Reading: The Best Way to Study a Market
You might think that the best way to get to know what an editor wants is to talk to her. It sure doesn’t hurt.
This was how I learned that Jacobs likes to do picture book biographies like Star Stuff, Stephanie Roth Sisson’s book about Carl Sagan. We also discussed the preschool picture books she’s done with Yasmine Surovec – I See Kitty and A Bed for Kitty.
Then I attended Jacob’s session on plot and one on picture books. I got a feel for her love of longer, process oriented picture books like Time for Cranberries.
I still wasn’t sure what she meant when she said that she likes quirky books. I know what I mean when I saw quirky. I just wrote a book on the Ancient Maya. My adorable editor encouraged me not to leave out the human sacrifice. Then there’s the World War I book I’m currently writing; when she reviewed the outline, my editor made comments like “Finally! The gross stuff.”
When I write quirky, it tends to be offbeat and more than a little disgusting. Other words that have been used to describe my work include irreverent and strange.
Yet, one of my fellow retreat participants assured me that Jacobs would love my work. “She said she likes quirky.”
Before the retreat, I’d read several of her books. I went home and read some more, including The Graham Cracker Plot. The main character, Daisy, is sassy and outspoken. The book is epistolary but these are letters with a twist. The Judge ordered Daisy to write him letters describing the trouble she got into and how it all occurred. He wants to know what she learned in the process. Even if he wasn’t in a book, the best way to describe Daisy’s best friend Graham is to say that he’s a real character.
When you want to know if your writing is a good match for an editor, sit down and read some of this editor’s projects. You may not get the answer you want, but you will discover what you need to know.
Find out about Sue and her work at her blog, One Writer's Journey.