Moving to My Dog's Hometown by Betsy Vereckey: Podcast Tour & Giveaway

Monday, April 20, 2026
 
Moving to My Dog's Hometown by Betsy Vereckey

We are so excited to announce the launch of Betsy Vereckey's podcast tour. Podcasters will be talking with her about her newly released memoir, Moving to My Dog's Hometown. You'll have a chance to read more about the author in our interview and enter to win a copy of the book for yourself. 

Before we get to that, here's more about the book:

Betsy Vereckey was thirty-seven and newly divorced when she rerouted her life from New York City to a tiny town in New Hampshire she knew virtually nothing about . . . except that it was her dog’s hometown. A lot of people switch up their lives after a divorce, but only a dog lover would drive a rental car north with just a duffel bag and a Glen of Imaal terrier named Ronan in the backseat.

While Betsy’s decision to move to Hanover was motivated by a desperate need for change—along with the fact that Mercury was no longer in retrograde and she’d been offered a “garden” apartment she could almost afford—sometimes challenging circumstances and a cosmic hunch lead you right where you’re meant to be.

From the author of the essays “How my dog helped me find love again” (Newsweek) and “This recipe is the best thing I got from my divorce” (Washington Post) comes a relatable, funny and inspiring memoir for anyone feeling stuck in life. As Betsy discovers in writing these stories, taking a leap of faith to find your personal authenticity isn’t wrong—it’s the key to happiness.

Purchase a copy of Moving to My Dog's Hometown on Amazon, Barnes and Noble, and Bookshop.org. You can also add it to your GoodReads reading list.

About the Author, Betsy Vereckey


Betsy Vereckey is a journalist, memoirist and astrologer who lives in Vermont with three very opinionated terriers in an old farmhouse. Her debut memoir, Moving to My Dog’s Hometown, is about an impulsive decision she made in her mid-30s to move to Hanover, New Hampshire, a town she knew nothing about--except that it was the town where she and her ex-husband adopted their dog Ronan. The book was published in January by Rootstock Publishing, a small press based in Montpelier, Vermont. It is a Kirkus-recommended pick, and the Vermont Weekly Seven Days called the book “a feel-good story with some bite.

Betsy started her career as a 24-year-old reporter writing for the Associated Press in Athens, Greece. Her personal essays have appeared in the highly competitive New York Times’ Modern Love column, The Boston Globe, Food & Wine, The Washington Post, and New York Magazine. Her Modern Love column was chosen by comedian/actress Abbi Jacobson to read on the NYT Modern Love podcast. 

Betsy is the daughter of a Hungarian immigrant, has been a vegetarian since she was 7 years old, and grew up near Youngstown, Ohio, home of the best pizza you’ll ever have. She is an avid birder and volunteers at the Center for Wild Bird Rehabilitation at the Vermont Institute of Natural Science. 

Betsy is also a practicing astrologer and has written numerous essays on astrology, including one for The LA Times about what it was like to do her mother’s chart, decades after she died. You can find her on Substack as Moonlight in Vermont.

Find her online at:


--- Interview by Nicole Pyles

WOW: Congrats on your memoir, Moving to My Dog's Hometown. There's so much I love about your memoir. Can you tell us why you decided to write a memoir about your experience?

Betsy: I was 36 and going through a divorce when I started working on this memoir, a time when many of my friends were settling down and having babies. Writing was my therapy (and cheaper than seeing a therapist)! I wasn’t sure that anything would make sense in my life again. I was working in a dead-end job writing insurance copy for a marketing agency and throwing all my money into my Brooklyn apartment, which was infested with mice. They were everywhere—even in my oven. Well, you know how the saying goes—bad for real life but amazing story material. If I didn’t find the humor in it, I probably would have gone crazy.

I decided to move to Hanover, New Hampshire, a college town that I knew nothing about, except that it was where my now ex-husband and I had adopted our dog Ronan. I moved in with an older retired couple who were suffering from empty nest syndrome, and they became my surrogate parents. We had the best time playing “Jeopardy!” I had only expected to live in New England for six months or so until I moved on to something better, but it's been almost 10 years, and I’m still here and loving it. So, I think my memoir is an exploration of how and why this random decision ended up working out for me.  

WOW: What a scenario! I love how that turned out for you. And you basically lived out a daydream of mine, and that is moving to a random city to start a new life. What gave you the courage to take such a drastic step in changing your life?

Betsy: I had no other options? I’m kidding, but I think there’s actually something to that! If one thing had worked out for me (a date, a job, an apartment), I’d probably still be living in New York City. When everything goes to hell, you really have no choice but to start over. Also, when you change one thing, it becomes a lot easier to keep on taking chances. Once I quit my job, it wasn’t long until I left the city. I really had nothing to lose, and I was tired of sleeping with one eye open to fend off the mice. Plus, I had big dreams of having my own washer and dryer. 

WOW: Ha! I think there is a LOT of truth to that statement. This is certainly not your first rodeo in terms of writing. But what was different writing a memoir in comparison to other types of writing you've done?

Betsy: I workshopped my memoir with a wonderful editor named Joni Cole at the Writer’s Center of White River Junction in Vermont. I met with a writers’ group every Thursday night. It was collaborative and creative, and far less solitary than how I used to work. I think I will always be in a writers’ group from now on. I find that it helps me pull a draft together much faster. 

I also felt like I had more freedom on the page when working on my memoir (hello, swear words!) than if I were writing a personal essay that would appear in a newspaper. I feel like people always say this, and I never believed them until I experienced it myself, but the best part of writing a memoir was actually writing it. In addition to divorce, there were other setbacks in my life I was desperate to make sense of—my mother’s death, for example—and writing a memoir helped me find some peace. 

WOW: Memoir writing can be absolutely healing. As you look back, what lessons would you have wanted yourself to know, whether it's a life lesson or a writing lesson?

Betsy: Sometimes, you can’t think your way out of things; you just have to act. I think I hesitated to leave New York because I was paralyzed that I would make another wrong decision, but you actually can’t move on if you’re just sitting around doing nothing. I think the same lesson applies to writing. More often than not, you can’t write the story in your head. You have to handwrite in a journal and put some words on the page and get out of your own way so that your subconscious can take over.  

WOW: Great advice! What would you say to authors who aren't sure their lived experiences are "memoir worthy"?

Betsy: Great question. I wrote an entire book about living in a stranger’s house, so I bet your lived experience is a lot more exciting than mine! Any story that completely transforms you is worth putting on the page. I have found that some of the best stories are in the mundaneness of everyday life. By going smaller, you can actually go bigger. Often, it’s not the story itself that matters; it’s how you tell it. 

WOW: I completely agree. Where do you like to write? Any photos you can share?

Betsy: Sometimes, I’ll go to King Arthur Bakery, which is right down the street, but usually, I write at home. My husband and I live in an old farmhouse, and my office is in a small one-room building next to the house that used to be the former owner’s carpentry studio. 


His family buried his freaking ashes under the floorboards after he died, so I like to think he’s my spirit guide. I have three Glen of Imaal terriers who never fail to steal all the good spots on the furniture, so I’m normally at my desk, which is right in front of a big window. 





Sometimes, I’ll see an owl or a hawk. Once, I saw an otter, but I’d love to see a bear or a moose walk past one of these days. A girl can dream. 

WOW: How fun! You have great writing company. Thank you so much for joining us today.

--- Podcast Features

Creative Conversations with Roger Humphrey


Beach Chair Chats

Who We Become

One Starfish with Angela Bradford

The Written Word

Teatime with Miss Liz

Moving to My Dog's Hometown Giveaway

***** BOOK GIVEAWAY *****

Enter the Gleam form for a chance to win a copy of the memoir Moving to My Dog's Hometown by Betsy Vereckey! The giveaway ends May 3rd at 11:59 pm CT. We will randomly choose a winner the next day. Good luck!

Moving to My Dog's Hometown Giveaway
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Interview with Bethany Bruno, Runner Up in the Q1 Creative Nonfiction Essay Contest with “Half of What I Hear”

Saturday, April 18, 2026
Congratulations to Bethany Bruno from Huntsville, Alabama 
for her amazing nonfiction essay titled: Half of What I Hear 

 Check out Bethany’s submission, 
Half of What I Hear as well as all the other winning entries 
and then stop back here to read Bethany’s engaging interview with 
Crystal J. Casavant-Otto from WOW! Women on Writing. 

 
Bethany’s Bio: 
Bethany Bruno is a Floridian author and amateur historian. She holds a BA in English from Flagler College and an MA from the University of North Florida. Her work has appeared in more than a hundred literary journals and magazines, including The Sun, McSweeney’s, River Teeth’s Beautiful Things, Brevity, and The Huffington Post. A Best of the Net nominee, she won 2025 flash fiction contests from Inscape Journal and Blue Earth Review. She is the winner of the 2026 Saturday Evening Post Great American Fiction Contest. Learn more at www.bethanybrunowriter.com. 

WOW: Thank you Bethany for being with me today and sharing so intimately with the WOW! Readership. Keep up the great work and I look forward to working more with you in the future! 

What is the take-away you’d like readers to gain from Half of What I Hear? 

Bethany: For a long time, I treated my hearing loss as something to overcome. Instead, it taught me how to listen differently. I learned to pay attention to pauses, expressions, and what goes unsaid. Silence shaped how I move through the world and how I parent my daughters. I hope readers leave thinking differently about connection, and noticing how much meaning lives in quiet spaces. 

WOW: Bethany - that is such a beautiful explanation for those of us who can only imagine the silence. As someone who is often overwhelmed with an overabundance of noise I can’t really imagine it, but I try… I find myself searching for somewhere quiet when I need to study or write. That makes me wonder, if it’s different for you. Where do you write? What does your space look like? Where did you write your winning piece? 

Bethany: I write wherever I can find a little quiet. On telework days, that means writing at home while the house is empty. Most nights, it happens after my kids are asleep. Time is always the hardest part, so I’ve learned to write in short bursts and take what I can get. 

I actually wrote No Swimming at Monson’s, the piece that won the Great American Fiction Contest, in my husband’s computer lab at work. During the summer, the university is nearly silent, and I loved slipping into that empty space to focus. 

At home, I write at a large wooden desk I bought when we first moved to Alabama. I keep it mostly clear, partly by choice and partly because my toddler loves to grab anything within reach. I do keep a Far Side rip-away calendar on one corner, which feels like just the right amount of chaos. 

WOW: The computer lab sounds dreamy - but I feel like my children might find me as they just love those screens! What’s next for you? What are your writing goals for 2026 and beyond? 

Bethany: Over the past year, I’ve made a real shift toward writing more consistently. For a long time, I only produced a few pieces a year, which limited where and how often I could submit. Writing more changed everything. It opened doors I once thought were closed. 

In the last year alone, I’ve had work accepted by places I’d been submitting to for more than a decade, including McSweeney’s, The Huffington Post, and River Teeth’s Beautiful Things. I started submitting seriously in 2011, right after college, knowing this was the life I wanted. Those acceptances felt like quiet confirmation that persistence matters. 

Looking ahead, my goals are simple but big. I want to keep writing, keep submitting, and keep aiming higher. I’m also starting a new book. I’ve written two books in the past three years and queried widely without landing an agent, which has been humbling. Still, that goal hasn’t changed. I want to build a sustainable writing life. A Pushcart nomination is high on my list, not just as an honor but as a sign that the work is reaching beyond me. 

WOW: You have an impressive bio. What’s one strange story about yourself that may surprise us? 

Bethany: I’ve had a lot of interesting jobs, from English teacher to National Park Ranger to records manager for the Army. But one of the strangest experiences came when I was an undergraduate at Flagler College in St. Augustine, where I worked as a ghost tour guide. 

For two years, I dressed in full nineteenth-century mourning clothes and played a grieving Spanish widow, hoop skirt and all. In the summer, it was brutal. I used to joke that I was slowly roasting as I walked people through the city. 

One night, while leading a group of Girl Scouts, I stopped in front of the gates of the Tolomato Cemetery. As I was telling a story, several of the girls started pointing into the cemetery and whispering. One of them finally said, very calmly, “There’s a little boy in the tree.” 

What unsettled me was that there’s a well-known local story about a young boy buried there whose spirit is said to appear playing in a tree nearby. I’ve always wondered if they knew the story or if they truly saw something I couldn’t. I never saw anything myself, but that moment has stayed with me. 

WOW: Well if that isn’t the most surprising job I’ve ever heard of! Thank you for the photos - what fun! 

Who is your support? What sustains you in writing and in life? 

Bethany: Support has always been a complicated idea for me as a writer. The people in my life are kind and encouraging, but most aren’t deeply connected to what literary work means or how long the road can be. When something gets published, they’re happy for me, but the scale of it often lands differently. 

My husband supports me in the way that matters most. He knows writing makes me happy, and he believes in the part of me that needs to keep doing it, even when the process is slow and quiet. What I’ve learned is that writing requires a certain self-reliance. You do it because you want the work to exist. In the end, you become your own support system, and your own reason for continuing. 


WOW!: Bethany - next time we chat I want to know more about being my own support system and my own reason for continuing… If only we had more time. 

 Thank you for sharing so much about yourself and your life - you’re amazing and I’m so thankful for our time together!


Today's post was penned by Crystal J. Casavant-Otto 



Crystal Casavant writes. 

 Everything...

If you follow her blog you have likely laid eyes on every thought she has ever had as well as most of the recipes she's tried. She's a lot and she's not for everyone.

Her debut novel, It Was Never About Me, Was It? is still a work in progress and shall be fully worthy sometime in 2026...or maybe 2027. She has written for WOW! Women on Writing, Bring on Lemons, and has been featured in several magazines and ezines relating to credit and collections as well as religious collections for confessional Lutherans. She runs a busy household full of intelligent, recalcitrant, and delightful humans who give her breath and keep her heart beating day after day. 

Crystal wears many hats (and not just the one in this photo) including college student, mom, musician, singer, administrator, writer, teacher, and friend. She fully believes in being in the moment and doing everything she can to improve the lives of those around her! The world may never know her name, but she prays that because of her, someone may smile a little brighter. She prides herself on doing nice things - yes, even for strangers! 


 Check out the latest Contests: www.wow-womenonwriting.com/contest.php

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When Busyness Becomes a Dog Run

Wednesday, April 15, 2026
 
A photo of a stranger's dog from Pixabay to represent my metaphor

The last month or so has been quite the doozy. It began when I had an idea for a Substack featuring podcasters looking for guests. I launched it, not sure about the time investment or whether it was worth it, but I wanted to give it a try.

In a few weeks, I went from roughly 400 to about 800 subscribers. That's remarkable, right? 

Well, when I had a really bad day that hit me really hard, I knew something had to give with my schedule. I ran across someone's newsletter that asked, "Is your schedule full but not increasing your income?"

In reality, I think they were selling a course or their coaching business, but that question came back to me on that particularly bad day. The few weeks of reaching out to podcasters did require extra time. It took several hours on Saturday to find and compile the information.

And it wasn't just that feature on my Substack that drained me, as I was also doing a fairly regular "Weekend Care Package" post. It was all fun...but...had I really just built myself a dog run?

I think it's my need to control my circumstances that sometimes leads me to create a busyness that feels productive but doesn't really go anywhere. That doesn't fit my goals. That is really taking up space without leaving room to really grow.

So, I sent out a more solemn-than-I-meant-to Substack post advising people of my pause on all features, including my posts featuring podcasters looking for guests. I braced myself, because I knew I'd feel guilty. And I did. I mean, someone even volunteered their time to help me when they read my announcement.

But I thought to myself: give it time. I asked myself to reflect at the end of the week to see if there really was room for this feature. Maybe I could go back if I felt it really benefited me this way (hey, it's a marketing funnel to the podcast service, really! my inner busyness addict said).

Well, now that a week has gone by, I've come to accept I made the right choice. 

And if you feel like you are too busy to write, or even more importantly, too busy to rest, make sure you haven't accidentally generated a busyness for yourself that is just a dog run. 

And you have to know what's right for you. For example, some people do fantastic with their newsletters. And it works for them. They had the time and room in their life for it to grow, and it's now a success. But we shouldn't base our goals on what worked for someone else. Don't be afraid to accept that something isn't right for you. 

In an ironic twist of fate, soon after that, I ended up picking up an extra writing gig, and another might start next week. It made me realize the importance of leaving room for things.

So if you feel like you are running around like a chicken with its head cut off (I knew one day that metaphor would enter into my writing), pause, do a busyness inventory, and see what you can stop doing for a while. See if it works and leaves you with breathing room.

Nicole Pyles is a chronic busyness addict who promises she'll stop adding unnecessary things to her plate. Check out her writing blog for updates at https://worldofmyimagination.com. Or say hi on threads at @BeingTheWriter.
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Interview with Jewels - WOW! Q1 Creative Nonfiction Essay Runner Up

Sunday, April 12, 2026


Jewels, a runner up in the Q1 2026 Creative Nonfiction Essay Contest for Headbanger's Mask, joins us today with some thoughts on memoir. As a writer and artist based in the Pacific Northwest, has been trying to speak her truth since before she had the language for it. Her work explores identity, masking, and the long, uneven process of becoming audible—to herself first, and then to others. Her writing is informed by a parallel practice in systems, culture, and narrative analysis. 


You can read more of her work on Substack at https://www.jewelsfromcoal.com/ where she shares reflections, writing, and creative work.


WOW:  “Headbanger’s Mask” was a powerful essay. What message do you hope will remain with your readers?


Jewels: What I hope readers carry with them is the idea that the masks we wear often begin as protection. For many of us—especially those navigating race, identity, or belonging in environments that weren’t built for us—masking can be a survival strategy. But over time, those masks can also become prisons if we never take them off.


Writing the essay helped me understand that the version of myself I created to survive wasn’t fake—it was adaptive. The real work now is learning how to keep the strength that mask gave me while still allowing my true self to breathe.


WOW: Do you think all people recognize that they wear a mask?


Jewels: I don’t think everyone does, at least not right away. Many of the masks we wear are learned so early that they feel like personality instead of performance. For people who exist at the intersection of multiple identities—race, gender, class, sexuality, neurodivergence—the awareness often comes earlier because we’re constantly adjusting ourselves to different environments. But even then, recognizing the mask and understanding why it exists are two different things. Sometimes writing is the first place where that realization happens.


WOW: Has writing been an important way to learn about yourself?


Jewels: Writing has been part of my life since I was young, though I didn’t always understand its importance at the time. It started as journaling, then poetry, then essays. Over the years it became the place where I could ask the questions I didn’t always feel safe asking out loud. Writing helped me make sense of the spaces between identity, family history, culture, and belonging. Looking back now, I realize writing wasn’t just expression—it was also a form of listening to myself.


WOW: Do you have a preferred type of writing or genre?


Jewels: I’m most drawn to creative nonfiction and memoir because they allow me to explore lived experience while still using the tools of storytelling. That said, I also write fiction and speculative work. Sometimes the truths we’re trying to explore become clearer when they’re placed inside a story. I enjoy moving between those spaces because each genre reveals something different about how we understand ourselves and the world around us.


WOW: Can you tell us a little about the progress of your memoir?


Jewels: The memoir I’m working on explores identity, belonging, and the long process of learning to love oneself after years of navigating systems that encourage masking and survival over authenticity. Right now the project exists as a series of interconnected essays and narrative moments. Pieces like “Headbanger’s Mask” are part of that larger exploration. The process has been both challenging and rewarding because it asks me to revisit moments in my life with honesty and compassion. It’s a slow process, but it’s one that feels deeply meaningful.


WOW: What’s up next for you?


Jewels: Right now I’m continuing to build out my memoir through interconnected essays that explore identity, belonging, and the long process of becoming. I’m also actively submitting my work and expanding my presence as a writer. 


In addition to my own writing, I’ve begun offering sensitivity reading and editorial support, particularly for stories that engage with race, identity, and lived experience. That work feels like a natural extension of my writing—helping other storytellers bring honesty and nuance to the page.


I’m also exploring ways to bring storytelling into community spaces through workshops and conversations. At this point, my focus is on creating work that is both personally meaningful and in dialogue with a larger audience.


WOW: Good luck with achieving the balance between writing yourself and writing for others. We look forward to updates on your memoir.

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Caio - Interview with L.S. Delorme (and Join our Reader Review Event)

Wednesday, April 08, 2026


Today Lexy Delorme is back with another book from her Limerent series, Caio. Because of the unique design of her series you can read Caio as a standalone and a great way to enter into to Limerent world. In today's interview Lexy talks about writing craft but you can enjoy her first interview and information about Bright Midnights HERE.

For more information about reviewing this book for our Reader Review Event contact jodiwebb9@gmail.com or sign up at https://forms.gle/KvrVVU955aeHtFL86

About the Book


Sarah Baker is a paralegal in a law firm in modern-day Brooklyn. Her life is bouncing between her abusive lawyer boyfriend, the voices she hears in her head and her soul-sucking work at the law firm. On a New York spring day, she meets Caio as he plays basketball on a street court.

He is alluring, intriguing and young. Yet that’s the least of his mystery, for Caio was beaten, thrown into a hole and left to die. In 1905.

Sarah tries to understand this enigmatic stranger while juggling the dubious ethics of her law firm and the ghosts in her head. As she struggles with loss, grief, love, beauty… and lawyers, she will need to summon the strength to break all of society’s rules, save several lives and step into a new and potentially magical life..


Publisher: Limerent Publishing

ISBN-13:  979-8987488096
ASIN:  B0DVQ6VX3R

Publication Date: Feb. 11, 2023
Print length: 307 pages


We're also inviting readers to participate in our Reader Review event. You can sign up by emailing: jodiwebb9@gmail.com and she will get you a copy of the book! You don't need to be a blogger to join in on this event; anyone who can leave a review on Goodreads and Amazon can participate and receive a copy of Caio - both print and ebooks are availableBy leaving a review, you'll also be entered in a drawing to win a $25 Amazon Gift Card!


Caio, a book in the Limerent series, is available in print and as an ebook at LS DelormeAmazon, Barnes & Noble. Add it to your Goodreads list.


About the Author


Author Lexy Shaw Delorme, writing as LS Delorme, is the award-winning author of The Limerent Series, a genre-defying collection of emotionally resonant novels that blend supernatural mystery, psychological thriller, historical fiction, and romantic suspense. With a background as a lawyer, pop musician, and science writer, Lexy brings intellectual depth and lyrical prose to every story she tells. Now based in Paris, she lives with her French husband and two very cool sons. Her work explores themes of limerence, memory, identity, and the echoes of past lives—and she’s not afraid to push boundaries along the way.


Connect with the author

Instagram: @ls_delorme

Learn more about Lexy on Upcoming Podcasts:




--Interview by Jodi M. Webb


WOW: Welcome back, Lexy. Earlier this year we featured Bright Midnights from your Limerent series and this time we’re featuring Caio. Although your books are all in the same series each has a different feel. What types of readers do you think will enjoy Caio?


Lexy: Each of my books explores a different theme. Bright Midnights looked at the different forms of attraction.  The good the bad and the ugly, if you will.   Caio explores the theme of appearance versus reality.   I want to explore the full spectrum of people situations and concepts within this thing.  Ouch, that sounded way too “final examine a literature class”.  In short, I think the sort of people who will like Caio, will be the sort of person who likes or will like most of my books.  


They are perfect for somebody who doesn’t mind something different, isn’t afraid of looking at things from different angles, isn’t afraid of introspection, and likes a story that will make you feel something.  I mean really feel something.   Caio will make you feel a lot of things.  


I have triggered warnings for all my books.  It’s absolutely for a reason.  Part of that reason is because of what it will make you feel but another part is because I push the envelope.  I don’t do that to shock. I do that to point out things that are really happening but that we often look away from.   In Caio, I’m looking at appearance versus reality in terms of appearance of age versus real age, appearance of kindness versus real kindness, appearance of honour versus real honour and a lot of others    One issue that people have had with this book and with Bright Midnights is that my bad guys are BAD.   And a lot of times they are in positions of power in which we would want people to be paragons of virtue.   



WOW: Talking about bad guys...actors often say it’s more challenging to play villians than nice guys. Your book has characters with a villain streak. Would you rather write for the villians or the nice guys?


Lexy: I write morally grey character.  That’s because I don’t believe in “good guys “and “bad guys”.   Mostly I see characters and people as being narrow spectrum or broad spectrum.   So how they’re perceived depends on where they are on that spectrum.   People who have a narrow spectrum will usually be viewed about the same.  If we think of the spectrum being like a pendulum that swings between creating and destroying, broad spectrum people are those who can swing between being a monster and being an angel.   The broadest spectrum sort of entity would be a god, capable of miracles and horrific atrocities.  I used to use this analogy all the time saying that if someone is behaving like Mother Teresa then they are also capable of being a monster.  Then I read a little bit about Mother Teresa and realised I was closer than I thought.   As someone who has acted, I love playing villains.  I love playing villains because I find the other part of the spectrum and find a way to weave it in.


WOW: I find it illuminating that you look at your characters as what they are capable of doing - both positive and negative. You’ve been upfront about the fact that Caio has trigger warnings. Although those aspects are key to the plot, have you had any blowback from readers who feel your writing is too dark?


Lexy: Oh yes, of course.  My writing is not for people who can’t deal with that.   The main reason is I do write about things that actually happened in the world.   If you look around there is a lot of dark.  But there is also a lot of light.   So if people are either unafraid or uncomfortable with that, they definitely should not read my books.   That being said, I find that people who are “survivors”  tend to like my books.  But if you’re looking for something cozy, be warned that there is nothing cozy about anything that I write. 


WOW: Consider us warned. We've talked about characters now let's move on to pacing. What’s the secret to maintaining the excitement and fast pace in Caio?  


Lexy: It’s interesting that you ask that.  Because the beginning of Caio is very much a woman who is not in a good place in life, I’ve had very different responses in terms of pacing.  Most people have given really positive comments about pacing, but occasionally I’ve had people have trouble with the fact that I lean into the difficulties of Sarah’s life in the beginning of the book.  I knew that would be something that could be difficult so I did a few things to keep the pacing tighter.   For example, I used a date at the beginning of each chapter.  That helps people feel grounded.   The chapters are fairly short.  Also, I pepper set ups throughout the beginning help you get a sense of what’s coming.  In all my books I aim to make the last third of the book as engaging as possible.  One of my readers said “Unputdownable”.   


WOW: I can sense the focus you put on the third part of the book. It is like going up the hills of a rollercoaster and ending with the huge descent. The Limerent world feels so addictive for readers, what about as the writer. Did you ever suffer from writer’s block?


Lexy: For me because I am neurodivergent, it could be very easy to lose focus.  But I found a way to harness that.   What I do is that I always have two or three projects that I’m working on at the same time.  That sounds counterintuitive but that means when I block on one, I can just go to the other.  Right now, I’m working on a new trilogy, and I’m writing them basically at the same time.  This means I never get bored.   


WOW: Can you tell us a little about your editing process. Do you have beta readers, professional editors, or is it just you and endless rounds of writing and re-writing? 


Lexy: This is a really good question.  I think you can only edit yourself through two or maybe three rounds.   After that, you either stop seeing it or you start picking at it in a way that hurts more than it helps.   So for me, I’m very lucky in that my family is very involved.  My youngest son is my developmental editor.  After I get about a third of the way through writing a book, I start reading him the chapters.   He helps me with structure and that core spine of a story.   Once I’m finished, I will do a first round edit of myself.   I then turn it over to him to do a second round edit.  And then I give it to my husband and oldest son to read.   My husband is the one who tells me if I’m getting too wordy.  My oldest son helps me with my themes and set ups.   He also writes my blurbs.  And then it will go back to me to make changes.   After that, I sent it to my wonderful Editor and she and I have usually around three back-and-forth rounds of editing.   I am a strong believer in having an editor.   I really lucked out because my Editor is also a reader.  She likes my books.  I would tell people if you can spend money on anything spend it on your cover and editing.  You want to be able to draw people in and then you want to be able to keep them once they start.  



WOW: What led you to shift gears well into writing one very long book and divide that manuscript into several novels? I can only imagine it was an overwhelming decision process.


Lexy: I have a very logical side of myself, as well as a very emotional one.   I think the logical side of myself stepped in and told me that it was unreasonable to expect anyone to read through 1 million word book.   And what I want at the end of the day is for people to read my books and love my characters as much as I do.   That’s what success looks like for me.   But forcing people to read through a gigantic novel feels a bit like putting a burden on people.  It also means I’ll lose them.  In today’s world, people are very busy.  And when they’re not actively doing things there is that lure of the phone.  So I want to do the best that I can to keep people engaged, which I’ve discovered means shorter books, but more of them.


Mind you, I didn’t just immediately come to this idea.  There was a Deep internal fight with my ego about this, but it ended in a good place. 



WOW: Any words of advice for those who dream of their byline on a novel?


Lexy: Yes, I think people get crushed or overwhelmed when they think about the big picture.  So I’ve learned that if you take the art of writing a novel down to its components, it’s easier to focus on the next component.  If you told me 10 years ago that I had to write 10 books within 10 years that would’ve been really overwhelming.  But if I tell myself, I need to write down the key events for a book, then the next step into outlining is much more natural and not as overwhelming. That makes things much easier.


WOW: What authors or teachers have influenced your writing?


Lexy: Flonnie Anderson, my 11th grade AP English teacher.  This woman made us write a five paragraph essay every Friday in class.   When I started doing that, I sucked.  But by the end of the year, I was becoming quite good at it.   And once you grasp the basic concept of the five paragraph essay, you just want to build on it for everything else   I’ve actually tried to track her down, but I haven’t been able to.   So thank you for Flonnie Anderson.


WOW: Yes, thank you Flonnie Anderson. Without you, we might never have had the opportunity to travel to the Limerent universe. 


Join the Reader Review Event


Readers, if you'd like to receive a copy of Caio by LS Delome for review, please email jodiwebb9@gmail.com or signup at https://forms.gle/KvrVVU955aeHtFL86. Book reviews need to be posted by  on Goodreads (required) and one other bookseller online site. We'll be sharing all the reviews in a Reader Review Event and Giveaway post here on The Muffin on May 15! Besides receiving the book, you'll also be entered to win a $25 Amazon Gift Card!

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The Purpose of Getting Lost by Tracy Smith: Blog Tour & Giveaway

Monday, April 06, 2026
The Purpose of Getting Lost by Tracy Smith

We're excited to have author Tracy Smith join us for a blog tour of her book, The Purpose of Getting Lost. This book is perfect for readers navigating midlife transitions, questioning long-held identities, or longing to stop performing and finally feel at home within themselves. Join us as we celebrate the launch of her book and interview her about her writing journey. You'll also have the chance to win a copy for yourself.

Before we get to that, here's more about The Purpose of Getting Lost:

The Purpose of Getting Lost is a reflective memoir about identity, belonging, and the courage to question the life you’ve carefully built. As Tracy Smith enters midlife—navigating the end of a long marriage, children growing up, and a growing sense of disconnection—she realizes she has spent years performing for expectations rather than listening to herself.

Through solo travel across more than thirty countries, Tracy doesn’t search for reinvention or escape, but for clarity. In unfamiliar places and quiet moments in between, she begins to notice her patterns, longings, and the stories she’s lived by—some worth keeping, others ready to be released.

Told with honesty, warmth, and insight, The Purpose of Getting Lost explores what it means to stop waiting to belong and start building a sense of home from the inside out. It’s a book for anyone who has ever felt out of place, questioned who they are becoming, or sensed that getting lost might be an essential part of finding their way.

Publisher: Compass Story Press
ISBN-13: 979-8993320717
ASIN: B0GFY8KR3J
Print length: 264 pages

Purchase a copy of The Purpose of Getting Lost on Amazon, Barnes & Noble, and Bookshop. Be sure to add it to your GoodReads reading list

About the Author, Tracy Smith


Tracy Smith, Ph.D. is a writer exploring the intersection of travel, identity, and belonging. Her work focuses on the small, often uncelebrated moments when women begin choosing themselves—sometimes quietly, sometimes far from home.

Through personal narrative and place-based storytelling, Tracy examines what happens when certainty loosens, expectations fall away, and life is allowed to remain unresolved. Her writing is less about escape and more about attention: noticing how freedom, acceptance, risk, and community take shape in everyday lives across cultures and landscapes.

She is the author of The Purpose of Getting Lost and the creator of The Geography of Connection, an ongoing project that follows these themes through travel, essays, and lived experience. Tracy’s work speaks to readers navigating reinvention, midlife change, and the courage it takes to live without a neat ending.

You can follow the author on: 


--- Interview by Nicole Pyles

WOW: Congrats on The Purpose of Getting Lost! How has your background in psychology shaped the way you approached writing this memoir?

Tracy: My background in psychology gave me tools for understanding cognitive patterns — how people process experience, make meaning, and behave in the world. But honestly, the more important thing it gave me was self-awareness. Writing this memoir forced me to look at my own patterns first. And once I could see them clearly in myself, I started recognizing them everywhere — in how strangers moved through a space, how people signaled connection without words. That's really what gave birth to the Geography of Connection. The good news is you don't need a doctorate to do this kind of looking. You just have to be willing to pay attention.

WOW: I love when we can recognize our own patterns in ourselves.  How did the memoir evolve from your first draft to the final version?

Tracy: When I first decided to write this book, I downloaded my Facebook feed — I had been documenting my travel experiences there for the past several years. I had close to 100,000 words and 200 single-spaced pages. I sent it to an editor and thought, great, here is a book. It wasn't until he and I talked extensively that I realized I didn't have a message. I couldn't tell anyone why they should pick up my book of travel stories over anyone else's. A lot of writers have funny travel stories.

So he gave me a homework assignment. The question that turned everything around was deceptively simple: describe the demographic characteristics of your primary audience. I sat with it and realized I wasn't describing a stranger. I was describing women in my everyday life: women who had lost themselves, who didn't feel like they belonged anywhere, who were one life event away from blowing everything up or breaking open. Once I saw her clearly, I saw her everywhere. That became the spine of the book.

WOW: What an inspiring assignment! Tell us about The Geography of Connection and how it relates to The Purpose of Getting Lost.

Tracy: Most people think belonging is something you feel. I’m interested in how it’s something you can see. 

The Geography of Connection is a project that examines what belonging looks like, not as a feeling, but as something you can observe— through behaviors, postures, and movement, and then questions how those signals of belonging are shaped by culture and environment.  

The project grew directly out of writing the memoir, where I started by looking at my own patterns.  That process forced me to look at my own patterns first, to understand where I had and hadn't felt like I belonged. Once I could see those signals in myself, I started recognizing them everywhere — in how strangers moved through a space, how people positioned themselves toward or away from each other. What struck me was how universal the signals were across cultures, even when everything else was different. 

The Geography of Connection is my attempt to build a framework around that — to make that kind of looking accessible to anyone, not just researchers. Because once you learn to see belonging, you start to understand what you've been missing and now you can feel it differently. And that's where everything changes. 

WOW: That's amazing. What advice would you offer women who feel nervous about breaking free from the traditional path, as you did?

Tracy: Somewhere along the way, most women I know stopped being a person and became a collection of roles — mother, daughter, wife, friend, colleague. Those identities aren't wrong, but they have a way of crowding out the one underneath. The woman who existed before all of them.

The first step back is smaller than you think. Maybe it's reading a chapter before washing the dishes. A walk at sunset before the nighttime routine starts. It sounds almost too simple — but what those small acts do, over time, is remind you that you exist outside of what you do for everyone else. And once you see that, once you feel it even briefly, something shifts. You start to understand that choosing yourself isn't abandonment. It's just remembering.

WOW: I love your advice on taking that first step back. What are you working on now that you can share with us?

Tracy: I am currently designing a 90-day place-based inquiry in West Africa — specifically Senegal and Guinea-Bissau. My project is not just travel and it is not academic research, though it borrows from both. It merges the rigor of structured observation with the intimacy of actually being somewhere, living inside a culture rather than passing through it.

The methodology is the Geography of Connection. I'll be observing how belonging is expressed differently across communities — what it looks like, how it moves, what culture and place do to it. But here's what I want people to understand: you don't need to be a traveler or a researcher to do this kind of work. You can practice it in your own neighborhood, your own kitchen. West Africa is just where I'm taking it next.

The 90-day residency is the first chapter. What I'm building toward is a year-long program rooted in the same methodology — but that's still taking shape. The Substack is where I'm thinking out loud, designing in public. That's the most honest way I know to do this work.

WOW: We can't wait to hear more! Thank you for joining us today. Best of luck on your tour!


The Purpose of Getting Lost by Tracy Smith Blog Tour

--- Blog Tour Calendar

April 6 @ The Muffin
Join us at the Muffin as we celebrate the launch of The Purpose of Getting Lost by Tracy Smith. We interview the author and give you a chance to win a copy of the book.

April 9 @ Rachael's Thoughts
Join Rachael for her review of The Purpose of Getting Lost by Tracy Smith.

April 10 @ What Is That Book About
Join Michelle for her spotlight of The Purpose of Getting Lost by Tracy Smith.

April 18 @ Boots, Shoes and Fashion
Visit Linda's blog for her in-depth interview with author Tracy Smith.

April 22 @ Writer Advice
Join B. Lynn Goodwin for a guest post by Tracy Smith on finding purpose in uncertainty and “in-between” seasons.

April 23 @ Words by Webb
Jodi shares her review of The Purpose of Getting Lost by Tracy Smith.

April 23 @ Knotty Needle
Visit Judy's blog for her review of The Purpose of Getting Lost by Tracy Smith.

April 25 @ A Wonderful World of Words
Visit Joy's blog for a guest post by Tracy Smith on midlife reinvention: identity, courage, and starting again.

April 27 @ World of My Imagination
Join Nicole for her review of The Purpose of Getting Lost by Tracy Smith.

April 30 @ Words by Webb
Jodi responds to our tour prompt of something she learned about herself later in life that surprised her.

May 1 @ A Storybook World
Join Deirdra for her spotlight of The Purpose of Getting Lost by Tracy Smith.

May 3 @ Bookwoman Joan
Stop by Joan's blog for her review of The Purpose of Getting Lost by Tracy Smith.

May 5 @ Sarandipity's
Stop by Sara's blog for her spotlight of The Purpose of Getting Lost by Tracy Smith.

May 6 @ Bring on Lemons
Visit Crystal's blog for her review of The Purpose of Getting Lost by Tracy Smith.

May 7 @ Balance and Joy
Visit Sheri's blog for her review of The Purpose of Getting Lost by Tracy Smith.

May 8 @ Boys' Mom Reads
Join Karen's blog for her review of The Purpose of Getting Lost by Tracy Smith.

May 9 @ Just Katherine
Katherine joins us for a review of The Purpose of Getting Lost by Tracy Smith. She also shares Tracy's guest post writing memoir from lived experience without polishing the truth. Katherine also responds to the tour prompt about what does “belonging” mean now and how that has changed over time.

***** BOOK GIVEAWAY *****

Enter the Gleam form for a chance to win a copy of the memoir The Purpose of Getting Lost by Tracy Smith! The giveaway ends April 19th at 11:59 pm CT. We will randomly choose a winner the next day. Good luck!

The Purpose of Getting Lost Giveaway
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