A Dozen Subgenres for Mystery Month

Thursday, May 07, 2026

 


I was reading through my email when I clicked on one from Kanopy. I use this app to watch a variety of movies and series including mysteries. “May Is Mystery Month” proclaimed the email. I love good mysteries. But I still wasn't sure where my own project fits into the most popular subgenres. I did some digging and found 12 popular mystery subgenres.

Caper 

A caper is a humorous story about a heist. Much of the humor comes from someone being profoundly inept. My favorites are golden oldies, the Pink Panther and Scooby Doo. 

Cozy 

A cozy detective is an amateur. The murder occurs off-scene and things aren't too gory or graphic. Some definitions have cozy mysteries taking place in small towns. Agatha Christie is known as the Queen of the Cozy. More recent cozy series include Posie Parker by L. B. Hathaway and my favorites the Highland Bookshop Mystery by Molly MacRae.

Hard-boiled 

The hard-boiled detective story involves . . . a hard-boiled, professional private eye ala Sam Spade. The crime is gruesome and the detective is often fighting an emotional battle of their own such as addiction. Think the Robert Galbraith mysteries written by J.K. Rowling. 

Soft-boiled 

These mysteries are a lot like the hard-boiled detective stories but less gory and much more humorous. The soft-boiled detective is often a woman solving crimes in gritty, urban settings. Janet Evanovich’s Stephanie Plum books are soft-boiled mysteries. 

Historic 

This category can overlap with any of the others, but the stories are set in the past. The Lady Sherlock books by Sherry Thomas fall into this category. So does the Flavia DeLuce series by Alan Bradley. I simply cannot resist this young scientist turned sleuth. 

Paranormal 

A ghost or some type of magic is involved in a paranormal mystery. I've read books with characters casting spells via the cakes they bake as well as friendly ghosts. My favorites are the Haunted Yarn Shop mysteries by Molly MacRae. Clearly, I really enjoy her books. 

Police Procedural 

Forensics and other police procedures are critical in solving the crime. I really enjoy Kathy Reich's Temperance Brennan series, perhaps the only mystery series my husband also reads. Shhh. He doesn’t realize they are mysteries. 

Suspense 

Suspense stories are atmospheric and build slowly. There is often a time element because the protagonist is the villain’s next target. Think When No One is Watching by Alyssa Cole or The Safe Place by Anna Downes. 

Thriller 

A thriller is another type of tense, fast paced story that is often international in scope. Anthony Horowitz's Alex Rider series is one example of a thriller.

Romantic Suspense 

Add a dash of romance and you have romantic suspense. The grand-dame of this category is Mary Higgins Clark. 

True Crime 

This category is nonfiction, but these books read like fictional mysteries. There is a crime, and real investigators struggle to solve it. Think Ann Rule's The Stranger Beside Me

My story did not fit neatly into any of these categories, so I did one more search and came up with . . .

Science Fiction Mystery 

Science fiction mysteries combine all of the science and speculation of science fiction with a sleuth who is working to solve a crime but gets to use technologies beyond what any detective is using today. This genre isn’t new. One of the earliest books of this kind was Isaac Asimov’s The Caves of Steel published in 1954. My story takes place 100 years in the future and my detective is a tween who can code.

Reading through these subgenres, do any of them inspire you to work on your own mystery this month? 

 --SueBE

To get a free copy of Sue’s book, What to Do When Your Book Is Banned, subscribe to her newsletter, One Writer’s Journey, here.

Sue Bradford Edwards' is the author of over 80 books for young readers.  

She is also the instructor for 3 WOW classes which begin on the first Monday of every month. She teaches:
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Interview with Elizabeth Hoban: Fall 2025 Flash Fiction Third Place Winner

Tuesday, May 05, 2026
Elizabeth’s Bio:
Elizabeth is a traditionally published author of two novels and a historical nonfiction memoir. She has written numerous newspaper and magazine articles over the years. She has won numerous writing awards, including Bethlehem Writers Circle Best in Prose 2018, Writers Digest runner-up in Memoir 2019, Millennium runner-up for Best in Prose 2023, and Reedsy first-place award for two short stories and two short-listed. Her winning story appears in 2025 Reedsy Anthology. Most recently she received the Miriam Chaiken Award for Best in Prose 2025, and won Women on Writing Essay Award 2025. Aside from writing, Elizabeth is a Nurse Practitioner who loves spending time with her kids and her four-legged antidepressants. 

If you haven't done so already, check out Elizabeth's award-winning story "The Wail" and then return here for a chat with the author. 

WOW: Congratulations on placing third in the Fall 2025 Flash Fiction Contest! What excited you most about writing this story? 

Elizabeth: My brother served in the Coast Guard and some years back he had told me about a beached whale they tried to save but to no avail – it was very sad. I decided this would make a harrowing short story someday. It has evolved into a 750-word story from 3000 words and, interestingly enough, after chopping so many words, it still feels like it is complete. I find that exciting. 

WOW: Yes, it often amazes me how much can fit into a piece of flash writing. What did you learn about yourself or your writing while crafting this piece? 

Elizabeth: I am fascinated by small fishing villages in places I have travelled because they seem to have something for all the senses – this piece really helped me use those memories, as well as bring in all the sights, smells, tastes and feelings, etc. Showing and not telling has been a challenge for me and I believe in honing this story, I was able to push myself to use those descriptors more so than in any other short story I've written. 

WOW: I imagine it gets busy working as a nurse practitioner, and spending time with your children and pets. What tricks or tips can you share for making time to also be a prolific and accomplished writer? 

Elizabeth: My children are all grown now and no longer live with me so that in and of itself makes for peace and time. When I am working (as a nurse) I find myself yearning to get home and read/write. I feel guilty watching TV and reading others’ books when I should be focused on my own art. I do audio books when I commute but when I'm home, I spend 80% of my time writing something and, even if I do not finish what I start, I know down the road I will revisit it with new eyes. That was what happened with The Wail. I started it years ago, forgot about the very rough draft, and then rediscovered it just recently. And I always find time for my 4-legged antidepressants! 

WOW: Audiobooks in the car have been a huge timesaver for me, too, and I [almost] look forward to my commutes. What are you reading right now, and why did you choose to read it? 

Elizabeth: Currently, I am reading The Many Lives of Anne Frank by Ruth Franklin. After visiting Amsterdam a few years ago, I had very mixed feelings about the Anne Frank House, so I wanted to find out more, beyond the diary. 

WOW: If you could give your younger self one piece of writing advice, what would it be and why? 

Elizabeth: I grew up in a home where we could stay up as late as we wanted as long as we were reading, we could not see a movie unless we read the book first, and we were not allowed television except on Sundays. Going back, I wish I'd catalogued (and kept) all the books I'd read, especially the ones when I first started reading. It would have been fun to now share some of those really old titles with my grandkids. Many are no longer in print. 

WOW: Keeping a list of books you’ve read is a great idea! I feel fortunate that I have GoodReads to help with that now. Anything else you’d like to add? 

Elizabeth: I very much enjoy writing for and reading the stories on WOW. This platform has not only awarded me twice thus far but has also helped me build confidence in my writing. Perhaps I am going in the right direction. Congratulations to the other winners and thank you WOW for this honor. 

WOW: You’re very welcome! Thank you for sharing your story and your responses with us. Happy writing! 


Interviewed by Anne Greenawalt, founder and editor-in-chief of Sport Stories Press, which publishes sports books by, for, and about sportswomen and amateur athletes and offers developmental editing and ghostwriting services to partially fund the press. Connect @greenmachine459.
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Water in Every Room by Heather Brown Barrett: Reader Review Event & Giveaway

Monday, May 04, 2026
 
Water in Every Room by Heather Brown Barrett

I'm excited to announce our reader review event for the poetry collection, Water in Every Room by Heather Brown Barrett. This book is perfect to give to the mother in your life on Mother's Day, or to yourself, to enjoy the beautiful words Heather has shared with her readers.

We'll be celebrating the launch of the event by sharing reviews from our community and giving you a chance to win one of three copies of the book and an Amazon gift card!

But before we get into what our readers thought, here's more about the book:

Water in Every Room embodies the fluctuations of emotion and form in new motherhood. Ferocious and tender, tending and transformed, mother embraces both her child and the dualities of self in this collection of poems.

You better be sitting down when you read Heather Brown Barrett’s Water in Every Room because these poems will knock you off your feet—the imaginative and emotive energy crackles on every page as she writes about her metamorphosis into motherhood and the son she loves from bottomless depths. “Oh come / be our child, wind of change,” Barrett cries in “Blue Moon,” a resounding “Yes” to the stirring inside that will bloom her son and the water trail of poems that follow in myriad forms and styles such as haibun and ekphrasis. In “Growing a Mother” she writes, “Tender words shook my bones / loose, rattled like seeds / in a coffee tin,” and they will shake you too in words that, like a “churning ocean in our chests,” let us recognize our human capacity for sacrifice and transformation.

— Suzanne Underwood Rhodes, Arkansas Poet Laureate and author of The Perfume of Pain and Flying Yellow: New and Selected Poems

Honest and heartfelt, Water in Every Room beautifully captures the dueling tensions of motherhood—the overwhelming love and frustration, the sense of purpose coupled with helplessness and extreme exhaustion. Heather Brown Barrett expertly oscillates between quiet but joyful observations of parenting and the torrent of raw emotions that accompany the shift into her new role as a mother. This collection is a deeply resonant and perfectly rendered portrait of the mother-child relationship and a necessary reminder that, like the child, the mother is a burgeoning self who requires nourishment and gentle care to grow.

—Claire Taylor, author of One Good Thing and Mother Nature, and publisher/editor-in-chief of Little Thoughts Press

In this stunning debut collection by poet Heather Brown Barrett, we are confronted with the fierceness of motherhood in the face of distress and joy. Water in Every Room creates metaphors for the everyday of family life that explore time, doubt, and the yearning for wholeness through the lens of nature and what it means to be human.

—Michael Jon Khandelwal, Executive Director of The Muse Writers Center (Norfolk, VA)

Publisher: Kelsay Books (February 2025)
Print length: 42 pages
ISBN-10 ‏ : ‎ 1639807071
ISBN-13 ‏ : ‎ 978-1639807079

Water in Every Room is available for purchase at Amazon, Barnes & Noble, and Bookshop. Be sure to add it to your Goodreads list.

Water in Every Room by Heather Brown Barrett Review Event and Giveaway

What WOW Readers Thought

"Heather Brown Barrett's poetry book Water in Every Room takes a dive into motherhood. Several poems, including this line from Grit, "I drink his joy in swells" invites the reader into the loving relationship with her son. Postpartum, Thrown, and Bones of my Bones stuck out the most for me. I recommend this book to any parent or to someone who understands the deep bond between a mother and her child."

~ Heather J.

"I really enjoyed the poems in Heather Brown Barrett’s Water in Every Room. They are intimate and moving, but they’re also crafted with attention to image, rhythm, and form. There’s so much tenderness here, but the writing never feels sentimental. Her narrator is restrained, even when taking on heavy material around the body, birth, fear, love, and life. I appreciated the way the collection captures motherhood not as one simple feeling, but as a transformation that's at once joyful, exhausting, frightening, overwhelming, and full of devotion. This is a thoughtful, moving collection, and I know I'll return to these poems again and again."

~ Kaecey M.

"Buckle up! This stunning debut captures the emotional rollercoaster of motherhood. Up and down she takes us through the torrents, rivulets, and calm waters of the journey. Perfect Mother's Day gift. Also the perfect gift for anyone who enjoys a darned good poem." 

~ Nita S.

"This was a sweet compilation of poems about motherhood and mom life. It shares the big feelings and extreme exhaustion as well as all the little joys. The poems vary in style and flow. I especially enjoyed 'Growing a Mother' and 'Grit.'"

~ Julie S.

"A delightful book to read around Mother's Day and during Poetry Month, which I did. It is a book of poems that are words of devotion in every way to parenthood. These are moving words brilliantly describing in various imagery, form and rhythm what it is all about. The words of motherhood she presents are precious and tender with a collection to visit to help when feeling joyful or overwhelmed or even wanting a feeling of connection."

~ Charity H.

"Water in Every Room is a combination of two things every parent knows. Literary drawings of the scenes we all live - the mountains of laundry, the finger paints, the baby giggles. But if you look beyond that you can find the overwhelming emotions - the love, the fear, the discovery. These poems run the gamut from joyful celebrations of mothering to honest exhaustion to haunting memories of past thoughts. I feel Heather Brown Barrett did a fine job capturing motherhood in a way that we all recognize a glimpse of ourself in her poems." 

~ Jodi W.

"The book of poems Water in Every Room took me back to the wonderful, terrible days of early motherhood, as it perfectly captures the bittersweet moments of being a mother. Heather Brown Barrett takes us on a relatable journey starting with the conception of her child by “two hungry wolves…hungry for more life” in “Blue Moon” and ending with the playful pirate poem “Prelivers & 20 Keys”. Simple to read, there is so much to love in this book, whether we are seeking “Sustenance”, “Growing a Mother”, or discussing heart-wrenching “Curious Words”. It’s a book you can return to again and again."

~ Linda S.

"Water in Every Room, by Heather Brown Barrett, is an absolute gem! If you love poetry, motherhood, or just damn good writing, please read it. I enjoyed it in one sitting, as memories rose to the surface and all my emotions poured out. Barrett’s elegant expressions reveal the passion, uncertainty, exhaustion, hunger, strength, and mostly love that a mother feels. Her use of metaphor, imagery, and the senses brings the reader into her space—morning sounds, smells, and touch, “his tiny fingers, soft as moss…” She imagines her child’s future—what she will teach him, how they will play. My favorite is “Active Imagination” – allowing chaos to become a delight. This book of poems is also a delight!"

~ Leslie C.

"This book of poetry really brought me back to the early times with my now grown three children in a most touching way. I read a lot of poetry that ends up bringing motherhood to the surface, the good and the bad, and this collection is another in that vein that I’ve felt a connection with. I’m so happy to be able to put it on my poetry shelf alongside other women poets who keep it raw and real. I look forward to more of her poetry in the future!"

~ Erin A.


About the Author, Heather Brown Barrett

Heather Brown Barrett
Heather Brown Barrett is an award-winning poet and writer in southeastern Virginia. She mothers her young son and contemplates life, the universe, and everything with her writer husband. She is a Cherokee Nation citizen, the current Membership Chair of The Poetry Society of Virginia, a member of The Muse Writers Center, and a former board member of Hampton Roads Writers.

Her work has appeared in Literary Mama, The Ekphrastic Review, Yellow Arrow Journal, Formidable Woman Sanctuary, Black Bough Poetry, OyeDrum, and elsewhere, and has been nominated for Best of the Net. Her poetry is featured in the global TELEPHONE exhibition, was previously featured on the Dahlgren Railroad Heritage Trail as part of The Poetry Society of Virginia’s Poetry on the Trail project, and previously in the Suffolk Center for Cultural Arts Everyone Has a Story exhibit.

Much of her work is influenced by themes and dualities of motherhood, modes of forgiveness and grace, the structures of curiosity, time, and attention, and the types of subjects that plague most poets, like death, grocery stores, and birds.

She’s the author of Water in Every Room (Kelsay Books 2025), a collection of poems embodying the fluctuations of emotion and form in new motherhood.

Visit her website at https://heatherbrownbarrett.com.
Instagram and Substack: @heatherbrownbarrett

--- Interview by Nicole Pyles

WOW: Congrats on your poetry book, Water in Every Room. What inspired this collection of poetry?

Heather: Thank you for the kind words! This collection was inspired by becoming a mother. What an incredible gift to watch a life blossom, and to be so transformed by it. I’ve always been a creative person, but motherhood plunged me deeper into my creativity. New motherhood was the most challenging and most rewarding experience of my life—a bit isolating and a lot transformative. Being a parent offers a new awareness and vulnerability that wasn’t quite accessible before. More visible now are the minutiae and liminal spaces and dualities, and exploring it all is very exciting. Writing allows me to explore the motions and emotions of the darker recesses and emerge lighter, and so writing during early motherhood helped me sustain a sense of self and process the highs and lows of my new role. It was my intention to create tension and visual appeal in the book with opposing forms, lines, subject, and POV, and to thread hope throughout. Very much embodying the new mother experience!

WOW: You really have done exactly that! What do you hope readers take away from reading this collection?

Heather: I hope mothers will feel connection, and less alone in their frustrations or transformations. I hope readers will see my collection as a love letter from mother to son, and also a love letter to the sense of self in the new mothering role. I also hope readers will feel encouraged to write about their own experiences, if they feel a pull to do so.

WOW: I hope so too! Who should read this collection?

Heather: My book makes a great Mother’s Day gift! Water in Every Room will appeal to expecting, new, and seasoned mothers. This collection of poems speaks to the universal experience of new motherhood and its common themes: the mother-child relationship, transformation of self, dualities present in the mothering role, exhaustion, frustration, strength, and the healing power of love and hope. Several mothers and grandmothers have told me that reading my collection brought back their own memories of giving birth and caring for their babies and toddlers. Fathers have read it and enjoyed it. My book might also appeal to those who are curious about parenting life. I structured this book linearly, even though it’s generally not advised to do so with a poetry collection, because it occurred to me that part of the story was showing the journey through postpartum and slowly but surely coming up from the depths, and that this would allow for more relatability and accessibility for some readers, especially those who don’t normally read poetry. I’m honored when anyone reads this collection!

WOW: I love how it draws all kinds of readers! What wisdom do you have for those nervous about sharing their writing with the world?

Heather: Share it. Writing, and the arts in general, is important for expression, healing, connection. Even if you don’t share it with the world, continue to write. But if you want to share, do it. Find community in other writers, because writers are an incredibly generous and encouraging lot. Be patient with yourself, with your writing and revision. Study the craft of writing, and read, read, read. Create a thick skin for the inevitable rejections. It’s all part of the process. If you embrace the process, you will grow as a writer.

WOW: Absolutely. Creating a thick skin does help! Where do you like to write? Can you share photos?







Heather: Some 4 AM mornings I’m at our kitchen island. (First photo.) Some days, while my son is at school, I work in our library room. (Second photo.) But a great deal of the work goes on in my head, throughout my busy days. For me, words, writing, are a constant flow, like water, spilling out of me all day long. I try to write everything down before it disappears. Thoughts, ideas, fragments, sentences, ramblings, revision. I use my phone’s notes app all the time, and I often write in physical journals. One thing I love about being a writer is how portable it is!

WOW: You have such beautiful spaces to write! Thank you so much for joining us today.


Water in Every Room Giveaway

***** BOOK & $25 GIFT CARD GIVEAWAY *****

Enter the Gleam form below for a chance to win a copy of the poetry collection on motherhood, Water in Every Room by Heather Brown Barrett and a $25 Amazon gift card! The giveaway ends May 17th at 11:59 pm CT. We will choose a winner the next day and follow up via email. Good luck, and Happy Mother's Day!

Water in Every Room and a $25 Amazon Gift Card Giveaway
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Do We Need AI Clauses?

Thursday, April 30, 2026

 


I love to play with words. I love to move them around, trying to find the most powerful order. I love to wander the house mumbling to myself because the right word is lurking just on the outskirts of my thinking. I love scribbling an idea on the back of the grocery list. I love the feeling when someone reads something I wrote and I can tell they like it. Of course, on other days I'm frustrated, my hair looks like Albert Einstein's and I've erased more than I've written. But I can't stop no matter how many bad days I have. In other words, I'm a writer.


So A.I. has confused me from the beginning. Why would you want a computer to write/improve/edit your work? Doesn't that take all the fun out of writing? The joy of saying, "I wrote this!" 


I guess people have their reasons. Time. Money. Fear. Deadlines. Take your pick. But it was never for me. I don't even let AI write my Facebook posts (even though it politely makes suggests that I promptly ignore). Because I want my words to sound like me not...perfectly polished prose.


Despite not using the controversial generators, I've been watching the AI invasion as a concerned creative person.  I worried briefly about the creepy idea that AI could "learn" to write using some of my writing. Like all writers, I pondered the idea of AI generated novels flooding the marketplace. But surely publishing professionals and readers would immediately reject anything AI generated. For me, AI remained a weird thing in the industry that didn't really touch my life.


Until the Hachette debacle, which ironically sounds like a novel. Successful self-published novel acquired by traditional publisher. Hooray! Reviewers begin questioning if it's AI. Traditional publisher pulls book. And here's the twist - author claims it wasn't them. Their first editor must have used AI.


It's the twist that's given me another thing to add to my worry list. Now it isn't enough that we as writers don't use AI personally. Now we have to make sure that everyone who touches our work throughout the process doesn't use AI. How can we as authors ever be sure what our editors use or don't use? As a writer, I've already had to sign several contracts promising that no AI tools will be used in completing my assignment. Should we be adding no AI clauses to editing contracts now? And how can we be sure our editors are honoring our AI ban?


I'm tired of AI. Can we just go back to red pen editing of yesteryear?



Jodi M. Webb writes from her home in the Pennsylvania mountains. She's also a blog tour manager for WOW-Women on Writing. In her mind she calls AI "Big Al". She isn't a fan of Big Al. Follow her writing and reading life at 
Words by Webb

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Interview with Bianca Jones, 2nd Place Winner in the WOW! Fall 2025 Flash Fiction Contest

Tuesday, April 28, 2026

 

Bianca Jones is a library assistant, developmental editor, and fiction writer represented by Leah Pierre of Ladderbird Literary Agency. She writes sweet young adult romance and dark, unsettling horror…and she would love to combine the two one day. You can find her on X (formerly Twitter) at BJOwrites. 


 






----------Interview by Renee Roberson 

WOW: Hello, Bianca, and welcome! I loved your winning story,  “A Forgiveness of Crows," which discusses a family curse and the ability to break the cycle of generational trauma. How did you first get the idea for this piece? 

Bianca: I’ve always admired crows for their gentleness, mischievous nature, and their extreme intelligence. Recently, I watched a blip of a video, maybe 45 seconds long, about crows’ ability to form relationships. Crows are familial creatures that have long memories and can hold grudges for up to 17 years! If you hurt one, you can end up catching a thwack on the head from its grandchild years later—they mean business. As an African-American in the South, connecting crows to Jim Crow came as easily as saying the word “crow” out loud. So, I started there, and the “family history” unfolded all on its own. I’m interested in exploring this idea in an extended format, maybe as a novelette, in the future! There’s a small detail of my narrator being a woman—a break in the cycle of sons that become fathers who are killed by the crow curse—that could have several meanings. Was it actually her tiny son’s kindness that broke the curse? Did the curse require a “male sacrifice” of sorts, and that’s why she was spared? Or was it something else entirely? I’m quite eager to know myself. 

WOW: I did not know that about crows! I can definitely see this being extended into a longer story. Have you published any flash fiction or short stories prior to this one? Where do you find your ideas? 

Bianca: I actually haven’t published any flash fiction before! I’m a novelist, and I’ve never considered myself strong at writing short fiction; I’m far too long-winded for that. In fact, I wrote “A Forgiveness of Crows” as a 2,200-word short story before I re-read the contest rules and realized I was supposed to be writing flash fiction, so I had to cut down this story quite a bit! It was a lovely challenge, though, and it’s made me more confident in my ability to write short fiction. My ideas come from odd tidbits and things I learn, or from inspiration in books that I read; working at a library gives me a lot of inspiration to work with all day long. 

WOW: You are represented by Ladderbird Literary Agency. Could you tell us more about your path to finding an agent and what books you have in the works? 

Bianca: I’m so proud to be represented by Ladderbird. I’ve been writing young adult contemporary fiction novels since college. Around big life events like marriage and children, I queried on-and-off for nearly twelve years before writing a story that centers around the lives and mental health struggles of Black and brown people; in particular, it’s a love story between two high school seniors, one Hispanic and one Black. I decided to, for the first time, query Black and brown literary agents. I found Ladderbird, read its bold, front-and-center mission statement on their website that says, “We have a passion for bringing marginalized voices to the forefront,” and I felt like I and my work would be supported and seen in a way that we hadn’t before. I reached out to Leah Pierre, and she loved my story as much as I do. It was very “right moment, right time,” but built upon years of writing, scrapping, writing again, and quite a few dozen rejection letters. Currently, we’re querying my YA mental health romance and a YA rom-com, and I’m also editing a YA paranormal novel with a touch of romance and a whole lot of spooky. We’re crossing all of our fingers that an editor will bite! 

WOW: Kudos to you for sticking with it! I know writing and querying for so many years is not for the faint of heart. It sounds like you found the perfect champion for your stories and I can't wait to see how your journey progresses. I noticed you work in a library (and I work part-time at an independent bookstore!) so I’m curious what genres you are seeing grow in popularity with your patrons. 

Bianca: I’ve worked in public libraries for 13 years, and I’ve seen so many genre trends come and go. Having one foot in the publishing world helps me see the trends before they even hit the library sometimes! Currently, the focus is less on genre and more on author and author read-alikes; aside from romantasy, which is still a major player in our circulation numbers, authors like Freida McFadden, Colleen Hoover, Kristin Hannah, and Taylor Jenkins-Reid always fly off the shelves. Any author who writes a lot of edgy intrigue is going to be a must-borrow. A touch of historical fiction usually makes a book even more coveted. And with books older and newer being turned into films left and right, I see renewed interest in stories that were popular ten or twenty years ago. Sometimes I get to see a classic, such as Wuthering Heights, start circulating more, and that’s really exciting! 

WOW: And don't you love recommending books to people looking for their next great read? I concur with all you said above. What is the last book you read and what was it about? 

Bianca: I read a cozy little book called Days at the Morisaki Bookshop by Satoshi Yagisawa. Takako, the 25-year-old main character, is broken up with in a painful and embarrassing way, and she gets locked in a mundane cycle of depression in her city apartment. She moves to the outskirts of Tokyo, into the tiny apartment above a bookshop owned by her eccentric uncle. Previously a non-reader, she becomes engrossed in the second-hand books as she organizes them and begins selling them alongside her uncle. Over the course of the few months she spends living above the Morisaki Bookshop, she learns about herself, love, and gains a new perspective on the importance of consistent, healthy relationships. Lately, I’ve been reading sweet, human-centered stories from Japanese and Korean authors, both as a way to gain insight into another culture and to read something different from my usual rotation of spooky, spicy, and non-fiction.

WOW: Those stories are very popular, and now I have to put Days at the Morisaki Bookshop on my list! I have also been wanting to check out Jesse Q. Sutanto, who's been writing in a variety of genres. Bianca, thank you again for being here today and please keep us posted on your publication news!

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Being Pyotr Ilyich by Chris Nielsen: Blog Tour & Giveaway

Monday, April 27, 2026
Being Pyotr Ilyich by Chris Nielsen

I'm excited to announce Chris Nielsen's blog tour for her book, Being Pyotr Ilyich: Tchaikovsky’s Inner Life, Revealed by Himself 130 Years Later. This book is perfect for seekers, creatives, and anyone who has ever sensed that their life, love, or suffering carries a deeper meaning beyond what can be explained by a single lifetime. Join us as we celebrate the launch of her book and interview with her about her writing journey. You'll also have the chance to win a copy for yourself.

Before we get to that, here's more about her book:

Being Pyotr Ilyich: Tchaikovsky’s Inner Life, Revealed by Himself 130 Years Later is a confessional spiritual memoir that explores the deeper meaning of human suffering, love, and creative purpose through the lens of soul memory.

Born from an extensive process of past-life and between-lives regression, the book recounts Chris Nielsen’s unexpected discovery of a former life as the composer Pyotr Ilyich Tchaikovsky—and the profound emotional wounds, unfinished lessons, and spiritual insights that followed her into this lifetime. Moving beyond biography, the book uses Tchaikovsky’s life as a case study to illuminate how trauma, grief, identity, and longing echo across incarnations.

Blending personal experience with therapeutic and spiritual reflection, Chris offers readers a rare glimpse into the mechanics of incarnation, life purpose, and healing from the perspective of the Higher Self. At its core, this book is not about the past—it is about understanding why we are here, how love shapes our evolution, and how deep inner clarity can transform pain into meaning.

This is a book for seekers, creatives, and anyone longing to understand the hidden threads that connect suffering, love, and the soul’s long journey home.

ISBN-10: ‎9730378851
ISBN-13: ‎978-9730378856
ASIN: B0BTZTG87W
Print length: 205 pages

Purchase a copy of Being Pyotr Ilyich: Tchaikovsky’s Inner Life, Revealed by Himself 130 Years Later on Amazon and Bookshop. Add it to your Goodreads Reading List.

About the Author, Chris Nielsen

Chris Nielsen

Chris Nielsen is a spiritual author, regression therapist, and podcaster exploring the deeper meaning of incarnation, healing, and soul evolution. She is the author of Being Pyotr Ilyich – Tchaikovsky’s Inner Life, Revealed by Himself 130 Years Later, a confessional spiritual memoir born from an extensive process of past-life regression. Through her writing and her podcast, Time Traveling – A Spiritual Journey of Healing, Chris examines themes of love, grief, soul memory, and the transformative power of human experience. With a background in arts communication and cultural marketing, she brings clarity and discernment to complex spiritual subjects. Her work has been featured in ABC, CBS, NBC, FOX, Business Insider, and the Miami Herald.

Find the author online at: https://chrisnielsenbooks.com

---- Interview by Nicole Pyles

WOW: Congrats on your book! What inspired Being Pyotr Ilyich – Tchaikovsky’s Inner Life Revealed by Himself 130 Years Later?

Chris: In November 2019, during a deeply personal journey of healing and self-discovery, I came face to face with my past life as Pyotr Ilyich Tchaikovsky. It was one of the most profound experiences of my life, and it changed not only the course of my healing, but also the way I came to understand myself and the
deeper meaning of our earthly existence.

This past incarnation defines my present life far more than any of my other previous lives. My career (in the artistic world), my family relationships, the blockages and fears I experienced before healing, and many other aspects of my life — even seemingly small details, from hobbies to literary preferences — all seem to find their explanation in my past existence as Pyotr Ilyich.

But most importantly, the deepest significance of this rediscovery lies in the continuity I recognised in my own personality, which feels, in many ways, like a natural extension of Tchaikovsky’s way of being.

WOW: How profound! What was your writing process like? Did you do a lot of planning and preparation in advance?

Chris: My book was born from more than twenty regression therapy sessions conducted over the course of a year and a half, amounting to nearly one hundred hours of trance work. The audio recordings made after each session were then transcribed almost word for word. In that sense, I believe my book was, in a very unusual and intimate way, more told than written.

In a world where AI tools increasingly risk making writing feel artificial, I feel that the way this book came into being preserves something deeply authentic: a direct connection between the soul of the author and the soul of the reader.

Because regression therapy naturally takes the form of a dialogue between therapist and patient, the therapist’s questions and some of the more technical passages — what one might call the “pure healing” dimension of the work — were removed from the final text. What remains is the essential material, presented on two levels: first, the story of Tchaikovsky’s life as seen from the most intimate angle possible; and second, the deeper answers I received from higher planes throughout my healing process.

Only light editorial intervention was made, mainly to remove repetition and allow the text to unfold withvgreater clarity and grace, since when you are under trance, you pay no attention to style. The events were also arranged in chronological order, because regression does not always reveal them that way.

So Being Pyotr Ilyich – Tchaikovsky’s Inner Life, Revealed by Himself 130 Years Later is a faithful transcription of those trance recordings — the closest possible equivalent to direct testimony — drawn from within Tchaikovsky’s life itself and from within the healing journey undergone by his spirit, and implicitly by my own. In a sense, reading this book is like listening to a live transmission from Tchaikovsky’s inner world and from my own dialogues with the Divine.

WOW:  What an incredible experience. What was your research process like?

Chris: Continuing from my previous answer, my research process involved delving into the history of my own spirit. Whether or not we are consciously aware of it, all our memories are stored somewhere in the subconscious mind, whether their source lies in our present life, early childhood, or even past lives. Some people access these memories more easily, through lived experience or intuition, while for others the veil of forgetfulness remains very firmly in place.

In my case, writing this book followed naturally from my healing process. Any regression therapy begins with a problem one wishes to heal in the present life — an emotional blockage, a relational issue, a limiting behavioral pattern, a phobia, recurring nightmares, unexplained pain, and so on.

I began with emotional blockages related to my profession, as well as aspects of my personal and family life. The thread led me to this past life, which I explored in order to understand what I had lived through. But in regression, seeing the story of a past life and its key moments is only half of the process. The second half — and the essential one — is the healing itself. It is not enough to understand what you experienced; even more important is understanding why you experienced it. 

That is where the release of blocked emotions begins: saying what could not be said at the time, meeting spiritual guides, the Higher Self, or the Divine, and receiving insight into the meaning of those experiences and their connection to the life one is living now.

So my research process meant following the flow of my own healing. Over the course of more than ten years, I have worked through more than thirty past lives. What I did differently in the case of my life as Tchaikovsky was that, after completing the sessions necessary for my own healing, I continued with a few additional sessions for research purposes. There were certain scenes, not essential to my healing, in which I felt the need to clarify details, relationships, or circumstances in order to offer my readers the most accurate story possible.

WOW:  I find that so interesting. I see you host a podcast! Did that experience inspire your book or guide your process in any way?

Chris:  I think it would be more accurate to say that things happened in exactly the opposite order: my book Being Pyotr Ilyich inspired the creation of my podcast Time Traveling – A Spiritual Journey of Healing, and not the other way around.

I felt that many readers wanted me to go further into the process of past-life regression, so I decided to offer something more to those who were open to understanding what lies behind the architecture of our lives. That is how the podcast was born. I literally took my book in my hands and asked myself, page by page: what might readers want to understand more deeply? Where could I offer more detail, more context, or more concrete examples from my experience, both as a patient and as a therapist?

That is how more than fifty weekly episodes came into being. I have always tried to make everything I share simple and concrete, so that anyone — whether familiar with psychology, alternative healing, or spirituality or not — can easily follow what I am talking about.

The podcast explores the deeper architecture of the soul through past-life regression, karmic memory, and emotional healing across lifetimes. I speak about existential questions such as the purpose of earthly life, how emotional wounds are formed and carried forward, what happens between incarnations, and how relationships, illness, creativity, and destiny reflect a much longer journey of the soul. I also touch on themes such as the inner child, fear of abandonment, karma, soul contracts, family patterns, psychogenealogy, life mission, depression, trauma, self-love, the Higher Self, the relationship between the soul and the Divine, and the link between blocked emotions and physical illness.

Drawing on more than a decade of personal regression experience, therapeutic training, and the spiritual revelations that inspired Being Pyotr Ilyich, the podcast moves beyond abstract spirituality into lived inner experience. Although it includes intimate insights connected to the soul journey portrayed in the book, its message is universal: it offers listeners a bridge between regression therapy, emotional healing, and everyday human transformation.

WOW: That's amazing! How did you come to learn about past life regression, and how did this wisdom shape your writing?

Chris: Today, when I look back on the last fifteen years of my life, I feel with all my heart that my steps were guided, one by one, from Above, building a path of which I was completely unaware while I was living it.

And I believe this is true for all of us: we live with a sense of spontaneity, yet we are constantly assisted and guided along a path shaped by what each of us has chosen to live, feel, and experience in this existence. 

So I discovered past lives almost by chance — through a simple footnote, which only shows how much even an apparently insignificant detail can reveal. My husband had borrowed from his aunt a well-known spiritual book called The Intelligence of Matter, written by the Romanian doctor and author Dumitru Constantin Dulcan. In one footnote, he mentioned two American authors known for their books on past lives: Brian Weiss and Sandra Ann Taylor.

I was immediately fascinated and inexplicably drawn to the subject, although I knew nothing about it before. The following weekend, I rushed to a bookshop, bought the books, and read them almost in one breath, feeling instantly convinced of the truth of what I was reading, even though those ideas were completely foreign to my upbringing. I am an Orthodox Christian and was born into a fairly conservative world. But I have always been open-minded, and when something feels true to me, I am willing to follow it.

At the same time, because of several health issues that had been troubling me for years, I began seeing a therapist and master of alternative Asian medicine. He first worked with me as a therapist and later as a teacher, and he explained that my problems originated in past lives, encouraging me to explore further.

Then came a remarkable series of synchronicities. A co-worker of my husband’s turned out to be the only therapist in Central Europe trained at the Newton Institute in the United States, and with her I had my first two trance sessions, which deeply fascinated me and convinced me of the reality of other planes. Later, almost unbelievably by chance, I discovered the courses offered by the Academy of Past Life Regression in the UK, founded by the well-known author and therapist Andy Tomlinson. I became a student there and graduated after about three years of training.

What I find essential is that I do not come from a family or culture in which people believe in past lives — quite the opposite. And I am a very analytical and rational person. So the first sceptic of my own
experiences was myself. But that is precisely what gives depth to everything I have lived: I was
convinced by direct, concrete experience, not by theory alone. Today, I feel deeply the truth of
something the Asian world has taught for thousands of years, and that many of us in the West are only
now beginning to rediscover.

WOW: How profound! What do you hope people gain from reading this book?

Chris: What prompted me to write this book were the truths shared with me in trance by the Divine as part of my healing process. I would come out of trance deeply moved by the revelations I received — about how a life mission is born, how the script of a life is constructed, how one life connects to another, how a spirit evolves, what our relationship with the Divine is, how the subtle planes are organised, and how emotions shape the physical body and even influence illness.

As I write in the introduction, I felt an inner need — almost like a fire — to share all of this, as though it were a sacred duty. At a certain point, it seemed unfair to keep only for myself revelations that had been so generously offered to me.

After all, our lives are not nearly as different as they appear. We all go through similar wounds, losses, fears, and questions. So if my experience can help others understand their lives more deeply and perhaps heal, then I feel the effort was worth it.

I hope readers will come away with the sense that existence has meaning, that nothing is random or without purpose, no matter how painful certain experiences may seem. I hope they will understand that we are always assisted from the subtle planes — by guides, angels, or however each person chooses to understand that reality — and that we are deeply loved by the One who created us, regardless of religion or spiritual language.

Finally, as I say in the book’s introduction, I hope this book brings more love and light into each reader’s life, and that after turning the final page, they may live more consciously, keeping close only what truly matters and what truly defines them. In other words, I believe in living as authentically as possible — or, as my mentor used to say, in “living in truth”.

I would also be happy if this book encouraged people to become more open-minded and flexible in the way they see the world. If we truly understood that across many lives we may have carried different races, religions, and national identities, perhaps many of the divisions we take so seriously today would begin to dissolve.

WOW: That would be wonderful! What are you working on now that you can tell us?

Chris: Right now, in addition to continuing to develop my book Being Pyotr Ilyich and my podcast Time Traveling – A Spiritual Journey of Healing, I am preparing two new podcast projects.

The first is YOU ARE ENERGY – Awaken Your Healing Force, which will be a more practical podcast drawing on my thirteen-plus years of experience working with energy as a Reiki therapist. The second is NEXT LEVEL HUMAN – Elevate Your Consciousness, through which I hope to encourage people to live more purely, at a higher vibration, with more light, more love, and more authenticity, while questioning what is superficial in their lives and reconnecting with what is essential.

I believe the second podcast may be the first one I release, and I warmly invite readers to follow my YouTube channel to stay up to date with everything I am sharing.

WOW: How exciting! What advice would you share with readers who feel they have a story to tell but don't know if it's worth writing?

Chris: As I often tell my nearly ten-year-old child, every meaningful journey in life is difficult, takes time, and  asks a great deal of us.

So I would say this: do not begin unless the need to write truly burns within you, because otherwise you may not have enough fuel to continue. But if you feel a clear and powerful inner call to share something, then keep going no matter what — beyond fear, beyond doubt, and beyond the opinions of others. We all have a purpose, and each of us has our own path. So I believe we should make the most of every moment of every life. More than anything, I would love to see people support one another more generously.

I was recently deeply moved by the work of a younger French author, Benjamin Carraud, whose book Goodbye, Fields of Prokhorovka: Past Life Memories of a Waffen-SS Officer I reviewed with great admiration, although we have never met. I felt moved to support him simply because the sincerity and quality of his work touched me. In the same spirit, my own book was generously endorsed by Daniel Meurois, a major French author in the spiritual field.

I am sorry that the world is often so divided. I believe that if we supported one another more, the path would become not only easier, but also far more beautiful. Too often, egos still stand in the way.

WOW: So true! Thank you so much for joining me today. Enjoy the blog tour!


Being Pyotr Ilyich by Chris Nielsen Blog Tour

--- Blog Tour Calendar

April 27 @ The Muffin
Join us at the Muffin as we celebrate the launch of Being Pyotr Ilyich: Tchaikovsky’s Inner Life, Revealed by Himself 130 Years Later by Chris Nielsen. We interview the author and give you a chance to win a copy of the book.

April 28 @ CC King's blog
Stop by CC King's blog for a spotlight Being Pyotr Ilyich by Chris Nielsen.

April 29 @ What Is That Book About?
Michelle features Being Pyotr Ilyich in a spotlight.

May 4 @ Tracey Lampley's blog
Join Tracey for a spotlight on Chris Neilsen's Being Pyotr Ilyich.

May 7 @ A Wonderful World of Words
Stop by Joy's blog for a spotlight on Chris Neilsen's Being Pyotr Ilyich.

May 10 @ A Storybook World
Join Deirdra's blog for a spotlight on Chris Neilsen's Being Pyotr Ilyich.

May 14 @ Words by Webb
Stop by Jodi's blog for her response to our tour-themed prompt about what forgiveness means to her now, compared to earlier in life.

May 15 @ Speaking of Spirit
Visit Linda's blog for her response to our tour-themed prompt on her experience with a connection that felt ancient, familiar, or inexplicably deep.

May 16 @ Boots, Shoes, and Fashion
Join Linda's blog for her interview with author Chris Nielsen about Being Pyotr Ilyich.

May 18 @ Sarandipity's Blog
Stop by Sara's blog for an excerpt from Chris Nielsen's Being Pyotr Ilyich.

May 20 @ Create Write Now
Join Mari's blog for a spotlight on Chris Neilsen's Being Pyotr Ilyich.

May 21 @ The Faerie Review
Stop by Lily's blog for a spotlight of Chris Nielsen's Being Pyotr Ilyich.

May 23 @ Word Magic
Join Fiona's blog for an excerpt from Chris Nielsen's Being Pyotr Ilyich.

May 25 @ Chapter Break
Visit Julie's blog for a spotlight on Chris Neilsen's Being Pyotr Ilyich.

May 27 @ Nikki's Book and Movie Reviews
Stop by Nikki's blog for a review of Being Pyotr Ilyich.

***** BOOK GIVEAWAY *****

Enter the Gleam form for a chance to win a copy of Being Pyotr Ilyich: Tchaikovsky’s Inner Life, Revealed by Himself 130 Years Later by Chris Nielsen! The giveaway ends May 10th at 11:59 pm CT. We will randomly choose a winner the next day. Good luck!

Being Pyotr Ilyich Giveaway
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A Little Help From My Friends

Thursday, April 23, 2026

 

Photo by Pexels

I’ve been feeling a little down in the dumps about my writing lately. After years of working on various novel-length projects, I finally had requests from agents. Then, the rejections came pouring in once they read through the book. I’ve had a few beta readers go over the manuscript, and it needs work, but I can’t bring myself to begin the edits. I’ve written a novel about a true crime podcaster who shares survival stories whose sister disappeared from a summer camp. Last week I picked up a book by Tiffany Crum that's been receiving a lot of buzz called This Story Might Save Your Life. Guess what it’s about? Two true crime podcasters who host a survival podcast until one of them goes missing. Well, darn. (I read the novel, and while it’s not the same as mine past the podcast premise, I still worry it’s going to appear I copied the concept if I ever send out the manuscript again). It made me think that maybe I’m not cut out to write mysteries, because I struggle with planting all the clues efficiently when I write. 

I produce a weekly true crime podcast where I do all the research and write the scripts. While it has grown organically in the past five years to have almost 9,000 followers on one podcast platform, it still doesn’t receive enough downloads to earn money. Essentially, I’m paying to produce my own podcast, and last week, someone was kind enough to drop a nasty one-star review in the feed. Among other things, this anonymous keyboard warrior said, “Do a little research on how to produce a good quality show before actually doing it.” 

Then, today, a glimmer of hope, from a WOW! classroom instructor and judge. Last month, I’d told her about an essay I wanted to write. In 2023, I was the victim of financial fraud and lost more than $3,000. My bank refused to refund the money until I enlisted the help of a local consumer affairs reporter. The day I received the cash back into my bank account was the same day I learned my biological father had passed away. Estranged for many years, I hadn’t even known he was ill. I ended up using some of the refund to quietly help pay for his funeral. 

The first draft of the essay flowed out of me in 24 hours. I had the instructor look over it, and we had a call today. She lifted my spirits, pleasantly surprised that I could have written a solid first draft in less than a month, and gave me some wonderful tips for revising the next draft. I began to think that maybe my writing isn’t so hopeless after all. Then I thought back to all the times my writing friends (most of whom I’ve met right here at WOW!) have helped me with essays, short stories, contest and market suggestions, and reading drafts of my novels. In fact, if it hadn’t been for these writing friends, I wouldn’t have placed in Writer’s Digest competitions for nonfiction and fiction or had my work published in literary journals. They’ve even cheered along my podcasting journey from the very beginning. 

I can’t write in a vacuum, and none of us should. Sometimes all it takes is a few words of encouragement to make us realize our worth. I came away from today’s call with a renewed enthusiasm and suggestions on how to improve a few other essays I’ve drafted in the past few years. 

And maybe, just maybe, a little more belief in myself.

Renee Roberson is an award-winning writer and host/creator of the podcast, Missing in the Carolinas. Learn more about her work at FinishedPages.com.
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Mother Tongue - Interview with Linda Petrucelli (and Join our Reader Review Event)

Wednesday, April 22, 2026


Travel across the world today with author Linda Petrucelli and her memoir Mother Tongue: A Memoir of Taiwan. Enjoy today's author interview and a sneak peek at a memoir of her time as a clergyperson in Taiwan in the 1980s.


For more information about reviewing this book contact jodiwebb9@gmail.com or sign up at 


 About the Book


Standing by the window, I tried to understand what happened to me to take such an unfathomable leap… What I hadn’t realized was that first, my one and only assignment would be to learn the language.”


In 1984, when Linda Petrucelli arrives in Taiwan with her husband Gary Hoff, she assumes she will learn Mandarin Chinese. Instead, her local church partner, the Presbyterian Church in Taiwan, assigns her to learn Taiwanese, an eight-toned ancient tongue that few Westerners ever attempt. What began as a daunting assignment turns into a transformative journey of faith, identity, and resilience. Set during the world’s longest period of martial law, Mother Tongue offers candid insight into Taiwan’s nonviolent struggle toward democracy, the political power of language, and the universal search for belonging. In her odyssey to communicate in the island’s mother tongue, Linda learns the political implications of language, insight into her own ethnic identity, and the value of finding humor in her mistakes.


Publisher: Koehler Books

ISBN-13:   979-8897471195

ASIN:   B0GNCKK6QV

Print length: 178 pages

Genre: Memoir


We're also inviting readers to participate in our Reader Review event. You can sign up by emailing: jodiwebb9@gmail.com and she will get you a copy of the book! You don't need to be a blogger to join in on this event; anyone who can leave a review on Goodreads and Amazon can participate and receive an ebook copy of Mother TongueBy leaving a review, you'll also be entered in a drawing to win a $25 Amazon Gift Card!


Mother Tongue: A Memoir of Taiwan is available in print and as an ebook at Amazon, BooksaMillion and Barnes & Noble. Add it to your Goodreads list.


About the Author

Linda Petrucelli’s creative nonfiction essays have earned Pushcart Prize and Best of the Net nominations, and her fiction accolades include first place in the Women on Writing Fall 2018 Flash Fiction Contest. An ordained minister in the United Church of Christ, Linda holds degrees from Yale Divinity School and Chicago Theological Seminary. For ten years, she served as a missionary in
Taiwan, becoming fluent in the Taiwanese language. Her wide-ranging ministerial service includes work as a humanitarian relief executive in New York City and pastorates in Iowa, Illinois, Indiana, Pennsylvania, and on the Big Island of Hawaii. She now resides in Hawi, Hawaii, with her artist husband, Gary Hoff, and writes on the lanai of their tin-roofed rancher overlooking the
ʼAlenuihāhā Channel.

Connect with the author


Website: http://lindapetrucelli.com

Facebook: https://www.facebook.com/LindaSPetrucelli/

IG: @linda.petrucelli


--Interview by Jodi M. Webb


WOW: Tell us a little about how you began writing.


Linda: I’ve kept a journal much of my life as a way to sort through my feelings, but writing played a significant role in my professional life, too. I've been an ordained minister and for much of my career each week I wrote a flash CNF essay, aka “a sermon,” and delivered it live before a congregation. From time to time during my ministerial years, I published nonfiction articles that leaned toward journalism, including one about capital punishment in Taiwan that appeared in The Christian Century. 


After I retired, I finally had the time to dedicate myself to the craft of writing and to enjoy a consistent practice. I started by taking online classes, many of them WOW! offerings, joined our local writer’s guild, and began reading lit mags and memoirs. My first efforts were short form prose—flash fiction and personal essays.


WOW: So how did you go from flash fiction to a memoir focused on your time in Taiwan?

Linda: Current events got me thinking. How, in my opinion, Taiwan and the US had reversed roles over the last several decades. I am concerned about what I see as authoritarian tendencies infiltrating our national life. Book banning; disruption in transferring power; curbs to freedom of expression. These were the tactics of Taiwan’s one-party dictatorship in the 80s when I lived there. How ironic, I thought, that Taiwan has made incredible strides toward democracy in the shadow of China, slowly overcoming its authoritarian history, while my own country has moved in the opposite direction. I wanted to tell my story against the backdrop of Taiwan’s resistance and resilience as a hopeful reminder that courageous individuals can change oppressive systems.

WOW: It's amazing to see our current world through the lens of your experiences decades ago. How did you write Mother Tongue? Did you have journals or other written works
to draw from or was it all from your memory?

Linda: I had made several attempts at writing a memoir but I never finished any of them. Finally admitting that I was a “Plotter” not a “Pantser,” I drafted a three-act structure using a list of detailed scenes. The outline periodically shifted and rearranged itself but it helped me when I felt lost or overwhelmed trying to get the story down. I committed to 500 words a day for four months. The first draft was pretty awful but not beyond saving and I went on to edit the manuscript over a period of nearly two years. I actually wrote the last chapter first, in hopes that the preceding chapters would move toward and culminate in that final scene.

For background material, since it happened so long ago, I utilized journals and letters I had written to my father. I also was lucky to have my husband Gary who was with me in Taiwan as a sounding board. His recollections were indispensable, as well as the extensive photo collection we had assembled. Towards the end of the second draft, I contacted some of my Taiwanese colleagues with a few questions. I even got some information I didn’t expect… After I messaged Lim Bi-iong, one of the Taiwanese women who appear in my book, she sent me declassified government surveillance records on my activity at the Fishermen’s Service Center where I had worked!

WOW: You write about the difficulty of learning to speak Taiwanese. Was it difficult to capture the sound of the Taiwanese language in your writing?

Linda: That is a super insightful question, Jodi!

Of course, I used the romanization system I had learned to show the language I was speaking, but to evoke the sound is another thing altogether. As a writer, I think sound is one of the more challenging senses to describe. So, I got a lot of practice writing this  book! 

During my research, I discovered a journal written back when I was studying Taiwanese where I wrote about “laughing in eight tones.” This memory inspired the scene where I am practicing saying “HA” using eight different intonations. Later in the scene, where I am practicing saying MA, you’ll find my favorite line in the book:

“Eighth tone: MA (high and stopped). I forced a soprano glottal stop and squeaked. It was the same tone of my surname in Taiwanese. Not the gently modulated “Bai” of Mandarin, but mousespeak. Peh!”

WOW: I often find that the memoirs I read change my outlook on life. What do you hope readers will take away from Mother Tongue?

Linda: Life and learning are better with laughter!

WOW: Isn't everything! What’s up next for your writing career?

Linda: I continue to take online classes and keep practicing, word by word. I participated in 
Novnov last year and wrote a 50K-word cozy mystery in a month. This kind of writer’s marathon had been an item on my literary bucket list for a while. I’d like to see, with a few months of hindsight now, what I might do with that “vomit draft.” I’m hoping to explore chapbooks, too. Maybe compose several short-short collections around the theme of ‘belonging’ and my spiritual experiences with nature in Hawaii.

WOW: You sound super busy with so many different possibilities. Personally, I would love to read about the connections you've made during your time in Hawaii.


Join the Reader Review Event


Readers, if you'd like to receive a copy of Mother Tongue by Linda Petrucelli for review, please email jodiwebb9@gmail.com or signup at https://forms.gle/LhLatdbbS8i6cuBT9 . Book reviews need to be posted by  on Goodreads (required) and one other bookseller online site. We'll be sharing all the reviews in a Reader Review Event and Giveaway post here on The Muffin on June 15! In addition to receiving the book, you'll also be entered to win a $25 Amazon Gift Card!
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