The Economy Always Gets Better by Dr. Nikki Finlay: Blog Tour & Giveaway
Interview with C. L. Brenton: Q3 2026 CNF Essay Contest 1st Place Winner
---interview by Marcia Peterson
WOW: What inspired you to write your entry, “Rainbows?”
C. L.: I was in a generative workshop when I was earning my MFA at Vermont College of Fine Arts, and our professor prompted us to write about light. I wanted to write about the crystal that made rainbows in my childhood kitchen, and makes rainbows now in my kids’ playroom. It ended up morphing into an essay about my three year old son and his gender fluidity that I found so magical and vexing, and a moment we shared a few days earlier as we tried to capture the light. The first few lines of “Rainbows” came out pretty much fully formed. Sometimes it takes different prompts to unlock what lives inside you, what’s waiting to come out. Sometimes someone merely has to ask a different question of you for you to understand exactly what you’ve been wanting to say.
C. L.: I find each part joyful and challenging in its own way. I love the wild chaotic creation part, and the methodical editing part though each have their hang ups. I think maybe the challenge is knowing, or deciding when a piece is done, deciding it’s good enough to send out, and strong enough to take criticism from or even the success of the real world.
C. L.: Writing requires (for me at least) a certain amount of emptiness in my life, meaningful time and space for the muse to do her work. As a busy mom, I know that’s usually the hardest thing to come by.
As we say in my house, though, it’s not about lack of time, it’s about priorities. Some days I have to prioritize my children and my home life, and those are wonderful things to put at the top of my list, but when I can carve out daily time for my writing, to go sit on the beach and watch the waves for thirty minutes, my muse comes back and wants to work. If you can make time to exercise, to watch your favorite show, to read, to read this even, you can find time to write. If you can’t, consider reading while your children play, or commit ten minutes to doing nothing, to day dream, to be present wherever you are. Don’t listen to anything, don’t look at your phone. Let your mind wander. The words will come.
When my kids were toddlers, I took my writing time on the weekend when my husband was the primary caretaker. I wrote on a post it note that I still have attached to my computer monitor the five things that constitute a writing life. Writing, Editing, Reading, Submissions and Community. If I don’t feel like writing, or I feel stuck editing, I can read. If that doesn’t spark my interest, I can engage with my writing community, watch a lecture or submit my work. All of those are important to build the writer you will become.
C. L.: For years, likely since we met, my friend Emily (who is a fabulous writer and a dear friend) has been recommending “The Anthropocene Review,” by John Green. It’s a book of essays disguised as reviews of various human-centered things, things specifically tuned to the author’s life so it’s almost a hybrid memoir. At the beginning of summer, Emily asked me if I had read it yet, and ashamed I hadn’t, I quickly found a thrifted copy and dove in. It’s a wildly fascinating, informative read that has made me quite a bit more interesting at parties. At least I like to think so.
C. L.: Thank you so much for having me! I’m truly honored “Rainbows” found a home at Women on Writing!
As far as general advice, it might help to remember that writing is iterative. Most of what we create is imperfect, followed by imperfect iterations until the story resembles itself, so don’t get hung up on the flaws. We have to first create the rough block of marble from nothing, then we can start to carve it into art.
It also helps me to remember that creation is separate from publishing. We can’t control how or when a piece is published, so you have to make the work the reward. The pleaser of crafting the thing has got to provide the benefit for doing it. Writing is supposed to be fun. Keep your work fun and weird and wild and painfully true. Try not to over edit it or form it to someone else’s aesthetics. Submit it widely when it’s ready; and I mean widely. Send it to a hundred journals or agents before you give up on a piece. Enjoy the process, trust your own taste, and you’ll write forever.
A Museum Honoring American Writers
This past weekend my family traveled to Chicago for a few days and attempted to squeeze in as many things as we could during the visit. Of course, once my phone figured out where we were, a place called the American Writers Museum began popping up in my social media algorithm.
Interview with Elizabeth Hoban, Runner Up in the Winter 2026 Flash Fiction Contest
Revision: From Structure to Word Choice
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| The final step in revision |
- The Opening. Did you start your story in the right place? I tend to start too early. Another important point about the opening scene is that it is a contract with your reader. A humorous opening promises humorous moments throughout the story. Action promises action. Fantasy can be tricky, but you should at least hint at the world of magic.
- The Closing. Just as your story starts in the correct place, it must end in the correct place. In some ways, it should probably come full circle with the beginning.
- Plot. Does your plot hold together? Does your story have a strong beginning, middle, and end? This means different things for flash and either short stories or novels so do some reading to see how other writers do it.
- Pacing. Your plot needs a balance of fast-paced moments and quieter moments. If your story is too fast paced, you risk wearing your readers out. Too slow and they’re going to do something more interesting like clean out the crisper.
- Characters. Are your characters compelling? Even if they aren’t likeable, they need to be interesting. They also must be believable and three-dimensional.
- Setting. Your setting must feel real. The reader needs to have a sense of where and when the story takes place. And the details that you include need to shore up your plot and your characters.
Interview With Breeann Adam, Winter 2026 Flash Fiction Contest Runner Up
--interview by Marcia Peterson
WOW: Congratulations on placing as a runner up in our Winter 2026 Flash Fiction competition. What prompted you to enter the contest?
WOW: Can you tell us what encouraged the idea behind your story, “Aromas, California, 2007?”
Breeann: Sure. I was actually reading the guest judge’s biographical information, and in her bio, she mentioned she enjoyed CrossFit. I also loved CrossFit for a number of years, so it sparked my interest as a setting for a story. What I really wanted to focus on from my own CrossFit experience was how empowering it felt as a woman to lift heavy weights and become stronger; an important part of CrossFit gyms is that there are rarely mirrors in the gyms. The focus is on getting stronger and improving your own skills, not on losing weight or having a certain aesthetic. I had done a lot of types of exercise leading up to CrossFit, but CrossFit was certainly the most empowering activity that I had participated in up to that point. While the story and characters are entirely fictional, the feeling behind the main character’s journey is inspired by my own journey. Oh, while the current-day CrossFit Games are a big, polished production with money, sponsorships, and professional athletes, the inaugural Games in 2007 were, as described in the story, casual, low-budget, and open to anyone who wanted to try. Ultimately, this story is about a woman who knew she had to try–for herself.
WOW: We’d love to know more about your writing routines. Could you tell us when and where you usually write? Do you have favorite tools or habits that get you going?
Breeann: I’m a mom of three children, so typically I write during my toddler’s naptime. I like to use my lap desk and write from bed. Although sometimes writing during naptime just can’t happen due to other responsibilities, so I will often also write in my Google Docs app on my phone while in appointment waiting rooms, in my backyard while my kids play, or while I have a few extra minutes here and there. My favorite tool is not very exciting: it’s a piece of notebook paper with a bunch of checkboxes drawn on it. I check off one box every day that I write for any amount of time, and I try to get as many consecutive days as I can. For me, I’m a task-oriented person, so it’s motivating to see all the boxes get checked and a project start to come together, box by box.
WOW: Good luck with your book promotion, and thanks so much for chatting with us today, Breeann. Before you go, do you have a favorite writing tip or piece of advice you can share?
Breeann: My most proven tip is to never underestimate the power of taking even the smallest steps forward. Patience and perseverance win the race every time. Stuck? Add page numbers to your draft and walk away for the day. Come back tomorrow. Write one sentence. Change one word. Literally, take a single tiny step forward. Keep doing that as consistently as you can, and it’s amazing what you can create over time.
I'm Not Sleeping, I'm Writing
Like everyone out there, I have some days where I'm on the go from the minute the alarm goes off in the morning until I fall into bed at night (often with plenty of things remaining on my to-do list). On those days, actual writing seems like an impossible task. So I resort to thinking and planning scenes as I fall asleep. I began noticing that I would wake up with a fully evolved description or bit of dialogue rattling around in my brain just waiting for me to type it into my laptop. Sometimes these impatient pieces of writing would even wake me up before the alarm buzzes.
Weird, right?
Maybe not. When I looked into creativity after sleep I learned that scientists have been studying the link between sleep and creativity for years. Seems Thomas Edison was a big believer in the power of that state just before falling asleep for helping come up with creative solutions. And who can argue with Thomas Edison?
Researchers at MIT and Harvard Medical School recently took the link between sleep and creativity a step further. They encouraged people to guide their dreams to a certain topic or theme and then write something on that topic when they awake. When study participants practiced "targeted dream incubation" - basically thinking about a specific topic or problem while falling asleep - they were judged to be 43% more creative than those who didn't attempt to guide their dreams. And it doesn't have to be a whole night's sleep. It works just as effectively (some scientists say more effective) with naps of 45 minutes.
Are we all just one good nap away from banishing writer's block forever?
Do you find solutions to writing problems when you awake from a good night's sleep? What else gives you a creative burst?
Jodi M. Webb writes (and occasionally naps) from her home in the Pennsylvania mountains about everything from apple pie to consignment shops to travel. She's dreaming about murder for her latest WIP. She's also a blog tour manager for WOW-Women on Writing. Follow her writing (and reading) life at Words by Webb.
Interview With Saiyara Khanom, Winter '26 Flash Fiction Contest Runner Up
Saiyara's bio:
Raised in Queens, New York, in a Bangladeshi American household, Saiyara Khanom developed a love for storytelling at a young age, shaped by the rich blend of cultures, traditions, and stories surrounding her upbringing. She earned her Bachelor’s degree in English from St. John's University, where she further cultivated her passion for literature and creative writing.
Saiyara is especially drawn to romance, horror, and fantasy, genres that allow her to explore emotion, atmosphere, and the complexities of human connection through imaginative worlds and haunting narratives. Her work is often inspired by gothic aesthetics, folklore, and the emotional depth found in both everyday life and the supernatural. Through her writing, she hopes to create stories that linger with readers long after the final page.
You can find Saiyara online at Reedsy and Substack.
----------interview by Sue Bradford Edwards----------
WOW: What was your motivation for “The Plant that Doesn’t Die?”Under Cover of Chaos by Liz Wanic with Rebekah Wanic: Blog Tour & Giveaway
I'm excited to introduce a title that will add a burst of excitement to your summer reading list. Under Cover of Chaos is a debut thriller by Liz Wanic with Rebekah Wanic that delivers gripping suspense, a strong female lead, exotic locales and a brutal question: What happens when one of the world’s most powerful institutions is the perfect place to hide a killer? Join us as we celebrate the launch with an author interview and book giveaway.
AISN: B0GSWB8XR7








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