Introducing R/evolution Story Lab from Award-Winning Essayist and Author, Nicole Breit

Thursday, July 02, 2026
Introducing R/evolution Story Lab from Award-Winning Essayist and Author, Nicole Breit

by Ann Kathryn Kelly and Angela Mackintosh


Many of you in the WOW! writing community may be familiar with Nicole Breit, and more specifically her 12-month writing program, “Spark Your Story Lab” that has since evolved into an all-new and improved writing collective for creative nonfiction (CNF) and memoir writers: the R/evolution Story Lab (R/SL). 

R/SL is more than a community. It’s a dynamic ecosystem for “writers, seekers, and explorers who are ready to bring their fullest selves to the page, and beyond.” The website points out that it’s different from other writing communities because it recognizes that “storying”—yes, Nicole’s own word to describe the creative process she teaches for self-discovery on the path from drafting to editing to publication—works best when craft instruction is offered in an environment that validates the process

Nicole is an award-winning essayist and co-author of Bloom: Letters on Girlhood. Over the past decade, Nicole’s unique approach to teaching CNF has helped thousands of writers sidestep blocks, improve their craft, and secure their first publications and/or literary awards. 

Since launching in February 2026, R/SL has welcomed several hundred members into the free space, and a growing cohort in the paid membership area. Paying members can take advantage of Nicole’s signature program materials that include, among other resources, the mini course “Spark Your Story Method” as well as 6 deeper-dive modules on themes of Origin Stories, The Emergent Self, The Body, Where the Heart Is, The Bigger World, and Nature + The Spirit. Members also enjoy rotating live events monthly that include generative workshops and guest experts, as well as group write-ins and weekly challenges inside the online collective, aimed at keeping the creative fire alive. 

Angela and I took a look around this dynamic writing ecosystem recently to find out what makes this one so special and why it may be a great choice for our readers, to help you enhance (or recommit) to your writing practice. In fact, WOW! contest winner Carole Vasta Folley (who won first place in our Q1 2026 CNF essay contest), is a founding member of R/SL and credits the writing collective for “keeping my fingers on the keyboard, and more importantly, my desire to write at the forefront. Simply put, I am writing and submitting more because of R/SL.”


WOW: Nicole, R/SL is, in your own words, “a space for brave, honest ‘storying’ alongside grounded self-inquiry and creative practice, held in community.” We’d love to hear what inspired you to create the R/evolution Story Lab?

Nicole: Hi Ann and Angela, and thanks so much for inviting me to chat with you about R/SL. I believe there’s an urgent need for healthy, welcoming and inclusive creative spaces for writers whose subject matter is their own lives. I knew I was helping writers who enrolled in my programs because they were meeting their big writing goals, but once a class ended, there was no easy way for everyone in the group to stay connected. Building a space where the conversations could continue would help everyone, myself included, keep up the creative energy and momentum!

But I also believe it’s time for a new paradigm in memoir. I call my community the R/evolution Story Lab for a reason. I created the space I wish already existed for creative nonfiction and memoir writers, centered on creativity, craft and joy—because writing can and should be playful, curious and fun. Yet, that isn’t always what comes to mind when we think of writing memoir, is it?

We’ve been handed the myth of the tortured artist again and again. I’m tired of this notion that if you haven’t bled, you won’t be read. Writing has been an incredibly powerful tool for healing in my own life and the lives of the writers I’ve mentored over the years. But very few writers have been taught that they can maintain their peace while crafting work that addresses their pain. Showing writers how to do that mindfully is part of R/SL, too.

WOW: Love this: if you haven’t bled, you won’t be read. We agree, wholeheartedly! Maintaining one’s peace, while crafting work that addresses pain, can and should be a central part of the process. So, can fiction writers and poets join your community, or is it just for creative nonfiction writers?

Nicole: Yes, absolutely! R/evolution Story Lab is an inclusive learning and growth hub for anyone using writing as a tool for transformation via personal narrative. Although our focus is on creative nonfiction, our members are also novelists and poets and playwrights. That’s what makes R/SL such a beautiful place! We are a living, breathing, co-created community of folks from different countries, backgrounds, training and disciplines. What makes each of us unique is our superpower and makes our contributions to the group so meaningful.

WOW: It sounds like R/SL was designed very intentionally. Can you share how the community helps writers who are struggling to commit to a regular writing practice?

Nicole: R/SL was carefully designed to meet the needs of writers at different growth stages, as they pursue their individual journeys and varied goals that may shift over time. I envisioned our community as a place of inspiration and belonging, with education and support to continue each member’s ongoing development as writers and creators. 

I have to admit, one of my struggles has always been consistency with writing. But I’ve realized that I am much more motivated, inspired and productive when I can write alongside others who are engaged with their own work. Our scheduled writing sessions are great for that! We gather twice a month for silent writing, hosted by our Community Manager, Marisa. For 75 minutes, we show up and work on whatever we want, with our cameras off. One of our founding members, Jane, finished the first draft of her novel in a silent writing session recently!

But there’s always something going on inside R/SL to inspire new writing, from our weekly 100-word challenges, to the coursework, to invitations to share intentions, progress and wins. Our “Revolutionaries”—that’s what we call each other—share book recommendations, submission opportunities, and are starting to form smaller groups. Just this week a few of our members decided to create a space to go through the course materials together. Being that some members are in different time zones, they are looking at using video and audio notes in the space. R/SL is a living, co-created community by design, and it’s exciting to see members shaping it to meet their needs and desires.

WOW: One of the unique things about R/SL is that your community is facilitated by a trauma-informed Community Manager trained in nervous system regulation practices. What are these practices and how can they help writers?

Nicole: Many writers come to creative nonfiction with difficult stories to tell, which is why I wanted everyone to feel held and supported by a trauma-informed Community Manager who could maintain a nervous system-regulated space. Marisa’s training in yoga, breathwork, and EFT (Emotional Freedom Technique) support Revolutionaries in staying grounded and supported when the writing gets tender or emotionally activating. She has worked with folks from across diverse groups, which was important to me. I really want writers whose voices and stories haven’t been well represented in publishing to feel safe in our space to write and share with us.

Marisa is also a board-certified genetic counselor who has spent two decades sitting with people in some of the most vulnerable moments of their lives—holding space for grief, fear, and the search for language when experiences feel unspeakable. That capacity translates directly into how she shows up in R/SL: the integration of science and somatic awareness means she isn’t just offering calming techniques intuitively. She understands why they work and how things like body-doubling support our members in our co-writing sessions.

"Recently, two of our members won creative nonfiction contests, one of whom began her award-winning piece in an R/SL workshop I taught in February! But what makes R/SL so wonderful is that sense of belonging we ache for as writers. We need the company of others who understand the work."

WOW: How fascinating! What a special offering for your community members. R/evolution Story Lab also offers writers a free space where they can connect and participate in a monthly writing challenge, but can you tell us a bit more about what it’s like to experience R/SL as a full paid member?

Nicole: I want R/SL to be the place everyone wants to sign onto first thing when they get up in the morning, whether they’re in the free or the paid membership spaces. Marisa describes the experience of catching up on what’s happening in R/SL as “joyscrolling”—the polar opposite of the doomscrolling we both were prone to do at the start of our days prior to launching R/SL.

Writers in the paid spaces get a premium experience. They have access to all of my live and previously recorded training, available inside R/SL. They are able to form smaller groups to share work, form a book club, or whatever delights them and supports their writing. We create new spaces as we think of new ways to support our Revolutionaries; for example, we recently created a Library where paid members can share their published work. And whereas free members are invited to participate in one 100-word story challenge a month, our paid members do weekly writing challenges and meet regularly for scheduled live writing sessions. Although the cohort is smaller, there is much more engagement and discussion happening in our paid spaces. 

As for what the actual experience is like, imagine being an active part of the shifts and breakthroughs happening inside R/SL every week. So exciting! One of our founding members pointed out that not only are Revolutionaries incredibly supportive, but hugely talented. Recently, two of our members won creative nonfiction contests, one of whom began her award-winning piece in an R/SL workshop I taught in February! But what makes R/SL so wonderful is that sense of belonging we ache for as writers. We need the company of others who understand the work. Writing can feel like such an isolated experience. It can be really hard to do alone!

WOW: Agree. That sense of belonging is so important and can be so hard to find, and when we do, it feels like such a gift!

Nicole: Absolutely! Recently one of our Revolutionaries shared that R/SL is the group she’d been trying to find. She’d been wanting to work with me for years and was also trying to manifest a writing group where she really felt she belonged. Her other writing groups were focused on technique, but something felt like it was missing. After one of our write-in sessions she realized she’d been missing a space that nurtured creativity, authenticity and technique. I thought the word authenticity spoke volumes. There’s no “performing” in R/SL, and I think that is a big part of what creates a sense of belonging. It’s a safe space where we can just be real about our lives. 

I’ve been asking myself what it is about our community that makes it a place where authenticity can thrive. I think it comes down to creating an environment where it’s safe to take emotional risks. I show up as my unmasked self, which helps others feel it’s safe to do the same. I’ll give you an example! At a write-in I shared my dating app profile which was written in the form of a Dear Universe letter. I was nervous to share it because it felt vulnerable, even though I’m used to sharing a fair bit about my own life, including stories about being a queer, polyamorous, late diagnosed neurodivergent woman. Sharing my Dear Universe letter led to a lively conversation about whether or not a dating app profile could be considered creative nonfiction. I loved receiving input from the group on what I could add or change or expand to make it publishable!

WOW: A fantastic example, Nicole. Thanks for sharing that with us! When you reached out through email, you said something that really spoke to us: “I believe by writing about the past we empower ourselves to shape the future. The stories we tell ourselves literally create our reality!” Love this! Can you share a little more?

Nicole: I think it’s really important that we all understand that our stories hold a lot of power, a fact rooted in neuroscience. Our internal narratives are the stories we live by. They literally create our reality, so when they go unexamined, or unwritten, we are driven by stories that may not belong to us. Inherited narratives, cultural narratives, and our own fractured narratives inform our perspective and as a result, our behaviour, and what we experience—often as patterns.

Storying is the process of writing personal narrative as a tool for transformation. It’s about more than healing. It’s a form of identity work, which runs much deeper than processing a difficult experience. I wouldn’t be who I am or living the amazing life I’ve created if I hadn’t discovered its power. Storying can help us open and shift our perspectives, allowing us to see what we couldn’t see before. I like to say that although we can’t change what happened to us, we can change our relationship to the past by writing our stories. Where there was no resolution in life, we can seek resolution to an artistic problem: how will I end this story, and what, in the end, did it mean to me? When we uncover meaning and let an old story go, a kind of clearing takes place, and in that new space where confusion or grief or incomprehension lived, new stories can be written.

I’d like to go back to the Dear Universe letter I wrote as my profile on a dating app, which listed all the qualities I was seeking in a partner. Technically speaking, from a creative nonfiction perspective, I could argue that it was a kind of list essay! It felt like an impossible list, very specific. Two months after writing it, I met someone who was an ideal match. They were everything I’d asked for, with the exception of one minor detail: they were one inch shorter than my desired 6-foot-tall. I laughed when he told me he was “only” 5-11. Everything else, though?! Not a dealbreaker!

Did storying manifest this person? I like to believe it did! But what I am 100% convinced of is the role storying played in my ability to greet this new connection and be ready to experience what would unfold. I’m absolutely certain I could not be living our story right now if I was still carrying around my old baggage. I really struggled to give and receive romantic love in the past, or seek and experience intimacy in healthy ways. Writing those stories is a gift I gave myself, freeing me from how old narratives held me back in other parts of my life, too.

"It’s really important that we all understand that our stories hold a lot of power, a fact rooted in neuroscience. Our internal narratives are the stories we live by. They literally create our reality."

WOW: You recently held a workshop that introduced your StoryWork framework. Can you tell us how you came up with the name, and guide us through some of the principles for your StoryWork manifesto? 

Nicole: Thanks for this question! It relates back to the new paradigm of memoir I spoke to at the beginning of our interview: this vision I have for writing to be a source of power rather than centered on pain. My StoryWork is a guide to reorienting us as writers, redirecting our attention to alternate sources of inspiration and fuel, rather than trauma, so we aren’t taxing our nervous systems to get the writing done. 

StoryWork is not avoidance, or an attempt to bypass the reality of our difficult experiences. I strongly believe that writing is a tool for healing the past and shaping the future. But I also believe we can get the relief, the catharsis, the transformation we seek, by approaching our stories in ways that don’t recreate trauma on the page, thus triggering ourselves and our readers. 

I’ve called my framework StoryWork because it is a transformative practice that belongs alongside other forms of self-care, self-expression and healing—like artwork, breathwork, and spellwork! I’m still at work on my StoryWork manifesto, which I’ll publish on Substack, but here are a few principles that guide my storying practice.

Stories aren’t linear. Your pain isn’t the story. Desire is fuel. 

I’ll be expanding on these principles in Substack articles, too! But curious WOW! readers can tune into my free workshop replay right now, that walks writers through a transformative StoryWork process.

WOW: We look forward to reading those! Inside your community, writers can offer feedback on your 100-word story challenges. You call this practice “attentive noticing.” What does that entail?

Nicole: One of the ways I differ from other writing instructors is that I promote attentive noticing as an alternative to workshopping. I believe it’s important, especially in the early drafting stage, to receive a reflection from an attentive reader on what is emerging, and what is working. Writers often can’t see their own work and believe, incorrectly, that their work is terrible when it isn’t!

Attentive noticing is like attentive listening; we pay attention to how a line lands, notice moments that feel alive with heat, and share that with the writer. It’s about what is working well, and what we’d love to see more of in the piece. In practice, it can be as simple as repeating back a line that resonated. Attentive noticing is so valuable because it offers clues to what’s next without shutting a writer down, which so often happens with workshopping—especially among writers whose genre isn’t creative nonfiction. Our stories are smart, and so are we! Often in conversation, we find the way forward on our own. And when it’s time for revision, there are resources in R/SL to help writers learn how to identify, step by step, what would strengthen their work.

WOW: I love that! Do you have any exciting events in the works our writers should know about? And can non-members join events hosted in R/evolution Story Lab? 

Nicole: There are always exciting things coming up in R/SL! I’m currently creating a workshop on creative nonfiction as a manifestation practice. I’m very excited to share how I’ve been experimenting with using writing as a tool for visualizing and actualizing the lives we desire. I’m also looking forward to hosting some incredible guests for our upcoming Teach and Talks, including Theresa Kishkan, whose memoir, The Art of Looking Back was just published through Thornapple Press. Her book retraces her experience being cast as muse to a much older painter who became obsessed with her when she was an emerging poet in her early 20s. It’s a beautifully crafted memoir and I could not put this book down.

And yes! Anyone is welcome to attend our R/SL events as non-members for a small fee. The best way to learn about what’s happening in our community is to join us in the free space, which is also a great opportunity to start connecting with writers and participate in some writing challenges to get the creativity flowing.




Our thanks to Nicole for an inspiring chat! Anytime is a great time to recommit to your writing practice, but it’s even better when you can do it among a community of supportive, enthusiastic writers. Find your tribe, and get started for free! And if you decide to join Nicole’s story revolution as a full member, enter coupon code STORYWORK at checkout for a 25% savings. Start exploring all that’s waiting for you, inside the R/evolution Story Lab.

***


Ann Kathryn Kelly is a memoirist and essayist living in New Hampshire’s Seacoast region. Her prize-winning writing has been published in dozens of literary journals and anthologies, and she has been awarded writing residencies around the world. Ann is a columnist with WOW! Women on Writing and she volunteers as a writing workshop leader. Visit her creative writing website. Ann also writes professionally for technology companies through her LLC, Pen on Demand.

Read More »

When Reading Tastes Evolve

Wednesday, July 01, 2026


I like to tell people that working in a bookstore for me is like being a kid in a candy shop. Surrounded by the unmistakable smell of new books, alluring covers, sprayed edges, and book-loving merchandise, it’s a miracle I don’t spend my entire paycheck inside the stacks each week. 

But what I do is learn about more books I want to read, and lately, I’ve noticed my tastes in literature evolving. For example, let’s see if you can spot a theme in some of my favorite reads from the past year.

The Correspondent-This epistolary novel shares the story of 73-year-old Sybil Van Antwerp, a highly-educated but brusque widow who has always made it a practice to correspond with her friends and family through weekly writing sessions. Through her letters the reader discovers Sybil’s tough demeanor hides a vulnerability, devastating loss, and complicated family history many of us can relate to. 

Theo of Golden-When a kind but mysterious 86-year-old man named Theo appears in the fictional Georgia town of Golden, the townspeople aren’t quite sure what to make of him. But when he begins purchasing the hand-drawn portraits of local residents from a coffee shop and gifting them to their owners, he bridges connections between himself and people he never would have expected. 

The Uncool-This memoir by screenwriter and rock journalist Cameron Crowe reads like a who’s who of music history. As Almost Famous is one of my favorite movies, I was inspired by the real story of how the writer first broke into Rolling Stone magazine before he could even drive. Expect to learn about interviews with legends such as David Bowie, Fleetwood Mac, Jim Groce, Greg Allman, and more. 

And now I’m a few chapters into Whistler by Ann Patchett. I’m embarrassed to say I’ve never read any of this author’s books before, but we can’t keep this one in stock at the store and I’ve heard nothing but good things about it. When I first read the premise, a 53-year-old woman encounters the man who was her stepfather for two years during her childhood in a museum, I wasn’t sure it would interest me. Was I wrong. As a middle-aged woman who had a complicated relationship with both my biological father and stepfather, I feel like Ann and I could be kindred spirits. 

I have a few younger co-workers at the bookstore that have looked at me sideways and wondered why these books have been some of my recent favorites. They learn more towards romance, nonfiction, fantasy, and romantasy. But the employees that are closer to my age align with my reading taste. While in my 30s I read a lot of young adult because I was trying to learn how to write in that genre, I find myself exploring more books about family relationships, aging parents, and parenting young adults. I think that probably happens with us all, but these books are also helping me think about new topics I want to explore in my own writing. 

On my TBR pile now is a new book by Anna Johnston, who also penned one of my favorite books set in a nursing home, The Borrowed Life of Frederick Fife. I can’t wait! 

Have you found that your reading tastes have changed as you get older? I’d love to know what you’re reading now. 

Renee Roberson is an award-winning writer who also hosts the true crime podcast, Missing in the Carolinas. In her spare time, she works at an independent bookstore in North Carolina.

Read More »

Interview With Ari Honarvar, Winter 2026 Flash Fiction Contest 1st Place Winner

Tuesday, June 30, 2026
Ari Honarvar is the founder of Rumi with a View, an initiative dedicated to bridging the arts, social justice, and wellbeing. Her words have been featured in The Guardian, The Washington Post, Teen Vogue, and elsewhere. Drawing from her childhood experiences of war and oppression and her work with underserved communities, she facilitates Resilience through Joy workshops for refugees, healthcare workers, and social justice advocates worldwide. She is the author of the critically acclaimed novel A Girl Called Rumi and the bestselling oracle deck, Rumi’s Gift.

--interview by Marcia Peterson

WOW: Congratulations on winning first place in our Winter 2026 Flash Fiction competition! What inspired you to write your story, “The Pomegranate Tree?”

Ari: This piece is inspired by a conversation I had with my father during the Iran-Iraq war. It’s a wartime memory I later wove into my novel A Girl Called Rumi, which draws on my childhood in Iran, immigration to the US, and the mythic, rich landscape of Iranian culture and literature.

I also wanted to address something that rarely makes the news: the environmental cost of war. The pomegranate tree became the heart of that. And underneath it all, the piece is asking the question that haunts anyone who has ever been attacked: Why do they hate us?

For the contest, I revised the piece to include modern warfare and the killing of schoolchildren. I had been following US/Israel drone attacks for years, and in February, I had a feeling the US was going to attack Iran again. Three days after I submitted the story, the US attacked the school in Minab and killed over 100 elementary school kids. I got chills when it happened in real life. And of course, I was devastated. 

WOW: Such terrible loss, it's hard to imagine. Thank you for sharing your contest entry with us. 

You’ve also written fiction and nonfiction in various forms and lengths. Do you find one more challenging than the others? Are you drawn to one form more than the others?

Ari: I find fiction to be more challenging—always. I do enjoy both, but I write more nonfiction because it's easier, it lets me say what I mean directly, and I get paid for it. Fiction is world-building and more meditative. When I get lost in it, there's nothing quite like it.

WOW: What advice would you give to someone wanting to try writing flash fiction for the first time?

Ari: Make every word count. That's the only rule that separates flash from longer fiction. Every sentence should earn its place by being evocative, necessary, or both. In your first draft, give yourself the freedom and space to tell the story without paying attention to the length, with all the details intact. Then hone and hone until it's within the word limit. I also believe in grounding any work of fiction in five or more senses and in layering emotion throughout.

WOW: What are you reading right now, and why did you choose to read it?

Ari: I'm finishing Chef's Kiss by TJ Alexander. A friend recommended it, and it's Pride Month, so the timing felt right. And I'm starting The Trial by Kafka. I read it in high school, but wanted to return to it now that I work with asylum seekers and refugees. So much of the legal labyrinth they navigate feels like living inside an existentialist novel—bureaucratic, absurd, and so dehumanizing. And Kafka’s book feels prophetic. For me, balancing something heavy with something warm and enjoyable is the way to go, reading-wise.

WOW: Thanks so much for chatting with us today, Ari. Before you go, what encouragement or advice can you give to writers about entering writing contests?

Ari: Do it! Contests give you a deadline, somewhat of a constraint, and a reason to polish your work. Even if you don't place, you get to see what won and notice why it moved the judges. And you never know! Sometimes the piece you almost didn't submit is the one that changes everything.


***
Read More »

Interview with David McArthur: Q2 2026 Essay Contest Runner Up

Sunday, June 28, 2026
David’s Bio:
David McArthur is a California-based writer whose work has appeared in Pithead Chapel and Tahoma Literary Review. He writes about work, ambition, and the moments where ordinary lives begin to fracture. He is currently working on a novel. He lives in Southern California, where he balances writing with running a remodeling business. 

Check out David's award-winning story "I Kept Driving On" and then return here for a chat with the author. 

WOW: Congratulations on placing second in the Q2 2026 Essay Contest! How did you begin writing your essay and how did it and your writing processes evolve as you wrote? 

David: My essay began as a freewriting experiment following a conversation with my sister about our early lives and shared experiences. What started as a collection of memories evolved into a more deliberate narrative and, ultimately, the foundation for a series of linked essays and a memoir. 

WOW: It’s fun to hear what can come of a bit of freewriting. What did you learn about yourself or your writing by creating this essay? 

David: I learned that the act of recalling and shaping formative moments is not just reflective but generative; meaning often emerges through the writing itself. 

WOW: Can you tell us more about the novel you’re writing? What has that process been like? 

David: I’m currently working on a novel that draws on my experience in financial services while reimagining its settings and characters through fiction. The work has required a shift from recollection to construction—shaping character, tension, and narrative arc rather than relying on memory alone. 

WOW: Which creative nonfiction essays or writers have inspired you most, and in what ways did they inspire you? 

David: I was particularly influenced by The Glass Castle by Jeannette Walls. Her portrayal of instability, resilience, and family dynamics resonated with my own experiences and reinforced the idea that my story was worth telling. 

WOW: Oh yes, that’s definitely a formative book for memoirists. If you could tell your younger self anything about writing, what would it be? 

David: I’d tell my younger self to stay with the work and take it seriously earlier, though I suspect he wouldn’t have listened. 

WOW: Anything else you’d like to add? 

David: I came to writing relatively recently after a thirty-year absence, which has made the process feel both unfamiliar and necessary. I would encourage anyone with even a passing curiosity to try it. There is a cathartic sense of closure in carrying a piece through to its final punctuation. 

WOW: Thank you for sharing your wisdom and your writing with us. Happy writing! 


Interviewed by Anne Greenawalt, founder and editor-in-chief of Sport Stories Press, which publishes stories by, for, and about sportswomen and amateur athletes. Engage on social media @GreenMachine459.
Read More »

They All Fall in Love at the End by Haili Blassingame: Blog Tour & Giveaway

Monday, June 22, 2026
 
They All Fall in Love at the End by Haili Blassingame

Fans of Raven Leilani, Lily King, and Xochitl Gonzalez won't want to miss our latest blog tour. Haili Blassingame joins us to celebrate the launch of her book, They All Fall in Love at the End. Join us as we interview the author about her incredible novel and give you a chance to win a copy for yourself.

Before we get to that, here's more about the book:

Cat St. Clair is ready for her messy love triangle era now that she’s in an open relationship. But she didn’t foresee a forbidden love triangle with the only two people who are off-limits: her boyfriend’s best friend and his girlfriend. Being a twenty-something writer who lives for plot, she falls for them anyway, with deliciously disastrous consequences, in this electric literary debut for fans of Xochitl Gonzalez, Coco Mellors, Lily King, and Raven Leilani.

It’s the fall of 2024, and twenty-four-year-old Cat isn’t asking for too much: all she wants is three boyfriends, to write her little novels, and to survive another chaotic presidential election. She’s in an open relationship with her college sweetheart Jay, but nonmonogamy isn’t just a hot trend she’s trying. It’s her sliver of freedom in a world eager to wrestle it from her for being a Black woman going after what she wants with reckless abandon.

While political tensions roil the campus where Cat is slowly earning her creative writing degree, she finds herself drawn to Jay’s best friend, Tristan, who’s smart, super hot, and…in a monogamous relationship. And then she meets Tristan’s girlfriend, Nia, a captivating art student with her own gravitational pull.

Friends and family urge her to just be happy with Jay, but Cat is determined to have it all—or blow up her life trying. As she falls for all the wrong people, racking up lies, betrayals, and terrible drafts of her novel, she tries to write her way to a happy ending. But in art, politics, and love, true liberation may take more than rewriting the old scripts. It may mean inventing something entirely new.

Publisher: Scribner
ISBN-13: 9781668204122
ASIN: B0D9DP6GDY
Print length: 384 pages

Purchase a copy of They All Fall in Love at the End on Amazon and Bookshop.org. Be sure to add it to your Goodreads reading list too.

About the Author, Haili Blassingame

Haili Blassingame

Haili Blassingame is a producer for the show 1A from WAMU and NPR. She writes literary fiction about love, desire, and the decisions that feel impossible to make starring plucky, loud-mouth female protagonists of color. Her debut novel is called THEY ALL FALL IN LOVE AT THE END. It has a hot-pink cover. She's also written a New York Times Modern Love essay about breaking up with her boyfriend and a piece in The New Republic about Kamala Harris and Gretchen Whitmer. She’s also been a guest on the Modern Love podcast, NPR’s Life Kit, and NPR’s 1A. She previously worked on NPR’s Code Switch and Weekend Edition. She lives in Washington, D.C., with her 10,000 books and no bookshelf.

Find her online at:

Instagram: @hailiwroteabook
TikTok: @shutuphaili

-- Interview by Nicole Pyles

WOW: Congrats on your book, They All Fall in Love at the End. What pulls you towards writing romantic fiction?

Haili: I LOVE love! I don’t know if I know how to write about anything else—or I should say, I write about many things, but romantic love often is the center of gravity of it. I’m also someone who grew up bingeing RomComs, so that genre and its quirks lives deep inside of me.

WOW: I think loving your genre is so important. How did your book change from the first draft to the final draft?

Haili: It changed DRAMATICALLY. There was an iteration of the book where the heroine’s main love interests, Jay and Tristan, were not childhood best friends. There was also a version where Cat and Tristan’s girlfriend, Nia, were just friends and there was no romantic complication there. All the tension was drained from the narrative in those drafts, it was like, Who cares!!? We wouldn’t even be talking about it right now if I hadn’t rewritten the whole thing; it wouldn’t have sold.
 
WOW: The changes you made ended up being so successful. What an experience to be published with a major publisher! What has that experience been like for you? Any insights or lessons you can share?

Haili: I’m lucky in that my experience at Scribner was seamless. I had a FANTASTIC editor that I adore, a deeply committed publicity and marketing team, so much support, I mean, Scribner hasn’t been around for nearly two centuries for no reason. They are the home of Fitzgerald, Wharton, Vonnegut, Wolfe, Hemingway (a fact I offer unprompted to anyone who cares, I’m just Scribner-maxxing right now). And so the lesson here is this: you can’t always choose your imprint. I sold in a pre-empt, so my editor and I chose each other. But the imprint does matter. Each one has its own identity, culture, logic, resources, vision and that’s hard to understand when you’re just starting out, you just want anyone, someone, to take your book. But just look at FSG, they launched the f*ck out of Madeline Cash. Scribner was the absolute right imprint to launch my debut, I’m certain of it. As a fire sign, I am proud to have the imprint’s flame on the spine of my novel. It’s also electric green which is very hot.

WOW: It sounds kismet! Okay so I have to ask: 10,000 books and NO BOOK SHELF? I love it! But I wonder: where do you put them all? And can we see photos? :)

Haili: I own a bookshelf, I just haven’t put it together and never will! This is my nightstand:


WOW: I love it! Where do you like to write? 

Haili: I write in my bed! But my mattress is sinking in on one side, so I won’t show you a picture. Sometimes, when I’m feeling adventurous, I write on the sofa in my living room, which is an absolute mess.


WOW: Sometimes the messiest places are the best places. What are you working on now that you can tell us about?

Haili: I’m working on way too many things because I’m neurotic. I just finished a literary time travel novel that’s part domestic drama, part second-chance romance. Basically a loose 17 Again retelling (pray it gets published!!!). I’m also working on a friends-to-lovers campus Rom-Com, like Deep Cuts but with movies. And I just started a queer celebrity fan fiction featuring a narrator loosely based on myself and the hottest nonbinary actor on Earth. I want it to be a slender summer novel–but we’ll see what happens there.

WOW: I can't wait! Thank you so much for sharing more about your writing journey and your latest projects. Enjoy the blog tour!

They All Fall in Love at the End Blog Tour

-- Blog Tour Calendar

June 22 @ The Muffin
Join us at WOW as we celebrate the start of Haili Blassingame's blog tour for They All Fall in Love at the End. You'll also have a chance to win a copy of the book.

June 23 @ Just Katherine
Visit Katherine's blog to read an excerpt from the book. She also responds to our tour-themed prompt about why she loves reading romantic stories.

June 25 @ Sarandipity's 
Stop by Sara's blog for a spotlight of They All Fall in Love at the End.

June 27 @ Chapter Break
Stop by Julie's blog for an interview with Haili Blassingame about her book They All Fall in Love at the End.

June 27 @ Boots, Shoes and Fashion
Join Linda's blog for an interview with Haili Blassingame.

July 1 @ Writer Advice
B. Lynn Goodwin interviews Haili Blassingame about her book, They All Fall in Love at the End.

July 4 @ Brandy's Substack
Stop by Brandy's Substack for a review of They All Fall in Love at the End. She also shares her response to our open blog tour-themed prompt.

July 7 @ Caitrin C. King's blog
Join Caitrin for an interview with Haili Blassingame.

July 10 @ StoreyBook Reviews
Join Leslie's blog for an excerpt from They All Fall in Love at the End. 

July 11 @ 30 Days By the Sea
Join Amy for a review of They All Fall in Love at the End.

July 15 @ Hook of a Book
Visit Erin's blog for a review of They All Fall in Love at the End.

July 17 @ Afro Reads
Join Lynelle for her review of They All Fall in Love at the End. You can also check out an excerpt of the book.

July 20 @ A Wonderful World of Words
Stop by Joy's blog for an excerpt from They All Fall in Love at the End.

July 25 @ A Sip, A Shout, and A Sentence
Join Elle for her review of They All Fall in Love at the End.

July 26 @ Nikki's Book and Movie Reviews
Visit Nikki's blog for her review of They All Fall in Love at the End.

***** BOOK GIVEAWAY *****

Enter to win a print copy of They All Fall in Love at the End by Haili Blassingame. Fill out the form below for a chance to win! The giveaway ends on July 6th at 11:59 pm CT. We will randomly draw a winner the next day and follow up via email. Good luck!

They All Fall in Love at the End Giveaway
Read More »

Do You Consider Yourself an Adolescent Author? Interview with Elizabeth Maria Naranjo

Friday, June 19, 2026

 Interview with Elizabeth Maria Naranjo

Answering this question and oh so much more!

“Do You Consider Yourself an Adolescent Author?"


Elizabeth Maria Naranjo is a delightful author I have had the pleasure of working with many times. I was working on a class project and had to write about an adolescent author and fired off the following question to Elizabeth: " Do you consider yourself an adolescent author? I need to find an adolescent author for a class project." She replied with: "Hi!!! Sure, you can use me for the project. The Fourth Wall is definitely YA, and so are a lot of my short stories."


It was a joy to catch up with Elizabeth and I just know our WOW! readers will enjoy our conversation. If you haven't heard of Elizabeth before, let me start with a brief introduction: Some of her books have a bit of a dark side to them so they may not necessarily appeal to all young readers, but those who like murder mysteries will delight in her writing. 



I met Elizabeth with the launch of her first novel, The Fourth Wall, and for the purpose of today’s chat, I’ll tell you more about it! The Fourth Wall is a fabulously written first novel. When Marin was little and monsters chased her through nightmares, she learned to weave her own dreams. Her mother called the lucid dreaming a gift, and when an accident takes her mother and leaves her baby brother an empty shell, Marin uses this gift to spin a new reality for herself. One without time or sorrow. A world without memory. 


But just when Marin thinks she’s safe in her make-believe fantasy world, the monsters come back and her dream turns to a nightmare. Something in the dream doesn’t want Marin to wake up. In order to heal herself and her family, Marin must face the truth she’s forgotten and conquer what lies behind the fourth wall. 


Paperback: 235 pages 

Genre: Young Adult, Fiction 

Publisher: WiDo Publishing (June 10, 2014) 

ISBN-10: 193717851X ISBN-13: 978-1-937178-51-2 


At the launch of this book in 2014, Elizabeth and I had a candid interview (https://muffin.wow-womenonwriting.com/2014/07/elizabeth-maria-naranjo-launches-her.html). Be sure to check out her answer to the last question in that original interview - especially if you know a young aspiring author!


Since our initial time together, Elizabeth has gone on to write several more books and short stories, has won multiple writing contests, and I’ve worked with her multiple times through the years with her many publications. 



Her current bio looks like this: Elizabeth Maria Naranjo is the author of The Fourth Wall, The House on Linden Way, and the Sweet Dreams series. Her work has been published in Brevity Magazine, Superstition Review, Reservoir Road, Fractured Lit, Literary Mama, Hospital Drive, The Portland Review, and a few other places. Her stories have been nominated for the Pushcart Prize, Best American Essay, and Best of the Net, and her short story "Windows" was selected for Best Microfiction 2023. 


I caught up with Elizabeth over coffee this morning (virtually of course) and she said it was fine for me to share our conversation: 


Crystal: It’s so nice to catch up with you; thanks as always for the trust you place in me. I can’t wait to share your work with readers. Elizabeth, what are you working on now? Readers can't wait to get their hands on another book - tell us where we should be looking! 


 Elizabeth: Absolutely! Right now I’m working on the third book in my young adult cozy mystery series, Sweet Dreams Mysteries. I dreamed up this series while searching for young adult novels that were short, light-hearted, and fun. Not only was there a shortage of those at the time, I also realized there were no young adult cozy mysteries. I decided to write one, and then one became two, and so on. The first two books in the series, Murder by Milkshake and Pralines and Creamed, can be found on Amazon. The third, Double-Dip Demise, will be published mid-July. If you like quirky characters, amateur sleuths, small-town charm, and lots of descriptions of sugary treats, Sweet Dreams is for you! 


 Crystal: Who doesn’t love small-town charm and sugary treats? I mean really! What advice do you have about writing YA novels? 


 Elizabeth: My advice to anyone writing a YA novel is to not only know your audience but to respect them. Kids and adolescents are smart, and they know when they’re being talked down to. A YA novel told from the point of view of a seventeen-year-old girl should be in the voice of a seventeen-year-old girl, not her teacher or her mother; her unique struggles and joys and challenges and triumphs and anxieties should be relatable to other teens. 


 Crystal: I love that you pointed that out – young people hear enough of those authoritative voices and it deepens the connection for the story to be told in their voice. It makes sense, but I guess I hadn’t thought about that before. Thank you! What would you like to say to students and teachers when it comes to writing and reading for adolescents? What do you wish you knew when you were in middle school? 


 Elizabeth: One of the most important and powerful ways to teach others is by modeling, so to teachers I would say make sure you’re setting the example: read books, talk about books, get to know the books your students love. Encourage your students to read outside their comfort zone without judging the books within it. To students I would say keep reading! There’s nothing like the magic of a good story. And if you’re interested in writing stories, that’s another kind of magic altogether. All you need is something to write with and your imagination. 


Crystal: Thanks again for your time and this candid conversation! I’m sure we will be working together soon! 


Elizabeth can be found at http://www.elizabethmarianaranjo.com/. You can also connect with Elizabeth on her social networks: 

Goodreads: https://www.goodreads.com/elizabethmarianaranjo 

Facebook: https://www.facebook.com/elizabeth.m.naranjo 

Twitter: https://twitter.com/emarianaranjo 



Today's interview was penned by Crystal J. Casavant-Otto

Crystal Casavant writes. 

Everything. 

If you follow her blog you have likely laid eyes on every thought she has ever had. 

Her debut novel, It Was Never About Me, Was It? is still a work in progress and shall be fully worthy sometime in her lifetime as she switched gears and is seven chapters in on a psychological thriller that has captured her heart. She has written for WOW! Women on Writing, Bring on Lemons, and has been featured in several magazines and ezines relating to credit and collections as well as religious collections for confessional Lutherans. 


She runs a busy household (from her parent’s basement) full of intelligent, recalcitrant, and delightful humans who give her breath and keep her heart beating day after day. 


Crystal wears many hats (and not just the one in this photo) including college student, mom, musician, singer, administrator, writer, teacher, and friend. She fully believes in being in the moment and doing everything she can to improve the lives of those around her! She recently moved into her parent’s basement and is enjoying the challenge, recently posting some delicious meals titled: Culinary Adventures in My Parent’s Basement


The world may never know her name, but she prays that because of her, someone may smile a little brighter. She prides herself on doing nice things - yes, even for strangers. She is always up for a challenge whether it’s living in the basement, living on a boat, or buying a dairy farm! You never know where she’ll turn up next or what she’ll be doing, but it’s guaranteed she’ll be having fun! 



 Check out the latest Contests: 


 www.wow-womenonwriting.com/contest.php 




Read More »

The Author Life: A Choose Your Own Adventure

Thursday, June 18, 2026

Recently I was reading a post about the importance of revising. The author emphasized that we never get things right on the first try. Our first drafts are simply the starting place. And I get that. I’m working on five short pieces of nonfiction for Highlights High Five. Writing for preschoolers is not my sweet spot so revision has been essential as I shape each piece and select the right words. 

But at least one of my writer friends has taken a class on fast drafting. They have a set time to write an essay. Then they send it out. They don’t spend weeks or even days revising. Out it goes. Hey, I see you! Yes, you! The one shaking your head. This isn’t a gimmick. They make sales. And I've had one or two pieces that came together on the first try.  It is an amazing feeling.   

Writing isn’t a single path. It is more like a choose your own adventure. There are so many things that you can select to do. 

I realized how true this was when I was at a Society of Children’s Book Writers and Illustrators conference in LA. I had dozens of sales but not a single one was a book sale. While no one said anything to me specifically, it was clear. “We are book writers.” At that time, I had chosen another path.

One writer who emphasized this need for each of us to make our own writing journey was Jane Yolen (1939 – 2026). Even when she spoke to new writers, she let them know that this was what had worked for her. They would need to find what worked for them. 

When do we need to apply that independence? It starts with our writing habits. Do you write daily? For some writers it is a must. Other people work better if they set aside a large block of time once a week.

Where do you write? There are café writers and quiet writers. I simply cannot focus in a café or coffee shop. 

What do you write? Some people specialize. There are essayists and poets who write only essays or poetry. Then there are people who write a bit of this and a bit of that. I’ve written how-tos, book reviews, articles, and books. 

Who do you write for? Some people write only for young readers. Then there are the ones who write for adults. Although I write for both, most of my writing is for young readers or my fellow writers. 

Do you write in only one genre? There are people who write only mysteries or fantasy. But there are other writers who follow a story wherever it leads. They might craft a thriller and next write historical fiction. 

Traditional publishing or independent publishing? Outliner or pantser? Paid developmental editors? In person or online critique group? Word or Scrivener? Mac or PC? The possibilities are endless. 

The point that I hope you are getting is that your path as a writer is just that. It is your path. It might be similar to mine for a time and then be more like Renee Roberson’s or Angela Mackintosh’s. 

You need to write what only you can create and follow wherever it may lead you. 


To get a free copy of Sue’s book, What to Do When Your Book Is Banned, subscribe to her newsletter, One Writer’s Journey, here.

Sue Bradford Edwards' is the author of over 80 books for young readers.  

She is also the instructor for 3 WOW classes which begin on the first Monday of every month. She teaches:
Read More »

Interview with Deborah Thompson: Fall 2025 Flash Fiction Runner-Up

Tuesday, June 16, 2026

 

Deborah’s Bio:

Deborah Thompson is a short/flash story writer, Pilates teacher and Graphic designer. Her writing has appeared in Flash Fiction Magazine, Fairfield Scribes, The Remington Review and the To Hull and Back Anthology,and recently won an Off Topic short story competition.

She has an MA in Creative Writing from Kingston University, lives in London UK with husband and two adopted children. and spends far too much playing online Bridge with robots.

If you haven't read her story, "Big Eye," take a moment to do so and then come back here to learn more about her writing process.

WOW: What was the inspiration for “Big Eye”?

Deborah: I sometimes use competitions to kickstart a story. This story was originally inspired by a Globe Soup flash competition, with a list of paranormal subjects to write about. When I saw the word ‘Kraken’, an image floated into my mind of two young things playing together, human and non-human. A Kraken in popular folklore is a giant, octopus-like creature, and when I did some research into octopi, their intelligence, their reproductive cycles, I wondered what the friendship between two such different species would look like as they grew. Would it even be possible? That’s when my imagination fired up!

WOW:  And that imagination comes through loud and clear in this story!  How did “Big Eye” change during the revision process?

Deborah: The story and its themes were pretty much there in the first draft. I enjoyed subverting the idea of the Kraken as a terrible, man-eating male, turning her into a creature who, like any powerful female, is both misunderstood and feared (by men). This particular story seemed to write itself – the non-verbal bond, the simple fun they had as children, their separation through the undeniable fact of growing up, the understanding that females endure, and sometimes sacrifice, for their children—a powerful bond which replaces the simple one of their childhood. In subsequent revisions, I tightened the writing, choosing words that reinforced the themes of connection, loss, and grief, and the final reconciliation of these three things. Final lines are important in short stories, and I tried various words and sentence structures, opting in the end for simplicity to try to suggest joy, endurance and love.

WOW: There are so many details that are left out of flash fiction. How do you decide what to include and what to omit?  

Deborah: As a writer, I need to be clear what the story is really about – what it is I’m trying to say, what the themes are, and then choose words that most effectively illustrate this. Evocation is key – what words will evoke, or infer, rather than explain? Generally, I look at a paragraph I’ve written, and then ask myself how I can say (or infer) exactly the same thing, only with fewer, more evocative words.

WOW:  That's an excellent way to do it, and a great lesson for us all.  You identify yourself as a flash/short story writer.  What do our readers need to understand before attempting to write flash?

Deborah: With flash, you don’t have time for lengthy descriptions, backstories, explanations. It’s very possible for a flash story to roam through time, as "Big Eye" does, but generally it’s best to stay in one moment of time and write about what is happening as vividly, and viscerally, as possible. Replace explanation with inference, and use descriptions and backstories sparingly, trusting the reader to read between the lines, to fill in the blank spaces with their own imagination and experiences. It’s quite an interactive process between writer and reader. I love writing short fiction for that reason. Hemingway’s famous 6-word story—‘For sale: Baby shoes, never worn’—is a perfect example of this interaction.

WOW: Keeping the reader in mind as an interactive partner works so well for you.  How has your MA in Creative Writing helped you compose flash fiction?

Deborah: In the MA, I learned about the 3- (and 4- and 5-) act structure, about the classic story arc which consists of establishing a status quo quickly followed by some sort of conflict that changes the status quo, then the quest by the protagonist to find a way to return to the status quo, and the final resolution and/or epiphany that leads to a different, (better or wiser) status quo. The MA gave me a chance to play around with this, in both flash and with longer short stories, and to have lots of feedback from tutors and fellow students. The poetry module was particularly valuable. I’d never written poetry before, and found the practice of using simile and metaphor very useful when it came to writing flash stories.

The MA was great fun, and I enjoyed every minute of it, but really, it was a springboard. I’ve learned so much more since graduating, through reading other’s stories, writing in as many different genres (and story lengths) as possible, attending online courses, entering competitions as well as sending stories to online magazines, using rejections as a stimulus to rewrite stories (rather than curl up in a ditch, which I sometimes want to do.)

Above all, I can’t recommend enough belonging to a writers’ group. Mine is a small one, made up of people from the MA, and there’s nothing better than having them critique my stories, and me theirs, to help me improve my writing.
 
WOW: Thank you for sharing so much of what you have learned and how it shapes your writing.  And, most of all, good luck with your current projects.

Read More »

Reader Review Wrap Up and Giveaway for Linda Petrucelli's Mother Tongue

Monday, June 15, 2026
Mother Tongue by Linda Petrucelli

Welcome to the Reader Review Event for Mother Tongue, a memoir that allows us to travel to another country, another time and another culture. Linda Petrucelli's musings on her time as a missionary in Taiwan in the 1980s includes both the joys and the challenges. Learn what our readers had to say and let this book be your first "summer getaway."

Reading Rev. Linda Petrucelli’s Mother Tongue was a deeply personal experience for me. My father, Hsiao Ching-fen, met Linda through his role as Tainan Seminary president early during her journey in 1980s Taiwan, and he even had the honor of giving her the name she would use throughout her mission, Bai Lian-da (Virtuous Lotus). 

 

The name was prescient. Linda dedicated herself to mastering the Taiwanese language at a time when learning and speaking it was an act of political defiance, participating in our island’s “quiet revolution” for democratic freedom. Her heartwarming story of embracing our mother tongue and culture is told with humor and grace, and it beautifully captures the resilience of the Taiwanese people and the courageous, grassroots movement that paved our way forward.


Mother Tongue is an engaging testament to the power of cross-cultural empathy and a must-read for all who cherish the hard-won freedoms we enjoy today.


Bi-khim Hsiao, vice president of the Republic of China (Taiwan)


 About the Book:


Standing by the window, I tried to understand what happened to me to take such an unfathomable leap… What I hadn’t realized was that first, my one and only assignment would be to learn the language.”


In 1984, when Linda Petrucelli arrives in Taiwan with her husband Gary Hoff, she assumes she will learn Mandarin Chinese. Instead, her local church partner, the Presbyterian Church in Taiwan, assigns her to learn Taiwanese, an eight-toned ancient tongue that few Westerners ever attempt. What began as a daunting assignment turns into a transformative journey of faith, identity, and resilience. Set during the world’s longest period of martial law, Mother Tongue offers candid insight into Taiwan’s nonviolent struggle toward democracy, the political power of language, and the universal search for belonging. In her odyssey to communicate in the island’s mother tongue, Linda learns the political implications of language, insight into her own ethnic identity, and the value of finding humor in her mistakes.


Publisher: Koehler Books

ISBN-13:   979-8897471195

ASIN:   B0GNCKK6QV

Print length: 178 pages

Genre: Memoir


Mother Tongue: A Memoir of Taiwan is available in print and as an ebook at AmazonBooksaMillion and Barnes & Noble. Add it to your Goodreads list.


About the Author, Linda Petrucelli:


Linda Petrucelli's creative nonfiction essays have earned Pushcart Prize and Best of the Net nominations, and her fiction accolades include first place in the Women on Writing Fall 2018 Flash Fiction Contest. An ordained minister in the United Church of Christ, Linda holds degrees from Yale Divinity School and Chicago Theological Seminary. For ten years, she served as a missionary in Taiwan, becoming fluent in the Taiwanese language. Her wide-ranging ministerial service includes work as a humanitarian relief executive in New York City and pastorates in Iowa, Illinois, Indiana, Pennsylvania, and on the Big Island of Hawaii. She now resides in Hawi, Hawaii, with her artist husband, Gary Hoff, and writes on the lanai of their tin-roofed rancher overlooking the ʼAlenuihāhā Channel.

Connect with the author


Website: http://lindapetrucelli.com

Facebook: https://www.facebook.com/LindaSPetrucelli/

IG: @linda.petrucelli


Mother Tongue Review Event

Here's what WOW! readers had to say about Mother Tongue by Linda Petrucelli:


Linda says:


Linda Petrucelli in her book, Mother Tongue: A Memoir of Taiwan, is a wonderful journey of faith, trust, kinship and awakening. From Iowa to Taiwan, we journey with her as she learns a language and traditions that are polar opposites to hers. The last line of the book says it all!


I highly recommend this book for anyone who loves travel, enjoys learning about new cultures and has deep spirituality. As a teacher of English as a second language, I could see myself communicating with my students. Thank you, Linda, for this amazing sojourn.


5 stars (https://www.goodreads.com/review/show/8605998484)


Karen says:


What a fascinating and satisfying story! The author and her artist husband were both in their 30s when they began their first of two tours in Taiwan. She perfectly conveys their sense of being fish out of water from the moment they land in Asia, immersed in a culture so different from their own. Many of their experiences are humorous; however, you can clearly feel their loneliness, confusion, frustration, and a sense of being completely off-balance in their early days. The author’s moments of success, even the smallest incidents, became causes for elation. The author perseveres, though, and finds her purpose, working to help and improve the lives of some of the neediest people. At the same time, she learns more about herself, her faith, and how she wants to live her best life.

I thoroughly enjoyed the vivid descriptions of the settings and the people Linda met throughout her time in Taiwan. I loved the connections she made with residents, especially the random encounters that made such a big impression on her and helped her at just the right moments in her journey.


 5 stars (https://www.amazon.com/review/R3V8V071JJLYUP/)


Amy says:


A spare, assured, quietly radiant debut...Humour keeps the missionary frame honest, from a tongue-twisting greeting offered to a wine-soaked Santa to the night she wins Best Actress in a televised folktale told entirely in Taiwanese, a tiger costume hiding a parable of resistance. The book deepens among fisher families and Indigenous communities, where her bookish faith becomes lived experience.


5 stars (https://www.barnesandnoble.com/w/mother-tongue-linda-petrucelli/1149470836)


Angela says:


Linda's writing style is warm and inviting; it felt like she was having a conversation with a friend as she related her anecdotes. Each chapter relayed a significant moment in her journey, even though they may seem small - from having to communicate with a doctor in Taiwanese while ill to giving a short sermon in the new language. Although this is a short memoir, Linda still manages to pack a lot in, giving the reader her insights into language, culture, gender roles, and politics.


5 stars (https://www.goodreads.com/review/show/8653514784)



Nicole says:


I've never had the honor of traveling outside of the U.S. And I'm always drawn to travel memoirs. This was a great one! I loved reading about her experiences in Taiwan. Reading about her learning process, understanding the language and the culture, and her experiences being in the area felt so vivid to me. It felt like I was right there with her. I also appreciated reading about her work in ministry. Definitely an interesting memoir I enjoyed reading!


5 stars (https://www.barnesandnoble.com/w/mother-tongue-linda-petrucelli/1149470836)


Jodi says:

We all dream of one time or another of having a grand adventure. Of course, safely in our dream world, everything goes perfectly according to plan during our grand adventure. Linda Petrucelli's memoir Mother Tongue is the tale of a grand adventure...but. We hired you to do this job...but instead do this job. You expected to learn this language...but instead try this language. Practice your conversational skills...but no one wants to talk this language.


This honest memoir shows us the reality behind the grand adventure pastor Linda Petrucelli took with her artist husband Gary Hoff. In addition to the excitement, the new friends, the surprises it also shows us the frustration, the fear, the jealousy, the confusion. Petrucelli paints a detailed picture of Taiwan with small details and snippets of life as she comes to terms with the real purpose of her time as a missionary.


If you wonder what it's like to be thrown into the deep end of the cultural pool, Mother Tongue is the memoir for you.


5 stars (https://www.goodreads.com/review/show/8587852049)


Mother Tongue Giveaway

*****
BOOK GIVEAWAY*****

Enter to win a print copy of Mother Tongue by Linda Petrucelli and a $25 Amazon gift card. Fill out the form below for a chance to win! The giveaway ends on Sunday, June 28 at 11:59 pm CT. We will randomly draw a winner the next day and follow up via email. Good luck!

Mother Tongue Giveaway
Read More »
Powered by Blogger.
Back to Top