Ready, Set, Write: What I Accomplished During a Five-Day Writing Sprint

Thursday, January 15, 2026

 

Ivan S/Pexels
Ivan S/Pexels

I’ve mentioned here before that I’m most productive during writing sprints. While I write non-fiction almost daily (thanks to my blog and true crime podcast), I have a harder time setting time aside for my fiction projects. I blame at lot of that on fatigue—as I’m getting older, I’m not as motivated to write late into the night. I have more physical and creative energy during the daylight hours. But because I’m on a weekly schedule for my podcast, I prioritize the research and writing in the non-fiction space. 


Last week I looked at my calendar and noticed I had a five-day block where I didn’t have to work much at my part-time job and I’m currently taking a short break from the podcast. I told myself I would finally try to make progress on my next novel, a contemporary time-loop story targeted at women in their late 40s, which I outlined with the help of a critique partner last year. I didn’t have a set goal of words I wanted to write other than I simply wanted to break past my writer’s block and make progress, any progress! 

With a clean house (so I couldn’t distract myself with chores) I assessed what I had in the document already before I got started, which was around 2,500 words. I’d written a prologue and opening chapter a few months ago. Before I could get started, I opened my outline to scan the general opening of the book and reread what I had already written. I spent most of the first day focused on refreshing my memory. I vowed not to wait so long in between opening the document moving forward because reviewing my previous chapters was slowing me down. I also hemmed and hawed because the opening of the book needs to “set up” the action of the time travel and I felt like it was boring. I told myself every book needs a set up before the inciting incident and not to worry too much about it at this point. 

The second day I had a breakthrough and a brand-new flashback scene came to me. To be transparent, I hopped over to Spotify to find myself the perfect corresponding playlist and landed on “Debbie Gibson Radio.” I didn’t know where it was going when I began typing, but by the end of the next two days chapter two, set in the year 1988, was completed at 2,500 words. 

On the third day I fretted that I couldn’t find any post-it notes because I wanted to start storyboarding the new chapters on my wall while I wrote. I considered making a run to the local office supply store but then talked myself out of it and got back to writing. 

On days four and five I spent a lot of time out walking, getting fresh air, finishing up an audiobook, making homemade soup, taking long, hot baths, and mulling over my plot. Even though the entire book is planned out, I’m second guessing every little detail that I put on the page. Who’d have thought—a writer plagued by perfectionism? 

By last night, I had the prologue and two and a half chapters completed. I’m very close to the point where the time travel comes in, so that’s exciting! One thing I’ve learned is that I need to open this document and work on it a little every day. I’m guilty of planning to do that and then getting distracted by various things. But with both kids back at college and more flexible hours in my day, I need to take advantage of this extra time. 

I’m happy I did this short writing sprint and am pleased with what I’ve produced. I’m also excited to continue with the story. For now I'm not worried too much and want to focus on simply getting as much of the book down on the page. I'll save serious editing for after the first draft is complete. 

Do you find writing sprints, like NaNoWriMo, helpful in your creative process? I'd love to hear your stories!

Renee Roberson is an award-winning writer and true crime podcaster who is currently seeking representation on a suspense/thriller novel while she plans her next one. Learn more at FinishedPages.com.
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Go to the Head of the Class

Wednesday, January 14, 2026


How much spare time do you have? Raise your hand if it feels like zilch, nada, not one extra second. Me too! Between family, work, volunteering, juggling starting a new creative piece while shopping around a finished novel and every women's magazine insisting that I somehow must squeeze in eight hours of sleep and 30 minutes of exercise each day, I'm beginning to feel that somehow shrinkflation has attacked the hours in a day. Are there still 24?


So what can a writer do?


Start a new project, of course.


Recently, I began developing a beginner's writing class for a small community organization. It's been several years since I taught a writing class and I'd forgotten how much teaching can affect my own writing.


Given free rein for the topic, I had to take the time to look over my recent writing and search for a niche. I decided to capitalize on my recent success with personal essays. After all, everyone has a funny/sad/memorable story that would make a great essay. Once that was decided I started musing over what makes a successful essay. The more I thought over this, the more eager I became to put the tips I was planning to share with the class to work with my own essay ideas.


In search of some motivation for the students, I spent a few minutes dipping into my writing bookshelf  and not only finding some great quotes for the class but also personal inspiration from some old  favorites:


Writing from Within: The Next Generation by Bernard Selling


On Writing by Stephen King


Bird by Bird by Anne Lamott


Remembering how it felt to have my first essay in print (thanks, Central Penn Parent) I drew up a list of markets for personal essays that weren't too intimidating so my class wouldn't have any excuses not to send their words out into the world. As I narrowed down my list I found myself thinking, "Hey, I should send Essay A to this market, Essay B to that market."


My class won't start for a few weeks but I can remember from past classes how the enthusiasm of new writers can improve your own energy and goal setting. After all what teacher encourages their students to take that leap and submit their work and doesn't feel the push to find homes for their own work?


You can probably think of many reasons NOT to teach a writing class. 


1. No time. True, time is a problem. But you can develop a workshop as long or as short as you like. Many students find it easier to find room in their life for a one night workshop rather than a multi-week commitment.


2. Not enough experience. Don't sell yourself short. We all have at least one specialty, whether it be a particular genre, the nuts and bolts of submissions, inspiration, technology for writers, contests or another writing related topic that you love to talk about.


3. No place to teach. Not true. There are so many places to teach -- they just don't realize it yet. Reach out to libraries, indie bookstores, community organizations, churches, seniors groups with an idea for a writing workshop. If you're much more tech-savvy than me you can even organize a virtual workshop.


4. Fear of public speaking. OK, I can't really help you with that one except to say that these are your people. Fellow writers. Also, if you ever plan on writing a book it might be a good idea to brush up  your public speaking skills.


It isn't too late to add teaching a writing workshop to your 2026 goals list. You'll be doing more than sharing your knowledge with fellow writers. You'll be re-energizing your own writing.



Jodi M. Webb writes from her home in the Pennsylvania mountains about anything and everything that strikes her fancy. Stay tuned for more details about the new piece she's working on in 2026.  She's also a blog tour manager for WOW-Women on Writing. and blogs at Words by Webb



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Interview With Sara Au: Summer '25 Flash Fiction Contest Runner Up

Tuesday, January 13, 2026
 

I'm honored to interview with Sara Au, summer '25 flash fiction contest runner-up. We'll be chatting about her flash fiction story, "Dinosaur Week," her experiences entering writing contests, her latest works-in-progress, and more. 

Make sure you read her flash fiction story, "Dinosaur Week," first, and then come on by to read our discussion.

First, here's more about Sara Au:

A former broadcast journalist, Sara Au started writing after leaving news and having her first child. From magazine articles to online profiles (and another baby!), she lucked into a non-fiction opportunity and is the co-author of two parenting books, Stress-Free Potty Training and Stress-Free Discipline (AMACOM, 2008 and 2015), and the ghost writer for Kids, Sex & Screens (Fair Winds Press, 2018). Three years ago, Au unexpectedly found herself moving back to New York as she entered her 50s. Now living near a lifelong friend, the two have embarked on a fiction journey together, birthing their debut novel idea along the Penna Pike during a girls’ road trip. They brainstorm joint pen names as they add pages to their manuscript each day. Au works in educational public relations, craves traveling, despairs over politics and gives too many treats to her elderly pups. She writes an occasional non-fiction blog at https://www.psychologytoday.com/us/blog/finding-positivity.

--- Interview by Nicole Pyles

WOW: Congrats on winning runner up! Let's talk first sentences. I LOVED yours. Did that come to you right away or did that first sentence emerge through the editing process? 

Sara: I hate it when others say this, but it really did come to me right away. The prompt from the Gotham Writers Workshop class assignment was in the lesson about developing character: A kind, quiet librarian is mixed up in a high-profile murder. Ali sprang to life in my mind as the murderer wearing a dinosaur dress. From there, the plot was simple: there's only one reason I know of why a librarian would commit murder, and that is to keep her students and her books safe. And there's only one thing threatening both kids and books these days. All of that was nearly instantaneously created in my brain when I saw the prompt.

WOW: Ha, I KNEW IT! I had a theory that the best first sentences happen almost immediately. What inspired you to write this story? 

Sara: Dinosaur Week is a love letter to all of the amazing school librarians and teachers in red states caught between good literature and bad policies right now. I know and love many of you, and am so worried about your livelihoods, your mental state and your ability to keep going. (And it should go without saying, but I guess these days it's prudent to put it out there that this is pure fiction and neither I nor any of my educator friends condone any type of violence against anyone, even people who are trying to ban or censor books.)   

WOW: What a beautiful message to those librarians and teachers out there though! You have such an interesting writing journey! How did your broadcast/journalist background prepare you to write fiction? 

Sara: It did not, at all! I struggle mightily without having facts to anchor me, with having the freedom to just... make it all up. It's incredibly intimidating to me. I've always admired fiction writers from afar, knowing I was safely ensconced inside the quotation marks of my interviews. This is actually why I took the Gotham Writers Workshop class from which this story is adapted, to give myself some sort of a pathway to move forward into fiction. I've always had a mantra of "just say yes" when it comes to professional opportunities. That's how I came to publishing in the first place: I was in the extremely lucky position of having a writer colleague from a magazine suggest my name to her agent who was looking for someone to write a specific kind of parenting book. I never thought I'd write a book, but even if I had, the topic - potty training - was not one I would have ever considered. My first proposal was not accepted, but a couple of years later that agent had a similar opportunity come her way and she contacted me again, suggesting some specific changes. That revised proposal ended up becoming my first book. Now I always tell myself that if I can write 60,000 words about potty training, I can write anything!  

WOW: What an incredible experience -- and important lesson for yourself. What are you working on now that you can tell us about? 

Sara: Brooke Smarsh and I are co-writing a novel about a perimenopausal therapist who develops the ability to travel through time to escape the crushing challenges in her personal life while fixing her clients' past traumas. We're constantly brainstorming how to combine our letters into a pen name (and that's not at all a way we procrastinate).

WOW: That is amazing and I personally can't wait to read it. I love that you are co-authoring a novel with your best friend. How is that experience changing you and your own personal writing journey? 

Sara: It's been so much fun! Part of that is overcoming my own self-doubt. But it's also so much more of an artistic endeavor than either Brooke or I are used to, and we're fully leaning into it. Brooke and I were college roommates who've stayed close friends even though we spent most of the last thirty years living far away from each other. When I moved back up north, we picked up our in-person friendship like no time had passed. I think it was on a girls' road trip to PA and she thinks it was at brunch in Hoboken, but at some point we started talking about how we both had the crazy idea to write a novel. It just made sense to do it together because we complement each other so well and we spur each other on. My non-fiction books were also written with partners, so that part feels very natural to me. We're having a blast!

WOW: I think that's amazing you are doing this together. Why did you decide to enter WOW's flash fiction contest? 

Sara: I was listening to an episode of The Shit No One Tells You About Writing podcast (shout out Bianca, Carly and Cece!) where they dissect query letters. One of the accomplishments the author in this episode listed was an honorable mention in this contest from a year back or so. I was curious, so I Google'd it and saw that there was another deadline approaching. I'm now super excited to be able to recreate that same line for myself when we go out to query. 

WOW: What a small world! I'm so glad you entered the contest so we can read your wonderful story. Thank you so much for chatting with me today. 
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Rumination Remedies by Sheri McGregor: Blog Tour & Giveaway

Monday, January 12, 2026

Rumination Remedies by Sheri McGregor

When was the last time you stared at the ceiling, sleep chased away by worries, to-do lists and overthinking? If you've ever found yourself struggling with a overactive, won't-shut-off mind, Sheri McGregor's Rumination Remedies is the book for you. Join for the launch of the book tour, an interview with the author and a giveaway of the book.

But before we get to that, here's more about her book:

In Rumination Remedies, Sheri McGregor offers 41 powerful, practical tools to help you recognize, interrupt, and release repetitive thought loops. Thoughtfully written, immediately useful, and deeply compassionate—this is a must-have for anyone ready to stop spinning and start living with more ease and clarity.”

— Lori Clemmons, author of Rewire Your Wellness: A Guide For Reclaiming Your Life from Chronic Illness, Anxiety,

The human brain is amazingly resilient but in today's stress-filled and overstimulating world, your mind
can get stuck. Worry, regret, and racing thoughts steal your joy, peace, and confidence-not to mention
sleep. The good news? You can change the pattern.

Rumination Remedies is a gentle, smart guide to freeing your mind. Whether you're caught up in dread,
weighed down by regret, or distracted by what-ifs or wishes, this practical workbook offers holistic,
body-friendly and brain-building ways to find your peace of mind.

Publisher: Sowing Creek Press (October 5, 2025)
AISN: B0FTWVBW26
ISBN-10: 0997352272
ISBN-13: 978-0997352276
Print length:  228 pages

Purchase your copy on AmazonBarnes and Noble, and Bookshop.org. You'll also want to add it to your GoodReads reading list.

About the Author, Sheri McGregor M.A.

Sheri McGregor holds a Master’s Degree in Human Behavior and has been writing and life coaching for
more than two decades. She loves her work to help people reclaim their self-worth and step courageously toward peace—and their dreams. Some of her advanced training and certifications include
brain-based coaching, aging-related wellness, and the neuroscience of change. 

Sheri is most well-known for her work to help parents of estranged and/or dysfunctional adult children, which includes peer support and her award-winning books in her Done With The Crying series.
 
                 https://www.balanceandjoy.com/
                 https://www.rejectedparents.net/

--Interview by Jodi M. Webb

WOW: You’ve written on many mental health topics in the past, including books on estrangement from adult children and the healing spirit of nature. What made you decide to tackle the issue of overthinking for Rumination Remedies?

Sheri: I grew up with a dad who worried about everything and realized early on just how miserable overthinking can be. I saw my dad’s turmoil and vowed not to be like that. Genetics, learned behavior, and some devastating life blows tested that vow—and made it stronger. In my life and education, including earning degrees in psychology and human behavior, I’ve learned a lot about rumination. In my work as a life coach, the problem of an overactive mind has come up repeatedly, so I knew there was a need—and a book can reach more people.

WOW: Rumination Remedies is a book + more. It's power is in how interactive it is, more of a workbook with plenty of activities to help improve your life by finding peace of mind. Can you share an activity from the book that you especially find helpful?

Sheri: For writers, I’m especially fond of the book’s somatic exercises. The body isn’t separate from the mind. Those exercises get you up out of the chair and active, which brings new perspective simply by stepping away from the work. You return with fresh eyes.

If I had to choose a favorite, it would be Solvitur Ambulando — Latin for “it is solved by walking.” It uses simple movement and momentum-based metaphors that work with the brain’s natural processes, helping people advance forward mentally and leave behind overthinking. Great thinkers across time, including gifted writers, knew their feet held the key to healthy cognitive processing.

"The goal isn’t to quiet the mind completely—writers need a lively inner world—but to develop a healthier relationship with thought."

WOW: So many writers I know swear by walking to reveal what their writing needs. So, do you feel the lessons in Rumination Remedies can be applied to the life of a writer?

Sheri: Absolutely. Writers tend to have active, imaginative minds, which is both a gift and a vulnerability. The same mental agility that helps a writer notice nuance, explore ideas, and shape language can also turn inward and spiral, revisiting sentences, decisions, or imagined outcomes. At some point, it’s fruitless, and you’re just pushing words around on the page.

Many of the lessons in Rumination Remedies help writers learn to recognize when reflection has crossed into mental looping, and how to interrupt that process without shutting down creativity. The goal isn’t to quiet the mind completely—writers need a lively inner world—but to develop a healthier relationship with thought.

WOW: Your books are published by your own Sowing Creek Press. What made creating your own publishing company the right path for you?

Sheri: I’d written for major magazines for decades and had also placed fiction and nonfiction books with traditional publishing houses—some even translated into many languages. I knew how the industry worked, and when I wrote my first book to help parents of estranged adult children, Done With The Crying, I pitched it to agents and editors who expressed interest. But it became clear to me in those conversations that they didn’t truly understand the topic. Maintaining integrity and control over the work was important to me—and I knew the best way to do that was to create my own company. Since that time, I’ve been contacted by major publishing houses but have chosen to remain independent.

Sometimes, cooperative arrangements make sense though, like the deals I accepted with Tantor Media for audio versions of two of my self-help books. Another example is foreign translations. Done With The Crying has a gorgeous, embossed hardback edition in Russian with major publisher, Bombora. And I recently accepted an offer from Taiwan company, Yuan-Liou Publishing Co., Ltd., to produce Rumination Remedies in traditional Chinese language characters. I can’t wait to see it, especially the cover art.

WOW: It's fascinating that you are able to maintain your own company and still work with other publishing companies to expand your reach. What was the most rewarding thing about setting up your own publishing company?

Sheri: The most rewarding thing is to make a difference in people’s lives. Every day, I hear from readers whose emails touch my heart. The best advice I could give to someone considering starting their own publishing company is to consider how much time they’re willing to invest. Getting a book to print is just the beginning. Making sure it’s seen becomes a lifestyle.

"Getting a book to print is just the beginning. Making sure it’s seen becomes a lifestyle."

WOW: Thanks for letting WOW blog tour help you with that. In addition to self-help, you’ve written short fiction, articles (some about chicken farming!), personal essays. Does writing in different styles strengthen your writing?

Sheri: When you work for magazines, you learn to make your writing voice complement the publication’s. My years freelancing for a wide variety of publications sharpened that ability. It’s similar to how you’d modulate your pitch to speak soothingly to a young child with a skinned knee, infusing a sales pitch with polished enthusiasm, or using humor in appropriate spaces. I used to love writing for Chickens Magazine because they liked my eggstra silly puns. The more you learn to use your writing voice in different ways, the more adept you become at language—a writer’s tool.

WOW: Have you always been a writer?

Sheri: I vividly remember my mother teaching me to write my name when I was four. The letters stood for something and, at that age, the idea of that felt magical. As a kid, I received my first rejection letter from the Carol Burnett Show for a skit I’d sent in. I started working seriously toward publication when my children were young and I wanted to build a career working from home.

WOW: That sounds familiar (well, not the Carol Burnett experience). What’s up next for you?

Sheri: I’m excited about a beautifully unique guided journal that will be out soon. Eventually, I’d like to publish more work by other authors at Sowing Creek Press. I enjoyed working with the authors featured in the 2018 anthology, Nature’s Healing Spirit: Real Life Stories to Nurture the Soul. In addition, I plan to teach a couple of publishing and writing courses in the near future.

WOW: Sounds like you have a full plate. Thanks for taking time to share your publication experience with us.

Rumination Remedies by Sheri McGregor Blog Tour

--Blog Tour Calendar

January 12th @ The Muffin
Make 2026 a year of peace and calm. Start with the launch of the WOW blog tour for Rumination Remedies by Sheri McGregor M.A.. Read an interview with the author and enter to win.

January 13th @ Boys' Mom Reads!
Turning over a new leaf for 2026? Don't miss the spotlight on Sheri McGregor's Rumination Remedies.

January 14th @ Blooming Mindfulness
Beverly, blogger for those living  with chronic illness or disability, reviews the workbook Rumination Remedies.

January 15th @ Knotty Needle
How can writing rituals help? Find out with a guest post Sheri McGregor, author of Rumination Remedies

January 16th @ A Lit Life
Stop by The Lit Life for a review of Rumination Remedies by Sheri McGregor.

January 20th @ The Faerie Review
Are you looking for a way to achieve peace of mind? Check out the review of Sheri McGregor's Rumination Remedies.

January 21st @ Create Write Now!
Learn how to get into the writing flow - but control the stress - with Sheri McGregor, author of the self-help workbook Rumination Remedies.

January 22nd @ Words by Webb
Jodi writes about the connection between cannas and calmness. She'll also be reviewing the book that helped her make the connection: Rumination Remedies by Sheri McGregor.

January 27th @ Chapter Break 
It's time to Tame Your Inner Editor. Then get more tips on avoiding overthinking with a review of Rumination Remedies.

January 29th @ Hook of a Book
Do you spend time worrying about...everything? Free yourself! Don't miss the review of Sheri McGregor's new book Rumination Remedies.

January 30th @ Hook of a Book
Sheri McGregor, author of Rumination Remedies, is a guest at The Writing Adventure writing about the power of the Productive Pause - stepping away to move your work forward.

February 1st @ Shoe's Seeds & Stories
Sheri McGregor tells us how we can change our story and change our life while Linda reviews her workbook for improving life: Rumination Remedies.  

February 4th @ Writer Advice
Are too many thoughts bouncing around your brain? Sheri McGregor, author of Rumination Remedies, shares how the Clear the Mental Clutter and Write. 

February 6th @ Jill Sheet's Blog
Today's interview will tell you more about Sheri McGregor, author of a book that could change your life: Rumination Remedies.  

***** BOOK GIVEAWAY *****

Enter to win Rumination Remedies: A Workbook to Heal Your Mind from Worry, Regret, and Racing Thoughts by Sheri McGregor. Fill out the form below for a chance to win. The giveaway ends January 25th at 11:59 pm CT. We will randomly draw a winner the next day and follow up via email. Good luck!

Rumination Remedies Giveaway
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Interview with Deborah Heimann, Runner Up in the WOW! Q4 2025 Creative Nonfiction Essay Contest with "Spring Training"

Saturday, January 10, 2026

Congratulations to Deborah Heimann from Woodstock, Vermont

for her touching nonfiction essay titled: 

Spring Training


Check out Deborah's submission, Spring Training as well as all the other winning entries and then stop back here to read Deborah's insightful interview with Crystal J. Casavant-Otto from WOW! Women on Writing

Deborah's Bio:  Deborah Heimann’s essays have been published by The McNeese Review and Hippocampus Magazine, among others. 

She is currently a writer, freelance editor, and yoga teacher. She has been a theater director and dramaturg, a TV commercial producer, the interim executive director of a small health foundation, and the editorial director of an international web-based communication network. All her life she has collaborated with others in support of communication and storytelling. Most mornings she can be found walking in the woods with her two hound dogs. Connect with Deborah online: 

Deborah Heimann: deborahheimann.com 

interview with Crystal J. Casavant-Otto

WOW!: Thank you for writing such a personal essay - what is the take-away you'd like readers to gain from Spring Training? 

Deborah: Most of what I write these days spotlights making a choice—when things get challenging or go to shit—to connect rather than disconnect. For me, that is one of the takeaways in this piece: feeling, along with the “you” in the piece, a connection. When I left my mother at the door of her friend’s place, I felt broken, raw; by the time I had finished shoveling that stranger’s walk I was whole again, and fit for whatever happened next. That experience was good “training” for what came when my mother was dying—which took two weeks and, fittingly I suppose, happened in 2025 around the same time baseball teams started their spring training. 

WOW!: That was great reasoning - thank you for giving us a little more insight. You’re very talented and great at drawing readers in. Where do you write? What does your space look like? I imagine you come up with a lot of ideas whilst in the woods, but do you have a particular place you put pen to paper? 

Deborah: Mainly I put fingers to a keyboard at the same desk where I do my professional freelance editing. In front of me is a huge screen attached to my laptop—so I can blow up the text and these older eyes of mine don’t have to strain. Above that is a bulletin board with quotes and images and notes to myself (“Deb: Get the f**k out of the way!”). Above that is a shelf with books that inspire me: Still Writing by Shapiro; You Could Make This Place Beautiful by Smith; Meander, Spiral, Explode by Alison; The Wrong Way to Save Your Life by Stielstra. I don’t think I’ve ever typed a first draft from start to finish; backspace and delete are key parts of my process. But to get to the heart of what I want to say, I have to step away. I unlock what a piece is truly about when I am walking, letting my mind roam over and through, on the edges and in the corners of what is back at my desk on that screen. 

WOW!: What’s next for you? What are your writing goals for the rest of 2025 and beyond? 

Deborah: I have an essay collection that I am describing as a year of bite-size life prompts for people who are fed up with vague “wisdom for living” and “affirmations” that end up berating and chastising them for being human. Each piece describes a turning-point moment of human-ness and a choice I faced in my life. At the end of each piece the reader is invited to consider their own choices and decisions. I am fascinated by turning points—mine, yours, theirs, why, when, where, how, how much—choices that change lives. I plan to continue exploring these in my writing while I consider the best way to get my essay collection out into the world. 

WOW!: Well, that sounds like something we could all benefit from! Do you have advice for your younger self when it comes to making decisions, believing in yourself, and/or writing? What would your current self say to the younger you? 

Deborah: I would say: “Notice what delights you.” There was a point at which I stopped doing that as a younger me. I am fifty-six now, and it is only in the past few years that I have begun to believe (again) that I am a writer. I remember in high school I was nominated for the New England Young Writers’ Conference at Bread Loaf, and I ended up being invited to attend. That was the last time, before now, I allowed myself to consider myself a writer. When I applied to colleges, I was laser focused on theater programs. At the last minute, on a whim and because it made me smile, I applied to Reed College (Portland, Oregon) with a poem as my personal essay, and they accepted me. I wish I still had the poem. I think it was quite good. I know it delighted me. Obviously my life would be different in many ways if I had gone to a small college instead of a huge university (I studied theater at Brown). More to the point, though, I might have given myself more of a chance as a writer when I was younger. Theater and I parted ways almost thirty years ago, and here I am now, compelled once again to write. 

WOW!: You have an impressive bio - could you tell us one other strange story about yourself that may surprise us? 

Deborah: At age fifteen, I lied and said I was sixteen so I could be a followspot operator for the Camden Shakespeare Company (you had to be sixteen, for insurance purposes). At the time the Company was a summer gig with a combination of professionals and students and faculty mainly from Penn State University but also from a few other eastern universities and colleges. They performed in the amphitheater behind the library in Camden, Maine—the entire company set up the lights, sets, and audience every afternoon, and broke down the same every night after performances. (There’s now a company called the Camden Shakespeare Festival that does this—I believe it is a different entity altogether.) I met some of the actors in the Company in the park across the street one afternoon—they were in between rehearsals—and when the stage manager wandered over and mentioned they were looking for someone to climb the scaffolding twenty feet in the air to operate the followspot, I volunteered. I had zero experience. I don’t remember what I told my parents, but they allowed me to do it. I would like to (finally) officially apologize here to all of the actors in Macbeth and Dracula that season: To this day I am embarrassed by the number of times I was not able to “find my mark” with that spot!

WOW: Thank you Deborah for the fabulous discussion, and thank you for sharing with us in today's interview! You're a bright light for all of us writers and readers! I look forward to our paths crossing again and until then - keep writing (and smiling)! 


Today's post was penned by Crystal J. Casavant-Otto 

Crystal Casavant writes. Everything. If you follow her blog you have likely laid eyes on every thought she has ever had. Her debut novel, It Was Never About Me, Was It? is still a work in progress and shall be fully worthy sometime in 2026...or maybe 2027. She has written for WOW! Women on Writing, Bring on Lemons, and has been featured in several magazines and ezines relating to credit and collections as well as religious collections for confessional Lutherans. 

She runs a busy household full of intelligent, recalcitrant, and delightful humans who give her breath and keep her heart beating day after day. Crystal wears many hats (and not just the one in this photo) and fully believes in being in the moment and doing everything she can to improve the lives of those around her! 

The world may never know her name, but she prays that because of her, someone may smile a little brighter. She prides herself on doing nice things - yes, even for strangers! Sometime during 2025 Crystal decided a free moment simply wouldn’t do and she added even more hats! She went back to school to pursue a degree in education at Concordia University and dusted off her vocal chords and joined the local Chorale, singing with the Manitowoc Symphony Orchestra and the historic Capitol Civic Center last Christmas!

     Check out the latest Contests: www.wow-womenonwriting.com/contest.php





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Friday Speak Out!: WHAT NEWSPAPERS TAUGHT ME ABOUT WRITING FICTION

Friday, January 09, 2026
By Fran Hawthorne

Who? What? When? Where? Why?

For 30 years, that list was drummed into me and my colleagues by the editors at the newspapers and magazines where we worked: Give your readers the facts. Provable facts. No highfalutin' language. No opinions. The facts will tell the story.

A few factual adjectives were permitted. A city council meeting might be crowded, loud, even "spirited." A criminal suspect--especially, of course, one who was still at large--could be described as short, tall, heavyset (never "fat"), blond, elderly. Our ultimate workaround was to sneak in a direct quote from someone who used an adjective or two.

In any case, with our stories usually confined to strict wordcount limits, we had no room for adjectives. As for adverbs? They barely existed.

In a meeting that ran past midnight, and after two years of debate, the City Council yesterday voted 8 to 7 to allow low-income housing on a former warehouse site on the east side.

That's almost flash fiction, isn't it?

Now, however--ah, now I write novels. Now I can actually play with words like: scared, uncertain, miserable, eagerly, carefully.

But here's the thing: I rarely do.

If journalists are taught the five Ws, fiction-writers are just as powerfully imbued with the demand to "show, don't tell."

I don't want to outright tell my readers that Alice, in my new novel HER DAUGHTER, is nervous about meeting with her daughter and her ex-husband. I want readers to feel her nervousness, through the way that she prepares a detailed list of things to say and arrives early at their designated Starbucks in order to scout out tables. She wishes she'd ordered a muffin so that she could keep her fingers busy picking it apart. She knocks over her coffee cup. Maybe I'll even have her best friend urge her beforehand not to be nervous.

After all these years, I've grown into my hybrid style. Call it journafiction? I don't want a lot of fussy little descriptive tics.

Still, I'm glad to have a few stunning or exhilarating (but not tired) adjectives and adverbs in my palette, to be used occasionally and judiciously (but not extravagantly).

* * *

During her award-winning journalism career, FRAN HAWTHORNE wrote eight nonfiction books, mainly about consumer activism, the drug industry, and the financial world. She’s also been an editor or regular contributor for Business Week, The New York Times, and many other publications. Her first two novels, The Heirs and I Meant to Tell You, were published in 2018 and 2022 by Stephen F. Austin State University Press and together won or were named a finalist for seven awards, including the Eric Hoffer Book Awards and the Sarton Award. HER DAUGHTER, Fran’s third novel, will be published in January 2026 by Black Rose Writing. She’s at work on Number 4 from her home in Brooklyn, NY. Learn more at hawthornewriter.com

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Would you like to participate in Friday "Speak Out!"? Email your short posts (under 500 words) about women and writing to: marcia[at]wow-womenonwriting[dot]com for consideration. We look forward to hearing from you!
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Returning to What Works in 2026

Thursday, January 08, 2026

In 2025, I learned a lot about stress and how I handle it (the good and the bad). There were plenty of rises and falls as I lost writing gigs, gained lots of stress-inducing clients, and battled a woe-is-me perspective throughout it all. 

With 2026 on the rise, I was wary of taking on any official resolutions (as Sue said recently in her blog post, I'm not a big fan of them either). They end up feeling like false attempts at starting something that just doesn't work out. Yet, as January rolled around and the year's momentum began, I decided: why not try again? 

Instead of taking on fresh and new goals, I grabbed a page from my naively hopeful self of 2025. I had started the year by doing one act of creative writing a day. My energy for that wavered a bit as the year went on, but it gave me a strong start. I look back feeling good about those efforts.

This year, I took on the same challenge. While we're only 7 days into 2026, I've done a bit of writing for each day this year. It's not been much, but putting myself back into the creative process has been energizing.

As you look ahead to your writing goals this year, don't be afraid to take a chapter out of your own page book. Consider it like a cheat method in a video game. What has worked for you in the past? Can you mimic or recreate those processes to give yourself a strong start again? 

We don't always have to reinvent the wheel. Sometimes, we just need to go back to what worked for us before.

Nicole Pyles is a writer living in Portland, Oregon. Her writing has appeared in Sky Island Journal, Arlington Literary Journal, The Voices Project, The Ocotillo Review, and Gold Man Review. A poem of hers was also featured in the anthology DEAR LEADERS TALES. Her short story, “The Mannequin of Lot 18,” was nominated for Best American Science Fiction and Fantasy for 2024. Since she’s not active on social media very much, stay in touch by following her writing blog at World of My Imagination.
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Interview with Samantha Green: 2025 Summer Flash Fiction Contest Third Place Winner

Tuesday, January 06, 2026
Samantha’s Bio:
Samantha Green is an emerging writer with ADHD who lives in Virginia with her family. She has an accounting degree she doesn't use and writes mostly speculative stories. Her work was longlisted for the Oxford Flash Fiction Prize. Samantha can be found at samanthagreenwrites.com

If you haven't done so already, check out Samantha's award-winning story "TEETH" and then return here for a chat with the author. 


WOW: Congratulations on placing third in the Summer 2025 Flash Fiction Contest! What excited you most about writing this story? 

Samantha: Many aspects of writing this story were exciting to me! I've always liked art that's a bit odd. What started as a mental image of serrated shark's teeth became someone who had grown shark's teeth, followed by the knowledge that the teeth would be passed around to people who needed them for various reasons. It was a little weird and I was eager to write it. I was very curious to explore the circumstances under which people find themselves in need of new teeth. They're usually difficult situations – accident, addiction, hardship, violence – which people are eager to put behind them if given the chance. I wanted to give my characters that chance and see what happened. How would it change their lives? How would it affect the people and creatures around them? Some of the ripple effects would be smaller; others would be significant. 

WOW: What a cool concept! It’s so amazing to hear how something as common as teeth can evolve into something so much grander and more profound as it did in your writing process. What did you learn about yourself or your writing while crafting this piece? 

Samantha: I'd been reading Annie Hartnett and decided to loosen up my prose and experiment with a more playful, conversational voice. It was fun, and I learned I could be a little silly yet still tell a story that had emotional impact. It relaxed my approach to writing. 

WOW: Writing can be so serious sometimes, and I love to hear that you’re finding ways to have fun with it. I’ve recently seen more publications and workshops supporting writers with ADHD. How do you think ADHD affects you as a writer? Is there anything you do differently in your writing practice because of it? 

Samantha: Everyone's ADHD is a little different, but the common thread is a lack of regulation in attention, behavior, emotion, and impulse control. In terms of how it affects me as a writer, it's hard to capture all of that in a few sentences. It affects everything from my focus, to my awareness and use of time, to my perception of myself as a writer and my ability to overcome obstacles, to task initiation, to the associative way I think and the distillation of many thoughts into usable material, to the sense of overwhelm that sometimes freezes my brain for days or weeks, to my sleep, and more. Especially as a parent, life feels unpredictable. As a result, I'm strategic in the use of my limited energy and focus at any given moment. Rather than planning writing sessions or setting word count goals, I find the most success in writing whatever I can whenever I can, keeping my expectations low, and maintaining a very flexible schedule! 

WOW: Thank you so much for sharing that insight, and how you adapted as a writer. What are you reading right now, and why did you choose to read it? 

Samantha: I usually read several books at a time. Right now, I'm reading A Swim In A Pond In The Rain by George Saunders to better understand story structure since I don't have training in creative writing. I highly recommend this book to all of my fellow fiction writers! It's so thoughtful and inspiring. I'm also reading Aftertaste by Daria Lavelle because it may be a comp for the novella I'm working on, and it's just a fantastic book. I always have a rom com going as well. Currently, I'm reading The Irresistible Urge To Fall For Your Enemy by Brigitte Knightley. It's actually a romantasy, which is a genre I don't read as much, but it's so punchy and grounded that it feels like a rom com. 

WOW: Nice diverse reading list. If you could give your younger self one piece of writing advice, what would it be and why? 

Samantha: I haven't been writing long and wish I'd started sooner, so I'd say: Write now. Write anything. Just write. 

WOW: Simple yet effective advice. Anything else you’d like to add? 

Samantha: Readers may assume the female student in the story was assaulted by a male, although we know violence can unfortunately occur in any type of relationship. However, because of this, I realized a couple of drafts in just how important it was to include male characters who, in the context of this domestic violence scenario, were driven by a desire to combat it. I'm going to be more intentional about this in the future; I don't think we see enough anti-DV male characters in fiction. 

WOW: Thank you so much for sharing your story and your thoughtful responses with us. Happy writing! 


Interviewed by Anne Greenawalt, founder and editor-in-chief of Sport Stories Press, which publishes sports books by, for, and about sportswomen and amateur athletes. Connect on social media: @greenmachine459.
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Change the World One Book at a Time by Nina Amir: Blog Tour & Giveaway

Monday, January 05, 2026
Change the World One Book at a Time by Nina Amir

A longtime friend of WOW, Nina Amir, is launching a tour for her latest book: Change the World One Book at a Time. This book can give writers a new way to look at the power of their writing as well as introduce activists to a way to promote their cause. Join us as we celebrate her launch and learn what it means to be an Author of Change. Don't forge to enter to win a copy of this eye-opening book.

But before we get to that, here's more about her book:

Writing has the potential to effect change. One look a tthe world makes it clear that creating change is more critical now than ever. Yet, writers face a roadblock: lack of guidance through the process. Change the World One Book at a Time: Make a Positive and Meaningful Difference with Your Words provides a handbook to help them achieve their mission.

In Change the World One Book at a Time, Nina Amir details how to produce books that serve as potent tools for transformation. A variety of books have been published about how to become an author, however, none have focused on providing strategies specifically geared toward writers who want to inspire and motivate change. These writers need a better-than-average manual on how to write and publish. This nonfiction reference book will provide activists, coaches, healers, clergy, speakers, leaders, writers, and anyone who wants to write a book that makes a difference with a comprehensive guide to understanding the change process, building engaged communities around their missions, and writing books that move readers to action.

Publisher: Books That Save Lives(January 6, 2026)
ISBN: 1963667298
ISBN-13: 978-1963667295  
Print length:  232 pages

Purchase your copy on AmazonBarnes and Noble, and Bookshop.org. You'll also want to add it to your GoodReads reading list.

About the Author, Nina Amir

Nina Amir, the Inspiration to Creation Coach, is an 19X Amazon bestselling hybrid author. She supports writers on the journey to successful authorship as an Author Coach, Transformational Coach, and Certified High Performance Coach (CHPC ® )—the only one working with writers.

In addition to her most recent book, Change the World One Book at a Time: Make a Positive and Meaningful Difference with Your Words, Nina wrote three traditionally published books for aspiring authors—How to Blog a Book, The Author Training Manual, and Creative Visualization for Writers. Additionally, she has self-published a host of books and ebooks, including the Write Nonfiction NOW! series of guides. She has had 19 books on the Amazon Top 100 List and as many as six books on the Authorship bestseller list at the same time.

Nina is an award-winning journalist and blogger, as well as a successful nonfiction developmental editor. Some of her editing clients have sold 300,000+ copies of their books, landed deals with major publishing houses and created thriving businesses around their books.

To further support writers, Nina created the Nonfiction Writers’ University, where members access a huge archive of resources, such as courses, ebooks, and interviews with writing and publishing experts, and receive monthly group Author Coaching. Additionally, she created the Write Nonfiction in November Challenge and Author of Change Transformational Programs. Nina also founded the Inspired Creator Community, which provides group transformational (spiritual and personal growth) coaching around the topic of creating what matters.

Find the author at:

--Interview by Jodi M. Webb

WOW: What influenced you to write a book about penning books that will change the world?

Nina: For many years, I was involved with the San Francisco Writing for Change Conference. I saw how many different types of writers wanted to produce books that created change in lives or the world. And I realized how much information they needed to succeed.

Change the World One Book at a Time: Make a Positive and Meaningful Difference with Your Words was inspired by that experience. I decided to write a book that would provide those writing for change with the education they needed—in the form of a book. And the founder of that conference, literary agent Mike Larsen, encouraged me to write a book on the topic.

While I’m not an activist, I always wanted to write books that change lives—books about personal and spiritual growth. All my books have include discussions related to change. And my books help others write books that change lives.

WOW: Do you believe all genres can have an effect on the world and on the people who read those books – fiction as well as non-fiction?

Nina: Yes, I do. But I believe authors of fiction and creative nonfiction face more of a challenge
when it comes to inspiring and motivating readers to change. That doesn’t mean they can’t do so, but they will have to work harder on their craft to accomplish that goal.

Nonfiction is well suited to offering plans, research, strategies, and other things that move people to do something different. Look at how many nonfiction books exist with the words “how-to” in their titles; they all provide information on change. 

WOW:  Can you share a book that changed the way you looked at the world?

Nina: Interestingly enough, Illusions: The Adventures of a Reluctant Messiah by Richard Bach
changed how I looked at the world. It is considered fiction, although it's a philosophical, inspirational novel that blurs lines with self-help and spirituality. It tells a story about reality, miracles, and becoming your own messiah through the adventures of two barnstorming pilots. It opened my eyes to metaphysics big time, and that topic became a passion of mine.

In the nonfiction realm, God is a Verb by the late Rabbi David Cooper, also changed how I looked at the world—or at least God. And it introduced me to the mystical study of Kabbalah.

WOW: What is your advice for someone who has a message they want to share, but they don’t feel they are a writer? 

Nina: If you don’t feel you are a writer, you can get help. You can hire a ghostwriter, if you have the funds. Or you can write a “messy first draft” and then hire a great editor to clean it up for you; this type of collaboration can prove very successful with the editor even doing a little ghostwriting for you. Of course, you can speak your book; then have an editor edit the transcripts.

I’d also encourage anyone who doesn’t think they are a writer to change that thought. (Coach hat coming on here…) As long as you believe you aren’t a writer, you will feel challenged to write. So, tell yourself you are a writer…or are becoming a writer, and then start writing. If you write, you are a writer.

WOW: What about those who aren’t sure their idea is “big enough” to qualify as changing the world?

Nina: As for an idea not being “big enough” to change the world: if you produce a book that changes one life, that starts the ripple of change. One life impacts another life.

Change doesn’t have to be huge. It can be a tiny movement—like the fluttering of butterfly wings that creates wind all the way across the globe.


"If you produce a book that changes one life, that starts the ripple of change. One life impacts another life."


WOW: What an amazing way to think about our writing out there in the world. Can you tell us about the journey to get Change the World One Book at a Time out into the world?

Nina: It was a long one! I had the idea about 15 years ago. A few years after that, I partnered with someone to create a course based on the idea. That person claimed to have rights to the book, so I had to hire a lawyer and buy them from her. Later, I had an agent pitch the idea, but he never sold it. I began pitching the book after that. I even hired my literary attorney to pitch to the bigger houses for me. In the end, I pitched to a publisher that had voiced an interest in the book when my agent was still representing me; she was still interested. Then the COVID pandemic hit…and two years or so passed. In early 2024, I reached out to the publisher again. On December 31, I signed a contract for the book. There was one more hiccup, but here we are year later…and the book releases tomorrow—January 6, 2026.

WOW: So many words popped in to my mind when I read the story of this book. I think I'll go with tenacious. You, Nina, are an incredibly tenacious writer. What is your writing process?

Nina: I come up with an idea. Then I create a table of contents. I might mind-map all the content out so I know what is going in all chapters or I’ll create subheadings for the chapters so I know what sections will be included.

If I want to traditionally publish the project, I work on a book proposal. I use that as a business plan and creative plan for the book, as I wrote about in The Author Training Manual. When I feel the idea has strong legs to stand on, I write the sample chapters. Once the book is sold to a publisher, I write the rest of it quite quickly.

If I plan to self-publish, I go through all the same steps, except I begin writing and do so until the manuscript is complete.

Sometimes, I still book my blogs—the reverse process of blogging books. I wrote about this in the second edition of How to Blog a Book.

WOW:  Is the craft of writing your primary topic/genre or do you do other types of writing?

Nina: I set out to write about Jewish spiritual and mystical topics. But my first agent asked me to “get published” by writing about what I knew best—writing and publishing. As time went on, I changed my view on the initial topics I wanted to pursue; they become nondenominational or about general personal and spiritual growth.

My current agent is pitching a book that is personal growth. Like those other topics, it comes out of religion (sort of) but is meant from anyone who wants to change—specifically to change their personal stories.

WOW: If you could give writers one piece of advice what would it be?

Nina: Pursue personal growth or development. The only thing standing in the way of you becoming a writer or an author is you—your old stories, beliefs, mental chatter, fears, etc. The way to succeed as a writer and author is to get out of your own way by undertaking personal change. Become the type of person who can write and publish a book; that identity comes with the habits and mindset of a successful writer.

"The only thing standing in the way of you becoming a writer or an author is you—your old stories, beliefs, mental chatter, fears, etc. The way to succeed as a writer and author is to get out of your own way by undertaking personal change."

WOW: What’s up next for your writing?

Nina: My literary agent currently is pitching a book of mine about telling sacred stories—stories that help us fulfill our potential. This book includes writing exercises but is not for writers per se. It is for those wanting to stop allowing their old personal stories to hold them back and craft new ones that help them create a desired future.

Additionally, in 2026 I hope to revise and release two of my self-published Write Nonfiction NOW! guides and my first traditionally published book, How to Blog a Book. And, I want to submit a few proposals for other book projects.

WOW: Thanks for sharing with us and giving us a new way to look at the effect our writing could have on the world. Have a great tour!

Change the World One Book at a Time by Nina Amir Blog Tour

--Blog Tour Calendar

January 5th @ The Muffin
Join us as we celebrate the launch of Change the Word One Book at a Time by Nina Amir - the day before its January 6 launch! Read an interview with the author and enter to win!

January 6th @ Shoe's Seeds & Stories
Want to make a writing resolution for 2026? Don't miss the review of Change the Word One Book at a Time by Nina Amir.

January 7th @ Create Write Now!
Author Nina Amir stops by to ask the big question: Are you Ready to Write a Book that Changes Lives?

January 8th @ Lisa Haselton Book Reviews & Interviews
Meet nonfiction author Nina Amir and learn more about her latest book Change the World One Book at a Time.

January 9th @ A Wonderful World of Words
Do you have a cause close to your heart? Nina Amir tells how you can Strengthen Your Cause with Community and shares an excerpt from Change the World One Book at a Time.

January 10th @ Boys' Mom Reads!
Want to look at writing through new eyes? Check out Nina Amir's latest book Change the World One Book at a Time.

January 12th @ Kaecey McCormick
Learn more about author Nina Amir in today's interview.
https://www.kaeceymccormick.com/

January 13th @ All Things Writing
What Makes Writing for Change Different? Think about your writing in a new way with Nina Amir, author of Change the World One Book at a Time.

January 14th @ Hook of a Book
Hook of a Book is spotlighting Nina Amir's latest book Change the World One Book at a Time. Stop by and enter the book giveaway.

January 15th @ Words by Webb
Jodi has thoughts about who she thinks would benefit from Nina Amir's Change the Word One Book at a Time

January 16th @ What Is This Book About
Attention writers! Do more than just put words on paper. Learn more with an excerpt from Nina Amir's Change the Word One Book at a Time.

January 19th @ Chapter Break
Want to change the world? Author Nina Amir explains why every activist should write a book.

January 22nd @ Knotty Needle
Judy reviews a book that could change the way you think about writing: Change the Word One Book at a Time by Nina Amir.

January 23rd @ Weekend Care Package
Author Nina Amir is planning the perfect weekend - pop by to find out what she's putting in her Weekend Care Package.

January 26th @ Hook of a Book
What's the secret to writing a change inspiring book? Nina Amir, author of Change the World One Book at a Time reveals the answer in today's guest post.

January 28th @ Writer Advice
Prolific non-fiction writer Nina Amir stops by with thoughts on being an Author of Change.

January 31st @ Jill Sheet's Blog
Meet Nina Amir, the author of several books, and learn more about her latest: Change the World One Book at a Time.  

***** BOOK GIVEAWAY *****

Enter to win Change the Word One Book at a Time by Nina Amir. Fill out the form below for a chance to win. The giveaway ends January 18th at 11:59 pm CT. We will randomly draw a winner the next day and follow up via email. Good luck!

Change the World One Book at a Time Giveaway
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Interview with Frances Figart - WOW! Q4 Creative Nonfiction Essay Runner Up

Sunday, January 04, 2026


Frances Figart (Fié-gert), a runner up in the Q4 2025 Creative Nonfiction Essay Contest for Safeway,joins us today to tell us about shifting gears with her writing and what she's learned from other writers.


Frances grew up in east Kentucky and lived in both Canada and Costa Rica before settling near Asheville, North Carolina, in tiny Flag Pond, Tennessee. She edits Smokies Life Journal and directs the team of writers, editors, graphic designers, illustrators, and videographers creating a books, periodicals, podcasts, and videos produced by Smokies Life, a nonprofit partner organization supporting Great Smoky Mountains National Park since 1953. In 2020, Frances launched Word from the Smokies, an educational column that now appears weekly in several regional news outlets in North Carolina and Tennessee.


Her creative spirit has yielded three books for young readers: Camilla and the Caterpillars, Mabel Meets a Black Bear, and A Search for Safe Passage, each of which addresses a current conservation need in east Tennessee and western North Carolina, which share the country’s most visited national park. She manages the Steve Kemp Writers Residency. Though she has always worked as a writer and editor, she only began to explore creative writing for an adult audience in 2023 after hosting the first Tremont Writers Conference, an annual program she co-founded in the Smokies.


WOW: Congratulations on being a runner up in the Q4 2025 Creative Nonfiction Essay Contest for Safeway. It was a very interesting connection of your present and your past with a link to the natural world. Do you feel your beautiful surroundings influence your writing?

Frances: I work in Great Smoky Mountains National Park and live in a rural area with lots of protected, roadless land nearby. I suspect that my personal creative writing is indeed influenced by the creativity that comes from living and working in a natural setting. I can compose to the sound of water trickling into koi ponds, walk a trail by a small creek, or enjoy time in the middle of a stone circle that’s been erected on my property. I’m convinced that I wouldn’t have enough energy and inspiration left over from my fulltime job to work on my personal writing if it weren’t for having time immersed in the natural world. It’s restorative, regenerative, and healing in a way that nothing manmade can match.

At the same time, because roads are often our means of traveling through otherwise forested areas, there is much sadness that occurs in this day and age because of the wildlife mortality associated with roads. This topic of road ecology is one I’ve written articles about as well as the children’s book “A Search for Safe Passage.”

WOW: Your writing takes so many forms but recently you've tackled creative nonfiction. What influenced you to write for a new audience? 

Frances: I’ve always been a writer and editor, and in my 30s my focus settled in the realm of ecology. My column “Word from the Smokies,” now bylined mostly by my talented staff writer Holly Kays, and my children’s books such as “Mabel Meets a Black Bear” and “Camilla and the Caterpillars” educate young people and their families about the need to protect wildlife. I have a compilation of essays entitled “Word from the Smokies” on deck to come out next year.

I’m not sure I’ve yet found the audience for the personal writing I’ve begun to work on over the past few years. I do it for myself, for the process, for the flow and stillness of mind that comes when I’m writing. I see it as a spiritual practice. I want to undergo a transformation, a shift in perspective, a new way of seeing that comes with an expanded view—and create that experience for others. I’m drawn to doing this through speculative fiction as well as creative nonfiction. The topics can range from childhood friendship to cultural reconciliation to loss of parents or partners, but I often seek to address a personal experience that I haven’t yet fully unpacked, and the writing allows me to lean into that place of resistance and explore it more deeply. 

WOW: Aside from writing, you've taken on a new project for writers. Can you tell us a little about the Tremont Writers Conference?

Frances: There is an excellent outdoor writer named Ron Ellis, who wrote “Cogan’s Woods” and “Yonder: Tales from an Outdoor Life.” Ron has a cabin in the Smokies and is involved with the Great Smoky Mountains Institute at Tremont. He studied under Rick Bass at an intensive Writers Boot Camp and approached Tremont a few years ago suggesting that a writers conference in the Smokies could be a worthy undertaking. Tremont is a nonprofit park partner, and so is my organization Smokies Life, which has been assisting the nation’s most visited national park since 1953. My CEO asked me to partner with Tremont to create a conference.

My co-founder and co-organizer would be a field program director named Jeremy Lloyd. I’d met Jeremy before, but we really didn’t know each other and, frankly, I didn’t feel we had much in common. When we sat down to plan what the conference would look like, something he said reminded me of a line from my all-time favorite singer–songwriter: “When you know even for a moment that it’s your time, then you can walk with the power of a thousand generations.” When I said this, an expression of amazement came over Jeremy’s face. “Oh my God,” he gushed, “Bruce Cockburn is my favorite musician of all time too!" Bonding over our love for the Canadian Bob Dylan, we were off to the races.

We’ve created an intense, intensive, immersive experience that happens for 25 or so writers every October deep in the heart of a beautiful national park. Our author workshop leaders have included Pulitzer Prize winning novelist Richard Powers, poets Frank X Walker and Maurice Manning, and this year our nonfiction cohort was led by the incredibly talented multi-genre writer Crystal Wilkinson. These leaders and our participants say this is the most fulfilling writers conference they have ever attended. Our submissions window opens this month at writers.gsmit.org.

WOW: That sounds like an amazing opportunity to learn from fellow writers. As a writer, do you think your craft improves from your spending time with other writers? 

Frances: Absolutely. In addition to reading others’ work, physically being around other writers gives us encouragement to keep going and helps us hone our craft. Sharing about process, about literary choices, about what we have learned from others—all of this helps us to more clearly see why we write and to understand that there is no one way to do it. You are always going to read your own writing from the maker’s perspective, which may not be anything close to what others receive when they read it. So getting another writer’s take on your piece is an amazing gift.

We all share the same struggle: to find ways to put our story on the page so that it unfolds for the reader in a way that will give them the experience we want them to have, so that they get that same chill of insight that caused us to sit down and pen the tale in the first place. It is extremely heartening to see my colleagues' smiles of understanding when we compare notes on the compulsion, burden, and reward of our creative endeavors.

WOW: Have you gotten any advice from the many writers and other creative people you work with that you could share with the WOW community? 

Frances: Since 2023, when we started Tremont Writers Conference, and since I began attending North Carolina Writers Network events, I’ve learned so many great tips. Memoirist Jennifer McGaha says not to think about audience at all until after your first draft is vomited out. When she wants to emulate the style of another writer, Crystal Wilkinson types out forty pages of their work to feel what it’s like from the driver’s seat. Self-taught Southern fiction giant David Joy says if you are using too many adverbs, it’s because you haven’t chosen the strongest verb. Appalachian fiction award winner Karen Spears Zacharias, who discovered writing as a way to process losing her father in the Vietnam war, develops works in which places are characters just a strong as her human ones.

WOW: What about you personally, what are your tips for us?

Frances: As someone who never got an MFA, I’ve found the book “Beginnings, Middles and Ends” by sci-fi genius Nancy Kress profoundly instructive. Ronald Verlin Cassill published “Writing Fiction” the year before I was born, listing four timeless stylistic modalities: narrative summary, description, scene, and half-scene. Canadian Nicole Breit has a great online course called “Spark Your Story Lab” in which she teaches the power of channeling your writing into new unfamiliar structures as an approach to tough material. One form I’ve been practicing lately is the 100-word essay. It’s like a meditation and a good way to learn what all can be left out, which ironically can increase impact.

Go to conferences, take online classes, find a group of writers to workshop with, and learn all you can from those who have been able to turn their craft into a money-making endeavor. 

But, in the end, listen to your own intuition and instinct. This commitment to writing is, ultimately, about your own compulsion to tell story, your own voice, your own process. No one else can tell you how to write what will be meaningful to you. Someone may tell you that your story would work better if told from a different point of view, but you may have written it from this character’s perspective because that was the way it meant the most to you. Be cautious about changing your work to conform to someone else’s standards. Write for yourself!

WOW: Thank for advice that is so simple and true and also so difficult at times. Write for yourself. I think we need that on t-shirts.
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