Recently I saw a talk about metadata that emphasized just how important it is to help readers find your book. Metadata is the information that identifies your book. It is what a reader might key into Google or a bookstore search engine.
Metadata: Make Sure People Can Find Your Book
Interview With Jenna Snelgrove: Winter 2026 Flash Fiction Contest Runner-Up
Moonset on Desert Sands by Sherri Dodd: Blog Tour & Giveaway
It's always fun to have an author return so we can enjoy all the book in their series. Today it's Sherri Dodd with Book 2 in her Murder, Tera & Crystals trilogy. Join us as we celebrate the launch of Moonset on Desert Sands with a special giveaway and an author interview! This is the perfect book to embrace as we say good-bye to summer and welcome those autumn vibes.
Interview with Wendy Fontaine: Q3 2026 Essay Contest 2nd Place Winner
Writing Albums
Recently, on my family's multi-generational annual vacation some of us were bemoaning the fact that, despite our co-workers knowing we were on vacation and our email responders politely telling people to go away until next Monday, most of us were still fielding work "emergencies".
I proudly announced that I was strictly away from the office (meaning my office job) until my mother pointed out that she knew I was on the computer late the night before.
"But that wasn't really work..." I tried to explain.
"She's a writer, mom," my brother said. "It's what writers do."
True to my brother's word, I was doing what writers do. Writing. Writing with no purpose, no assignment, no paycheck. I was capturing moments from our vacation with no thought of how they might eventually show up in my writing life.
I wrote about the odd combination of tasting the sweet tanginess of lemon chiffon ice cream while my nose was bombarded by the smell of Old Bay Seasoning from the restaurant next door. I wrote about the toasty feel of pouring noon hot sand over my feet in an oceanside DIY foot massage. I wrote about the surprise of being mistaken for a "local" who calls the beach home. I wrote about that moment - however fleeting - that we all have at some point in the trip when we wish we would have just stayed home. I wrote about the aroma of brine and hot asphalt that rises up after a sudden, middle of the night thunderstorm.
They weren't the beginnings of short stories, poems, essays or articles. They were just snapshots of a week that we all think we'll remember in detail. But in the hustle and bustle of traveling home, doing endless loads of laundry and preparing to return to our regular life some many events are forgotten or blurred to a vague memory. So I collect them and save them in case one day I need them.
I think of these snippets that I jot down to cement a new place or experience in my mind as writing albums. We have photo albums (IRL or virtual) filled with photos that will never be framed and hung on the wall, placed in a photobook or even added to our Instagram feed. But we snap those photos and save those images just in case. As writers we should be doing the same with words instead of images.
I find I write more in the journaling/memory category when I am away from home. Perhaps because it's easier to give myself permission to write without purpose on vacation. These bits of writing are saved in files labelled: Philadelphia, Beach, Sports, Nature. and they are filled with half-formed thoughts, carefully recorded impressions, tiny moments. Eventually they may become the starting point for an article, the theme of an essay or a feeling that brings a character to life. For now they remain firmly in the just in case stage.
Do you record new experiences or places with writing even though you have no plan for how you'll eventually use it?
Jodi M. Webb writes from her home in the Pennsylvania mountains about everything from apple pie to consignment shops to travel. But she writes wherever she goes. How else would she remember purple bridges, shy foxes or the smell of caramel corn carameling? She's also a blog tour manager for WOW-Women on Writing. Follow her writing (and reading) life at Words by Webb.
Interview with Kathy Humenik: Winter 2026 Flash Fiction Contest Runner Up
The Economy Always Gets Better by Dr. Nikki Finlay: Blog Tour & Giveaway
Interview with C. L. Brenton: Q3 2026 CNF Essay Contest 1st Place Winner
---interview by Marcia Peterson
WOW: What inspired you to write your entry, “Rainbows?”
C. L.: I was in a generative workshop when I was earning my MFA at Vermont College of Fine Arts, and our professor prompted us to write about light. I wanted to write about the crystal that made rainbows in my childhood kitchen, and makes rainbows now in my kids’ playroom. It ended up morphing into an essay about my three year old son and his gender fluidity that I found so magical and vexing, and a moment we shared a few days earlier as we tried to capture the light. The first few lines of “Rainbows” came out pretty much fully formed. Sometimes it takes different prompts to unlock what lives inside you, what’s waiting to come out. Sometimes someone merely has to ask a different question of you for you to understand exactly what you’ve been wanting to say.
C. L.: I find each part joyful and challenging in its own way. I love the wild chaotic creation part, and the methodical editing part though each have their hang ups. I think maybe the challenge is knowing, or deciding when a piece is done, deciding it’s good enough to send out, and strong enough to take criticism from or even the success of the real world.
C. L.: Writing requires (for me at least) a certain amount of emptiness in my life, meaningful time and space for the muse to do her work. As a busy mom, I know that’s usually the hardest thing to come by.
As we say in my house, though, it’s not about lack of time, it’s about priorities. Some days I have to prioritize my children and my home life, and those are wonderful things to put at the top of my list, but when I can carve out daily time for my writing, to go sit on the beach and watch the waves for thirty minutes, my muse comes back and wants to work. If you can make time to exercise, to watch your favorite show, to read, to read this even, you can find time to write. If you can’t, consider reading while your children play, or commit ten minutes to doing nothing, to day dream, to be present wherever you are. Don’t listen to anything, don’t look at your phone. Let your mind wander. The words will come.
When my kids were toddlers, I took my writing time on the weekend when my husband was the primary caretaker. I wrote on a post it note that I still have attached to my computer monitor the five things that constitute a writing life. Writing, Editing, Reading, Submissions and Community. If I don’t feel like writing, or I feel stuck editing, I can read. If that doesn’t spark my interest, I can engage with my writing community, watch a lecture or submit my work. All of those are important to build the writer you will become.
C. L.: For years, likely since we met, my friend Emily (who is a fabulous writer and a dear friend) has been recommending “The Anthropocene Review,” by John Green. It’s a book of essays disguised as reviews of various human-centered things, things specifically tuned to the author’s life so it’s almost a hybrid memoir. At the beginning of summer, Emily asked me if I had read it yet, and ashamed I hadn’t, I quickly found a thrifted copy and dove in. It’s a wildly fascinating, informative read that has made me quite a bit more interesting at parties. At least I like to think so.
C. L.: Thank you so much for having me! I’m truly honored “Rainbows” found a home at Women on Writing!
As far as general advice, it might help to remember that writing is iterative. Most of what we create is imperfect, followed by imperfect iterations until the story resembles itself, so don’t get hung up on the flaws. We have to first create the rough block of marble from nothing, then we can start to carve it into art.
It also helps me to remember that creation is separate from publishing. We can’t control how or when a piece is published, so you have to make the work the reward. The pleaser of crafting the thing has got to provide the benefit for doing it. Writing is supposed to be fun. Keep your work fun and weird and wild and painfully true. Try not to over edit it or form it to someone else’s aesthetics. Submit it widely when it’s ready; and I mean widely. Send it to a hundred journals or agents before you give up on a piece. Enjoy the process, trust your own taste, and you’ll write forever.
A Museum Honoring American Writers
This past weekend my family traveled to Chicago for a few days and attempted to squeeze in as many things as we could during the visit. Of course, once my phone figured out where we were, a place called the American Writers Museum began popping up in my social media algorithm.
Interview with Elizabeth Hoban, Runner Up in the Winter 2026 Flash Fiction Contest
Revision: From Structure to Word Choice
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| The final step in revision |
- The Opening. Did you start your story in the right place? I tend to start too early. Another important point about the opening scene is that it is a contract with your reader. A humorous opening promises humorous moments throughout the story. Action promises action. Fantasy can be tricky, but you should at least hint at the world of magic.
- The Closing. Just as your story starts in the correct place, it must end in the correct place. In some ways, it should probably come full circle with the beginning.
- Plot. Does your plot hold together? Does your story have a strong beginning, middle, and end? This means different things for flash and either short stories or novels so do some reading to see how other writers do it.
- Pacing. Your plot needs a balance of fast-paced moments and quieter moments. If your story is too fast paced, you risk wearing your readers out. Too slow and they’re going to do something more interesting like clean out the crisper.
- Characters. Are your characters compelling? Even if they aren’t likeable, they need to be interesting. They also must be believable and three-dimensional.
- Setting. Your setting must feel real. The reader needs to have a sense of where and when the story takes place. And the details that you include need to shore up your plot and your characters.






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