Showing posts with label writing advice. Show all posts
Showing posts with label writing advice. Show all posts

Interview with Jill Martin, 3rd Place Winner in the WOW! Q2 2026 Creative Nonfiction Contest

Sunday, May 31, 2026

 


Jill Martin writes and lives in Northern Virginia. Previously a federal government lawyer, she now travels extensively with her husband, and writes a Substack newsletter about what she learns from her travels (https://jillme3801.substack.com/). She has completed her first novel, which is still unpublished, and has started on her second. She also writes short stories, several of which have won prizes. She loves going to writing conferences to improve her craft, and enjoys meeting other writers. 













 ----------Interview by Renee Roberson 

WOW: Congratulations, Jill, and welcome!"Recipe for Mom's KitchenAid Mixer" is a great example of a hermit crab essay. Did you always plan to structure this piece as a recipe and what is it you like about this particular format? 

Jill: I only recently learned about hermit crab essays. Last year I took a short online course in creative nonfiction (a webinar by Nicole Breit) and that got me thinking about different forms and how you can address an emotionally difficult subject in a structured essay. I like the way that you can uncover some of your deep feelings and memories in this way. I tried several things that didn't work too well, and then one day when I got out my mom's Kitchenaid and all these feelings came flooding in, I wanted to sit and write immediately. But I needed to finish the recipe first.

WOW: I was envious when you shared that your mother's KitchenAid mixer was likely from the 1950s! Are there any other antiques or similar treasures you've chosen to write about over the years? 

Jill: I'm grateful that you asked this question, because my first response was "no," but then I remembered that I wrote something years ago about a tiny family heirloom. Now I need to go back and find that essay, and improve it. 

WOW: I love it! It's always a good idea to do a "spring cleaning" of our files because we often forget about buried treasures such as that one. You are hard at work on writing novels, and bravo to your latest work in progress! What genres would you categorize your work as? How long did it take you to complete the first manuscript? 

Jill: My first novel took me 2-3 years to complete, and I'm still editing as I get further feedback. It's contemporary women's fiction (or "book club fiction" or "upmarket fiction"). My second novel is completely different; it's either YA or middle-grades, and it's about fairies, so it's in the fantasy genre. That's also something that's not recommended by agents; they want you to stick to one genre. But I'm doing what I want to do right now. 

WOW: Follow your heart. I'm also one of those people that likes to write a variety of genres--I get bored when I stick to the same thing all the time! As someone who keeps waffling back and forth about whether I should start a Substack, how has your experience with it been? Do you have a regular publication schedule for it, and what other Substacks do you subscribe to?

Jill: I have surprised myself with how much I enjoy writing my Substack newsletter. When I first started it, the focus was just on my travels. But lately I've been throwing a lot of other stuff against the wall. I've posted a poem, a short story, and several essays. I heard from one friend who was upset because she wanted to read only my travel posts and nothing else. I should probably re-brand the newsletter because it's basically my writing platform now. I don't have a regular schedule for posting my newsletter, although it's a recommended practice. Sometimes months go by between my posts, and then I'll post a bunch in a row (e.g., following a trip somewhere). I subscribe to several Substacks by successful fiction writers, on the craft of writing. My favorite is George Saunders. I also subscribe to several by political writers, as well as the Substacks of writer friends whom I've met at workshops. 

WOW: Our community here loves a good writing conference or residency! What types of conferences have you been to so far and what advice would you give to someone attending one for the first time? 

Jill: I recommend attending as many conferences and workshops as your time and wallet permit. I've been to many different types: quick online workshops that are 1-3 hours; 2- or 3-day writing conferences that are open to all and focus on the craft of writing (e.g. the Women's Fiction Writers Ass'n conference); conferences that focus on pitching agents (I've done in-person as well as online ones); and conferences that include both pitching opportunities and talks on craft (Atlanta Writing Conference, Washington Writers Conference; TBR in Boston). The most helpful ones for my writing have been the competitive-entry workshops that are intensive, in-person, and include an instructor who gives feedback (e.g., the Yale Writers' Workshop). My advice for someone attending a conference for the first time is to be social and meet other writers, even if that's not easy for you. Networking is quite helpful; I've learned a lot from other writers. You can also practice your pitches with them!

WOW: Thank you so much for all this great advice and a peek into your writing life! Congratulations again and we can't wait to read more from you. 
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Anatomy of an Essay

Thursday, May 28, 2026

 


Last month I shared that I’d begun working on an essay about being the victim of financial fraud in 2023. After dogged determination and enlisting the help of a local consumer affairs reporter, I got the $3,000 back from my bank only to find out my biological father had passed away penniless. I ultimately used some of that money to help pay for my father’s funeral. 

I’ve been working on that piece for the past several weeks, and wanted to share what the writing and revision process has been like for anyone curious about the process. 

First, because my essay had so many numbers, dates, and legal details involved, I dug out the folder of information I’d compiled during the process of reporting the fraud and filing claims. Thankfully, I had saved all that, but I was re-traumatized all over again reading the timeline. I had to step away from the project for a few days as I processed what I had been through. 

Next, I sat down and wrote my first draft over the course of a few days, and it was long (close to 4,000 words). I didn’t worry about the word count though, because I know I would be editing and cutting words down. 

After having a few trusted members of my family read over the draft, I sent it to my critique partner. Once she looked at it, she made a few suggestions, such as limiting the role of one of my family members in the piece and focusing more tightly on the estranged relationship between myself and my dad. She also suggested I make sure everyone had a name, even if I had to make one up, such as calling a bank representative “Barbara from Bank of America” to make the narrative flow more smoothly. I completed another round of revisions and sent those back to her, she brainstormed a good title with me, and offered up a few suggestions for places to submit the completed piece. 

The essay is now in fantastic shape (in my opinion) but I would still like to have one or two more people read it in the latest draft. And for my final step, I’m compiling a list of places to send, “Your Claim Has Been Resolved: How a Bank Scam Helped Me Heal After My Estranged Father’s Death.” 

Not only that, but this positive experience gave me some ideas on how to rework an essay I haven’t had any luck placing and braiding it with a local true crime story from my podcast. I may have finally found a good “hook” to make a stagnant piece more attractive to editors. 

Have you had a positive experience working on a project recently? I’d love to hear about it! 

Renee Roberson is an award-winning writer and editor who also produces the weekly true crime podcast, Missing in the Carolinas.
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Interview with Bianca Jones, 2nd Place Winner in the WOW! Fall 2025 Flash Fiction Contest

Tuesday, April 28, 2026

 

Bianca Jones is a library assistant, developmental editor, and fiction writer represented by Leah Pierre of Ladderbird Literary Agency. She writes sweet young adult romance and dark, unsettling horror…and she would love to combine the two one day. You can find her on X (formerly Twitter) at BJOwrites. 


----------Interview by Renee Roberson 

WOW: Hello, Bianca, and welcome! I loved your winning story,  “A Forgiveness of Crows," which discusses a family curse and the ability to break the cycle of generational trauma. How did you first get the idea for this piece? 

Bianca: I’ve always admired crows for their gentleness, mischievous nature, and their extreme intelligence. Recently, I watched a blip of a video, maybe 45 seconds long, about crows’ ability to form relationships. Crows are familial creatures that have long memories and can hold grudges for up to 17 years! If you hurt one, you can end up catching a thwack on the head from its grandchild years later—they mean business. As an African-American in the South, connecting crows to Jim Crow came as easily as saying the word “crow” out loud. So, I started there, and the “family history” unfolded all on its own. I’m interested in exploring this idea in an extended format, maybe as a novelette, in the future! There’s a small detail of my narrator being a woman—a break in the cycle of sons that become fathers who are killed by the crow curse—that could have several meanings. Was it actually her tiny son’s kindness that broke the curse? Did the curse require a “male sacrifice” of sorts, and that’s why she was spared? Or was it something else entirely? I’m quite eager to know myself. 

WOW: I did not know that about crows! I can definitely see this being extended into a longer story. Have you published any flash fiction or short stories prior to this one? Where do you find your ideas? 

Bianca: I actually haven’t published any flash fiction before! I’m a novelist, and I’ve never considered myself strong at writing short fiction; I’m far too long-winded for that. In fact, I wrote “A Forgiveness of Crows” as a 2,200-word short story before I re-read the contest rules and realized I was supposed to be writing flash fiction, so I had to cut down this story quite a bit! It was a lovely challenge, though, and it’s made me more confident in my ability to write short fiction. My ideas come from odd tidbits and things I learn, or from inspiration in books that I read; working at a library gives me a lot of inspiration to work with all day long. 

WOW: You are represented by Ladderbird Literary Agency. Could you tell us more about your path to finding an agent and what books you have in the works? 

Bianca: I’m so proud to be represented by Ladderbird. I’ve been writing young adult contemporary fiction novels since college. Around big life events like marriage and children, I queried on-and-off for nearly twelve years before writing a story that centers around the lives and mental health struggles of Black and brown people; in particular, it’s a love story between two high school seniors, one Hispanic and one Black. I decided to, for the first time, query Black and brown literary agents. I found Ladderbird, read its bold, front-and-center mission statement on their website that says, “We have a passion for bringing marginalized voices to the forefront,” and I felt like I and my work would be supported and seen in a way that we hadn’t before. I reached out to Leah Pierre, and she loved my story as much as I do. It was very “right moment, right time,” but built upon years of writing, scrapping, writing again, and quite a few dozen rejection letters. Currently, we’re querying my YA mental health romance and a YA rom-com, and I’m also editing a YA paranormal novel with a touch of romance and a whole lot of spooky. We’re crossing all of our fingers that an editor will bite! 

WOW: Kudos to you for sticking with it! I know writing and querying for so many years is not for the faint of heart. It sounds like you found the perfect champion for your stories and I can't wait to see how your journey progresses. I noticed you work in a library (and I work part-time at an independent bookstore!) so I’m curious what genres you are seeing grow in popularity with your patrons. 

Bianca: I’ve worked in public libraries for 13 years, and I’ve seen so many genre trends come and go. Having one foot in the publishing world helps me see the trends before they even hit the library sometimes! Currently, the focus is less on genre and more on author and author read-alikes; aside from romantasy, which is still a major player in our circulation numbers, authors like Freida McFadden, Colleen Hoover, Kristin Hannah, and Taylor Jenkins-Reid always fly off the shelves. Any author who writes a lot of edgy intrigue is going to be a must-borrow. A touch of historical fiction usually makes a book even more coveted. And with books older and newer being turned into films left and right, I see renewed interest in stories that were popular ten or twenty years ago. Sometimes I get to see a classic, such as Wuthering Heights, start circulating more, and that’s really exciting! 

WOW: And don't you love recommending books to people looking for their next great read? I concur with all you said above. What is the last book you read and what was it about? 

Bianca: I read a cozy little book called Days at the Morisaki Bookshop by Satoshi Yagisawa. Takako, the 25-year-old main character, is broken up with in a painful and embarrassing way, and she gets locked in a mundane cycle of depression in her city apartment. She moves to the outskirts of Tokyo, into the tiny apartment above a bookshop owned by her eccentric uncle. Previously a non-reader, she becomes engrossed in the second-hand books as she organizes them and begins selling them alongside her uncle. Over the course of the few months she spends living above the Morisaki Bookshop, she learns about herself, love, and gains a new perspective on the importance of consistent, healthy relationships. Lately, I’ve been reading sweet, human-centered stories from Japanese and Korean authors, both as a way to gain insight into another culture and to read something different from my usual rotation of spooky, spicy, and non-fiction.

WOW: Those stories are very popular, and now I have to put Days at the Morisaki Bookshop on my list! I have also been wanting to check out Jesse Q. Sutanto, who's been writing in a variety of genres. Bianca, thank you again for being here today and please keep us posted on your publication news!
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Interview with Sophie Berghouse, M.D., 3rd Place Winner in the WOW! Q1 2026 Essay Contest

Sunday, March 01, 2026

 


Sophie was raised in the Midwest and spent the first three decades of her life there. She attended medical school, completed her residency and fellowship, and felt pleased her life was comfortably mapped out. Then life introduced a plot twist: a permanent move to Germany due to her husband's job. Just as she began to find a new rhythm within the different language and culture, Sophie faced another plot twist she never saw coming: her third child was born with severe disabilities. When Sophie grows up, she wants to write a novel about traveling Europe with a wheelchair and four kids in tow. For now, she will focus on short stories detailing her (mis)adventures in parenting, special needs, and most importantly, living. She hopes her experiences can support and encourage other women and mothers facing unexpected life changes. She is not a big fan of socials but grudgingly accepts that they are here to stay. The only social link she has is on Substack: @sophieberghouse, where she has a mightily underwhelming number of followers. 




 ----------Interview with Renee Roberson 

WOW: Hi Sophie. Welcome, and congratulations on your win. Your powerful essay, "Lingchi," is a testament to a mother's love and the reality of parenting a child with severe disabilities. How did you first get the idea to structure the piece around the concept of an ancient Chinese torture method? 

Sophie: When we first found out about the disability, I felt like my world had imploded in a single instant. It was torturous. Fast forward a decade, and I often forget about my daughter’s differences; this is our normal. But as soon as we step outside, I am reminded by peoples’ glances. And I don’t blame them. We are different, and it’s natural to look for the outlier. Yet, the ‘othering’ does affect me—not to the extent of the initial diagnosis, but just small cuts that add up over time. I am really drawn to the hermit-crab form of writing ever since I took a WoW class last summer. It offers a pre-defined structure which is helpful for the emerging writer. It’s the antidote to not knowing where to begin. Plus, it allows for creativity for the writer and the reader. The writer, because there is a starting point that can now be filled however you want to tell your story. And the reader, because they want to figure out how it all ties together. 

WOW: There are so many ways to be creative with a hermit crab essay. This was an excellent structure for your piece. How did "Lingchi" evolve from the first spark of an idea to the completed draft you submitted to the contest? 

Sophie: This was one of those essays where everything came together. I had read about that for other writers but always reacted silently with a dubious “yeah, right.” But that’s exactly how it worked this time. Things just ‘clicked’ and it was start to finish in two or three days. On a metaphorical level, I have been writing this essay for a decade. Maybe that’s why it just poured out once I had found the correct structure. 

WOW: Sounds like it was meant to be, and I love hearing stories like this where everything falls into place on the page. Parenting is a universal topic that many of us can relate to in our writing. What are some of the related subtopics you've explored on the page? 

Sophie: I think there is a dearth of authentic perspectives on what motherhood means. The narrative continues that its either communing with angels or ha-ha crazy. And of course there are those moments, but there is a range of other emotions that never get dissected: frustration, anger, jealousy, confusion. Those don’t seem to fit into the definition of motherhood and therefore don’t get written about. Another subtopic I try to shine light on is special needs parenting. It’s a subset of the population who has experienced it and even less who are writers. Yet, it’s a topic that touches us all. I think readers would be very interested to see what diagnosis day feels like, what the daily struggles are, etc. Parenting teens is also mostly a black box. I am trying to delve into that too. 

WOW: You are correct--there is such a wide spectrum on what experience and explore as mothers. I appreciate you shedding light on special needs parenting with this essay and your Substack. What advice would you give to writers planning to explore emotionally-heavy topics in their own creative nonfiction? 

Sophie: The danger in emotionally-heavy topics is to veer towards melodrama because—I don’t know— anything outside of the shiny-happy narrative must be its opposite? But after the initial shock of the inciting incident, I think people adjust, at least in some form. And describing that re-adjustment, that learning, is where the authenticity lies. I don’t think people want to read “woe unto me, I’m the victim.” But everyone is wildly interested in “I felt like a victim but now know I’m not.” There is still so much beauty to be found in many situations, even though it may not look like it to the casual observer. And shining a light on that beauty, that’s what makes emotionally-heavy topics so fascinating to the public.

WOW: That's such a thoughtful perspective, and a great way to describe what makes a compelling piece of creative nonfiction. Let's switch to something a little different. Originally being from the Midwest, how have you adjusted to life abroad in Germany? 

Sophie: The first couple of years were confusing, but there is an American-International women’s group here that has events and helps close the cultural gap. I am glad to be here now and rarely run into any more surprises. Pro-tip: apartments do not come with kitchens—we found out the hard way with a newborn, two toddlers and a first grader.

WOW: Oh, my goodness, that bit about kitchens could be its own essay! Sophie, we're so glad we got to learn more about your life and writing process, and look forward to reading more in the future. 
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A Writer's Version of Spring Cleaning

Thursday, February 19, 2026


After months of being stuck inside, who would want to spend yet another day indoors dancing with mops, vacuums and the occasional dust bunny when I could be in my garden? So I have never been enthusiastic about the annual ritual of Spring Cleaning. But then this weekend, after a frightful stretch of winter weather we experienced a Spring of sorts. No snow in the forecast and a balmy 45 degrees. Since it still much too early for gardening I was struck by an urge to Spring Clean. 


I decided to focus on my home office, a spot that rarely gets more than a vacuum and a quick dust. Eventually the scrubbing and polishing turned into a decision to go through the files -- a decision not made lightly. My file cabinets are crammed with years of my writing career: manuscripts, tearsheets, invoices, ideas. It didn't take long until I was surrounded by stacks of paper.


My Keep and Trash stacks were quickly joined by an unexpected but fast-growing stack: Work on This! Looking through abandoned work I kept finding things I wanted to rework, ideas long forgotten that I wanted to pursue, or a scrap of mysterious notes I wanted to decipher.


I wonder if it was the novelty of looking at what I was focused on months or years ago that attracted me to the contents of my filing cabinet. Or perhaps as years passed and I changed I could bring something new to the projects waiting in my files.


Unlike me, you may not have a dusty filing cabinet in the corner. But every writer has someplace where ideas get hidden. A box under the bed, a file in the Cloud, the last drawer in their desk. My advice to everyone is to take time to give those impossible projects one more look. Hopefully, like me you find some unpolished gems.


Do you have a secret spot for abandoned writing projects? When was the last time you sifted through it looking for treasure?



Jodi M. Webb writes from her home in the Pennsylvania mountains about everything from DIY projects to tea to butterflies. She's also a blog tour manager for WOW-Women on Writing. Follow her journey through writing and reading at Words by Webb

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The Search for Beta Readers

Thursday, February 12, 2026



I periodically share updates here about a suspense novel I wrote a few years ago, inspired by my work podcasting. In early 2024 I hired a developmental editor to help me go over the manuscript. I began sending queries out to literary agents that spring after incorporating her suggestions. After the first few rejections, I had writer friends I trust help me tackle my query letter, and almost immediately I began receiving manuscript requests. I’ve written a few other novels before in the young adult genre and had never received a request, only rejections. I was elated. 

Two agents that requested the full manuscript both got back to me within a few months and turned down representation. They both had different reasons—I believe part of the problem is the book is written in an experimental format. A large part of the novel tells the story through podcast transcripts, and one agent said she wasn’t sure how to handle that. I don’t believe that was the only thing holding her back from working with me though, because I’ve since read several books that tell the story in a similar format. 

Two agents requested partial manuscripts, and I never heard back from them. And a few months ago, I queried a small publishing press, and they requested a full manuscript. I haven’t received a yes or no yet. 

But I can tell there is something missing in the writing or the format of the book that is keeping agents from offering me a firm “Yes, let’s do this!” I don’t want to send out any more queries until I figure out what the issues are. I was discussing my dilemma with my writing accountability group and they suggested beta readers. Now, I admit I only had a few readers look at the manuscript before handing it over to an editor, and not all of them read the book in its entirety. I think they are right. With a few exceptions. One of my friends from church suggested I give the manuscript to their book club, and they could act as a “focus group” for me. I was horrified and said that wasn’t quite what I was looking to do and she understood. 

I’ve been doing a bit of research on the best way to find beta readers. I’ve decided to put a call out to my own network first, and say I’m looking for 3-4 beta readers who can commit to reading the manuscript and answering a set list of questions (I like the ones I found on this blog post). In return, I can offer to read something for them (essays, short stories, manuscript, etc.) or offer up a gift card so they can purchase a book on their wish list. If possible, I’d like to ask beta readers to complete the book and questions within 4-6 weeks so I can begin work on incorporating their suggestions or addressing other issues. Then, if I still feel it necessary, I can either hire another developmental editor or begin querying again.

 For anyone that’s ever used a beta reader or been one, how do these parameters sound? And what is the best way to share the manuscript? Should I format it for anyone who wants to read on a Kindle, print out physical pages, or send in a Word document? I welcome any feedback and advice on this topic. I’m nervous about the process but also feel it will help move my book along as progress is at a dead stop for now. 

Renee Roberson is an award-winning writer who also produces and hosts the true crime podcast, Missing in the Carolinas. Learn more at FinishedPages.com and missinginthecarolinas.com.





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Interview with Liz deBeer, Runner Up in the WOW! Summer 2025 Flash Fiction Contest

Tuesday, February 03, 2026

 

Liz deBeer, retired from teaching high school language arts and various college classes, currently teaches and writes with Project Write Now, a writing cooperative based in New Jersey. Her flash has appeared in BULL, Fictive Dream, Bending Genres, Switch and others. She has written essays in various journals including Brevity Blog and is a volunteer reader for Flash Fiction Magazine. She holds degrees from University of Pennsylvania and Rutgers University. Follow Liz at www.ldebeerwriter.com and lizardstale.substack.com









 ----------Interview by Renee Roberson 

WOW: Liz, congratulations, and welcome! As someone who worked in restaurants in my late teens and early 20s, I could relate to “Party Favors.” What sparked the idea for this story? 

Liz: “Party Favors” was inspired from my experience working as a waitress while I attended college. The wait-staff loved when chicken wings were served, because the guests didn’t want them – too messy – so we ate them once the event ended. Also, like many in the service industry, I experienced men grabbing me, especially after they had a few drinks. While Hank is a fictional character, the sense of teamwork was my favorite part of the job. 

WOW: It's a relatable theme! I always love hearing about writers and their paths to publiclication. What was the first piece of flash fiction you ever got published? Could you tell us more about it? 

Liz: My first published flash was “Waiting for a Message” at Spillwords, February 2024. It’s about a woman mourning her deceased partner; when she spots a tennis ball under a bush, she thinks it’s a message from him. The plot is loosely drawn from a real incident when I found a Clincher softball under a bush, a type of softball with a special stitch that my grandfather invented. I wondered if it were a message from beyond. 

WOW: I love how you masterfully weave your own life experiences into your writing. You spent time teaching at both the college level and in a public classroom where you taught others to find their own sources of inspiration. Which was your favorite age group to work with and why? 

Liz: I’ve taught many age groups in various setting; each has its appeal. Currently, I teach adults in a writing collaborative, Project Write Now. A favorite? I lean toward teaching educators, as they are committing themselves to public service; their work impacts so many. Teaching English Language Arts is laborious, but a creative, committed instructor can augment students’ career skills as well as encourage a lifelong love of reading and writing. 

WOW: In addition to fiction you also write creative nonfiction. What are some common themes that you find yourself exploring in your work? 

Liz: To me, it’s a blurry line between fiction and creative nonfiction. Experiences I draw from include aging, family memories, and random events I witness. For example, December 2025’s issue of Does It Have Pockets features a CNF about trying to forget my past. And January 2026’s issue of The Hootlet’s Nook features two of my CNF, one about fishing with my father and one about an iguana. 

WOW: That leads me to my final question. You have a very unique subject matter for your Substack, A Lizard’s Tale. How did you decide to focus on the intriguing traits of this biological species? 

Liz: My Substack “A Lizard’s Tale” focuses on the theme of resilience. The title is a play on words, as my name is Liz and arguably I’m telling tales. But the real inspiration came from witnessing a big- spiky-iguana race past me on the beach in Costa Rica to chase a smaller iguana up a tree. Then blood dripped from the tree on the seat next to me. I learned from a quick Google search that iguanas rarely eat each other, but they might bite off another’s tail if a threat is perceived. The victims’ tails usually grow back. Revolting but inspiring. A reminder that when we feel overwhelmed, beaten down, symbolically chased up a tree, we too can start anew, like iguanas regenerating their tails. I hope my Substack supports readers during life’s challenges, encouraging them to heal.

WOW: What a clever play on words, and what a great origin story for your Substack's name! Liz, thanks again for being here and giving us such thoughtful insight into your writing and teaching process. 
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Interview with Jordan Bass, 2nd Place Winner in the WOW! Summer 2025 Flash Fiction Contest

Tuesday, December 30, 2025

 


Jordan Bass is a short story fiction writer specializing in comedy, magical realism, and surrealism. Her previous flash fiction piece, “Sea Monkeys,” was awarded Runner Up in the WOW! Women on Writing Winter 2024 contest. More of her work can be found on Medium

 ----------Interview by Renee Roberson 

WOW: Welcome, Jordan, and congratulations! I absolutely loved the use of the Roomba in this story of a woman coping with her unexpected separation from her husband. What sparked the idea for “The Roomba Ate My Wedding Ring"? 

 Jordan: I see a lot of stories on the internet, some fake and some real, that follow a similar pattern. A relationship ends unexpectedly, usually through an affair, and the narrator is left wondering how to move forward. I wanted to write about a woman experiencing that betrayal from her partner and sorting through her own feelings. Angela fights it out with Craig, who is desperately clinging to the life she had with Daniel. When Angela wins, she's also regaining love and confidence within herself. 

WOW: Having experienced success in the form of flash fiction, could you offer our readers some tips for the art form? Any do's and don’ts? 

Jordan: Keep the setting and number of characters small, so you have enough space to add detail where it is most important. If you have more of a supernatural element (like Craig the Roomba), don't ponder on how it came to be that way, just focus on how it affects the story. Have your character make a choice during the story (like Angela deciding to sell the ring, instead of giving it to Daniel). And don't underestimate the importance of your first sentence. 

WOW: Why did you decide to publish your work regularly on Medium? What has that experience been like for you? 

Jordan: It hasn't been nearly as regular as I would like, unfortunately. My goal for the Medium page is to publish a series of short stories within the same universe, so I've been spending more time building characters, outlines, and lore than I have sitting down and actually writing. Overthinking is my biggest obstacle here. I've never written a series before, and I'm constantly changing details that affect all of the stories, not just one. However, I've been writing a lot within that series since I sent in "The Roomba Ate My Wedding Ring" and I'm excited to say that I will begin publishing on Medium again before the year is finished (and much more in 2026!). 

WOW: Do you have any specific writing goals for the next year? 

Jordan: Definitely publishing more on Medium! And to enter more fiction/flash fiction contests like this one. I want to get into the habit of writing everyday and practicing as much as I can. 

WOW: Are you reading anything right now that you think writers in our community would appreciate? 

Jordan: Mystery Lights by Lena Valencia. I would recommend it to anyone and everyone, but especially female writers. It's a collection of short horror stories, some supernatural and some not, themed around the female experience. I absolutely loved it.

WOW: Oh, that's sounds fascinating! I'll have to check it out. Thanks again for joining us today, Jordan.
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Interview with Brooke Carnwath, WOW! Q4 2025 Creative Nonfiction Essay Contest Runner Up

Sunday, December 28, 2025

Brooke teaches writing and freshman seminar at Montana State University in Bozeman, where she lives with her two daughters and husband. In addition to creative non-fiction and flash fiction, Brooke writes kid-lit. Her first novel for middle-grade readers, Far From the Ocean’s Edge, will be published by SheWrites Press in September 2026. She’s also written a YA novel (For the Love of Lexi Jane, for which she’s seeking representation) and a non-fiction book proposal, The Alchemy of the Sutras, about Patanjali’s Yoga Sutras, which was awarded an honorable mention in Hay House Publishing's 2024 book contest. Additionally, Brooke and her daughter Grace authored a picture book, Scout & Lucy, in 2022; recently, one of her flash fictions was published in Voices Elevated, the Elk River Writers Workshop Anthology. When not writing or reading, Brooke loves to hike, swim and spend time with the dear women in her life (which might also include writing, reading and talking about writing and reading). 


 ----------Interview by Renee Roberson 

WOW: Welcome, Brooke, and congratulations! If you’re anything like me, you work through many ideas for essays and stories while exercising. Is that what inspired you to write "Some Women Run?" 

Brooke: Partly, yes! I often receive ah-has while running or swimming—some whisper of a new story or character I’m noodling around. Also, I hold a tremendous amount of gratitude for living next to my best friend, who I’ve jogged with for more than 30 years; and while our conversations certainly generate specific ideas, it’s more often the comfortable, reliable company that stirs broader, deeper insights. And since we both lost our dads recently, the idea for a story focused on aging friendships (especially as I watch our mothers find comfort in the company of female friends after their husbands pass) has been hanging around—and yes, became a “I have to write this” during one of our many runs. 

WOW: I loved reading your descriptions of nature and almost felt like I was personally along for the run with your friend. What was the revision process like for this essay? 

Brooke: I love that! My memories are very sensory, and since we live at the base of the Bridger Mountains, my days are heavily influenced by their topography—as are, more broadly, my sense of home and stories of home. So, it made perfect sense to integrate the creek we run along, that we witness shift throughout the four seasons; in my combined memories of running with Holcomb, the sounds, smells and images of Middle Cottonwood Creek are always present. As far as revision, there wasn’t much time! I wrote it the day before WOW’s deadline. But that’s how inspiration goes—it brews for a bit, then just flows! 

WOW: That's even more impressive that you completed such a concise draft in a short amount of time! Your middle grade novel is scheduled for publication with She Writes Press in September of next year. What has your experience been like working with them?

Brooke: Overall, it’s been positive. What drew me to SheWrites is the community of creative women at its core. And the publisher, Brooke Warner, who is a badass entrepreneur, writer and advocate for women in publishing. So far, I’ve enjoyed the grassroots aspect: I learn a tremendous amount from the women publishing in my cohort; we meet monthly to connect, answer questions, share experiences, and support one another’s publishing path. It’s an inspiring, generative and effective model. 

WOW: You sound like you have an amazing tribe of women as a support system. Have they inspired any of your other work, fiction or nonfiction? 

Brooke: Because I’ve lived far from family for twenty-five years, my women friends have consistently felt like my family: We celebrate holidays and birthdays; share the fun and hiccups of motherhood; and show up for each other after a loss or in the middle of a challenge. We gather together, eat together, hike and ski and run together—we are so lucky! As such, these connections to the women in my life permeate my stories, but most fundamentally in my ability (and privilege!) to write about friendship with authenticity and ease. 

WOW: Let's shift gears for our final question. What are you reading for pleasure these days? 

Brooke: I read a lot of middle-grade fiction, as that’s what I’m mostly writing these days. Kate DiCamillo is my hero, as is Lauren Wolk, so I read anything they write—sometimes twice. Their books are lyrical, sensory and heart-warming—which I aim for in my kid-lit. Also, because I love writing flash fiction and non-fiction, I read online stories from Brevity and Smokelong Quarterly for inspiration. 

WOW: Great suggestions, and I love how you mix it up. Thank you again for stopping by today and looking forward to the release of Far From the Ocean's Edge!
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Interview with Kelsey Aldinger, Third Place Winner in the WOW! Q4 2025 CNF Essay Contest

Sunday, November 23, 2025

Kelsey is a speech language pathologist turned stay-at-home-mom who lives in Fort Worth, Texas with her husband and daughter. Kelsey spends her days keeping up with the most vivacious four-year-old she’s ever met and her pockets of free time writing, reading, party planning, and lingering at the table after a good meal with friends. Kelsey’s writing has been featured on blogs such as Red Tent Living and Verily Magazine but she publishes weekly on her Substack, Craving Connection, where she tackles topics such as infertility, motherhood, marriage, and creativity with equal parts humor and heart, and sometimes a little snark. 

----------Interview by Renee Roberson

WOW: Congratulations, Kelsey, and welcome! Your piece, “Dear IVF, I Quit,” is written as an epistolary essay, or letter form. You’ve also shared your thoughts on your journey to motherhood similarly with “To All the Babies I’ve Loved.” What is it about this form of writing that resonates with you? 

Kelsey: What’s funny is that before you pointed this out, I hadn’t made the connection of how I had used this form before as a way to process my infertility and motherhood journey—I wrote these pieces several years apart. But I think what I love about epistolary essays, or hermit crab essays in general, is how the constraint of the form is actually very freeing. When I’m trying to process something as big as a miscarriage or saying goodbye to my foster son or ending IVF, the feelings are too much to pin down. Borrowing the form of a letter gives me familiar parameters I have to operate within, which actually takes the pressure off of how I want to distill the emotions I want to convey. I love what Kim Adrian writes in The Shell Game: Writers Play With Borrowed Form, “The shell gives shape–sturdy structure–where otherwise there would be nothing but the boundless overflowings of human thought, memory, and emotion. Its remarkable ability to contain emotional, spiritual, and intellectual sprawl is due in large part to intrashell divisions, which neatly sidestep the need for conventional ‘transitions.’” 

WOW: Could you share what the process of developing this particular essay was like, from the spark of the idea to revision to making the decision to enter this contest? 

Kelsey: When it comes to infertility and IVF, you typically only hear success stories. After having a miscarriage in 2019, I felt desperate for stories from other women who were just a few steps ahead of me but still in the middle of their infertility, who weren’t looking back at their journey with rose colored glasses now that they had their baby. Struggling to find those stories, I vowed to always be open and honest about my own struggles. Whether it was through podcasting, writing, or in my real life, I tried to be as open as I could while still protecting my heart and my privacy as I walked through each stage of infertility. So when it came time to share about the end of my IVF journey, it was not a matter of if to share, but how. I had written about the topic on my own Substack, but I wanted a way to reach a wider audience who may have walked through the same thing or something similar. 

This had been on my mind for awhile so when the idea of using the resignation letter hit me, I sat down and wrote it in one sitting. My writing process hardly ever looks like this, but I’m always grateful when it does. I actually originally wrote the letter for another outlet who is known for sharing work that is slightly snarky, which was part of my inspiration for this piece. Although the letter does convey deep emotion, I was tired of droning on and on about my experience in a weepy way. I wanted to write something that was direct and resolute and gave me some of my agency back in a situation where I felt I had none. Once I wrote my first draft, I shared the letter with my writing group and they gave me great feedback on ways I could add more details and clarity. After making some edits, I sent it off and waited to hear back. Not too long after, the publication emailed to let me know it wasn’t the right fit for them, but the editor was incredibly kind in her feedback. She praised the essay and let me know it wasn’t me, it was them working through figuring out what their audience was responding to at the moment. I so appreciated hearing back because a lot of times when you submit work and it gets passed on, you don’t know if it’s because of your writing or because of something on the other end. That rejection gave me the confidence to submit again. I still felt like the letter was meant to be shared somewhere other than on my personal Substack. So when I came across this contest and read the criteria, I knew this piece would be a good fit. I’m so glad I took the chance and kept putting myself out there even after rejection. 

WOW: I'm go glad you persevered until you found this piece a great home with WOW!, and it's always encouraging to receive such kind words from an editor even when they pass on a piece. You started a Substack, "Craving Connection", two years ago. How has that experience been and has it helped you connect with other women and writers experiencing similar journeys? 

Kelsey: Before becoming the Substack it is today, "Craving Connection" was a podcast I started with a dear friend who was my original “writing partner” back in high school. We always used to edit each other’s English essays and it was our shared love of words that led us to podcasting. The year was 2017, the height of the podcasting boom and post-blogging heyday, so we figured starting a podcast could be our avenue to writing a book some day. We were very naive about how much work it would take. We thought all we would have to do is start a podcast and we would automatically amass a huge audience. While that didn’t happen, we learned a lot about the creative process, creating publicly, and about discipline. We stuck with it for four years, putting out a show every Monday. Throughout those four years, the podcast gave me an outlet to share about my infertility and connect with other women in similar circumstances. Eventually, the show became untenable and we took a break. But after a year and a half hiatus, I was itching to have a creative outlet again. At this point, Substack was pretty new and instead of having to completely start from scratch, it seemed like a good way to repurpose what we had already built. Knowing we didn’t want to burn ourselves out again, we kept things very low pressure and posted whenever we wanted about whatever we wanted. After a few months of this, I was hungry to write more while she didn’t have as much bandwidth, so I took over the reins. As I experienced failed embryo transfer after failed embryo transfer, writing "Craving Connection" gave me an outlet to not only express my emotions related to my struggles, but to also write about all sorts of things as a reminder to myself that I was a full person outside of my infertility. While I never wanted to be pigeonholed into becoming an infertility blog, just like with podcasting, writing publicly about my story has led me to connect with women living similar stories. It has reminded me that I’m not alone and I hope it has reminded others that they are not alone, either. From day one, the heartbeat behind "Craving Connection" has been wanting others to think “I thought I was the only one, while sighing with relief that they’re not”. 

WOW: What a great lesson in embracing our creative endeavors even when they need to evolve. Podcasting is hard work, but it sounds like Substack has been a great transition for you and still allows you to connect with others walking a similar path. When did you first know you were a writer? 

Kelsey: I have my grandmother to thank for instilling in me a love of writing from a young age. Some of my earliest memories at her house were when we’d staple together sheets of computer paper and write stories together. She was a third grade teacher and a writer herself, published for the first time in her 70s, and always made the process of storytelling feel so magical. As I got older, I remember my classmates playing on the playground while I pestered my teachers to proofread stories I had written and begged them for feedback. In the sixth grade I won my school’s Veteran Day poetry contest and was asked to read my poem at the school assembly, which felt like a huge honor. Around this time I also began journaling and realized how I was able to process my thoughts and feelings so much easier by writing them rather than talking about them. Looking back, I think I’ve always known I was a writer, but only in the last few years has it become a lifeline for me. There is so much value in private writing, all the working out you do on the page that no one will ever see. But as someone who lives in my head, having people connect with my words, especially as it relates to infertility, is immensely gratifying and inspires me to keep putting words to the page. 

WOW: What a great start to your journey as a writer! I love that your grandmother instilled such a love of words in you. Juggling writing with raising a young child can be no easy feat! What are your favorite ways to sneak in writing among your other daily responsibilities? 

Kelsey: It definitely is not easy! My daughter is four now and she goes to a mother’s day out program two days a week, so I try to devote at least one of those days solely to writing. I have a hard time stopping once I get going, though. I’ve been known to pick her up from school, come back home, and write while sitting on the patio as she plays outside, or on the couch next to her while she watches a tv show. Even though she no longer naps, she still does rest time every day and I often use that pocket of time to write. My husband is supportive of my writing and understands when I hole up in bed with my laptop after we put our daughter to bed (which is exactly what I’m doing right now!).

WOW: Ha ha! You must do what you have to do, right? We enjoyed learning more about you and wish you continued success in all your writing goals. Thanks again, Kelsey!
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