Showing posts with label revising a novel. Show all posts
Showing posts with label revising a novel. Show all posts

Checking For Consistency When You Are Done (Consistency Post 2)

Tuesday, June 02, 2020
At the end of May, I wrote a post introducing a series on consistency. As an editor, I’ve realized that consistency is one of the elements that makes a piece of writing successful. If you aren’t consistent. no matter what you write, readers can be taken out of your story, post, novel, or article before they even get to enjoy the content.

I asked if anyone had consistency questions, and one of my fellow bloggers, Sioux Roslawski, asked me: How do you check for consistency when you’re dealing with a long piece like a manuscript? Do you print out a physical copy and start highlighting details in different colors? Do you do a readthrough and use post-its?

This is a great question and a perfect one to start with. Many of us write a first draft and realize when we get to the end that there’s still so much work to do! Sometimes, there’s more work to do than before we wrote this 75,000-word manuscript. The strategies that Sioux mentioned in her question are ones you can use to check for consistency. But even using different color highlighters can become confusing if you are reading a 300-page document. So my advice is to tackle consistency before you type "the end" for the first time.

Here are some strategies to try:

1. Keep a manuscript bible. Fantasy and science-fiction writers will often keep what they call a series bible. This is a separate document in Word or sometimes a physical notebook. This is where writers keep track of their worldbuilding rules and regulations, setting details, character descriptions, and everything that makes their fiction world run.

You don’t have to write one of these genres in order to keep a bible. To stay consistent with your characters, setting, timeline, or anything else you need to keep track of in your story, keep a story or series bible. There are several software programs that can help you do this, such as Scrivener, Microsoft OneNote, or even the Notes app on your smartphones. Some people like to use a plain old notebook like what they bought when they started elementary school each year. It doesn’t matter what format you keep your bible in, but keep track of details, so that when you write your character dyed her hair red in chapter three, you can remember that fact in chapter ten.

2. Pick a style. Whether you are traditionally or indie published, you need to be consistent with your grammar and punctuation rules. Let’s take for example the Oxford comma. In Chicago Manual of Style, the Oxford comma is present. In AP style, there is no Oxford comma. This may seem like a small detail. But there are a lot of rules to grammar, and these "small" rules add up.

  • Does the punctuation go inside the quotation marks or outside the quotation marks? 
  • Should I capitalize this noun or should I not? 
  • How do I write numerals up to 100?
These rules exist to help writers be consistent when they write. If you follow these rules, and you are consistent, then your reader will not be taken out of the story. Pick a style. It’s fine if the publishing house you choose to query uses AP style when you are using MLA style. The important thing is that the editor knows you worked hard to be consistent, and there will be minimal edits to get this manuscript in tiptop shape. Don’t decide halfway through what style to follow or switch it up to another style. Be consistent from the beginning and stick with it.

3. Find a beta reader. When we finish the manuscript, almost every single one of us knows that there’s probably something in the story where we were not consistent. It can be as simple as a character sat down and then stood up twice or eye color changed. You definitely need to set the manuscript aside for a length of time, so that your mind can clear, and you can read it with fresh eyes. When you read the manuscript with fresh eyes, try to do it in a short amount of time--taking no longer than a week if possible. Take notes on any plot point, blocking, character element, or anything else in the story that causes you to worry you weren't consistent. Then find a beta reader. This does not have to be another writer, just someone who likes to read and will look for the points you are concerned about.

If you are looking for consistency in a manuscript, the best way is to do as much as you can while you are writing. Then when you are done, after some time, read through your manuscript as quickly as possible and make notes for someone else to check, too.

Stay tuned for MORE consistency posts coming in June!

Margo L. Dill is a writer, editor, and writing coach and instructor, living in St. Louis, MO, with her nine-year-old daughter and her one-year-old lab mix dog, Sudsi. To take Margo's next novel writing course, go here and sign up before June 5! She will help you be consistent when writing your novel or memoir.
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Size DOES Matter--There Are Times When Shrinkage is a GOOD Thing

Saturday, January 21, 2017
Okay, so I'm working on a manuscript. A historical novel for middle grades. I began it on November 1st as a NaNoWriMo project that I did, surrounded by my middle-schoolers. They wrote every day. I wrote every most days.


Let me introduce myself. Hi, I'm Sioux and I'm a slacker. It's been 32 days since my last revision.


I checked on my revision history on my NaNo piece, and I haven't done a single solitary thing with that WIP since December 19. Part of why I'm in a rut is my fault. I'm wallowing in a I'm-stuck-and-I-can't-get-back-up attitude. Part of it is someone else's fault. (There’s a person who has access to a crucial primary document. I've called repeatedly and left messages. I've emailed him even more repeatedly. Short of physically stalking him--he's in D.C.--I'm at a loss.)


In the meantime, there is something I can do… I can shrink down my manuscript, so I can see the whole forest instead of just the individual trees. This can be done in a few, simple steps, but it will take some time.


  • Make your margins as small as you can. The font, too. 8-font will allow you to still read it. Single-space it. This will result in a 200-page manuscript getting reduced to 30-50 pages.


  • Spread out the pages. If you live in a tiny “starter” house like I do, you might have to do this in sections. If you have a large open space that you can block off from snooping spouses, galloping dogs and curious cats, you can lay out the whole thing.


  • Choose some things you’re going to look for. I’m going to check on some character threads. I have some real-life characters who appear in the beginning in a minor way, and then in the end I plan on tying them into what happened. I want to make sure there is an occasional mention of them in the middle, so the reader doesn’t think, ‘Whoa, who is this?’ at the end. Using a highlighter, perhaps I’ll color those parts green.


       Getting mired into the history and ignoring the characters is also a concern. I want to track
the inner dialogue of the main character, to make sure those moments are evenly
interspersed. Maybe with my highlighter, I’ll color those parts blue.

photo by katemessner.com



           Humor, too. My piece focuses on a dark subject, a bit of our history that should cause us a
lot of shame… and yet it’s not well-known and it’s not in any history books. Occasionally,
I'm going to need a little levity to lighten things up.  I think I’m going to mark all the funny parts pink.


I remember a while long time ago, a blogger friend (Margo Dill? Mary Horner?) wrote about this technique. I was reminded of it last night when a group of teacher-writer friends met. We’re reading Kate Messner’s Real Revision (it’s on page 72-73) and it hit me upside my head. I should do this. It would get me doing something, and maybe pull me out of my rut.
          Darcy Pattison, another writer, has some guidelines that she uses. She calls it the


All this revision talk makes me curious. What revision tricks do you have up your sleeve? Stuck-in-a-rut minds want to know...



Sioux Roslawski is a St. Louis freelance writer, a member of the infamous WWWP writing critique group, a dog rescuer for Love a Golden Rescue, a wife, a mother of two, a grandmother of one and a middle-school teacher. Like many educators, she delights in great ink pens, Sharpies, highlighters and free Krispy Kremes in the teachers' lounge. If you'd like to read more of Sioux's stuff. go to Sioux's Page.





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