Showing posts with label Winter 2021 Flash Fiction Contest. Show all posts
Showing posts with label Winter 2021 Flash Fiction Contest. Show all posts

Interview with E.M. Walton, Runner-Up in the Winter 2021 Flash Fiction Contest

Tuesday, August 03, 2021
E.M. Walton grew up in upstate New York, spending summers with her family on the Rideau Canal in Ontario, Canada. She has spent the last 20 years in education, first as a special education teacher and currently as a school administrator. E.M. recently completed her Ed.D. in Executive Leadership. She has one self-published novel, Echo Island, and is currently revising her latest work, which she hopes to publish traditionally. Her passion for writing has followed her since she was a child and will continue for many years to come. E.M. is happiest when she is spending time with her husband of 25 years and three (mostly) grown children. Visit her website.

----------Interviewed by Sue Bradford Edwards----------


WOW: Some writers start with character. Some with a situation. What was the inspiration for “In the Blood”? 

E.M.: "In the Blood" was inspired by true events. My son actually did locate my biological half sister through a DNA test. It was fictionalized by combining a few different things that really happened, and adding some fictional details, into the one scene of the story. 

WOW: That is a tricky balance, telling when to base something on life and when to fictionalize.  A lot of the work involved in writing is rewriting. How did this story change through the rewrite process? 

E.M.: I had trouble with the ending, because there is so much more that would happen afterwards. But I wanted to keep it as a simple one-scene snapshot into one of the myriad ways individuals are learning about their past that was never possible before these DNA kits came about. I also wanted to frame the story, so the side story of the car lease provided a good opportunity for that. 

WOW: You included this frame, but in flash every word, every detail matter. Why did you choose to start the story where you did? How did you choose what to leave out? 

E.M.: I actually tried to start the story in several different places before settling on the parking lot of a burger joint. There was something about the mundane normalcy of waiting on a child in a parking lot, flipping through a phone that contrasted so well with the life-changing news received in that scene. It is so often how we receive big news in real life so I really liked being able to use it. What to leave out can be so difficult. As writers, we think that every word we write is critical, but it is amazing to learn how much more can be said with less sometimes. 

WOW: Leaving space for the writer is something I'm still learning to do in fiction. What advice do you have for our readers who may be hesitant to attempt flash? 

E.M.: I have found writing flash fiction to be an incredible opportunity for growth as a writer. It is easy to write at length, but when there is a significant limit on your word count, you exercise a different writing muscle. Every sentence has to be considered for "double duty". Word choice becomes so important. Flash has given me the chance to look closely at how I structure sentences and find ways to tighten my writing overall. 

WOW: In addition to writing flash, you have one novel that you’ve published and another for which you are seeking representation. Why did you decide to look for an agent at this time? 

E.M.: I knew so much less when I decided to self publish my first novel. I still love that story, but I wish I had been more skilled in the revision process. I also did not have the ability to market it effectively. At the time I was working full-time and raising young children. Since I am still working and my job is demanding, I need to look at traditional publishing so that my newest novel has an opportunity to reach a greater audience. I would not rule out the idea of self publishing again, but I would need to be sure I could make the time commitment necessary to adequately market my work. My goal is to find an agent that I can establish a long-term relationship with and retire early to devote more time to what I love - writing!

WOW: Good luck in your search for an agent!  Meanwhile, we hope you keep working on your flash fiction! 
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Interview with Jenny Sundstedt: Winter 2021 Flash Fiction Contest Runner Up

Tuesday, July 27, 2021
Jenny’s Bio:
Jenny Sundstedt grew up as a story-loving bookworm who was destined to try her hand at writing. She lives with her husband and dog in her home state of Colorado, where some days she writes more than she procrastinates, and some days it’s the other way around. A long-time member of Northern Colorado Writers, she served on the NCW Conference creative team for ten years, which gave her the opportunity to meet and learn from many wonderful writers and industry professionals. She is the author of a supernatural mystery novel, Passing Through, and its upcoming sequel, The Storm Crows. One of her life goals is to write funny, quirky picture books like the ones she enjoyed reading to her sons when they were young. Connect with her at www.jensunwriter.com, FB @JenSunWriter, Insta @jensunwriter

If you haven't done so already, check out Jenny's award-winning story "Of Silk and Seawater" and then return here for a chat with the author. 

WOW: Congratulations on placing in the Winter 2021 Flash Fiction Contest! What excited you most about writing this story? 

Jenny: This is kind of embarrassing, but the part that excited me most was rediscovering the partial draft of this story in a work-in-progress folder and having only the vaguest recollection of writing it. (I hope I’m not the only one who does stuff like that!) It was fun to have a chance to look at it with fresh eyes. That led to finishing and submitting it—also exciting! 

WOW: I love stumbling upon old, unfinished gems that I don’t quite remember. How wonderful that your work-in-progress re-inspired you. What did you learn about yourself or your writing while crafting this piece? 

Jenny: A couple of lines made me chuckle, and a couple of lines had what felt like nice emotional depth, which reinforced how much I appreciate a good balance of funny and poignant. I would love to get better at that and bring more of it into my writing. 

WOW: I love that one of your life goals is to write a “funny, quirky picture book”! Have you written anything like that before? Do you have a plan yet for how to reach that goal? 

Jenny: Isn’t laughing with a kid over a book one of the best things? And I’m working on reaching that goal. I’m so fortunate that my critique group includes talented picture book and children’s authors who give me excellent feedback. I have two manuscripts I’m submitting now: The Strange Tale (and Tail) of Dogster Jekyll and Muttster Hyde, and Someone To Say It Will Be Okay. 

WOW: Great titles! What are you reading right now, and why did you choose to read it? 

Jenny: He’s such an innovative writer, and I’m sure his take on extinction and the environment will make for a very compelling and topical read. After the past year, though, I don’t know if this is the right time or the wrong time to read about what the main character refers to as “how the world ends.” I’ll have to get back to you on that! I’m also working my way through VanderMeer’s Wonderbook: The Illustrated Guide to Creating Imaginative Fiction. It’s full of advice, tools, strategies, interviews, and fantastic illustrations. 

WOW: If you could give your younger self one piece of writing advice, what would it be and why? 

Jenny: I would tell my starry-eyed self “craft before draft.” When I first started writing, I assumed that because putting words down was relatively easy for me, that meant I was good at it. I went through a lot of trial and error (so much error!) before I realized how much I needed to learn about the craft of writing, especially tackling a novel. And I’m still learning. I would strongly encourage my younger self to take a few workshops or attend a conference before starting that first draft. 

WOW: I agree: craft is important. But so is getting down that messy first draft! I’m glad you’re discovering a process that works better for you now. Anything else you’d like to add? 

Jenny: Thank you so much for the opportunity to answer these questions! WOW has been an amazing resource for me on my writing journey! 

WOW: Thank you so much for your thoughtful responses! Happy writing! 


Interviewed by Anne Greenawalt, who keeps a blog of journal entries, memoir snippets, interviews, training logs, book reviews, and profiles of writers and competitive sportswomen. She has a master's degree in Creative Writing: Prose from the University of East Anglia in Norwich, England and a doctorate in Adult Education from Penn State University. She is also a competitive swimmer, a trail adventurer, a dog lover, and a new mom. Tweets @dr_greenawalt.
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Interview with Lilith A. Heart, Winter 2021 Flash Fiction Runner Up

Friday, July 02, 2021
Lilith A. Heart is a horror prose author who favors the gothic horror and psychological horror sub-genres.

She graduated from Aquinas College in 2016 with a B.A. in English and a double minor in Creative Writing and Japanese. Lilith was featured in two publications by Caffeinated Press, a former local publisher: Brewed Awakenings 1 (2015, The Garden and the Grave) and Brewed Awakenings 2 (2016, Suppression).

At the end of 2020, she made the bittersweet decision to leave her job with a local cat furniture manufacturer to pursue her passion more enthusiastically and to build her writing collection.

She currently lives in Grand Rapids, Michigan with her husband of 11 years, two cats named Shinobi and Hana, and rescue pitbull named Koda.

***

WOW: Congratulations on your top ten win in our Winter 2021 Flash Fiction competition! What prompted you to enter the contest?

Lilith: Thank you!

At the end of 2020, I left my job to pursue writing more enthusiastically, build my collection and challenge myself as an author. One of the challenges I gave myself was to enter at least one writing contest per month this year. I found WOW and thought that a flash fiction contest was a perfect way to kick off my new chapter.

WOW:  Can you tell us what encouraged the idea behind your story, “Snow Day?”

Lilith: People generally enjoy snow days. It’s a fun, guilt-free day off! But I wanted to create a situation where a snow day causes upset. Instead of relaxing or otherwise taking a load off, the nameless main character is suddenly forced to face the demons of a toxic home; “Snow Day” became a story about the unseen effects and events of domestic abuse.

WOW: You did a great job, I felt a wave of apprehension at the end. Are you working on any writing projects right now? What’s next for you?

Lilith: At the moment, I am working on a flash fiction horror story for another contest.

WOW:  What are you reading right now, and why did you choose to read it?

Lilith: I am currently reading “Barbed Wire Heart” by Tess Sharpe. I chose it because I wanted to find a gripping thriller and so far this one has had me hooked since the opening line.

WOW:  That book looks interesting! One of the reviewers described it as, "It's the Sopranos meets Ray Donovan only the hero is a woman." 

Thanks so much for chatting with us today, Lilith. Before you go, can you share a favorite writing tip or piece of advice?

Lilith: The first draft is just you telling the story to yourself. 

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For more information about our quarterly Flash Fiction and Creative Nonfiction Essay contests, visit our contest page here.


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Interview with Holly Rae Garcia, Runner-Up in the Winter 2021 Flash Fiction Contest

Tuesday, June 29, 2021

Holly Rae Garcia is an author and photographer. Growing up, she remembers reading her mother’s extensive Stephen King and True Crime collection. A love for dark fiction with sad endings has stayed with her ever since. Her own books include Come Join the Murder, and The Easton Falls Massacre: Bigfoot’s Revenge. Her shorter fiction has been published online and in print for various magazines and anthologies. Holly lives on the Texas Coast with her family and five large dogs. More information can be found on her website and Twitter.

----------interview with Sue Bradford Edwards ----------

WOW: Tell us about the inspiration for “Even the Jellyfish.” 

Holly: I wrote the story initially for a prompted contest hosted by the Australian Writers' Centre. The prompts were: "The first and last words had to begin with the letter J, had to include the phrase 'missed the boat', and a game had to be played. It ended up long-listing and, after a few edits, I submitted it to Women on Writing. For the story itself, I have a short-term memory issue, so memory and loss are always at the forefront of my mind. The setting is local to where I currently live, and the beach has always been a place for me to find peace and just "be." 

WOW:  The setting definitely feels real so I'm not surprised that it is one of your special places. What problems do you look for when you are rewriting? What might need to change in a story? 

Holly: I look for voice continuity between characters, any plot holes, realistic dialogue, and overall tone. I tend to go "white-room" when drafting, so edits often include adding in sights/sounds/smells/sounds/etc. I have the five senses listed on the wall beside my computer, to remind myself to include them. Under-writing that first draft is often a problem for me. 

WOW: Underwriting seems like a natural problem to have when trying to write short. Given the brief length of a flash story, every detail has to serve a purpose. How did you determine which setting details to include? Why did you make these particular choices? 

Holly: I wanted to emphasize how it felt at the beach, in the water, on that specific day. The senses play such a big role in memory, so I knew I needed to focus on those specifically. For the later scenes set in the present, I tried to only sprinkle enough that the reader knew where they were. Because the point of the story was in the past, not the hazy present. 

WOW: As someone who writes both novels and flash, what advice do you have for our readers about moving between different types of projects? 

Holly: Personally, I find it productive to work on longer and shorter works at the same time. I feel like they engage different parts of your brain, and if you're stuck on one, you can procrastinate by working on the other. 

WOW:  That sounds like a good way to move between the two. A lot of our readers have never written flash fiction. What advice would you have for someone who is contemplating her first flash story? 

Holly: I'd say to at least give it a try. You may hate it or you may love it, and find yourself writing more than ever. I do a lot of things in my life, just to see if I can. Sometimes I don't enjoy them, but sometimes I do and they stick. I tried writing, just to see if I could. I wrote a bigfoot short story for my husband (which we later turned into a novella) to see if I could. That short story sucked, but the process was addicting. I still can't do it as well as others, but that's the good thing about these personal goals...you can shift that goal line however you need to, to keep going.

WOW:  I feel like I can speak for the WOW community when I say that I'm glad you kept writing.  Thank you so much for encouraging our readers and helping them gain insight into your process.  Good luck on your current projects!


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Interview with Annabelle Guihan Larsen: Winter 2021 Flash Fiction Contest Third Place Winner

Tuesday, June 22, 2021
Annabelle’s Bio: 

Annabelle Guihan Larsen is a recipient of an Elizabeth George Foundation Grant, and a Whiting Foundation Writers Aid Award. Her short stories include, “San Man” nominated for a Pushcart Prize, 2nd place winner in New Rivers Press, American Fiction Vol 15, The Best Unpublished Stories by New and Emerging Writers. And “Urban Guerrillas” finalist for the Third Coast Magazine Jaimy Gordon Prize in Fiction Judged by: Antonya Nelson. She has an MFA in writing from Columbia University School of the Arts and is currently at work on a novel. Visit her website at https://guihanlarsenwriter.weebly.com 

If you haven't done so already, check out Annabelle's award-winning story "Messages" and then return here for a chat with the author. 

WOW: Congratulations on placing third in the Winter 2021 Flash Fiction Contest! What excited you most about writing this story? 

Annabelle: I took characters from my novel and placed them in situations outside of the text. Writing “Messages” gave me the opportunity to listen again to what memories my characters might have shared or were touched by in some way, and then having those thoughts and feelings come alive through different settings and circumstances. 

WOW: What a great idea to both add depth to your novel characters and create a stunning piece of flash! What did you learn about yourself or your writing while crafting this piece? 

Annabelle: I love finding ways to incorporate my research into my work, so this piece was satisfying in that respect. While crafting this narrative, my interest in the lyric dance between fact and fiction became apparent. 

WOW: Can you tell us more about the novel you’re writing? 

Annabelle: Yes, thank you for asking! My novel, Urban Guerrillas, takes place, for the most part, in the early 1970s and involves two adolescent sisters dealing with their parents’ divorce and the aftermath. The girls are uprooted by their mother from a semi-comfortable life in suburban Illinois to radical Berkeley, California, where they sink into poverty and become obsessed with the Patty Hearst kidnapping. 

WOW: That sounds like something I’d love to read – I spent a summer in Berkeley and loved it and its fascinating history. What are you reading right now, and why did you choose to read it? 

 Annabelle: I’m reading Shuggie Bain by Douglas Stuart and Other Worlds: Peasants, Pilgrims, Spirits, Saints by Teffi. I came across Shuggie Bain because of my interest in reading about characters who are struggling through life without a safety net. The novel is seen through the eyes of a young protagonist who is the primary caregiver of his alcoholic mother. And Other Worlds is a collection of short stories told through a reimagining of folklore or wonder tales, so this was of interest because of its otherworldly nature, which I also try to touch upon a bit in my novel as a way for my young protagonist to cope with the various traumatic events in her life. 

WOW: I love your descriptions of those books and it's helpful to hear about the way you connect to them as a writer. If you could give your younger self one piece of writing advice, what would it be and why? 

Annabelle: Keep a journal of details, everything you observe. Have a question for everything. Write it down. You might be able to use it later in a story. 

WOW: Anything else you’d like to add? 

Annabelle: Find a group of talented, supportive artists you can meet with regularly who encourage you and love your work. 

WOW: Thank you so much for your great advice and thoughtful responses! Happy writing! 


Interviewed by Anne Greenawalt, who keeps a blog of journal entries, memoir snippets, interviews, training logs, book reviews, and profiles of writers and competitive sportswomen. Tweets @dr_greenawalt.
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Interview with Tara Campbell, Winter 2021 Flash Fiction Contest First Place Winner

Tuesday, June 08, 2021
Tara Campbell is a writer, teacher, Kimbilio Fellow, and fiction editor at Barrelhouse. She received her MFA from American University. Previous publication credits include SmokeLong Quarterly, Masters Review, Wigleaf, Jellyfish Review, Booth, Strange Horizons, and CRAFT Literary. She’s the author of a novel, TreeVolution, and three collections: Circe’s Bicycle, Midnight at the Organporium, and Political AF: A Rage Collection. Her fourth collection, Cabinet of Wrath: A Doll Collection is forthcoming from Aqueduct Press in 2021.

interview by Marcia Peterson

WOW: Congratulations on your first place win in our Winter 2021 Flash Fiction competition! What prompted you to enter the contest?

Tara: Thank you so much! I give all credit to my friend and fellow writer Myna Chang, who has placed first and second in previous WOW contests, for introducing me to the site. The freshness of the work up at WOW intrigued me, so I thought I’d give it a try too. Kraken wasn’t my first entry, but it is my first win, so I encourage everyone else out there to keep trying too!


WOW: 
Can you tell us what encouraged the idea behind your story, “The Kraken in Love?” On your website you refer to your writing as, “…put our world in a snow globe, add a drop of weird, and shake,” which is a great description. 

Tara: 
Like many people, I’ve always been drawn to the ancient, outsized horror of creatures like the Kraken. From the safe distance of modern times, we can look back on the terror as kitsch and reproduce embodiments of it on all sorts of cheesy products. I did this myself in a way, stuck at home knitting quarantine-fueled projects like Krakens emerging from between bright red lips [see attached photos]. I guess I started thinking about how this thing that’s a joke now was once real, in some form, and I began to imagine what it would have been like to be one. The isolation of COVID probably influenced my Kraken’s loneliness. In real life, I’m blessed to live with a partner I love, but I know that many people have been starved for touch, and I’m sure this hunger played a role in my Kraken’s predicament.

WOW: Are you working on any writing projects right now? What’s next for you?

Tara: I’m working on a series of flashes based on random selection within a uniform framework. It’s inspired by a technique novelist Michael Moorcock wrote about involving "deliberate paradoxes" like “In the City of Screaming Statues"—a verb and an object we would never expect to see paired together. So I made my own lists, and am drawing paradoxes at random—and these paradoxes are landing me in a lot of interesting cities that I have to then figure out through writing.

WOW: That sounds like fun, making those kind of lists! What are you reading right now, and why did you choose to read it?

Tara: I teach speculative fiction, and one of my favorite ways to keep with the field is The Best American Science Fiction and Fantasy anthology series edited by John Joseph Adams in tandem with a guest editor every year. I just finished going back through the 2016 and 2017 editions. I especially enjoyed the 2018 edition guest edited by N.K. Jemisin. There is so much variety and energy in that selection of stories—which makes sense, given the breadth and verve of Jemisin’s own work.

My next read is going to be Love After the End: An Anthology of Two-Spirit and Indigiqueer Speculative Fiction (ed. Joshua Whitehead) because I want to keep expanding the range of experiences I read, and anthologies are a great way to discover new writers to follow.

WOW:  Thanks so much for chatting with us today, Tara. Before you go, do you have any tips for our readers who may be thinking about entering writing contests?

Tara: It was my pleasure! I would advise people to look at the profiles of the guest judges to help determine if they have a story that might fit. It’s useful to know whether a judge prefers realism or is also open to speculative elements. One judge might want to linger in rich imagery, whereas another wants to be carried away on the momentum of a story. In a pool of strong writers, these subjective preferences can make a difference. But the most important thing is to remember that not being selected doesn’t necessarily mean your work is bad—it means there wasn’t a fit. And there’s nothing wrong with trying again until there is!

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For more information about our quarterly Flash Fiction and Creative Nonfiction Essay contests, visit our contest page here.

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