Showing posts with label conclusions. Show all posts
Showing posts with label conclusions. Show all posts

Flash Fiction Contest Tips: Conclusions

Wednesday, April 28, 2021
Hello WOW Readers! I have been one of the first-tier contest judges for WOW’s quarterly flash fiction contest for over a decade, and it has been a huge pleasure to read your stories. I am writing this blog series on Flash Fiction Contest Tips to help you strengthen your flash writing and maybe even place in one of our contests! Tips are based on our scoring criteria and craft trends I’ve seen throughout the decade. 

I read a piece of flash recently that grabbed my interest from the first line. It was a magical realism piece with a strong character and an unusual voice and odd events and images, and I kept reading to see how the author would tie all these strands together. And then the story ended with the character waking up and the narrator saying, “It was all just a dream.” 

Photo by Ann H from Pexels

I’m not sure I can adequately express how disappointing it is to read a story – particularly and interesting and well-written one – only for it to end with the character waking up from a dream. Realizing the entire story was just a dream makes me think, “So what?” If all the reader knows about the character is the character’s dream without any context, then readers really don’t know anything about the character or what’s at stake for her. It’s an anecdote, not a story. 

When I wrote about opening sentences, I cautioned against starting a story with a character waking up. Now, I’m giving the same words of caution about writing a conclusion. If the entire story is a dream and then the character wakes up at the end, it shows that the writer needs to keep working and pushing a little harder to find a better way to conclude the story. 

But what is a better way to conclude? 

Melanie Faith has some great ideas in her book, In a Flash!: Writing & Publishing Dynamic Flash Prose, about concluding pieces of flash. One, a common ending type for many types of writing, is the circular ending, which includes circling back to a character, image, quote, or other symbol from the beginning of the story. This helps the reader to see the character or symbol or situation from a new perspective or see how it has changed since the beginning. 

Melanie also suggests ending flash stories at the height of the action: “Since flashes are snapshots of conflict or vignettes of place and character, you can conclude at the high point of tension.” 

Honing in on a symbol or concluding with a meaningful piece of dialogue, Melanie says, are both appropriate ways to end a piece of flash. Both options can highlight the story’s theme. 

Let’s look at WOW’s Fall 2021 Flash Fiction Contest winners’ stories for other conclusion ideas: 
  • In “Breaking Silence,” Jean Li Spence concludes with a quote from a haiku that summarized the character’s experience. 
  • Jeanninne Escallier Kato returns to a word she uses in her introduction to give the word new meaning after the events in her story “Milagro.” 
  • Teresa Boardman ends with some action, and a bit of a cliff hanger, in her story “Martian.” 

Writing a conclusion can be tricky, particularly in a first draft, but they’re so important because they’re the last impression the reader has of your story, and you want to leave a lasting impression. 

Do you have any other types of endings that you like to use? Or any that you wish writers would avoid? 

Tips brought to you by Anne Greenawalt, who keeps a blog of journal entries, memoir snippets, interviews, training logs, book reviews, and profiles of writers and competitive sportswomen. She is a writer for WOW! Women on Writing, Trail Sisters, and Story Terrace. She has a master's degree in Creative Writing: Prose from the University of East Anglia in Norwich, England and a doctorate in Adult Education from Penn State University. She is also a competitive swimmer, a trail adventurer, a dog lover, and a new mom. Tweets at @dr_greenawalt.
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How to Write Effective Story Conclusions

Sunday, January 11, 2015
I started writing a novel for NaNoWriMo 2012. Although I didn’t “win” NaNoWriMo that year, I had a great premise for a novel, which I have continued to work on during holiday and summer breaks.

Although this novel used to have an ending, it doesn’t have one anymore after countless (but necessary) revisions (a.k.a. total plot make-overs). Now I need an ending and there are so many ways this could end that I’m having trouble finishing it.

Conclusions are important because if you are successful in hooking your readers to the very end, it is usually the conclusion that the readers remember long after they’ve finished reading.
So I’ve done a little creative writing research for inspiration on how to finish the story. Seems like I’m not the only one who has problems with conclusions. Here are some of the best pieces of advice I’ve found on writing story endings. (Click the links for more details.)

Guidelines for Writing Satisfying Story Endings

  • Effective endings show (or suggest) the result of the story's conflict.
  • Effective story endings come from the main character's actions.
  • Satisfying story endings use elements from the story's beginning and middle.
  • Great story endings make the reader feel something.

Types of Endings to Avoid (Because They Are NOT Satisfying)

  • The happily ever after
  • The drawn out dream
  • The guilty hero’s monologue
  • The lover’s life

Other Types of Endings that (Dis)Satisfy

  • The “right” ending
  • The unpredictable element
  • The plot twist
  • The dark moment
  • The epiphany
  • The could-have-changed-but-didn’t dead end
  • Comingling happy and sad
  • Leave room for interpretation
  • Ties up loose ends quickly

Best Book Endings (According to Publisher’s Weekly)

I appreciate this list, though it’s worth noting the male authors outnumbers the female authors here. Who are some other female authors who have written effective book endings?

  • Infinite Jest by David Foster Wallace
  • The Remains of the Day by Kazuo Ishiguro
  • Atonement by Ian McEwan
  • The Great Gatsby by F. Scott Fitzgerald
  • The Sun Also Rises by Ernest Hemingway
  • Fight Club by Chuck Palahniuk
  • One Hundred Years of Solitude by Gabriel García Márquez
  • Mrs. Dalloway by Virginia Woolf
  • A Visit from the Goon Squad by Jennifer Egan
  • Being Dead by Jim Crace

How Should I End My Story?

I don’t like endings that wrap it all up in a nice little bow. I enjoy endings that leave something open to reader interpretation because those kinds of endings make me ponder and learn about myself and my world outside the scope of the novel. They are also great conversation starters.

I’ll re-explore some of my favorite novels to see how they ended. And then maybe I’ll draft a few different endings and see which one fits best. Wish me luck!

Do you have any tips for writing conclusions? What are some of your favorite story endings?

Written by Anne Greenawalt, writer and writing instructor
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Leave a Lasting Impression

Sunday, June 06, 2010
"It was the best of times. It was the worst of times."

"Now is the winter of our discontent."

"Call me Ishmael."

Novelists strive to capture a reader's attention from the first word or opening line. Overall, writers work toward creating the perfect opening scene with enough intrigue to draw the reader into the storyline.

But what happens when the reader flips each page, develops a sense of empathy with the hero or heroine, struggles through the nail-biting conflict leading to a satisfying conclusion only to find themselves unfulfilled?

An impractical or bland ending will leave readers wondering why they invested quality reading time in a novel that failed to gratify. And worse yet, those readers may not endorse a book. While the situation may not seem terrible, writers need to remember that a reader's positive review to a fellow reader, a book club member, librarian, a book blog readership will ultimately increase sales.

What's a reader to do or not to do? Keep these trusted tips in mind when you're writing those last lines:
  • Do foreshadow the conclusion by using your imagination and sharing that insight early in the story. A surprise ending will work if it's plausible.
  • DO NOT introduce new characters in the last few pages.
  • Do resolve subplots with realistic outcomes.
  • DO NOT wrap up loose ends too quickly. A story must keep its natural sense of rhythm or readers will recognize the hurry-up-and-get-this-finished work.

A story's ending should be as exciting as its opening pages. It should engage the reader, keep them flipping through pages, allow for empathy, and keep her on the edge of her seat with anticipation.

If a story doesn't meet these needs at the end, even the best written story will be forgotten instead of possibly becoming a classic.

by LuAnn Schindler. Visit her website http://luannschindler.com or follow her on Twitter @luannschindler.

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