Showing posts sorted by relevance for query "Sue Bradford Edwards". Sort by date Show all posts
Showing posts sorted by relevance for query "Sue Bradford Edwards". Sort by date Show all posts

Friday Speak Out!: Rewriting My Way, Guest Post by Sue Bradford Edwards

Friday, December 16, 2011
Rewriting My Way

by Sue Bradford Edwards

When an agent asked me to rewrite my middle grade novel, I agreed. After all, her recommendations would really up the tension. Fortunately, I knew enough not to simply run with her comments. Some things I would do verbatim. For others, I studied what didn’t work and came up with my own solutions. When I was done, I had made her suggestions my own and planned how to rework the manuscript.

Now, I simply had to fit the project around my deadlines. I wasn’t sure how to do this and went to my writing friends for help.

Donna told me that big projects need big blocks of time. I couldn’t rent a cabin to work for a solid weekend, but I made Friday into Rewrite Day, a reward for finishing my paying jobs. Fridays came and Fridays went, but the words didn’t flow although rewriting is probably my favorite part of writing. Maybe I needed another solution.

Back to my writer friends.

When I tried another friend’s weekly word goal, it worked to a point. I made my word count, but it was a slog, put off until the last minute each and every Friday. This type of effort shows in my writing. I knew something had to change for this rewrite to work.

When my critique group met, I whined about the problem to Stephanie Bearce, who’s also working on a middle grade novel. “We’ll both finish our drafts by November,” she said. “We’ll tell everyone in the group and have their support.”

I ignore public goals on a regular basis, but this was different. We would both be working toward a deadline. That made it competitive. Competitive I can do, if I could get my rewrite moving.

But how? I whined some more to Stephanie. “Every Friday, I have so much trouble getting back into my story after not working on it for a whole week.”

To her credit, Stephanie didn’t even roll her eyes as I realized that the goals weren’t the problem. Working on it only once a week was the problem, at least for me. I needed to work on the project more often.

Instead of putting off my rewrite until Friday, it would be the first writing I did for 30 minutes every day. It wouldn’t be the reward for a week well spent, but a treat to get me going.

And it worked. Because I worked on the story daily, I easily slipped back into my character’s head. Sure, I still had deadlines, but I only worked on them after working on the novel. This inspired me to quit playing around and write.

My original weekly word goal? I exceeded it, and I reached the end of the story the 1st week in November.

All it took was a solution that suited me and the way I work.

* * *

Sue Bradford Edwards is a writer and book reviewer who creates scenes in her home office in St. Louis, Missouri. Read her work at Education.com and Prayables.com. To find out more about her or her writing, visit her blog, One Writer's Journey (http://suebe.wordpress.com/), her book review blog, The Bookshelf (http://suebe2.wordpress.com/), or her website (http://www.suebradfordedwards.com/).
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Would you like to participate in Friday "Speak Out!"? Email your short posts (under 500 words) about women and writing to: marcia[at]wow-womenonwriting[dot]com for consideration. We look forward to hearing from you!

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4 Tips to Help Add an Interview to Your Research

Friday, April 08, 2022

by Sue Bradford Edwards

A friend recently recommended a mystery with an FBI profiler as the detective. I turned it back into the library largely unread not because I didn’t have time to read but because the author butchered her setting. The murder took place at a well-known museum in the city where I live. When she described what the FBI agents could see from where they stood beside the body, I cringed and then closed the book. There was no way this author had ever seen this museum herself, but an interview with someone who had been there would have provided the detail she needed to create an accurate setting.

I faced a similar problem when trying to describe the relationship between a pipeline and the river it crossed. Instead of hoping I had it right, I contacted the author of an article I used as a reference. Reaching out to her led to a lengthy phone interview and a better understanding of my topic.

Over the years, I’ve contacted geologists, virologists, wildlife biologists and more. I explain I am working on an article or book and I’m not sure I understand the material I’ve found. Or I point out a gap in what I’ve read. Then I ask for help to avoid misleading my reader. Very few people have turned me down.

Here are four tips to help land the interviews you need to bring accurate details to your writing:

Do your homework. An interview is a great way to gain access to the latest information and fill in any gaps, but it isn’t a shortcut. You have to do your research ahead of time. Read, watch, and listen to all that you can find. That way you’ll know what information isn’t already accessible to your reader.

Write out your questions. Before you contact the person you want to interview, take the time to write your questions. Then you can include the questions in the body of your e-mail. In my experience, many professionals want to know what you will be asking before they say yes or no. It helps them see the slant of your work.

E-mail first. Most likely, the person you want to interview has a busy schedule. They may not be in the office or have their hands free to answer the phone. Send them an e-mail introducing yourself, stating what you want and why and that you are including your questions. If you don’t hear back from them in a few days, you can give them a call.

Be ready. Occasionally you will reach someone who has time to do an interview today but not tomorrow. Call them when you too have time to do the interview. Although you want to be ready to do it now, don’t be surprised if they want to put it off a day or two.

Interviews with experts help ensure that your piece contains accurate detail and the latest information. These two things can help you catch an editor’s attention.

* * *

Sue Bradford Edwards is a nonfiction author with over 600 sales to her credit including 30 nonfiction books for young readers. Sue has also published numerous crafts, activities and how to pieces of various kinds. Her most recent books are Cancel Culture (Abdo, 2022), The Who (Abdo, 2022), Robotics in Healthcare (Brightpoint Press, 2022), Being Black in America (Brightpoint Press, 2022), The Impeachment of Donald Trump (Abdo, 2021), Coronavirus (Abdo, 2021), The Murders of Tupac and Biggie (Abdo, 2020), The Assassination of John F. Kennedy (Abdo, 2020), Stem Cells (Focus Readers, 2020), Earning, Saving, and Investing (Abdo, 2020), The Dark Web (Abdo, 2020), The Evolution of Mammals (Abdo, 2019), The Evolution of Reptiles (Abdo, 2019), Labradoodle: Labrador Retrievers Meet Poodles! (Capstone, 2019), and Puggle: Pugs Meet Beagles (Capstone, 2019). In addition, her children’s nonfiction has appeared at Education.com, in Gryphon House anthologies, in Harcourt and Houghton Mifflin testing packages and also in READ and Young Equestrian Magazine. Her nonfiction for adults has been published in Writer’s Market, Children’s Writer newsletter, WOW! Women on Writing, Writer’s Digest, The Children’s Writer’s and Illustrator’s Market, The Writer’s Guide, and Magazine Market’s for Children’s Writers. Sue is also a dedicated blogger, writing for the Muffin as well as her own personal blog, One Writer’s Journey.

Sue is also a WOW! Women on Writing instructor. Check out her upcoming workshops, Research: Prepping to Write Nonfiction for Children and Young Adults , Writing Nonfiction for Children and Young Adults and Pitching, Querying, and Submitting Your Work. More information about our classes can be found on our classroom page.

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Would you like to participate in Friday "Speak Out!"? Email your short posts (under 500 words) about women and writing to: marcia[at]wow-womenonwriting[dot]com for consideration. We look forward to hearing from you!
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Picking a Pen Name

Wednesday, May 12, 2021

My grandmother.  
Recently I got an e-mail from my editor. “Would you be willing to take this on? One thing – all of the writers working on this project have to use pen names.”

There are a variety of reasons that writers use pen names. A friend of mine who writes romance told me about the male members of Romance Writers of America who often use pen names. Another friend uses a pen name for her work for hire and her own name on her royalty paying jobs. Yet another writing friend, an engineer, writes science fiction and cozy mysteries under her own name and erotica under a pen name. I’ve heard from some writers that they use one name for their work for young readers and one for their thrillers and other books for an adult audience (adult as in grown up, not X-RATED ADULT). 

And yet there are other writers who eschew these conventions and write everything under one name. Brad Meltzer writes picture book biographies for young readers (I am Frida Kahlo) and picture books illustrated by Dan Santat (A New Day). But he also writes political thrillers and nonfiction about historic conspiracies. And? He writes it all under his name – Brad Meltzer. 

Still, if I wanted this job, I had to come up with a pen name. I went to my mystery writers group for assistance on how to choose a name. 

“Use your mom’s first name.” That wouldn’t work because it is also my first name. I don’t want to hand someone my full legal name if they put two and two together.

“Use your mom’s last name.” Sigh. That’s the security question I always choose.

“Pick a stripper name. Daisy Dazzle!” I think Daisy Dazzle could only be a stripper name in a cozy mystery but that’s what most of us write so it works. But I really dislike the name Daisy for a person. When I was a kid, the poodle next door was Daisy. Crazy Daisy. 
L.C. and Sue (my aunt)

Naming myself was proving tricky, and part of it is certainly the history of my name. My first name was my mom’s and my great-grandmother’s. My middle name is my aunt’s and my god-mother’s. There’s my dad’s last name and my husband’s family name. A name with no history just didn’t feel right. 

That was my clue. A name with history. When my grandparents moved to Alpine, Texas, my grandad started using his initials. L.C. But when people heard that someone new lived on Ft. Davis Road, they heard the name as Elsie. 

My pen name for some of my work for hire jobs is L.C. Edwards. And when I write I sell a cozy, I can use Elsie Edwards. Two names. One history.

--SueBE

Sue Bradford Edwards' is the author of over 27 books for young readers.  To find out more about her writing, visit her site and blog, One Writer's Journey.


Sue is also the instructor for  Research: Prepping to Write Nonfiction for Children and Young Adults (next session begins June 7, 2021) and Writing Nonfiction for Children and Young Adults (next session begins  June 7, 2021). Her new course, Pitching, Querying and Submitting Your Work will begin on June 7, 2021).



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5 Star Review for Hugh Fritz's Public Display of Aggression

Saturday, July 10, 2021
 

We are excited to be back with Hugh Fritz and the blog tour of Book #2 in the Mystic Rampage Series, Public Display of Aggression. Earlier in the tour, Crystal sat down with Hugh for an interview and today she offers her own 5 Star Book Review for this fantastic read! 

First, here is a little bit about Public Display of Aggression: 

Soleil and Flarence are immortal Genies who can bend the fundamental forces of the universe through willpower alone. For centuries, they have considered themselves the most formidable beings in the world, but some newcomers just might give them a run for their money.

Magic has always been limited to living things. Throughout his life, Soleil has never come across an object with supernatural capabilities. Now, a human has somehow constructed guns with the ability to fire spells. Genies are normally resistant to offensive magic, but Soleil knows from experience that the enchanted revolvers harm all creatures equally. 

 Resurrection is one of the few limitations to a Genie’s abilities. Not even magic should be able to bring a person back from death. Recently, though, Flarence saw a corpse not only rise but also fight. Endowed with incredible speed and strength, the revived man seeks revenge on his murderers. 

 To make matters worse, Darren (the third member of the Genie “family”) is still missing. He's been lying low, biding his time, but hasn’t forgotten about Officer Tymbir, and has every intention of settling their score. 

 Darren, the revived corpse, and the man with the magic guns have a list of people to kill, and are eager to spill blood. With the help of Mohinaux and Claire, Soleil and Flarence rush to locate them, uncover the sources of their powers, and find a way to stop them. 

This book is perfect for adults who want to get in touch with their inner child! 

Publisher: Golden Word Books (March 22, 2021) 
Genre: Fantasy, Action, Cyberpunk 
Pages: 196 pages 
ASIN: B08ZVRXHL1 
ISBN-10: 1948749556 
ISBN-13: 978-1948749558 

Purchase Public Display of Aggression on AmazonOrganic Books, PageOne Books, and Barnesand Noble. Be sure to also add this to your GoodReads reading list.
 
About the Author Hugh Fritz: 

Hugh Fritz
Hugh Fritz is a fan of monsters, mad scientists, sorcerers, and anything that involves beings with incredible powers beating each other senseless. After years of writing research papers, he decided it was time to give reality a rest and let his imagination run wild. 

Find out more at: 




 ***** Review by Crystal J. Casavant-Otto *****

Book 1 in the series was said to be: "Fantasy Thriller is the best way to describe Hugh Fritz’s Made to be Broken and the thrill lies in the fantasy to say the least!" 

Before I tell you too much about book 2, I must say this: Book 2 was just as wonderfully thrilling as book 1...BUT... you can absolutely read one without the other. Book 2 can stand just beautifully on it's own! 

Public Display of Aggression is thrilling and not at all predictable. I wasn’t sure what direction this tale would go in and it is clear that Hugh Fritz is a seasoned reader and talented storyteller. The plot twists were many and well planned out. I enjoyed keeping up with Soleil in this adventure! 

Public Display of Aggression is a wonderful blend of thrill and fantasy - a fantastically written story that took me as a reader on a much needed adventure!

 --- To Learn More - Check out the Author Interview or any (and all) of these other stops on the Blog Tour Calendar 

June 14th @ The Muffin
Join us as we celebrate the launch of this incredible tale. Find out more about the author, Hugh Fritz, and enter to win a copy of Public Display of Aggression for yourself. 

June 15th @ A Storybook World with Deirdra Eden
Deirdra Eden shares the spotlight today – and in today’s spotlight it is none other than Hugh Fritz with Book #2 in the Mystic Rampage Series: Public Display of Aggression! Readers won’t want to miss an opportunity to dig into the magic of this incredible story! 

June 16th @ Create Write Now with Mari McCarthy
There’s a guest author at Mari McCarthy’s Create Write Now and it’s the one and only Hugh Fritz who recently finished Book #2 in the Mystic Rampage Series. He’s busy promoting Public Display of Aggression but has taken time out of his busy schedule to write an informative post about “Using Bacteria and Fungus in Food.” Join readers at Create Write Now to learn more! 

June 17th @ World of My Imagination with Nicole Pyles
Nicole Pyles shares her thoughts as she reviews Public Display of Aggression by Hugh Fritz. Readers at World of My Imagination will put their imagination into overdrive with this fast-paced story involving plenty of magic. This is Book #2 in the Mystic Rampage Series but reads just as well as a stand-alone. Don’t miss today’s review by Nicole!

June 18th @ Bibliophile with Diti Shah 
Diti Shah shares her book review with her Insta followers – find out what she thinks of Public Display of Aggression by Hugh Fritz! This is Book #2 of the Mystic Rampage Series that has delighted readers and left them wanting more!

June 21st @ A Storybook World with Deirdra Eden
There’s a guest author at A Storybook World and it’s the one and only Hugh Fritz who recently finished Book #2 in the Mystic Rampage Series. He’s busy promoting Public Display of Aggression but has taken time out of his busy schedule to write an informative post about “Illustrations in Fantasy Novels.” This will be great for writers and readers alike.

June 22nd @ Lisa Haselton’s Reviews and Interviews
Lisa Haselton interviews Hugh Fritz about the Mystic Rampage Series and Book #2 Public Display of Aggression. Don’t miss this insider opportunity to hear from the author himself – the man behind all the imagination and fun!

June 23rd @ One Writer’s Journey with Sue Bradford Edwards
Fellow author Sue Bradford Edwards offers her review of Public Display of Aggression by Hugh Fritz. Readers won’t want to miss her thoughts!

June 24th @ Knotty Needle with Judy Hudgins
Judy Hudgins keeps readers on the edge of their seat at the knotty needle blog as she reviews Book #2 in the Mystic Rampage Series . Readers will want to grab their own copy of Hugh Fritz’s Public Display of Aggression so they won’t miss a beat of this imaginative story!

June 30th @ Bookish Trischa
The spotlight is bright at Bookish Trischa and today it shines on Hugh Fritz and his latest creation Public Display of Aggression – Book #2 in the Mystic Rampage Series! Don’t miss this opportunity to learn more about the book everyone is talking about!

July 1st @ Book Santa Fe with Crystal Otto
Crystal Otto reads a lot and she loves a fast-paced imaginative story. Public Display of Aggression is 5 Stars and she can’t wait to tell readers more about it at Book Santa Fe today! This is the 2nd book in the Mystic Rampage series, but she says it reads great as a standalone. Read Crystal’s full review today! 

July 7th @ Sreevarsha Sreejith 
Readers of Varsha’s blog will hear from Hugh Fritz today in a post about “Fan Fiction” as he takes a break from promoting his latest book Public Display of Aggression. Don’t miss this guest post and opportunity to learn more about the Mystic Rampage Series and the man behind all the excitement!

July 9th @ Bring on Lemons with Carmen Otto 
Carmen is an avid reader and soon to be high schooler – she loved Book #1 in the Mystic Rampage series and she joins us today to share her 5 Star Review of Book #2 – Public Display of Aggression by Hugh Fritz. Don’t miss her youthful insight! 

July 10th @ The Muffin with Crystal Otto
Crystal Otto offers her 5 Star Review of Public Display of Aggression by Hugh Fritz.

July 10th @ Author Anthony Avina’s Blog 
Readers of Author Anthony Avina’s Blog will hear from Hugh Fritz today as he pens a guest post titled “Preference of Series of Stand Alone Pieces”. This post will delight authors and readers alike – so don’t miss it! This is also a great opportunity to learn more about the Mystic Rampage Series and Book #2, Public Display of Aggression

July 12th  @ Bookish Trischa 
Today is the day – Trischa reviews Public Display of Aggression – Book #2 in the Mystic Rampage Series! Don’t miss this opportunity to learn more about and hear from Trischa herself as she shares her insight into the writings of Hugh Fritz. 

July 13th @ Sreevarsha Sreejith 
Today it’s Varsha’s opportunity to share her review of Public Display of Aggression. Don’t miss this chance to learn more about the fast-paced writing of Hugh Fritz and Book #2 in the Mystic Rampage series! 

July 14th @ Author Anthony Avina’s Blog 
A few days ago, readers of Author Anthony Avina’s Blog heard from Hugh Fritz in a guest post: “Preference of Series of Stand Alone Pieces”. Now it’s review time – hear what Anthony has to say in his review of Public Display of Aggression, Book #2 in the Mystic Rampage Series by Hugh Fritz! 



About Today's Reviewer: Crystal is a Blog Tour Manager with WOW! Women on Writing and a busy mom and dairy farmer from Wisconsin. In her spare time she enjoys riding horses and the smell of fresh cut grass!
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Storybook Story

Wednesday, August 12, 2020
It started with a text I received from Oldest Junior Hall.

Well, technically, it started 35 years ago when the kid was born and took over my life. But for the sake of this story, we’ll begin with the text. It read, “We’re expecting a slideshow and/or laser show with interpretive dance.”

See, Oldest Junior Hall is getting married. I believe he was referring to the rehearsal dinner in this text but it so happened that his lovely fiancée was having a bridal shower (through Zoom, of course) and we were asked to prepare something creative for advice, toasts, or whatever. I knew I had to come up with something different because Oldest Junior Hall has certain expectations of his family (see above text).

It had to be funny but heart-warming. Creative but not to the point of possibly wrenching my back. And it also had to be fast because it was the day before the shower and I’d literally not done pea turkey. And then I remembered Sue Bradford Edwards’ post about Adobe Spark!

Sue said it was very intuitive and her book trailer turned out amazing. So for those of you who thought, “Easy for Sue to say,” today I’m sharing my sort of step-by-step experience with trying Adobe Spark (now known as Adobe Express) to create a slideshow (see above text).

First step was finding all the images. The most challenging part of this process was trying to take a screenshot of a text message. I literally spent over thirty minutes on this one image. Your image-gathering will probably go much more smoothly; I only mention this bit to demonstrate how inept I can be. I’m guessing you’re already smugly saying to yourself, “I’ve got this.” And you would be right.

Anyway, one hour in and I was ready to start the process of creating. I found Adobe Express, signed up (for the free version!), clicked on “slideshow” and bam! I was at the drawing board.

Now, I’ll admit that I have experience with templates and websites and such but I am by no means a tech wizard (see the screenshot fiasco). But from the get-go, I knew that Sue had accurately described Adobe Spark: this is a VERY easy platform to use. Whew! I watched the one-minute tutorial and off I went to put ideas and images into a slideshow.

Because I knew this couple was all about The Princess Bride (as anyone with any sense would be), I had my rough idea of a simple, short storyline. I started with a title, and then added images, arranging the slides in a basic arc. After I had my slides in order, I went back to add text to each slide. (I chose not to use audio to narrate the story because I knew that would take more time to sync up everything). Keep in mind that I stuck with the basic program throughout the process, no advanced settings, no added frills. Next, I chose a (free) music track, previewed the show a couple times, tweaking the text, and bam!


I had a fun, somewhat creative one minute slideshow in under two hours. So my gratitude to SueB for the tip about Adobe Express. And for you, dear writers, I strongly encourage you to try one of the many free options to create videos, slideshows, or other social graphics, even if it’s just for fun right now. I know that someday, we’ll return to in-person book signings and appearances, but digital marketing is here to stay. If writing is your business, show the business world that you have current skills.

And honestly, y’all, it’s not inconceivable. If I can do it, so can you.

Disclaimer: Before the shower, I spent another hour fancying up my slideshow (trying different themes and music) so three hours for a minute slideshow that everyone seemed to enjoy. All in all, a pretty happy ending.


~Cathy C. Hall, who would like to thank Oldest Junior Hall and his lady for appearing here today. I'm not sure they actually know they're appearing here and lending a hand, but Oldest Junior Hall owes me (see 35 years ago).


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The Key to Writing When You’re too Freaked Out to Write (Gray Days, Part 2)

Tuesday, September 01, 2020


I have to admit that I tried a number of different titles for this post. At one point, it was “Gray Days, Part 2” since it continues Jeanine’s post about pushing through those gray days to write. “Freaked out” just seems so undignified and a bit melodramatic. But 2020? Undignified and melodramatic barely scratch the surface. 


Yet, there have been high points. I hope some of you are Society of Children’s Book Writers and Illustrators (SCBWI) members who registered for the Summer Spectacular. One of the best sessions was a conversation between Jane Yolen and her daughter and co-author Heidi Stemple. 


Someone asked Jane how she manages to write during the pandemic. How does she write when the world is falling apart? Jane is infamous for her butt-in-chair attitude to writing. If you aren’t familiar with butt-in-chair, to write you must put your butt in the chair. This is solid advice but given the joy that is 2020 a more elaborate answer was needed. 


Jane advised listeners to take the negative emotion they are feeling and use it in a story. She explained that it doesn’t have to be a story about coronavirus or violence. Instead use this emotion to create a story on another topic but use that emotion to its fullest. 


One opportunity to give this a try came a few weeks ago when my dad was in the hospital. The doctor wanted to give him a quick cognitive test so he asked Dad “Do you know who Sue is?” After a salty exchange with my father who was mad he had been woken up for this nonsense, I told the doctor there are three women named Sue on just that side of the family. “How would I have known that?” Hmm. Ask a question? Find things out? 


It was frustrating to know that Dad could have gotten a worse evaluation based on assumptions made by someone who doesn’t know us. I took that frustration and wrote “Four Freddies” a picture book about three cousins who are named after their grandad. And, yes. That’s how you spell Freddie in my family. See? All you had to do was ask. 


My second opportunity to try Jane’s technique came from Dad’s second hospital stay of the summer. Someone lost their cool which translated into days of hate-filled, threatening messages cc’ed to five different people.  


Where to go with this? First I had to unravel the tangle of negative emotion. It didn’t take long to pull out judgement, bullying, and condescension. To my surprise, the whole thing reminded me of dealing with an alcoholic relative who would get mad when you wouldn’t drink with him. It is a far cry from the original events, but the emotion gave rise to a piece of flash fiction called “Day by Day.” 


2020 is giving us all a lot to process. As writers, one of the best ways we have to process what we are dealing with is by writing. The best part? It doesn’t have to resemble our present reality in any way except the emotion.


--SueBE


Sue Bradford Edwards' is the author of over 25 books for young readers.  To find out more about her writing, visit her blog, One Writer's Journey.

Sue is also the instructor for  Research: Prepping to Write Nonfiction for Children and Young Adults (next session begins September 7, 2020) and Writing Nonfiction for Children and Young Adults (next session begins September 7, 2020). 

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Finding What Works Right Now

Thursday, July 29, 2021

The Edwards' Mango

Is it just me? What works right one time, may not work right the next time. Like Sioux and Cathy, I’m looking for life lessons that can be translated into writing lessons. This one came from a mango seed. 

During 2020, I got a wild hair and decided to sprout a mango seed. The boy and I were working our way through numerous mangos so we had the raw material. I looked up how to do it online and found instructions for cutting away the hull and sprouting the seed in a damp paper towel. I removed the hull and discovered our seed already had both a sprout and roots. We planted it in soil which I spritzed daily until the sprout produced leaves. Success! 

The next mango seed molded in the soil. The third had neither a sprout nor roots so we wrapped it in a paper towel, actually following all of the instructions I had found. We then discovered that a seed could mold just as effectively in a paper towel as it could in soil. Clearly what worked right one time in terms of growing a mango plant was not guaranteed to work another. And what worked for someone else multiple times didn’t work for me. 

The same thing often happens when it comes time to write. Renee and I both participated in the Save the Cat Breaking the Beat Sheet blog tour. Renee loved using the scene cards and encouraged me to do the same. After all, I’m really visual. I jumped in and made it scene by scene through the first act. But I bogged down just under half way through Act 2. 

I finally realized that using a poster board to lay things out what too cluttered for me. Cards overlapped. It was visually cluttered. I’m dyslexic and I just couldn’t focus with this mess in front of me. This reality surprised me because me office is something of a disaster. That’s the polite way of saying I’m one crap-alanche away from a clean desk. Whatever.  This system wasn't working. 

I took my poster and my cards and redid it all in a Word document. It is 2 columns and 4 landscape pages so I can’t see it all at once, but it is neat and I can visually scan my scenes with ease. What a relief to find something that works! 

Still, I sometimes I have troubles getting going when I sit down to write. A more experienced novelist suggested that when I near the end of a writing session, I stop without finishing the current 

I hope you could tell that I left off the word "sentence." It looks strange to leave a line hanging like that but I’ve also noticed that I can sit down, read the line and start typing. There’s no hesitation.  I don't know that this would work when I write nonfiction but for fiction, it is the perfect way to jump start my writing session.

When you visit the Muffin, we hope that you read our posts and find techniques that work for you.  If you have to alter them to make them work, let us know what you’ve done. Your method may be what someone else needs to spark the solution that will work right now. 

--SueBE

Sue Bradford Edwards' is the author of over 27 books for young readers.  To find out more about her writing, visit her site and blog, One Writer's Journey.

The next session of her new course, Pitching, Querying and Submitting Your Work will begin on August 2, 2021).  Coping with rejection is one of the topics she will cover in this course.

Sue is also the instructor for  Research: Prepping to Write Nonfiction for Children and Young Adults (next session begins August 2, 2021) and Writing Nonfiction for Children and Young Adults (next session begins  August 2, 2021). 


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Social Media: Your On-Line Presence Isn’t All about You

Monday, September 11, 2017
I wouldn’t call myself a social media maven. I have a personal Facebook account, a Facebook author page, and I putter about on Twitter. I post on most days but when it comes time  to boost my writing career sometimes I’m at a loss. A big part of the problem is that I feel like I never know what is going to click with my online readers. Often, even when I put a great deal of effort into my posts . . . nothing. I only get a handful of likes or responses. It can really be discouraging.

I was in the middle of feeling sorry for myself one day when I got a message from Susan Ahearn, one of my former students. She had sighted my book, Black Lives Matter, at her local library. It was part of a display at the checkout desk and she wanted me to see it. Her photo made my day!

This made me think. What about other writers? I bet they’d like to know where their books have been sighted and who is reading them. I decided that the rest of my tweets for the week would focus on sightings, found books, and my local library.

First I tweeted about Prudence the Part Time Cow by fellow Missouri author Jody Jensen Shaffer. I tagged Jody, my library system, and our region of the Society of Children’s Book Writers and Illustrators. The tweet received 155 interactions in a day. Not bad. Not bad at all.

Later in the week, I tweeted about International Literacy Day. I explained that I planned to celebrate by going to my library. I included a photo of a boy sitting on a stack of books reading and tagged the library system and #LiteracyDay. This time, I got 655 interactions in a day including two retweets. Why such a great response? My thought is that #LiteracyDay had broad appeal.

A second tweet on this topic came after my actual trip to the library. In this tweet, I focused on sighting books by Linda Sue Park and a whole bin featuring Jane Yolen’s How Do Dinosaurs books. This tweet included photos of the books. I again tagged my library, #LiteracyDay, and both authors. This time tweet got 565 interactions in one day.

When you post on social media, it is easy to get caught up in your own work. Sure, your friends care, your family cares, and your fellow writers care. If you can find a way to go beyond your work and your readers by holding up other writers and reading in general, you too might pull in more interactions. Social media is a lot more fun when you know your words are having an impact.

--SueBE

To find out more about Sue Bradford Edwards' writing, visit her blog, One Writer's Journey.  Sue is also the instructor for Writing Nonfiction for Children and Young Adults. The next session begins October 9th.


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Push Yourself to Pitch

Wednesday, June 14, 2023

Recently I commented to Angela Mackintosh, our fearless leader here at WOW! Women on Writing, that I had applied to work as a contributing writer for Writers Hive Media. Ang told me that she wonders how many of us send in work to the various markets listed in the monthly markets newsletter. If you’ve never read the newsletter, you can find the June 2023 issue here. It’s the issue that included the listing for Writers Hive. 

If you’re anything like me, it is easy to read through the newsletter or spot a market listing on Twitter but never get around to pitching. After all, we've all got a list of things we need to accomplish and people clamoring for our attention each and every day.

The way that I’ve solved this for myself is by creating my weekly push. Those pings that you get on your phone whenever an email comes in or a Youtuber you follow posts a new video? Those are push notifications. 

I don’t create notifications that pop up on my phone. It would be pointless. I ignore them! 

Instead, I email myself a list. It might be a list of interesting agents that I find in the Query Tracker weekly update. Other times it is the list of markets that I find in the WOW! Women on Writing Markets Newsletter. I just select the market listing, copy, and paste it into an email. 

As I copy and paste, I arrange them based on a variety of factors. Something with a tight deadline often goes at the top of the list. Even if the deadline isn’t stated but it is for seasonal material, the listing goes near the top. 

Sometimes I find only one or two markets. This time I found five. What's on my June list? Writers Hive, the New Scientist, The Victorian Writer, Oh Reader, and Wired. 

Whether it is markets or agents, once I have compiled the list I click SEND and off it goes. Ping! (That’s the push notification telling me that it has dropped into my email inbox. Don't worry, I'll ignore it.) 

Does this work better than simply leaving the newsletter in my inbox?  Yes!  Because once I’ve read a newsletter, I can ignore easily ignore it even if I know it contains several solid markets. It is much easier to find the markets that I want if that’s all that’s in the email. 

With my June list, I applied to write for Writers Hive and then clicked forward.  Then I delete that particular market from the list and send the items that remain back to the top of my inbox. Ping! 

Why does this work for me? I couldn’t begin to tell you. But what I do know is that this year I’ve gone from sending out the rare and occasional query, pitch, or submission to sending out three a month. Do I succeed every month? So far, the only month I didn’t get it done was March when I had two book deadlines. 

Whether your interest is literary journals, writer’s retreats, agents, or book publishers, you can do something similar. When you find a listing, email it to yourself. Resend the list to yourself periodically as needed to keep it near the top of your inbox. Its presence will act as a reminder. “Hey! Hey, Sue! Send in that query. Pitch that article idea. Apply for that position.” 

And, if you’ve submitted to any of the markets listed in a WOW! markets newsletter, why not let Angela know below? My own list includes Writers Hive, Writer’s Digest, and Creative Child. 

--SueBE

Sue Bradford Edwards' is the author of 40 books for young readers.  To find out more about her writing, visit her site and blog, One Writer's Journey.

The next session of her new course, Pitching, Querying and Submitting Your Work will begin on July 10, 2023).  Coping with rejection is one of the topics she will cover in this course.

Sue is also the instructor for  Research: Prepping to Write Nonfiction for Children and Young Adults (next session begins July 10, 2023) and Writing Nonfiction for Children and Young Adults (next session begins July 10, 2023).
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Say Yes to Opportunity

Saturday, November 11, 2017
Build a platform. Specialize. We’re told to do this so we can build an audience and carve out a niche for ourselves in the world of publishing. And it isn’t bad advice.

But I’d like to suggest that you try something new. Say yes to opportunity. You might just surprise yourself and make a sale. After all, it’s how I built my writing career.

Although I started off writing picture books, it didn’t take me very long to start writing nonfiction. A writing buddy signed on as a magazine editor. She needed writers. I needed credits. I could drop her a note and she’d tell me what she needed. Then I’d bounce a few ideas off her and she’d say yes or no. Before long, I had built a short resume.

Then I saw a market update from READ magazine. The editor needed nonfiction so I pitched an article on distance swimmer Gertrude Ederle. “Can you write it as reader’s theater?” I could have said, “No, I don’t know anything about reader’s theater.” But that’s not how I operate. I said, “Sure!” Then I had to learn how to script a piece of reader’s theater. I studied how many parts there are for students, stage directions, and more. It sold and I had a new market to add to my resume.

The moral of the story: When an editor asks you to make a big change, give it a try. You might surprise yourself.

A few years ago my friend’s editor needed writers. “You’re good at nonfiction. You should give it a try.” The problem was that this was a book editor. I’d never written anything that long. This time my “yes” was a bit more reluctant. But their instructions were clear and I got to put my degrees to work. My first assignment came out in 2015 and I have ten more books in print.

The moral of the story: When someone with an in offers to help you out, give it a try. You might surprise yourself.

Most recently, I was asked to help organize a series of workshops in 2017. I very reluctantly said yes even though the first one was on the poetry in picture book writing. Poetry! Help! I wanted to have a clue what I was getting into so I read through several issues of Highlights Hello! which always features children's poetry. Reading on the treadmill, I got a feel for the rhythm of these super-short poems. By the time I was done rowing, I had an idea for a humorous piece called “Tiger Cat.” It sold this spring to none other than Highlights Hello!

The moral of the story: Don’t write off a form of writing you’ve never done. You might surprise yourself.

I’m not saying that every attempt is going to be met with success. But if you are still struggling to find a place for yourself in the world of publishing, try saying yes. Otherwise, you might miss the niche that's a perfect fit. 

Of course, my husband has made a suggestion. “What about trying a block buster series?”

–SueBE

To find out more about Sue Bradford Edwards' writing, visit her blog, One Writer's Journey.  Sue is also the instructor for Writing Nonfiction for Children and Young Adults. The next session begins January 8th, 2017.
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The Author Life: A Choose Your Own Adventure

Thursday, June 18, 2026

Recently I was reading a post about the importance of revising. The author emphasized that we never get things right on the first try. Our first drafts are simply the starting place. And I get that. I’m working on five short pieces of nonfiction for Highlights High Five. Writing for preschoolers is not my sweet spot so revision has been essential as I shape each piece and select the right words. 

But at least one of my writer friends has taken a class on fast drafting. They have a set time to write an essay. Then they send it out. They don’t spend weeks or even days revising. Out it goes. Hey, I see you! Yes, you! The one shaking your head. This isn’t a gimmick. They make sales. And I've had one or two pieces that came together on the first try.  It is an amazing feeling.   

Writing isn’t a single path. It is more like a choose your own adventure. There are so many things that you can select to do. 

I realized how true this was when I was at a Society of Children’s Book Writers and Illustrators conference in LA. I had dozens of sales but not a single one was a book sale. While no one said anything to me specifically, it was clear. “We are book writers.” At that time, I had chosen another path.

One writer who emphasized this need for each of us to make our own writing journey was Jane Yolen (1939 – 2026). Even when she spoke to new writers, she let them know that this was what had worked for her. They would need to find what worked for them. 

When do we need to apply that independence? It starts with our writing habits. Do you write daily? For some writers it is a must. Other people work better if they set aside a large block of time once a week.

Where do you write? There are café writers and quiet writers. I simply cannot focus in a café or coffee shop. 

What do you write? Some people specialize. There are essayists and poets who write only essays or poetry. Then there are people who write a bit of this and a bit of that. I’ve written how-tos, book reviews, articles, and books. 

Who do you write for? Some people write only for young readers. Then there are the ones who write for adults. Although I write for both, most of my writing is for young readers or my fellow writers. 

Do you write in only one genre? There are people who write only mysteries or fantasy. But there are other writers who follow a story wherever it leads. They might craft a thriller and next write historical fiction. 

Traditional publishing or independent publishing? Outliner or pantser? Paid developmental editors? In person or online critique group? Word or Scrivener? Mac or PC? The possibilities are endless. 

The point that I hope you are getting is that your path as a writer is just that. It is your path. It might be similar to mine for a time and then be more like Renee Roberson’s or Angela Mackintosh’s. 

You need to write what only you can create and follow wherever it may lead you. 


To get a free copy of Sue’s book, What to Do When Your Book Is Banned, subscribe to her newsletter, One Writer’s Journey, here.

Sue Bradford Edwards' is the author of over 80 books for young readers.  

She is also the instructor for 3 WOW classes which begin on the first Monday of every month. She teaches:
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5 Questions to Ask Yourself when Choosing What to Write

Sunday, October 14, 2018

A call had gone out for queries for Writer’s Market. At one time, writing how-tos and interviews for other writers were my bread-and-butter. I wrote for Children’s Writer newsletter and their annuals, Children’s Writer’s and Illustrator’s Market, and Writer’s Market. But the deadline is tomorrow and I hadn’t had time to rough one query let alone the three or four pieces I normally pitch. Me being me, I whined about this to my husband.

“Have you talked to the editor?”

No.

“Is he expecting a pitch?”

No.

“You had a deadline Friday. You have a deadline Wednesday. You can let this slide.”

What? Wait? I can do that? Sometimes I need the gentle reminder. We writers have only so many hours in the day. We only have so much energy to give over to our writing. Both of these things mean that we have to pick and choose. Here are five questions to ask yourself as you try to decide which opportunities to pursue.

1. Do you have a deadline it will interfere with? I could have written the query but a requested rewrite was due Friday. A first chapter and outline on another book are due Wednesday. I might have been able to squeeze in a query but it would have been taking time and energy from these projects.

2. What are my short term goals? The vast majority of my writing income comes from a single packager. The good news is that I’m making enough from this one company. The bad news is that all of my eggs are in one publishing basket. I want to break into some new markets.

3. What are my long term goals? I love the nonfiction books that I write for educational publishers. But they are scattered between various series. I’d like to write my own nonfiction series. I’d also like to write trade nonfiction. Writer’s Market isn’t going to move that goal forward.

4. Do you have a ready-made idea? Sometimes I’ll pursue a project if, when I see the call, I have the perfect idea already in mind. If I had an idea that was ready made for Writer’s Market that would be one thing, but I don’t.

5. Why do you want to pursue this? Dream job. Dream publisher. I’ve got a great idea. I need the work. I don’t know why but I feel driven. All of these would be viable answers. You can probably think of a few more. The problem was, I couldn’t have given any of these answers.

The answers to these questions can help you create priorities and identify steps to take. By letting a query slide, I’ll have a little more wiggle room on my second deadline. With that time, I can work up a nonfiction series proposal for another publisher. A new market. Something much more in line with my goals.

--SueBE

To find out more about Sue Bradford Edwards' writing, visit her blog, One Writer's Journey.  Sue is also the instructor for Writing Nonfiction for Children and Young Adults. The next session begins November 12th, 2018.
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Going Analog in 2026?

Thursday, January 29, 2026

 


About a week ago, I listened to the radio as I drove home from yoga. “This is the analog year!” said the DJ. “I’m amazed how much better I feel since I’ve decided to go analog. I use an alarm clock instead of grabbing my phone first thing every morning. You can read an actual physical book like my husband. Check out what’s available at the library.” 

I have a shelf in my office where the library books go. It keeps them from getting shuffled around and lost amid my own books. Still, I wondered what had led to this analog push, so I did some research. Ironically enough, I did the research online. 

I found that multiple factors led to this push. Part of it is the concern over AI. Multiple sources mentioned concern over AI in fashion. The only thing I know about AI and fashion is that companies now sell AI generated patterns that are difficult if not impossible to piece together using their equally problematic instructions. 

What about AI in writing and publishing? Nothing I read touched on this, but there has been plenty in the news. Platforms like Publishing AI are marketed to help people write and publish “books in record time.” They claim they can help writers write, edit, and publish painlessly. Care to guess what the quality of that work will be? We’re already seeing it in articles that recommend nonexistent books to readers. But that isn’t all. Journals have had to quit accepting manuscripts due to the AI generated content that flooded their inboxes. 

Going analog is also appealing because of the demands people face to be connected all the time. You see it when you put aside an entire afternoon to write, but your phone pings with emails, texts, and messages. Even apps ping you to tell you about new content, offers, and . . . and . . . and . . . 

It isn’t hard to see the appeal of going analog. Does this mean that I’m encouraging you to quit reading blogs like this one and taking our online courses? Not necessarily though I am telling you to find what works for you. Personally, I must be connected to an extent. I’m in Missouri. My editors are scattered around the country. Connectivity keeps me employed. I also take a wide variety of online classes. Sure, I could find in person classes, but these are more flexible which works with my schedule. 

I’m not constantly checking my phone because the only notifications I get are phone calls, texts, and messages. I’ve removed app and email notifications although I check my email multiple times throughout the day. 

Some people write without a browser open on their computer. As a nonfiction author who is always having to look up one more thing, that doesn’t work for me. But I do turn off my speakers. I do a lot of my research online, but I am also surrounded by print books. I use things in whatever format I can get my hands on. When time comes to relax, my husband and I may watch something on Hulu or Netflix. Casual gamers, we are currently watching Fallout. 

But I also bake using a wide variety of cookbooks. I knit, crochet and weave. I’m dabbling in watercolor. Hobbies like these are apparently having a resurgence in the early part of this year with people joyfully calling them granny hobbies. 

My hope? That you will do what works for you. That may mean breaking out the vinyl and writing on a typewriter. Or it may mean silently keying things on your membrane keyboard and switching screens to look things up online. My path doesn’t need to be your path but don’t be afraid to go analog in ways that will help you reenergize and write.

--SueBE

To get a free copy of Sue’s book, What to Do When Your Book Is Banned, subscribe to her newsletter, One Writer’s Journey, here.

Sue Bradford Edwards' is the author of over 80 books for young readers.  

She is also the instructor for 3 WOW classes which begin on the first Monday of every month. She teaches:
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