Interview with Annalisa McMorrow, Runner-Up in the Summer 2025 Flash Fiction Contest

Tuesday, January 20, 2026
Annalisa McMorrow is a writer and editor living in the wilds of Northern California, even though she prefers streetlights and 24-hour diners.

The daughter of a screenplay and a poem, words have been in her blood since birth. She grew up in the basement art department of a California magazine, and she’s had a favorite typeface since she was six. (It’s not Helvetica.)


A fangirl of flash fiction, she has been published in venues including The New York TimesWomen’s Health, and Romantic Times, and once she got paid $1,000 for a paragraph. (It was a good paragraph.) She has written film, book, and restaurant reviews since high school. Her music reviews date back to the halcyon days of vinyl.


She likes to drink coffee black, like her heart.


If you haven't read her story, "Coming Home," take a minute to experience it and then come back to learn about how Annalisa works. 


-----interview with Sue Bradford Edwards-----


WOW: What was the inspiration for “Coming Home”? 


ANNALISAI used to work at a second-hand store, and the women who would come in were a lot like the “influencers” in my story. They all wanted to look alike. A specific type of jeans cut in a specific way. A boxy, caramel-colored sweater. An ecru boot. There was a drawing I saw once online that replicated this look precisely, and I started to realize that they were almost clones. Generally, long straight blonde hair. An IG page that featured fallen leaves. Twisted candles. Frost. 


One of my friends works at farmer’s markets, and I was struck by the difference between the vendors and the consumers. Which is when Margo showed up. 


For reference, I do not look like these influencers. And one of the funniest interactions I had was when I was dressed head-to-toe in polka dots—my husband used to say I made him dizzy—and a customer asked me to match a beige with another beige. 


WOW: Details are a vital part of flash fiction. Why did you decide to name Margo but not her lover? 


ANNALISAMy writing style tends to be sparse with a few key details tossed in. I once wrote a 1,000 word short piece and reviewers mentioned the lemon-yellow bra held together with a safety pin. I give just enough to paint a scene, but not so much that a reader can’t fill in the blanks. I love to write in small spaces. 50 words. 100 words. Give me a box, and I’ll climb inside. 


Why was Margo a Margo? I hate to sound as if I believe I’m a conduit, but I’m a conduit. The characters tell me their names when they want to. She did. He didn’t. 


WOW: Your bio says that while you live in a rural area, you are more at home among the streetlights. Yet much of your story takes place at a farmer’s market and a rural cabin. How did your setting shape the story? 


ANNALISAI spent many years in LA, and cities illuminate me. Accidentally, I’ve ended up living for the past nearly 25 years at the end of a road. Somehow the bay leaves and pine needles have crept into my consciousness. But, if I had my druthers, I’d take neon over a mountain sunrise and a fire escape overlooking a gritty city instead of a clear lake or snow-capped mountains. 


WOW: Your story has such a gothic twist at the end. Can you explain to our readers who you set this up? 


ANNALISAMany of my stories deal with the veils between the here and the now and some other area (back in time or in another realm). One of my best friends died when I was 26 and he was 37, and I think I am always subconsciously trying to reach him. 


I don’t know if my words will help any writers because I am literally obsessed with writing. I start my day writing/end my day writing, pull the car over to jot notes, scribble on my arm with eyeliner, repeat words to memorize the cadence if I don’t have utensils with me. 


Writing is right up there for me with Maslow’s needs for survival. I have no fear of a blank page, and I don’t worry if I can’t finish a story. I move between many projects simultaneously. This is also how I crochet. I am making a blanket right now, but blankets take too long. So I will whip up a scarf or two just to have completion. Currently, looking down my screen at my documents, I see that I have nine stories open in various states and four articles in pieces. 


WOW: This is the second time that you’ve placed in a WOW! Flash Fiction competition (first was Naysayers and Skeptics). What advice do you have for our readers about entering contests and getting their work out into the world? 


ANNALISA: If I had to give advice, I’d say: Write. Edit. Revise. Leave the piece alone. Return. Revise. Read it aloud. Read it to a friend. Then find a place to submit, send it off, and start again. Do not wait for a response before working on something new. If you get rejected, dust off your words and try to home them somewhere else. But always be moving forward.


WOW: This is such powerful final advice - always be moving forwards.  It is so easy to trap ourselves by looking back.  Thank you so much for sharing your writing and your passion for writing!   

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