The Art of Letter Writing

Saturday, August 01, 2009

I woke up thinking about writing a letter and found myself torn. Do I write the letter via e-mail or do I pull out my nice stationary that I have had stored away for a long time?

But, then my thoughts grew deeper on the matter. I realized that the art of writing letters is practically gone.

Oh sure, we still get formal business letters from companies in the mail. But when was the last time we actually received a complete letter from someone in our lives? For me, it has been an extremely long time. This, of course, stemmed to another thought, a thought about our wonderful internet and how it has changed our lives. But, to what degree? In many cases, we tend to just forward some profound message that someone from somewhere else sent to us. It isn't our own words, it isn't something we've written. Have we grown so far away in the lines of communication that we don't actually write letters to the ones we love or to our friends?

Not many people realize it, but the art of letter writing is one of the many ways that our great authors got their start in the writing world. When you think back through history, how each writer would communicate to family and friends that were far away, it was through a letter. These letters are what kept the lines of communication open. Mind you, by the time many family members would receive the letter it would be several months old and left the family in anticipation for the next. This anticipation is the same our readers get when they are reading a book, a book that has drawn them in and holds their attention. They want more, they want to know what is going to happen in the end, so they read on and on.

Now laugh if you must, but I want to start a movement, a movement to bring back this dying art. This art of communication that so many of us have walked away from because of technology. We have lost the art of communication through words that we can write rather than speak, or in the case of our younger generation, text. That almighty shortened abbreviated work that has been created on cell phones. In my opinion YUCK!!!! Yes, I own a cell phone, but I don't text. I can't stand it. I would much rather hear the person on the other end of the telephone or actually receive a full letter from them letting me know how they are doing, what they have been up to, any changes in their lives.

Technology has given us many ways to get creative with our writing today, but alas, who actually uses it? With e-mail available to almost everyone, we could create some very pretty letters to send out, virtual stationary if you will. But the stationary alone is not enough, you must fill the pages with communication. This brings us back to our writing basics, the ones that all of us have learned in grade school. Who, what, where, why and how, the many questions we could give answers to through a nice lengthy letter that we could be sending to our loved ones.

If all of us as writers could help this movement, wow, think of how it could re-sculpt our lives. Communication that was once lost, found again. Think of our children, do yours truly know their grandparents? Do they communicate with them other than the occasional telephone call or summer visit? How about that long lost Aunt that you found? So many questions in our lives could be answered. How many marriages could be saved through the art of bringing back the art of letter writing? You may laugh, but to be honest, a friend of mine actually began leaving her husband letters on his pillow in the morning. She felt she couldn't express to him in actual words for a while and began putting pen to paper. She felt ashamed that this was one of the only ways she could open up to him, it was her safe zone. But this safe zone helped open her up to him, they found and understanding and it saved their marriage. Oh, sure, this won't work for all marriages, because of different situations etc. But think of the ones that are out there that many of us feel are worth saving.

As I rattle on I begin to think of a way I can actually help start the movement of letter writing. I have decided that each day, I am going to attempt to write at least one letter to someone I know. This letter will either be sent electronically or via regular post. I want people in my life to know that they mean more to me than just as a relation. So today, I am going to start my first letter.

Dear Friend,

How long has it been since we last talked? Probably longer than we both remember. I know that we don't stay in touch much, but I feel it is time that we change this. Everyday our lives change, we change, even if we don't see it, others around us do. I want to get to know you again, I want to know what brought us together as friends. So today, I am writing this letter to you to say how happy I am to have you in your life. Thank you for being my friend.

You probably don't know much about what is going on with me these days and I am sorry, but starting today, we can turn over a new leaf. A leaf that has turned brown, we can now bring it back to life into a lush beautiful green. From now on, my goal is to write a letter to you and others in my life. To let them know how I am doing, not one that simply states an answer to a question. I want you to know that you mean more to me than a simple e-mail forward. You are more important to me than that.

I hope this message finds you well. I know you have probably gone through a lot as well in your life and it would be nice to know if in some small way I have helped you through a bad time or if I have made you laugh today.

Maybe today, we can begin a new life together, a life in the art of writing once again. Something we did when we were in school, passing notes back and forth planning what we were going to do for lunch or how cute that boy was sitting next to us today in class. Do you remember those times? Help me bring those times back. I want to know how you are.

With all my friendship and love for you!
Carrie


Happy writing!
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Crafting Nonfiction Articles: How to Begin

Friday, July 31, 2009

Writing nonfiction articles can be just as much a creative process as crafting a short story or a poem. I've been thinking about this fact a lot lately because of my news correspondent job at The News-Gazette in Champaign/Urbana, IL. I've recently been writing some "Home and Garden" type articles, and I've had a lot of trouble with my ledes.

With the first article, I was writing about a neighborhood garden, and I wanted to focus on the fact that the gardener had pretty much started with a yard full of grass and a few trees, and she has turned it into so many different gardens that she hardly does any mowing. But I was all over the place with my beginning. I started with a statement from the gardener. Then I started with a bit of her history, and finally, I decided I needed to just start with her story. Ten years ago, she had a yard full of grass, and now she has yards full of gardens and hardly has to mow. Simple, easy, and right to the point.

In my other recent experience, I was writing an article about a man who has several antique cars and a yard barn made to look like a 1960s Shell gas station. I turned the article into my editor, and she wrote back and said, "I encourage you to have a little more fun with your lede. Be more descriptive." Yes, yes, she was so write. So, I rewrote it and played on the gas station/car theme, saying things like, "The 1963 gas station pump parks itself in front of the gas station," and so on.

So, what am I learning about ledes and beginning of articles? I need to go ahead and write the whole article, starting in any way I can--not spend too much time on it in the beginning. But then I need to go back and rewrite and rework my beginnings because ledes are not my strong point. I also need to remebmer the focus of the article and the purpose of the lede: 1. to catch a reader's attention, so he will keep reading 2. introduce the article 3. set the mood, tone, and voice.

I can also look at how other writers have started articles for that same publication, and maybe get some ideas from them. All writers have strengths and weaknesses, and there are some amazing writers out there who are so creative with their ledes for NONFICTION! To me, it takes creativity to begin an article and do all three things mentioned above.

So, do you have trouble with ledes or article beginnings? Know any tricks you can share?

Happy writing!
Margo Dill
http://www.margodill.com/
http://margodill.com/blog/



photo by Annie Mole http://www.flickr.com/
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Scheduling to Seize The Day!

Thursday, July 30, 2009
You have to sometimes take a step back from what you're doing to admire what others are doing. Not in the comparative, that person is so much better of a writer, so much more intelligent, etc., but just in admiration and as a source of inspiration.

Let me explain. As those who've been reading this blog for the past year know, I stumbled into writing not from planning necessarily but from having extra time on my hands and a desire to dabble. I started working on professional writing out of a desire to get on the ground and running so to speak as an anthropologist/science advocate/future museum or university educator. A co-worker of mine is a writer, and the two of us share free time talking about books, yet there's something he doesn't know. His work ethic when it comes to his writing as well as his minute attention to detail with every book he read inspires me. His passion and dedication for what he does and loves is amazing.

With that said, while I won't pass up extra shifts at work like he does because he'd "rather work on his writing," I am going to restructure my schedule using his writing philosophies as a model/proxy. My schedule is not going to be a number of words a day or a so many pages each month as some have suggested on this blog, but rather, will merely consist of a loose list of things I hope to accomplish writing-wise by the end of this year and some time blocked out to work towards those aspirations. His schedule is similar, mainly because as he told me, some days he only can get a small passage written only to completely erase it to start anew. His meticulous reading habits must follow through into his writing habits.

He sets his day and life around his passion and what he went to graduate school to do (write), and it is about time I perform similar feats when it comes to my own life and work. Even though I was not intending to spend my early post-collegiate years working on my publishing portfolio, there's no reason I should ignore the fact that right now, I have more free time and ideas forthcoming, and there are opportunities out there to seize. Going back to someone's post the other day, I need to get out of not imposing some deadlines which could "whoosh by," or everything (deadlines, accomplishments) will be what ifs and could haves rather than finished products.

After all, I know that I am capable of writing and adhering to some self-imposed deadlines once I make them reasonable. Reasonable to me just means something different than it does to my co-worker. I just am in that stage where those extra shifts at work help me out in other areas of life as well as build experience working with college students, so I'm not missing any chances at additional hours; they help me towards my long-term professional goals. He's inspired me nonetheless, and I know deep down his perseverance and commitment will help him produce bigger dividends in the end, towards his own long-term goals.

Therefore, drafting a list of goals to achieve by December 31 is my writing task #1 for this upcoming weekend, as maybe in addition to formulating long-term goals several years out in life, it's good to do so in shorter spells of time too. Carpe diem!
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I really, really don't mean to do it

Wednesday, July 29, 2009
I really, really don't mean to push my deadlines to within minutes of, uh, well, their deadlines. But sometimes, things just happen that way.
Last week, I was inundated with the annual family visit. (The pleasure and curse of living in a coastal town...a gathering of 31 in various locations around the beach.) The week before, I had incredibly good intentions that were washed aside as I landed on a half dozen calls for various projects.
All I wanted to do was sit down to write.
With deadlines looming ahead, I was trying to write long before my articles were due. Generally, I try to build a bit of cushion so I don't feel anxious and in a rush about my writing. My interviews were mostly done. Alas, with the pressure building as if in a popcorn popper, I flitted about on business call after phone call the days before the onslaught of relatives.
In Kaizen-Muse Creativity Coaching, we encourage people to take small steps. That Friday, I was lucky if I could even consider any small actions. But, before I fell asleep that night, I had made a list...a list of all that I needed to do (which probably used up a good 50 words that might have made it into one of the stories I needed to write). But I took my list into my week of vacationing revelers and made progress, trying to write each morning before everyone woke. It was progress, albeit small progress.
A colleague once gave me a magnet with the Douglas Adams quote: "I love deadlines. I love the wooshing sound they make as they fly by." I've never enjoyed the whoosh, so I tend to get my articles written on time. But every so often, I need to release some of the built up steam. And ask for an extension. Last week, I did that a couple days in advance of the deadline--and asked for a couple extra days. It was granted.
The articles are now written and turned in. But my to-do list still looks longer than a novella.
But, day by day, word by word and small step by small step, I'm making progress.

Elizabeth King Humphrey is a certified Kaizen-Muse Creativity Coach and freelance writer. She also blogs at CoastalCarolinaMoms.com and TheWriteElizabeth.com, where she contemplates finding creativity...and time to write!...each day.
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Interview with Tricia Bowering, 2009 Winter Contest Runner Up

Tuesday, July 28, 2009

Born and raised in Victoria, British Columbia, Tricia Bowering studied Psychology at the University of Victoria. She lives in Vancouver, where she keeps busy working as a physician and spending time with her partner Alan and energetic daughter Sophia. Tricia remembers writing short stories as early as grade two and all throughout high school, but years of study and work slowly pushed writing aside. Finally, she has returned to writing as a serious pursuit, and has enjoyed reconnecting with her creative voice.
If you haven't had the opportunity to read Tricia's wonderful story, When My Grandmother Made Perogies, head to the WOW! site and take time to devour it. Like a fine meal, Tricia's story is meant to be savored.
WOW: Congratulations, Tricia, and welcome to The Muffin. Your story reminds me so much of my grandma. Is this story based on personal experience or is it purely fictional?

Tricia: Much of the fiction that I write starts with a few details from life, either a conversation or an image. In this case, I was able to take some of my memories and build a fictional event around them. My grandmother did indeed make perogies that we devoured on our trips to her house, but my daughter hadn’t been born by the time she moved. In some ways, the story reflects what I wish could have happened. I would have loved for my daughter to enjoy the same cherry tree climbing and perogie eating that I did. The story is really a tribute to my grandmother, and her important traditions.

WOW: Those are great memories! Your grandmother sounds like a marvelous woman. Your story definitely fits into a 'keepsake' category. Why are stories that preserve family values and traditions important to tell?

Tricia: Reflecting on the past, and incorporating it into our own lives can be important in many ways. I find myself wanting to explore the themes of my childhood as I get older, perhaps as a means of connecting to previous generations. Now that I have my own home and family, I’m trying to create traditions of my own. I’m beginning to understand the ways that my grandparents and parents instilled a sense of meaning in my life, and I don’t want to lose those memories.

WOW: Keeping and building traditions is so important. Your family will appreciate them as they grow, too. You use a quite a few sensory details. Why is it important to use those details to paint a vivid picture for the reader?

Tricia: Without a lot of action in the story, vivid description became particularly important. I tried to describe the scene as if from a child’s point of view, with all the wonder that it encompassed. Since the story was so much about the perogies, I wanted the process of making them to come to life, evoking a special time and place. I used other details about the house and the past to create a sense of nostalgia, something I felt while writing.

WOW: (smiles) That sense of nostalgia comes across. Let's talk about the writing process. What's your writing routine like?

Tricia: It’s irregular, at best. When I have a writing project on the go, I tend to set aside writing time each day. My mantra is “an hour a day for writing”. However, when life gets busy, or I’ve just finished a piece, I tend to slow down a bit. Sometimes, it’s just a few hours of writing on a day off, once a week.

WOW: Great mantra! Even experienced writers need to be reminded of that. It's difficult to always make time to write, and you are a busy woman. How do you balance working in the medical field with family and writing time?

Tricia: First off, family comes first! Balance in life is difficult and I’m always busy, but I try not to use that as an excuse. Although finding time to write has been a challenge, I feel such a sense of accomplishment and pleasure in crafting and completing a story that it’s so worth it. It’s only been a year since I’ve taken up writing again, and reconnecting with the creative part of myself has been a great journey.

WOW: Good for you! Keep on the "write" path! Due to study and work, you weren't able to express your creativity. Why is it important for people to stay connected to their creative voice?

Tricia: So many parts of my life are enriching. Both work and parenting challenge me in different ways, but as I begin to have a bit more spare time, life is quiet enough to allow me to reflect on my experiences. Beginning with a blank page and ending up with a finished story that is meaningful to me is very satisfying. It challenges me in different ways than studying and working. I’m sure that the importance of creativity is different for each one of us.

WOW: That's so true. It depends on what our interests are. What types of writing do you prefer? Has any of your work been published elsewhere?

Tricia: I’m still exploring different types of writing, and it’s a fun process. I like to write flash fiction and longer short stories, taking my inspiration not only from life events, but also from interesting contest prompts. At the moment, I’m having fun rediscovering language, playing with phrases and description. I’ve never used my thesaurus so much! I’ve not been published yet, but here’s hoping…

WOW: We'll keep our fingers crossed for you! What projects are you currently working on?

More short fiction. I’ve got lots of ideas in my head waiting to be written down, and the difficulty is which one to tackle first. As for the future, who knows? I’m enjoying the journey right now.

WOW: And enjoying the journey is so important for a writer. Good luck with your endeavors. What advice would you offer to fellow writers?

Tricia: Taking up writing again has shown me that it’s never too late to start something new. I hope that these contest events inspire more women on their own pathways to creativity.
Interview by LuAnn Schindler
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What Makes a Great "Beach Book"?

Monday, July 27, 2009
by LuAnn Schindler

War and Peace shows up on many "classics" book lists, but is it a great beach book?

NPR readers and listeners think so.

NPR will release their "100 Best Beach Books Ever" list on Wednesday, July 29. Sure, a lot of publications print a "best beach books" list as summer draws near. But what exactly constitutes a beach book?

It seems there's a difference of opinion. Reader's Digest offers a list and notes that the books "aren't the usual big-name suspects you'll see elsewhere." Oprah offers "sweet, salty reads for bathing and beyond." NPR reports that "while all books on the list should be enthralling enough to inoculate vacation-goers against the vagaries of missed flights and bad weather, many 'great books' aren't great 'beach books'." Heck, the information superhighway is loaded with sites and blogs offering their self-crafted definition of the term, ranging from romance to classics to graphic novels.

Does it need to be a fluffy, light read? According to the blogosphere, several bloggers believe a beach book isn't necessarily literature (note to self: literature, by definition, is a written work so a novel is a work of literature) but an entertaining, light read that can be consumed before sunscreen wears off.

And here I thought that a "beach book" was any book a reader selects to read while at the beach, or outdoors, or wherever you feel like reading. My summer "beach read" is Devil in the White City by Erik Larson. It's not sexy; it's not light. But it is engrossing and that is what draws my attention to any novel.

NPR patrons presented 600 titles for consideration. Reviewers and editors narrowed the list to 200 and then readers voted for their top pick. To me, the list of 200 contenders is a conglomeration of classics and popular fiction. I've read 28 of the 200 novels, and 20 more titles are on my bookshelf waiting for a trip to the beach. Or my front porch.

What's your summer beach book and where's your summer reading spot?
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Are You Doing Your Homework?

Sunday, July 26, 2009
By Jill Earl

"Being a writer is like having homework every night for the rest of your life."

Check out this quote from producer, writer, and director Lawrence Kasdan. I have to admit that I didn’t really think too hard about his words until a couple of days ago.

Then I had a 'lightbulb moment'. I never viewed my writing as homework before.

That poem you’ve been writing, the one where you’re stymied by the stanzas? Homework.

What about the final touches on the white paper you’ve put together for a client? Or the family research you conducted for your memoir? You got it, homework.

Even those moments of writing you squeeze into your daily schedule can be considered homework.

Bet you thought homework was left behind once you graduated and the degree was in hand, didn't you? I certainly did! But, think about it. A writer isn’t doing ‘busy work’ once they pick up the pen or start typing on the keyboard. If they’re serious, they’re working at their craft and building their career.

Right now, I’m working on an 750-word article suitable for submission for a peer critique session I’ll be in at an upcoming conference. The topic’s been chosen, the research done, and I’ve been busy putting it together.

The thing is, just about everything you do to improve your writing can be considered homework. And that’s one of the goals you’re shooting for, right?

So, are you doing your homework?
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Friday Speak Out: Writing - It’s There When I Need It, Guest Post by Marci Mangham

Friday, July 24, 2009
Writing - It’s There When I Need It

by Marci Mangham

My life took what you might call a turn for the worse about a year and a half ago. My physical and emotional health suffered, and I’m still trying to put myself back together. One of the things I left behind was my writing. It wasn’t by choice or planned; it simply fell by the wayside, along with many other things that made me happy and healthy. I was advised to put my feelings in writing, which made perfect sense. Even if I didn’t have any fictional tales brewing inside of me, at least I could write about my pain. No one ever had to see it, but it would be cathartic. Writing as therapy. But I couldn’t even bring myself to do that.

As I slowly began to emerge from the darkness, I started to wonder about myself. How could I call myself “a writer” if I didn’t turn to writing during the dark times? How could I be “a writer” if it didn’t come naturally to me, if I didn’t NEED it? I read about so many other writers who need to write to feel whole. They would write on the sidewalk in chalk if pen, paper and computers ceased to exist.

Years ago I wrote a novel that in the end I decided was terrible, and I threw it in a Dumpster. I didn’t write for a few years after that. When I started again it wasn’t really a decision. I just began, and it felt natural. Eventually I realized that I had enough short stories to put together a collection, and I published it. It seemed so easy at the time: write stories, enter contests, publish book.

A few months ago I suddenly felt that I needed to end the dry spell. I entered a 24-hour short story contest; I felt the challenge of having 24 hours to finish, and the starting point of a prompt was just the right recipe. I was right. After a slow start, the words began to flow again…naturally. What was wrong with me those preceding months?

I got an honorable mention for that entry, but the real accomplishment was getting my perspective back. Sure, it feels good to have gone a few rounds my nemesis writers block and won. But most of all I realized that I don’t control my writing; it controls me. I know I can’t force it, and I can’t keep away from it when I need it. While I may envy those who spend hours every day, writing any and every chance they get, I realize that I am not like them. Writing means different things to all of us, serves different needs at different times and durations.

Whether I spend every day of the next three years finishing the novels I’ve started, or if I don’t eke out another short story for five years, I will embrace the process of writing, and the end result, whenever it graces me with its presence.


Marci has been writing (when the mood strikes!) for 29 years. Her short story collection, "Both Ends Burning," was published in 2007. She lives in Dallas, Texas with her neurotic dog, Charlie. For more information, visit www.marcimangham.com


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Would you like to participate in Friday "Speak Out!"? Email your short posts (under 500 words) about women and writing to: marcia[at]wow-womenonwriting[dot]com for consideration. We look forward to hearing from you!

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Children's Picture Book Contest

Wednesday, July 22, 2009

Normally, I love to blog about how writing mixes in with life but I have a fantastic children's book contest to share. Since I know there are several children's authors out there I thought this would be an idea one to try out. It's called Moonbeam Children's Book Awards.
There are many different categories--something for everyone! The entry fee is a bit on the higher end ($95 per book, per category) but it's well worth it. Here's a blurb from their website:
"Presented by Jenkins Group and Independent Publisher Online, the Moonbeam Children’s Book Awards are designed to bring increased recognition to exemplary children’s books and their creators, and to support childhood literacy and life-long reading. Awards will be given in 36 categories covering the full range of subjects, styles and age groups that children’s books are written and published in today."
Complete details can be found on their website at http://www.moonbeamawards.com/.
Good luck and be sure to let us know if you won or placed.
Happy Writing!
Chynna
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Interview with Dianna Graveman, Runner-Up, Winter 2009 Contest

Tuesday, July 21, 2009
Dianna Graveman was a runner-up in the Winter 2009 Flash Fiction contest with her entry "The Sad Affair of Maxwell Weedon." She is a manuscript editor and former teacher who also loves to write. She has taught most grade levels from kindergarten through college. Dianna’s fiction and nonfiction pieces, several of which have won awards, have been published in the U.S. and U.K. She is co-author of a regional pictorial history, St. Charles: Les Petites Côtes, which was released by Arcadia Publishing in 2009 as part of its “Images of America” series. The story she submitted for this contest was inspired by a trip through the American West, an area she feels never fails to provide writing inspiration. Visit Dianna’s websites at www.dianna-graveman.com and www.gravemanbooks.com.

WOW: Dianna, thanks for talking with The Muffin today and congratulations on placing in the Top Ten. Your short story, "The Sad Affair of Maxwell Weedon," has a lot happen in few words. Was it difficult to tell the story of Maxwell Weedon with a small amount of words?

Dianna: This piece was actually an experiment. I haven’t written a lot of flash fiction, but the pieces that have been successful are ones that were originally longer and which I cut to fit the flash fiction word count. That was the case with this one. The longer version included dialogue, but my experiment was to rewrite this story in the style of narrative or literary journalism. After reviewing the judge’s comments and upon reflection, I think I would write it differently now. But I enjoyed the experience, and I’m honored WOW! chose it for the top ten.

WOW: Thank you for sharing your process with us. That's very interesting how you cut a longer piece down into a shorter story by taking out the dialogue. I bet we could all learn from doing an exercise like that. In your bio, you said this story was inspired by a trip through the American West. What inspired you on your trip to write this story?

Dianna: A historical marker stands along Colorado Highway 141 in the valley of Unaweep Canyon, southwest of Grand Junction. Beyond it, in the shadow of great Thimble Rock, is the remains of Driggs Mansion. According to legend, a New York lawyer built the mansion between 1914 and 1918 for the woman he loved, shipping chandeliers and other expensive items from England. She died before seeing it. Broken-hearted, the lawyer left the area and never returned.

According to the Colorado Historical Society, however, the stone masons who constructed the building were from Italy, and the house was designed in Italian rural style. Lawrence Driggs’s original intention may have been to build a large hunting lodge; he sold it in 1923 to be used as part of a ranching operation. Of course, the legend is more romantic, and that became the basis for my story.

WOW: Ah, yes, legends often are more interesting than the truth! (laughs) Have you been inspired to write any more stories or works from this trip?

Dianna: Yes. I take at least one trip west each summer, sometimes two. Many of the experiences from those trips become stories: searching for wild horses in Wyoming’s Red Desert, stumbling upon a cabin built in the 1800s by a pioneer woman and her twelve-year-old daughter, traveling up into the Wyoming mountains to “see a cowboy about some mules.” I’m lucky to have good friends in rural parts of Colorado and Wyoming, who are willing to spend time showing me the “real west.” I have also been fortunate to have most of my western fiction stories published, and some have won awards. I’m heading west again in a few weeks, and I can’t wait to bring home another story.

WOW: What great ideas to turn your vacation experiences into stories, and they sound very interesting! Congratulations on all your sucess. You have also co-authored a book with your husband about the history of St. Charles. Tell us about writing for Arcadia Publishing and how it was to work with your husband.

Dianna: The people at Arcadia are great to work with; and in fact, we are currently developing three more books for them to be released in 2010: Missouri Wine Country: St. Charles to Hermann; Historic Hermann; and another on Washington, Missouri (title to be determined). My husband, Don, and I did learn some new things about the way each of us thinks. We tend to use different strategies to tackle the same task. And although we spend tons of time together on these projects, it is not leisure time. There is very little of that these days--with one book to promote and three more under development.

WOW: It sounds like you've had a great experience with Arcadia Publishing and your husband, and we will be looking forward to the new books you'll have out next year. Three in one year--that's fantastic! What kind of marketing has been successful for your book?

Dianna: Arcadia assigned us a publicist and regional sales team, but of course, they are working with many authors, so we still need to promote our book. We do as many book signings as possible, and we try to schedule them in conjunction with community events. People want to hear about how we secured these book contracts and obtained permission to use old photos, so we give talks and workshops. We make sure the venues have posters and flyers in advance. We engage in social networking, do blog and newspaper interviews, and submit news of upcoming events to local newspapers and to the newsletters of writing organizations. Arcadia sent press kits to most local publications, but I sent press releases to the others. When I found out Missouri Life magazine was doing a feature on St. Charles, I immediately sent them a review copy and asked Arcadia to make contact again, too. It worked: they reviewed the book. There are many other little things, including a postcard mailing we will do in advance of an event in August. We hand out our business card (with our website address) everywhere we go, and we always see a spike in the number of views at our site the day after an event. Interestingly, our campaign to obtain photos and information for the upcoming books has sparked continued interest in the book that’s already on the market.

WOW: Thanks for sharing all that great information with us. It always helps to hear what authors are doing to promote their work and how it is working! What projects are you currently working on?

Dianna: Besides the three new books for Arcadia, I am working on two middle grade biographies and an anthology of stories for Christian teachers. (I taught elementary and middle school for several years.) For one of these projects, I have a proposal under consideration with a publisher. For the other two, I have done the research and identified potential publishers; I plan to submit soon. Many other writing projects are in the queue; writer’s block is not one of my issues.

WOW: It is great that you have so many projects underway, and we hope that you have the time to complete them all! You also work as a manuscript editor. Tell us about your job.

Dianna: I am a full-time trade book and magazine manuscript editor for a Catholic publisher. Because our staff is relatively small, I have had the opportunity to learn about many aspects of publishing. It’s been a great education. I also teach narrative journalism in the MFA program at a local university, and I do some freelance copywriting and editing. When I make the transition to full-time freelance writer/editor, I’d love to also teach continuing-ed classes or writing workshops for seniors. I have a writer friend who does that, and she finds it tremendously rewarding.

WOW: Thank you again, Dianna, and good luck to you with all your projects, plans, and goals. I am sure we will be seeing a lot of you!
interview conducted by Margo Dill, www.margodill.com, http://margodill.com/blog/
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Staying True to Your Characters

Monday, July 20, 2009

Recently, my critique group called me out. They basically said, "We don't think your two main characters would act this way. We don't believe it." It was a consensus, and so back to the keyboard I went. I knew they were right--I couldn't put my finger on why things didn't seem to be going well toward the end of my young adult novel; but once they said it, I knew they were right.
How did this happen to my characters--and at the end of my novel? Why was I forcing them to act in unnatural ways just to get my plot going and my novel finished--finally??? It didn't work--I was miserable; they were miserable--well, you get the point.
When I decided to blog about this subject today, I was trying to think of some big universal point I could make about staying true to your characters; but entire books could be written about this subject. So I decided to sum it up like this for now: if your characters are acting "out-of-character," then they need a reason--and a big reason. Think about people you know well--your spouse, mother, best friend, child. You can most likely predict how they will act in a certain situation because you know them well, and you have interacted with them many times.
Your characters should be the same way. You know them well, right? How would they act during an earthquake? How would they act if someone was breaking up with them? Unless something HUGE happened to them first, such as a car accident or other life-changing experience, then they shouldn't act out of character. And you will feel it in your gut when your characters aren't doing what they are supposed to be doing--just like you feel it in your gut when you, yourself, are not acting like you should be.
I am so happy that my characters are now back in line--acting the way they are supposed to be acting. My plot is fixed, and I am on my way to the end of my novel as soon as I find the time to write that ending--ah, but that could be another blog post.
Happy Writing!
Margo Dill
photo by Kristian D. http://www.flickr.com/
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Finding Readers for Initial Drafts: How Do You Do It and Why?

Sunday, July 19, 2009
In your opinion, who makes a better editor/proofreader/critic? Do you often go to a spouse, a significant other, a family member, a friend, a colleague, a loose acquaintance, or are you stubborn enough to do it yourself until you're at a point when you're ready to send it off for final submission?

In my world, I tend to do it myself. Back in the day, I'd ask my mother to read some of my papers for school, but even then, it was just because I'd procrastinate on even getting started so there was not time to take a step away and come back to it with a fresh mind. Nowadays, I will toil on something, gutting and starting anew, and in the end, while I have some pride in my self-sufficiency, I'm left with self-doubt if my academic writing is improving at all over the years. Somedays, it's this feeling of what if I'm in a stagnant quagmire with editors who are too polite to tell me that my writing's lousy? How would I even know?

I guess what it all comes down to is the following. Do many writers and authors pass along a draft to another person not as much for a proofread, but for a semblance of reassurance that the idea is good, the plot is interesting, and the artistry is top-notch? If so, who makes the ideal reader/audience? Do you tend to rely on the same cheerleaders for you, or do you venture outside the group sometimes too? How do you find a truly honest reader versus a friend who feels like boosting your self-esteem more than being forthright?

Likewise, do you often reciprocate with read-throughs? I love reading others' drafts, but waver on ever asking anyone to look at mine. I'd love to hear your input as always. It might help me change my ways so I start becoming a more self-confident writer in my discipline.
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Actively writing while still learning the writing business

Saturday, July 18, 2009
At an authors' luncheon the other day, I ran into a writing friend who had published a book and was one of the featured presenters. Whereas I was just enjoying a free meal. During a lull, we started chatting about publishing and how her writing career had been doing since she published her book.
Her book contract had underwhelmed her, it seems, but she signed it. The week her book came out, two people close to her died. Promotions were put on hold and she had to take a new job across the state from where she was born and reared. Her job has little to do with her writing. She remains upbeat and she has a couple other books she's working on.
Our discussion meandered into what others in our circle of writing friends were doing--all veterans of a graduate creative writing program. There was discussion of how a business class on publishing might have helped us, giving us a better understanding of how we might operate as business people to more effectively capitalize in the marketplace. Gosh, even a class by a business professor on analyzing a market or creating a marketing plan, geared towards book publishing, would have been helpful. Or what to look for (or not) in a contract. Sure, it might take some of the magic out of the creative element of writing, but I think my friend seemed to have some sadness that her book's promotional time was short-lived.
"They move on so quickly," she said.
Soon after graduation (and giving birth to two children), I realized I would need to take a different path in my writing: I have worked in marketing and PR, expanded into blogging, written for newspapers, taught strategic communications, and now have returned to writing scripts for television. I continue to write for a living and love it. But I still need lots of help when analyzing markets and magazines!

Elizabeth King Humphrey is a certified Kaizen-Muse Creativity Coach and freelance writer. She also blogs at CoastalCarolinaMoms.com and TheWriteElizabeth.com, where she contemplates finding creativity in everyday places. Now, she is back to her business(es) at hand...!
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Friday Speakout: Never Too Late, Guest Post by Kim Smith

Friday, July 17, 2009
Never Too Late

by Kim Smith

For years, I did not write. For those same years, I felt angry at this failure, and I mourned the writer inside me that I thought I'd lost forever. It wasn't until I'd made a life-changing decision that the writer's block was shattered, and only then did I realize why I had not written a single word.

As writers, we need to create a life that will encourage and inspire us to put pen to paper, or in most cases, sit in front of the computer and type our little hearts out. Only recently have I created this life for myself.

As a teenager I wrote volumes of angst-ridden poetry. I didn't care how sappy or ill written it might be; I wrote for the sheer joy of writing, and for releasing the vast amount of emotion that dwelled in my tormented soul. It wasn't good writing, but it was honest writing, and I never seemed to run out of things to say.

As an adult, I stopped listening to my inner muse. Instead of pursuing my dreams of traveling abroad, of becoming a journalist, of living my life to the fullest, I became a bookkeeper for our family business and remained in the small town I grew up in. In hindsight, I know I could have made this life a better one, but I did not. Fear ruled my life. I married and divorced, and remarried again. I never traveled or did anything exciting. I stopped learning. No surprise I was bored and unhappy; there is nothing worse for creatives than being stuck in a rut, and to not pursue the gifts we are born with.

But finally, something snapped. I knew I had to change my life, or die a miserable, unfulfilled person. I found myself on the internet, searching for cheap, rural properties located on the other side of the country. There were so many to choose from. I scanned the acreages and showed the best ones to my husband who, thank goodness, is a wonderful supportive man. When I suggested that we buy one of these places, quit our jobs, and move thousands of miles away from family and friends, he immediately agreed, as he, too, is a stifled creative.

This was the first adventure I'd had in thirty years. My husband can drive big trucks, so we bought a semi-truck and trailer to drive across the country. We packed up our belongings and our three cats, and drove from Vancouver Island, British Columbia to Prince Edward Island, staying at truck-stops all the way across. It was the most fun I'd ever had, and for the first time since I was a teenager, I felt myself awakening.

This last year we've been building a house and developing our 25 acres. I've started my very first vegetable garden, and I've discovered the joys of hanging clothes to dry. We've got laying hens now, and hope to eventually raise rabbits, turkeys and sheep. Every day I wonder at the peace and serenity this new life has given us.

But, best of all, this change has released my muse at last. I've started writing again, joyously, fervently. I've rediscovered the pleasure of creating, and I know in my heart I will never let it go again. I've seen and learned so much on this journey; it's no wonder I couldn't create when I lived in that self-imposed box I called a life.

But finding the inspiration to write needn't be as dramatic or as expensive as this. Take a course or class that will challenge you. Become a volunteer. Drive a different way to work, or explore parts of your town you've never been. Take lots of unusual pictures. Stop doing the same old thing and start shaking up your life: a new restaurant, a live performance, or music in the park. Change needn't cost money. Take a walk every night and vary your routes, walk a neighbor's dog, sit in the park and observe the humans that pass by, stroll through the mall and take note of the noises, the colors, and the smells, watch birds from your window, bake some cookies and take them to a neighbor. Reach out and touch the world around you.

Don't be shy, or afraid, or hesitant. Life truly is too short. Get out and live a little, or a whole lot! Do not mourn the time you have lost; celebrate who you are now, and forge ahead with a smile on your lips. Inspire yourself, and the words will flow.


Kim lives in the country with one needy dog, three perfect cats, one long-suffering husband, and far too many chickens. She tries to write on a regular basis after a suffering a writer's block of thirty years. Her only claims to writing fame are placing second in a local writing contest, and publication of a short story in a local writer's magazine


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Would you like to participate in Friday "Speak Out!"? Email your short posts (under 500 words) about women and writing to: marcia[at]wow-womenonwriting[dot]com for consideration. We look forward to hearing from you!

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