic and creative writing for local colleges and continuing education programs. More about her can be found @www.heathersiegel.net
WOW: Congratulations on the publication and success of your memoir. You did a fantastic job, and I think many of our readers can relate to your story. What made you decide to dive into this project?
WOW: Part of your story is about how you fell for the idea of love and "soulmates," and you question whether we should believe in the "true love" narrative (particularly with a marriage of opposites). At one point, you described how the things that you and your husband had fallen in love with about each other might end up being your relationship’s undoing. Perhaps that’s true of all relationships in some way—that what seemed so great in the beginning can be less than great later on?
WOW: One of the reasons your memoir is so compelling is your honesty and “realness” about your experience. Do you ever find it difficult to reveal your truths? How did the people in your life react to the book?
“Don’t gaze into each other’s eyes looking for meaning. Look outward together.” — J.O, married 12 years.
“You go through waves. I lost and found myself many times. I just lost myself again now that my kids are grown.” — D.C., married 32 years.
“A marriage isn’t 50/50, it’s 100/100.” — J.D., married 16 years.
“Alcohol, lies, and time apart work like a charm for a good marriage.” — K.F., married 19 years.
“It’s very simple: You need to be nice.”—C.W., married 15 years.
“Everyone needs to understand that you can love somebody and still not like them once in a while.” — K.G., married 25 years.
“No matter how bad the fight is, come to bed.”—E.F., married 23 years.
“Remember what made you say yes.”—M.I., married 13 years.
“Never tell them how much you REALLY spent on something.”–S.F., married 21 years.
“R-E-S-P-E-C-T.”—B.F., married 40 years.
WOW: Those were some of the quotes I highlighted while reading! Do you have any tips or a piece of advice for our readers who are trying to write a memoir?
- Reach out to book podcasts to see if they will interview you, or discuss your subject or genre.- Reach out to bookstores and see if they will host a zoom interview or reading.- Reach out to organizations that work with your target audience and see if there is a synergistic way to work together. For my first book, for example, I connected with foster care organizations. For this book, parenting groups.- Query relevant magazines, websites, blogs, and bookstagrammers and see if they will review your book or publish an excerpt.- Enter contests.- Connect with book clubs.- Do a giveaway on GoodReads, and possibly through a virtual book tour.- Once your pre-order link is up, email your list and offer to send the first chapter.- Enlist Book Ambassadors to spread the word on social media. (For this, I gave out free ARC’s and enclosed a note asking people to do the following on launch day: 1. Post a copy of the book on their social media feeds. 2. Write a review. Not everyone will come through, but enough will to get some momentum going).- Team up with other authors, whether in your own publishing house, or outside of it. Find a common theme that unites your work and build a podcast idea or reading around it. This can be helpful in pitching your work and trying to get coverage, as it will ensure a larger audience for the host.Also, give back and support other writers promoting their solo works. Share their links and books. Make reading and reviewing for others part of your repertoire as a writer pre- and post-launch.Launching a book can be a daunting experience— it takes a village.
WOW: Are you working on any writing projects right now? What’s next for you?
WOW: Thank you for chatting with us today, Heather! We wish you continued success with the book and your newly completed fiction manuscripts.