Showing posts with label Tara Campbell. Show all posts
Showing posts with label Tara Campbell. Show all posts

Interview with Tara Campbell 2022 Spring Flash Fiction Runner-up

Tuesday, September 20, 2022

 


Tara’s Bio: 

Tara Campbell (www.taracampbell.com) is a writer, teacher, Kimbilio Fellow, fiction co-editor at Barrelhouse, and graduate of American University’s MFA in Creative Writing. Her publication credits include SmokeLong Quarterly, Masters Review, Wigleaf, Booth, and CRAFT Literary. She’s the author of a novel and four multi-genre collections including her newest, Cabinet of Wrath: A Doll Collection. 

Connect with her on Twitter at @TaraCampbellCom

If you haven't read Tara's story, "The Loveliest Thing," click through and then come back to learn how she created this winning flash fiction.

-----interview with Sue Bradford Edwards-----

WOW: What was your inspiration for “The Loveliest Thing”? 

Tara: This story, as so many in the flash world, was born in a Kathy Fish workshop. I was visiting family in Seattle, sitting in a café trying to figure out what to write for the “object” prompt, when I noticed I had a view through the window of a dress I’d been tempted by in a store down the street. It had been made and worn decades ago by a friend of the shopkeeper, and if you’re wondering what it looked like, you’ll find the exact description in the story. After I wrote my first draft, I went back to the store and bought it. And true to the story, it didn’t fit, and I had no one to give it to, but for $15 it was too good to leave behind. 

WOW: How did this story change during the revision process? 

Tara: I don’t think it changed much in the revision process because most of its evolution was in the drafting process. I began with the visual image of the dress, and my longing for it even though I knew it didn’t fit. As I sat in that coffee shop, still able to see it, I knew I’d be sorry if I didn’t go back for it. That’s the emotional core I was working with: longing, regret, wanting to go back and make something ill-fated work. The parallel to the main character’s past came from those emotions. Rather than revision, per se, it was a matter of building up the layers by fleshing out the circumstances around those emotions. 

WOW: What an interesting way to build a story. Speaking of emotion, there is so much emotion in this story. As someone who also teaches writing, what instruction would you give your fellow writers on creating an emotional response in their readers? 

Tara: I encourage students to start with something that interests them, whether it’s something they’re already obsessed with, or something they don’t know that much about but have a lot of questions about. In addition to the emotions I was working with for this story, I also had questions: how had something that had taken so much time and care to create wound up sitting in a consignment shop, on sale for a pittance? I just kept thinking about what might have happened between that initial fascination of making and wearing the dress, and the later letting-go of it. 

WOW: You’ve won or placed in three WOW! flash fiction contests. What advice do you have about making sure your story is ready to enter? 

Tara: Many writers would say a story is never really finished. I’m sure we all have writing out in the world that we would tweak if we had the chance. In fact, I once watched a novelist make edits to their own work during a reading—straight into the newly-published hardcover! I rarely send a story out until it’s been through one of my writing groups—having other eyes on it is crucial. What you do with the feedback is up to you, but you have to know how other people are seeing it before you can decide whether or not it’s doing what you intended it to do. 

WOW: Being able to gage reader reaction is so important. In addition to flash, you’ve written a novel and four collections. What are you working on now? 

Tara: I’m just finishing edits on another novel, which I never thought I would say. I don’t consider myself a novelist, even though that’s what my first published book was. The first novel, TreeVolution, was fueled by questions, and this new one was born of short stories that wound up being part of a larger world. In both cases, as with my collections, books seem to be things that sneak up on me while I’m following my curiosity in another direction. 

WOW: What an interesting thought – that a piece such as a novel might sneak up on you while you are writing other things. Thank you for sharing your writing process with our readers and hopefully we’ll see more of your work soon!
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Interview with Tara Campbell: Spring 2021 Flash Fiction Contest Runner Up

Tuesday, October 26, 2021
Tara’s Bio:
Tara Campbell is a writer, teacher, Kimbilio Fellow, and fiction co-editor at Barrelhouse. She received her MFA from American University. Previous publication credits include SmokeLong Quarterly, Masters Review, Wigleaf, Jellyfish Review, Booth, Strange Horizons, and CRAFT Literary. She’s the author of a novel, TreeVolution, and four collections: Circe’s Bicycle, Midnight at the Organporium, Political AF: A Rage Collection, and Cabinet of Wrath: A Doll Collection. Connect with her at www.taracampbell.com or on Twitter: @TaraCampbellCom or IG: @thetreevolution. 

If you haven't done so already, check out Tara's award-winning story "Another Damn Cottage" (originally published by Spelk) and then return here for a chat with the author. 

WOW: Congratulations on placing third in the Spring 2021 Flash Fiction Contest! What excited you most about writing this story? 

Tara: I began writing this story in a mini-workshop at a Barrelhouse writer's conference. The prompt was to write a commonly-known fairy tale in the voice of a well-known writer, as a way to consciously practice changing our voice in our writing—hence the nod to Little Red Riding Hood and Joyce Carol Oates in my piece. It was freeing to pretend to be someone else in such a concrete manner, rather than creating and channeling my own narrator as I went. 

WOW: Isn’t it funny how adding constraints to a prompt actually makes it feel more freeing? What did you learn about yourself or your writing while crafting this piece? 

Tara: I think this story brought home to me how no-nonsense my preferred writing style is. My style is more direct than ornate, and my work tends to be more experiential than cerebral, meaning I tend to show my readers what's going on so they can digest it, rather than spending a lot of time in my characters' heads. 

WOW: How has your experience as a co-editor at Barrelhouse changed or shaped you as a writer? 

Tara: Seeing the kinds of stories that come through our submission queue has really brought home what I'd heard from other editors before: final selection really does come down to how much room the publication has per issue. There are so many more great stories than we have room to publish. I've learned the importance of crisp beginnings, as well as how helpful it is to familiarize oneself with the publication—sometimes we get really great stories that just don't fit the vibe of the magazine. It's cool to see when they wind up with a better fit somewhere else. 

WOW: Thank you for sharing that glimpse of what goes on behind the scenes of a publication, which is so useful for writers to know. What are you reading right now, and why did you choose to read it? 

Tara: Right now I'm combing through the table of contents of the Best American Science Fiction and Fantasy 2021, trying to read as many of the stories as I can find online. I'll be teaching a class based on the anthology when it comes out, and in order to have time to read the stories multiple times, I'm getting a head start. I've always loved spec fic anthologies for their breadth of voices and ideas, and this series is probably my favorite. 

WOW: Sounds like fun reading and an awesome class! If you could give your younger self one piece of writing advice, what would it be and why? 

Tara: Keep writing. There was about a 20-year gap when I didn't write at all because I thought I had to be "practical" and focus on my career. But as I'm finding out, writing is often something that happens on the side, and having other interests and occupations can make the writing richer. It's great to have time to focus on writing, but it doesn't have to be an either/or kind of situation. 

WOW: Thank you so much for that great advice and your other thoughtful responses! Happy writing! 

Interviewed by Anne Greenawalt, who keeps a blog of journal entries, memoir snippets, interviews, training logs, book reviews, and profiles of writers and competitive sportswomen. Tweets @dr_greenawalt.
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Interview with Tara Campbell, Winter 2021 Flash Fiction Contest First Place Winner

Tuesday, June 08, 2021
Tara Campbell is a writer, teacher, Kimbilio Fellow, and fiction editor at Barrelhouse. She received her MFA from American University. Previous publication credits include SmokeLong Quarterly, Masters Review, Wigleaf, Jellyfish Review, Booth, Strange Horizons, and CRAFT Literary. She’s the author of a novel, TreeVolution, and three collections: Circe’s Bicycle, Midnight at the Organporium, and Political AF: A Rage Collection. Her fourth collection, Cabinet of Wrath: A Doll Collection is forthcoming from Aqueduct Press in 2021.

interview by Marcia Peterson

WOW: Congratulations on your first place win in our Winter 2021 Flash Fiction competition! What prompted you to enter the contest?

Tara: Thank you so much! I give all credit to my friend and fellow writer Myna Chang, who has placed first and second in previous WOW contests, for introducing me to the site. The freshness of the work up at WOW intrigued me, so I thought I’d give it a try too. Kraken wasn’t my first entry, but it is my first win, so I encourage everyone else out there to keep trying too!


WOW: 
Can you tell us what encouraged the idea behind your story, “The Kraken in Love?” On your website you refer to your writing as, “…put our world in a snow globe, add a drop of weird, and shake,” which is a great description. 

Tara: 
Like many people, I’ve always been drawn to the ancient, outsized horror of creatures like the Kraken. From the safe distance of modern times, we can look back on the terror as kitsch and reproduce embodiments of it on all sorts of cheesy products. I did this myself in a way, stuck at home knitting quarantine-fueled projects like Krakens emerging from between bright red lips [see attached photos]. I guess I started thinking about how this thing that’s a joke now was once real, in some form, and I began to imagine what it would have been like to be one. The isolation of COVID probably influenced my Kraken’s loneliness. In real life, I’m blessed to live with a partner I love, but I know that many people have been starved for touch, and I’m sure this hunger played a role in my Kraken’s predicament.

WOW: Are you working on any writing projects right now? What’s next for you?

Tara: I’m working on a series of flashes based on random selection within a uniform framework. It’s inspired by a technique novelist Michael Moorcock wrote about involving "deliberate paradoxes" like “In the City of Screaming Statues"—a verb and an object we would never expect to see paired together. So I made my own lists, and am drawing paradoxes at random—and these paradoxes are landing me in a lot of interesting cities that I have to then figure out through writing.

WOW: That sounds like fun, making those kind of lists! What are you reading right now, and why did you choose to read it?

Tara: I teach speculative fiction, and one of my favorite ways to keep with the field is The Best American Science Fiction and Fantasy anthology series edited by John Joseph Adams in tandem with a guest editor every year. I just finished going back through the 2016 and 2017 editions. I especially enjoyed the 2018 edition guest edited by N.K. Jemisin. There is so much variety and energy in that selection of stories—which makes sense, given the breadth and verve of Jemisin’s own work.

My next read is going to be Love After the End: An Anthology of Two-Spirit and Indigiqueer Speculative Fiction (ed. Joshua Whitehead) because I want to keep expanding the range of experiences I read, and anthologies are a great way to discover new writers to follow.

WOW:  Thanks so much for chatting with us today, Tara. Before you go, do you have any tips for our readers who may be thinking about entering writing contests?

Tara: It was my pleasure! I would advise people to look at the profiles of the guest judges to help determine if they have a story that might fit. It’s useful to know whether a judge prefers realism or is also open to speculative elements. One judge might want to linger in rich imagery, whereas another wants to be carried away on the momentum of a story. In a pool of strong writers, these subjective preferences can make a difference. But the most important thing is to remember that not being selected doesn’t necessarily mean your work is bad—it means there wasn’t a fit. And there’s nothing wrong with trying again until there is!

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For more information about our quarterly Flash Fiction and Creative Nonfiction Essay contests, visit our contest page here.

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