Showing posts with label 2nd place winner. Show all posts
Showing posts with label 2nd place winner. Show all posts

Interview with Elizabeth Hoban, 2nd Place Winner in the Winter 2026 Flash Fiction Contest

Tuesday, July 07, 2026

 


Elizabeth is a traditionally published author of The Secrets That Save Us and The Cheech Room, and a historical nonfiction novel, The Final Mission, a Boy, a Pilot and a World at War. She has written numerous newspaper and magazine articles over the years. She has won several writing awards, including Bethlehem Writers Circle Best in Prose 2018, Writers Digest runner-up in Memoir 2019, Millennium runner-up for Best in Prose 2023, and Reedsy first-place award for two short stories and two short-listed. Her first winning story appears in 2025 Reedsy Anthology. She received the Miriam Chaiken Award for Best in Prose 2025, and is the 2026 guest judge for same. In 2025, she won Women on Writing (WOW) Q3 Essay Contest Award 2025, as well as 3rd place in WOW 2026 Q1 Flash Fiction. 

 Aside from writing, Elizabeth is a Nurse Practitioner who loves spending time with her kids and her four-legged antidepressants. She doubts any of her 6 adult kids have ever read her work – maybe her cat Seuss based on his pedigree. 

----------Interview by Renee Roberson



WOW: Hi Elizabeth, and welcome! I"m excited for our chat today. First of all, I have to mention to our readers that you had two stories place in this contest! We're going to have you back on August 11 to discuss your other winning story, "A New Normal." Today, we'll start with discussing your second place winner. "Downloading Hemingway” features a twisty narrative that slowly builds tension throughout, ultimately ending in a shocking conclusion. Where did you first get the idea for this story? 

Elizabeth: I attended a funeral service a couple of years ago with a dear friend who didn't want to go alone, and it was held in the family home. I was shocked at how people could come and go - no guest sign-ins - just a lot of people partying, including the widow of the young man who had died. It was a drunk-driving accident, but that went unsaid other than those who were close to the widow and her late husband. And many of the platitudes, as an objective observer, I found absurd. They'd recently had a baby who was basically unattended in a back room - just a basic baby monitor the widow/mother had next to her outside on a table. That was when the story came to me - I decided to use a neighboring dog as a distraction. Since the widow had no idea who I was and barely knew my friend (my friend was a casual coworker of the widow's mother), I didn't feel it was unethical, but that's why I chose to write it in second person. Obviously, no baby was stolen, but it was easy to envision that scenario. 

WOW: I love how you pulled observations from a real-life experience  and wove them throughout a fictional narrative. It really made the story come alive, in my opinion. In your bio you mention having written for magazines and newspapers as well. How has that professional experience influenced what you choose to write about creatively? 

Elizabeth: I always wanted to be a writer and started books but never got past the first few chapters before moving to something else. I was at an event with my children in my twenties when I met a newspaper journalist and asked him if I could write a humorous column about being a single mom. As a widowed mother, I had so many stories to share. The journalist was kind enough to humor me and asked me to send him a few pieces. I was so fortunate that he had a similar sense of humor and gave me a byline, "Single and Surviving," for several years. I soon realized that if I could write close to 300 columns totaling about 900 pages, why couldn't I finish a novel? Writing my first book took a decade and was harder than grad school, but I became obsessed with finishing it. I was able to get that book published a few years after completion, but it was not easy.

WOW: Writing a full-length novel is not for the faint of heart, but you did it! You've also completed a full-length work of nonfiction, too! Your book The Final Mission, a Boy, a Pilot and a World at War is a true story about your father. Can you tell us what the process was like working on a story so close to your family? 

Elizabeth: This was an act of love for sure. I am by no means a history expert. I mix up Mussolini and Napoleon (eye-roll). When my father was in his nineties, we learned through a simple Google search that the Austrian government had been searching for my dad for years, and they had erected a monument in the ravine where his B-17 went down. Apparently, there was a six-year-old boy who witnessed my dad's heroic efforts to veer his plane away from Innsbruck and straight into the Austrian Alps. He bailed out with seconds to spare and was taken POW for the rest of the war. My father never talked about his war experiences, so discovering this Austrian heroism over 60 years later was a miracle. If it weren't for the internet, we would never have known. The boy who witnessed the heroic maneuvers never forgot my dad, and when he was in his 60s, he took part in the search for him. He was able to thank him personally when we were invited to Austria. I recall saying to my dad at one point that it would make a great story, and he said, "...then write it." 

I spent about 2 years interviewing my dad - everywhere we went because he was too old to drive I recorded him and just kept grilling him with questions, figuring if not now, his story will be lost when he dies. He was able to find closure in finally talking about all of it - the book is amazing, but it is not my story - it belongs to my father, and I wrote it for him. He lived till 100 years old, and we were able to do numerous book signings, and he gave speeches; luckily, he was lucid until he died of a sudden stroke. I had already written The Cheech Room, which took almost ten years, as it was my first novel. I was raising kids at the time and had to carve out an hour here and there, but they were grown by the time I wrote Dad's story. It took 3 years to write it and about an hour to find a non-fiction publisher - Westholme Publishing in Yardley, PA who called me after I sent out ten queries to publishers, and he was very interested, especially because the entire book was written already. I had always heard it was easier with a nonfiction book that has a decent proposal to go straight to publishing houses and bypass the agent. It proved true for me. The Final Mission, a Boy, a Pilot and a World at War was published a year later. After my first book was traditionally published, it didn't take long for my two other books to be picked up by a fiction publisher. An interesting fact: my dad's publisher's name is Bruce Franklin, and he is a direct descendant of Benjamin Franklin. His publishing house in Yardley was home to Benjamin at one point. 

WOW: What an amazing experience both learning about that piece of family history and documenting it with your father. Kudos! I remember your award-winning essay “You” from the WOW! Q3 2025 Creative Nonfiction Contest. Have you given any further thought to writing that memoir you mentioned during that interview? 

Elizabeth: I have a few about 200 pages of my memoir done and no title yet. Every time I write a section, I recall another pertinent story and have to go back and put it in sequence. It hasn't been easy, but winning WOW last year really encouraged me to get started on it, which I did. I am writing an anthology of my short stories, and once a week, I try to devote a few hours to the memoir. This is another act of love and can be emotional. Even if it never gets published, I am okay with that. I will have it bound for my kids someday. 

WOW: What does a typical day look like for you as far as working on your various writing projects? How do you manage your time? 

Elizabeth: I will admit, I am not a great time manager - I can get easily distracted with 6 adult kids to keep track of; however, I never watch TV, and I rarely sit down and read a book, but rather listen to books when I am commuting/driving. I feel guilty when I am not writing while I sit and support others' work, whether in TV or books. Having said that, I am an avid reader and finish about 100 books/year. I work full-time as a nurse practitioner, but hope to cut back to part-time in 2027 to spend more time on my writing endeavors. Currently, I spend about three hours at the end of the day writing, and I take the weekends off. I find that when I return to whatever I was working on, fresh on Monday evening, I am more motivated and can more easily find flaws and weak spots. I have always heard that one should step away from a piece of writing for a while, then return to it with fresh eyes. It took me a while to do that without feeling guilty - but after publishing a few books now, I know that advice is very true. 

WOW: Well, you certainly know how to manage your time in my humble opinion! I look forward to sharing more about you with our readers in a separate interview next month. Happy Writing!


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Interview with Jordan Bass, 2nd Place Winner in the WOW! Summer 2025 Flash Fiction Contest

Tuesday, December 30, 2025

 


Jordan Bass is a short story fiction writer specializing in comedy, magical realism, and surrealism. Her previous flash fiction piece, “Sea Monkeys,” was awarded Runner Up in the WOW! Women on Writing Winter 2024 contest. More of her work can be found on Medium

 ----------Interview by Renee Roberson 

WOW: Welcome, Jordan, and congratulations! I absolutely loved the use of the Roomba in this story of a woman coping with her unexpected separation from her husband. What sparked the idea for “The Roomba Ate My Wedding Ring"? 

 Jordan: I see a lot of stories on the internet, some fake and some real, that follow a similar pattern. A relationship ends unexpectedly, usually through an affair, and the narrator is left wondering how to move forward. I wanted to write about a woman experiencing that betrayal from her partner and sorting through her own feelings. Angela fights it out with Craig, who is desperately clinging to the life she had with Daniel. When Angela wins, she's also regaining love and confidence within herself. 

WOW: Having experienced success in the form of flash fiction, could you offer our readers some tips for the art form? Any do's and don’ts? 

Jordan: Keep the setting and number of characters small, so you have enough space to add detail where it is most important. If you have more of a supernatural element (like Craig the Roomba), don't ponder on how it came to be that way, just focus on how it affects the story. Have your character make a choice during the story (like Angela deciding to sell the ring, instead of giving it to Daniel). And don't underestimate the importance of your first sentence. 

WOW: Why did you decide to publish your work regularly on Medium? What has that experience been like for you? 

Jordan: It hasn't been nearly as regular as I would like, unfortunately. My goal for the Medium page is to publish a series of short stories within the same universe, so I've been spending more time building characters, outlines, and lore than I have sitting down and actually writing. Overthinking is my biggest obstacle here. I've never written a series before, and I'm constantly changing details that affect all of the stories, not just one. However, I've been writing a lot within that series since I sent in "The Roomba Ate My Wedding Ring" and I'm excited to say that I will begin publishing on Medium again before the year is finished (and much more in 2026!). 

WOW: Do you have any specific writing goals for the next year? 

Jordan: Definitely publishing more on Medium! And to enter more fiction/flash fiction contests like this one. I want to get into the habit of writing everyday and practicing as much as I can. 

WOW: Are you reading anything right now that you think writers in our community would appreciate? 

Jordan: Mystery Lights by Lena Valencia. I would recommend it to anyone and everyone, but especially female writers. It's a collection of short horror stories, some supernatural and some not, themed around the female experience. I absolutely loved it.

WOW: Oh, that's sounds fascinating! I'll have to check it out. Thanks again for joining us today, Jordan.
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Interview with Rachel O'Cleary, 2nd Place Winner in the Spring 2025 Flash Fiction Contest

Tuesday, September 23, 2025

 

Rachel O'Cleary studied English with a creative writing emphasis at the University of Wisconsin – Milwaukee, and then wrote mostly in secret for nearly 15 years before joining Writers HQ. She moves around quite a bit, but for the present moment lives with her family in the UK. Her stories have been printed in such wide-ranging publications as Smokelong Quarterly, Milk Candy Review, The Forge, and Reader's Digest, among many others. Her writing has been selected for the Wigleaf Top 50 and been nominated for the Pushcart Prize. You can find a list of her published work (and not much else) at https://rachelocleary.wordpress.com

 ----------Interview by Renee Roberson 


WOW: Congratulations, Rachel, and welcome! “Belly Full of Stones” explores family dynamics and the impending loss of a loved one. How did you first get the idea to write about this topic? 

Rachel: "Belly Full of Stones" is a story from a novella-in-flash that I spent quite a bit of time dreaming up and writing a while back, which I recently opened again to see if I still liked it! In the novella, the main character has always had a difficult relationship with both of her parents, but especially her father, the parent who ends up surviving in the story. I think a lot has been written about making peace with a dying parent, but less so with what you do with all the anger and hurt when the two people with a difficult relationship are suffering a loss at the same time. I really wanted "Belly Full of Stones" to explore that dynamic, and to imagine this challenging parent in a different light, if only for the space of one piece of flash. As a parent myself, I am painfully aware of how easy it is to get it wrong, even when you are trying to get it right, so I really wanted there to be some nuance to the story, something to show that the story you are telling yourself can look completely different with the slightest perspective shift, and that you can find small pockets of peace and understanding even in the midst of big losses, and even if you can't forgive completely. 

WOW: In addition to this entry, you’ve had numerous short stories published. What is your process for finding good markets to submit your work? 

Rachel: That's a great question. When I first started submitting stories, I would just send them off to magazines or online publications that I liked, hoping one of them would publish me. But I also read a lot, so as I got more and more into flash fiction, I found myself reading all the publications that publish flash. The more I read, the more I get to know the aesthetic of a particular publication, and the better I now am at matching a particular story to the publication that will be best for it. That said, I still get plenty of rejections from places that I thought would be a perfect match, so in part it really is just being resilient and playing a numbers game of sending out my very best work and then polishing it and sending it out again if it's rejected. It's best not to be too precious about rejections, as I think I probably average 9-10 rejections for every acceptance now, and I think that's a really good number - that ratio used to be much worse! 

WOW: One of your published pieces, "What She Would Rather Tell a Stranger,” appeared in Reader’s Digest as part of a 100-word story competition. Did you find it difficult to pare down an idea to such a brief word count? 

Rachel: Yes! But that's why flash is fun. It's all about trying to figure out how much you can leave out of the story and still expect the reader to fill in with their own imagination. Can I imply things without having to say them outright? Can I maybe even make my readers fill the gaps with their own ideas? And having good editors helps. That particular story I ran by a good writing friend of mine, Fiona McKay, and she helped me to cut it from its original 130-something words down to the precise 100-word requirement. Writing is a team sport! 

WOW: It really is! What advice would you give a writer just starting to explore the craft of flash fiction regarding finding story ideas? 

Rachel: The lovely thing about flash is that you can get your ideas from anywhere. They don't have to be  enough ideas to sustain multiple plots and sub-plots, and 300 pages of exposition, so this is a big question, but I guess I would say two things: 

1. Find other writers to support you and to share your work with. They don't have to live down the street from you - all of my best writer friends are people I've met online. I started doing flash during the pandemic when Writer's HQ had a weekly challenge called Flash Face-Off. I met so many amazing writers there. We were writing to themed prompts every week, and it was inspiring to see what other writers were doing and it really helped me to figure out what worked, what didn't, and why. I think they still do a monthly flash challenge at WHQ - my schedule is, unfortunately, not what it used to be, so I haven't joined in a while, but any way of finding writer friends to bounce ideas off of is a good idea. 

2. Remember that flash is small, so the ideas don't have to be huge. They can be, as very big themes are often tackled in tiny stories, but sometimes the best ones are also very simple. A tiny, but universal, thought that you have, that you have always wondered if other people feel, too. One of my favourite of my own stories, "Flight Reflex," published in Smokelong Quarterly, was based almost entirely around a conversation I actually had with my 6-year-old, where he said something silly, and I made it into a real story. 

WOW: We’d love to hear about some of your favorite authors. 

Rachel: Oh, no! Does anyone really know how to answer this? I have such a huge number of favourite authors out there in the world! I love, and have always loved, Gabriel Garcia Marquez for his magical realism which is both beautiful and brutal at the same time. Leone Ross is also an absolute marvel to me. Recently, I have been working my way through Elena Ferrante's Neapolitan novels, and am really enjoying them. For flash, I am in absolute awe of Jo Gatford, Kim Magowan, and obviously, Kathy Fish. That is not even mentioning all the amazing writers I have had the pleasure of workshopping stories with. I could talk about this all day, but I'll leave it there for now. Thank you for the lovely and thought-provoking questions, Renee, and I look forward to hopefully speaking with you again in the future.
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Interview with Sophie Goldstein, 2nd Place Winner in the Winter 2025 Flash Fiction Contest

Tuesday, July 29, 2025

 


Sophie is a Jewish/Chicana writer from Los Angeles, CA whose short plays have been accepted into festivals and competitions nationwide. Her short stories have both placed and received honorable mentions in contests sponsored by Reedsy, WOW! Women Writing, and Fractured Lit. Several of her full-length plays have been shortlisted for various festivals and her play Rosa will have a reading by the Playwright’s Arena in July 2025. While she loves to experiment with genre, style, and tone, her writing primarily focuses on the social justice issues she is passionate about. She is adamant about putting Latine characters at the forefront of almost all her stories, showcasing the layered diversity within Latinidad and more specifically Jewish/Latinidad. A Small Piece of Altadena was first written and submitted to a short story contest sponsored by Reedsy. 





 ----------Interview by Renee Roberson 

WOW: Congratulations, Sophie, and welcome! Hearing about the wildfires in California this past fall (and in the past few years) was difficult for all of us who witnessed it from news reports and firsthand accounts. I can’t imagine what it was like to experience it up close and personal like you must have, being from the area. What do you hope the reader takes away from your winning entry, “A Small Piece of Altadena?” 

Sophie: I think a lot of us, myself included, don't want to be too attached to 'things.' We are so often told, especially during a crisis, that 'it's only things,' 'don't be so concerned with things,' but we are a species that puts value on 'things.' Heirlooms, tickets from a favorite concert, a receipt from a first date with your now long-term partner, books, cds and mixed tapes for those of us who find those precious, cooking pots and pans that have been used to make favorite dishes. All those things have value. And we are hurt when they're destroyed and we should be allowed to mourn those things. It's ok to grieve a lost space or a lost thing. No, objects or spaces are not what completely make us who we are, but they are certainly a part of our lives and I think we need to give ourselves permission to accept and own that. 

WOW: I imagine this would be a difficult story to pare down for the minimal word count required for flash fiction. What was the revision process like? 

Sophie: My revision process is always the same: what's necessary? What word isn't needed, what sentence feels superfluous? Especially when writing flash fiction, I always ask myself: is this driving the story forward? Is this making what I want to say clearer? If not, take it away. 

WOW: Great advice, even thought sometimes it's tough to edit down our own words. We’d love to know more about what sparked your love for writing. What was the first moment you knew you were a writer? 

Sophie: That's a difficult question to answer since I've always been a writer. I've been writing journals and short stories since I was little. I've been focusing on it more and have made it my professional pursuit since 2022 when I was a finalist for a monologue contest sponsored by Nosotros, an organization created by Ricardo Montalban to uplift emerging Latine talent. Being chosen as a finalist for that contest was the encouragement I needed to start to believe I could really do this. I could pursue it and something might happen. And even if nothing happened, I love it enough to keep going anyway. 

WOW: That's an incredible accomplishment. You've also experienced success in the craft of playwriting. Could you tell us more about what your play “Rosa,” which will receive a reading by the Playwright’s Arena this month, about? 

Sophie: Rosa began as a short play that was written for the 2022 Ten Minute festival at the Frida Kahlo theatre in Los Angeles. It was then turned into a short film by actor/director Sherry Mandujano, and I have been working on the full-length version for the past several years. Rosa revolves around a mother and son. Rosa and Jorge. In one memory, Rosa is a supportive and accepting mother who loves her son and doesn't bat an eye when Jorge comes out to her as gay. In another memory, Rosa is shocked by Jorge's confession and throws him out of her house demanding that he never speak to her again. Throughout the script, Rosa struggles to figure out which reality is the true version and what it means that she can't remember. 

WOW: Love the concept for Rosa and would love to be able to see it in the future. Okay, now let's switch gears for this last question. What is the last thing you read for pleasure, and would you recommend it to us? 

Sophie: The last thing that I read for pleasure was Great Big Beautiful Life by Emily Henry. Would 100% recommend! I am only a recent fan of romance and Emily Henry is definitely one of my favorites. Her work, in my opinion, is literary fiction with romance sprinkled in. Great Big Beautiful Life tells the story of two biographical writers who are trying to win over the same client, a woman who used to be a 'tabloid princess' but disappeared from the media years ago after a tragic accident. It is a departure for Henry in terms of the way she usually writes, and I thought it was just wonderful. Absolutely a fun and heartfelt read.

WOW: Thank you for the recommendation! Again, congratulations on placing in this contest and we can't wait to see more of your work in the future. 

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Interview with Jennifer Thomas, 2nd Place Winner in the WOW! Spring 2024 Flash Fiction Contest

Tuesday, September 24, 2024

 


Jennifer Thomas grew up in the wilds of Miami, Florida. She loved to watch the pelicans soar, so ugly they were beautiful. Seeing them die off from the effects of DDT in the 1970s made her a lifelong environmentalist. As a teenager she read vast amounts of science fiction, especially early feminist sci fi, which inspired her to imagine how the world could be different. For the past 40-ish years she has lived on the North Shore of Massachusetts, making a living as a machinist, science writer, and teacher (though not all at once). Recently she began writing flash fiction, delighting in how the Muse cavorts inside word count constraints. To Jennifer’s surprise, her stories have been accepted by several publications, including Flash Fiction Magazine, 365tomorrows, and now Women on Writing. You can find some of her work at www.jenniferthomas.net. 

 ----------Interview by Renee Roberson 


WOW: Welcome, Jennifer, and congratulations! What was the inspiration behind writing this particular story, "Who Will Kill the Spiders?

Jennifer: One Sunday I went to a bridal shower, where I gave the bride-to-be a cast iron pan. I went home to where my own cast iron pan—originally my late husband’s—was languishing on the stove. The story came to me as I pondered my motivation for giving the bride the pan, and for neglecting my own. I workshopped the story in a critique group, where many of the participants, it turned out, also had some kind of attachment to a cast iron pan. With their help my story improved, but I still felt it was a bit schmaltzy and flat. Out of the blue came the idea of weaving in the “guessing game” as a narrative thread, and I also changed the ending to be a bit more ambiguous. I was happier with the story and sent it off to WOW! 

WOW: I have to say I love that last line! Judge Emily Williamson noted how impressed she was that the top three stories in this contest used something familiar and concrete to "build a world both past and present, and to dive into the things unseen." Can you think of any other concrete items (like the cast iron pan) in your own personal life that would make a great anchor for another story? 

Jennifer: Hmmm, I’m looking through my running list of story ideas and not one revolves around a concrete, familiar object. So I’m taking a mental inventory of familiar objects in my house—there are none I’d regret seeing vanish before my eyes. Well, there’s one exception: a collection of a few thousand family photographs ensconced in plastic cases in a closet upstairs. You know, the photos you got when you took the film canister to Walgreens and drove back a few days later to pick up the envelope of prints and negatives. As you perused those photos, remembrance flowed from your hands to your gut—that goofy kindergarten graduation, the annual Thanksgiving debauchery, those corsaged almost-grown kids endearing their way to the prom. You could winnow the photos, digitize them, store them in a folder in the cloud—to join the (literally) 14 trillion other digital photos in existence in 2024. But should you? I think there’s a story there. Also upstairs, in a drawer, are five or six pairs of pantyhose. I am 100 percent sure I will never put on pantyhose again. I think there’s a story there too. 

WOW: I think you may be right, both about the photo prints and the pantyhose! Your bio says you have always enjoyed reading science fiction and this influence shows up in much of your published work. How have your recent stories been inspired by modern-day events taking place in our world? 

Jennifer: I still remember the thrill I had as a teenager getting monthly selections in the mail from the Science Fiction Book Club. What attracted me to those books was not rocket ships and outer space; it was how the authors reimagined the human condition. In Ursula LeGuin’s 1969 "The Left Hand of Darkness," for instance, inhabitants of the planet Gethen are “ambisexual”—moving between male and female—with far-reaching effects on their society. Quite the thought experiment, at the time! A lot of today’s speculative and science fiction pulls in a dystopian direction, understandably given our wobbly democracy, the creep of anti-human technology, and the spiraling climate crisis. Some of my published stories depict not-too-farfetched struggles in a not-too-distant future, extrapolating from what’s happening under off-the-hook capitalism. But I’ve also tried to write stories with optimistic, if not happy, endings, however improbable. 

WOW: You've also worked as a science writer. What are some of the topics that you've covered in this occupation? 

Jennifer: The topics have run the gamut, from worker safety to drinking water quality to marine pollution to climate change. It’s been gratifying to contribute to the (albeit Sisyphean) task of addressing these issues. Through this profession I learned to value clarity of message and economy of words, and to put myself in the reader’s shoes. I also had to make sure that every sentence I wrote was factual. Now, writing fiction, I get to make stuff up! My typical process is to think of a situation, put a character in it, and see what happens. 

WOW: Yes, writing fiction can be so liberating! Do you have any advice for writers who are just beginning to explore the craft of writing flash fiction? 

Jennifer: As a beginning fiction writer myself, I’ll offer a few things that helped me get started. First, get feedback on your work. I joined an online author’s group where folks are remarkably generous and supportive. When you get feedback, send away the gremlin of defensiveness; look for the kernel of truth and revise. I’ve never received feedback that didn’t make a story better. Second, take the leap and send your work to publications you like. What do you have to lose? Rejections mean nothing at all about you or your talents, and you might get valuable feedback. Also, use a service to keep track of your submissions; that will save you headaches down the road. Third, find ways to keep it all in perspective. I have a semi-regular meditation practice that helps me when I’m stuck. It’s amazing what shows up when I turn off the thought stream—a new story element (that guessing game!), an unexpected plot twist, greater equanimity about my writing and about life. It doesn’t have to be meditation—whatever gets you out of your head can open space for what you need.

WOW: All practical and helpful pieces of advice! Thanks again for sharing your thoughts with us on the craft of writing today, Jennifer.
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Interview with Mira Fu-En Huang, 2nd Place Winner in the WOW! Winter 2024 Flash Fiction Contest

Tuesday, June 11, 2024

 


Mira Fu-En Huang is a professional musician who likes to tell stories through singing as well as writing. When she is not dashing about for concerts or working her day-job in the nonprofit sector, Mira enjoys reading, writing, café-hopping, crafting, and collecting stuffed animals. She is currently working on a young adult coming-of-age novel (which may or may not ever see the light of day), and is honored to have her first publication under WoW. To learn more about Mira’s other work, please visit mirafuenhuang.com


 ----------Interview by Renee Roberson 

WOW: Welcome, Mira, and congratulations on your win! The imagery in “That Place Beyond the Sky” is beautiful and evokes so much emotion. How did you get the idea for this story? 

Mira: I had no idea what I was going to write about until I read Hannah's bio [guest judge Hannah Andrade], which said she was "interested in stories that explore the intricacies of multicultural identities." I'm Taiwanese American, and as I typically engage in writing sci-fi and fantasy, I figured this could be a good incentive to write more explicitly about my identity. So, I thought about something uniquely Asian American from my childhood, and I ended up landing on my late grandfather. I would visit his grave as a child with my extended family, and all my relatives would line up to whisper prayers in Taiwanese, a language I didn't and still don't understand. I'd helplessly tell my mother that I didn't know what to say, and she'd reply, "Just tell him you hope he's happy in that place beyond the sky." So then I thought about the sky, and wishes, and the things we lose before we realize we've lost them, and I remembered that the floating lanterns you see in "Tangled" are actually from the Chinese and Taiwanese tradition. That's about it, really. 

WOW: As a professional vocalist, how did you first discover your love for the art form? 

Mira: Sheer exposure. I arbitrarily sang in choir as my childhood extracurricular, and after years and years of doing that multiple times a week, I stopped being able to imagine a world I could live in without singing. 

WOW: You have such an amazing array of talents. Along with your day job and performance schedule, how do you determine which projects to focus your interests on at any given time? 

Mira: For me, music—and to some degree my day job—are my life partners, while writing is my on-again-off-again love affair. I love singing and I love my day job, but I'm never so passionate that I lose sleep over them. Writing is more extreme for me; sometimes I'm unable to write properly for weeks, and sometimes I'm on such a roll, I find myself jotting down scenes during gigs or writing at 3 a.m. Because of that, whenever I'm compelled to write, I let it happen, and in those moments I push through all my other obligations with the help of a little luck and a lot of practice in time management. 

WOW: I love that description of writing being an on-and-off again love affair. Can you tell us a little about the young adult novel you’re working on? 

Mira: Broadly speaking, it's a character-driven story about identity, prejudice, and what it means to be "human." It takes place in a fictional world that's post-telephones, pre-Internet, but with some soft sci-fi elements thrown in. There are six major characters—a warrior princess, a child soldier, a teen idol and her bodyguard, an assassin with a bomb in his brain, and a girl who will die in thirty days—and they all cross paths as they get sucked into various aspects of a political coup. Needless to say, chaos ensues. I'd say I'm about a third of the way through the first major draft right now. 

WOW: Sounds like a compelling plot and I'm sending you positive writing vibes! How has your study of music inspired or influenced your writing? 

Mira: I think my background in music is most obvious in the mechanics of my prose, as well as the kind of content I gravitate toward when writing. As a singer specifically, I'm hugely concerned with how my prose sounds—I often select words according to their rhythms first, and meanings second. More importantly, though, I think my musical background inspires my interest in eliciting emotion. I love building worlds and characters, and I'm an absurdly meticulous and perhaps overly complex plotter, but ultimately, I'm most interested in writing in a way that is equivalent to getting chills after listening to a song. To me, the highest compliment is when someone says my work gives them "the feels," be that from music or from writing.

WOW: Mira, thank you again for joining us today and we look forward to reading more of your work!
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Interview with Gayle Beveridge, 2nd Place Winner in the WOW! Fall 2023 Flash Fiction Contest

Tuesday, March 12, 2024

 

Gayle Beveridge writes because she loves it. It is her radiant red-sky sunset, her budding spring flowers. It is bird song and a long walk in the bush. It is whatever she wants it to be. Gayle is a past winner of the Boroondara Literary Awards. Her work has appeared in Award Winning Australian Writing, The Umbrella’s Shade, Vegemite Whiskers and Mosaic. Gayle is passionate about writing, photography, sunsets, dogs, and chocolate and with Victoria’s beautiful Bass Coast, which she now calls home. In a past life Gayle was an accountant, (don’t hold it against her), but now she is free to write. 


 






----------Interview by Renee Roberson 


WOW: Gayle, congratulations again, and welcome! “Walk with the Woman” explores how power dynamics between couples that can shift over time, sometimes for the worse. What inspired you to explore this topic? 

Gayle: I was keen to experiment with my writing and chose a style that instructs the reader— “Walk with the woman.” “Sit with the man.” I was looking to pair that bold style with a powerful theme, one that would carry the reader forward and excuse my temerity at telling them what to do. At the time, my local writing group’s weekly theme was ‘Green,’ which set me to thinking about what that colour symbolises and to jealousy. I wanted to address how jealousy can disguise itself as love, unrecognisable even to those who pursue it, and how important it is to shake off its shackles. 

WOW: What a great writing prompt! We see so many contest winners that have winning entries inspired by writing prompts or work produced in writing groups--I love that. You’ve been published multiple times in literary journals and anthologies. What themes do you often see appearing in your work? 

Gayle: I’ve dabbled with a variety of genres and themes, but most often return to contemporary fiction and to the emotional reactions of humans to difficult situations. The woman escaping domestic violence. A childhood bully repentant in adulthood. An asylum seeker clinging to the hope of something better. The empty-nester battling loneliness. A young child unable to comprehend his father’s death. An earthquake victim longing for help and the rescuer desperate to find him. 

WOW: When did you first know you were a writer? 

Gayle: Writing was something I enjoyed as a child. The concept of being a writer was an unfilled dream in early adulthood, a passion revisited in my fifties and serious pursuit in retirement. I think the burn to be a writer has always been there and always will be. I have long thought of myself as a writer; my aim now is to become a better writer and a great storyteller. 

WOW: What do you like to read for pleasure? 

Gayle: I read across genres and like the surprise of random choices. Jodi Picoult is a favourite. I admire her capacity to address contemporary societal issues and to integrate them into compelling stories. Australia’s Eliza Henry-Jones is a recent discovery and I can’t wait to read more of her work. Her mastery of pacing is superb. My copy of Tolkien’s "The Lord of the Rings" is a treasured volume. Tell me a good story and you have won me over. 

WOW: Do you have any advice for other writers wanting to explore flash fiction but are intimidated by the limited word count? 

Gayle: Embrace the word count; it requires you to think carefully about your story—what it is, and how you tell it. It will hone your storytelling skills, force you to focus what is important to the story and make careful choices about the words you use to tell it.

WOW: That's such great advice. Thank you again for stopping by today!
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Interview with Kelli Short Borges, 2nd Place Winner of the WOW! 2023 Winter Flash Fiction Contest

Tuesday, June 20, 2023

 


Kelli Short Borges is a writer of essays, short stories and flash fiction. A former reading specialist in the Arizona public school system, Kelli is a life-long reading enthusiast. Her work has been published at The Tahoma Literary Review, The Citron Review, MoonPark Review, The Sunlight Press, and Ghost Parachute, among other publications. Kelli is a 2022 Best of the Net and 2023 Best Microfictions nominee. She is currently working on her first novel. Read more of her work at kellishortborges.com or connect with her on Twitter @KelliBorges2


 ----------Interview by Renee Roberson 

WOW: Hi Kelli, congratulations on your 2nd place win and welcome! Your story, “Slither,” was a runner up in the WOW! Summer 2021 flash fiction contest and you said it was inspired by a bully you encountered in high school. How did the idea for “Undertow” first come to you? 

Kelli: Hi, Renee. First, I would like to say thank you to all of the wonderful editors at WOW! who make contests like this possible. It’s such a fun way to encourage writers to share their work, and to honor and celebrate craft! The seeds for “Undertow” came to me while I was on a trip to Saint Martin with my husband. One day, we were relaxing in the sun on a gorgeous beach, and I noticed a group of young kids splashing in the surf. They were just completely uninhibited—laughing, swimming, and having a ball. As I looked around, I realized almost all of the adults on the beach were passively lounging and sunbathing. It didn’t look like anyone was watching the kids. And as a mother myself, I instantly started to worry. Where were the parents? Of course, everything was ok that day, but my mind started spinning, and the idea for a story involving a drowning was born. From there, the story sort of “told itself,” as stories often do. 

WOW: I love this, and I love when the stories come to us in such a way that they have to be told. What do you think makes a compelling piece of flash fiction? 

Kelli: A great flash piece usually captures me from the very first sentence. The voice or form is fresh and unexpected, and for me there has to be a bit of underlying tension there from the start. I want to be intrigued as the story builds, and I like the challenge of doing a bit of work, of filling in the “white space.” I love that moment at the very end of a story best, when there’s a wider realization that takes the reader by surprise, when there is resonation that’s deep and universal. I want to say “Oh…” and just sit in that moment for a bit. I’m also personally drawn to pieces with lyricism and rhythm. 

WOW: Can you tell us a bit about your current novel in progress? 

Kelli: I'm really excited about my novel in progress! It's my first, so I'm learning as I go, and at this point I’m working on a first draft. What I can tell you is this: It’s a story about contentment, and desire, and how far we humans might go to create our own reality. There are contemporary themes, such as AI. And at the very heart it touches upon elements that I find come up again and again in my writing, themes of strength and trust and letting go of things that don’t serve us. 

WOW: Sounds like a great concept! Having been successfully published in so many places, what advice would you give other writers looking for places to submit their fiction and nonfiction work? 

Kelli: There are so many ways to discover places to submit your work. You can sign up for Submittable and explore the “Discover” tab, or Duotrope, a database with thousands of literary journals listed, which has a wonderful search engine to help writers narrow down places that might be a good fit. But, for me, the most useful tool has actually been sharing tips with other writers by getting to know them through classes and workshops, and also establishing a Twitter account. There’s a huge community of writers sharing work there, and journals tweeting submission calls. In my experience it’s a really supportive and engaging environment where you can read some incredible stories, support other writers, and also get a feel for where they’re being published. If you think a particular journal might be a good fit for your own work, you can investigate that journal and submit. 

WOW: Having worked as a reading specialist for many years, what genres are you drawn to in your own book selections? 

Kelli: This is really hard to answer, because I enjoy so many genres! If I had to pick one, I would say that I absolutely love great historical fiction. Some of my favorite novels written in this genre are “The Red Tent,” by Anita Diamant, “The Nightingale,” by Kristin Hannah, and “The Hotel on the Corner of Bitter and Sweet,” by Jaime Ford. But my favorite book of all time is actually a nonfiction work, “Man’s Search for Meaning,” by Viktor Frankl. I’ve read it again and again through different phases of my life, and discover something new to mull over every single time. To me, Viktor’s philosophical reflections are profound, and I’ve internalized them and turned to them as a source of strength during difficult periods in my life. If you’ve never read it, I highly recommend!

WOW: I've read most of Kristin Hannah's books but I'll definitely be checking out your other recommendations--thank you so much for sharing those with us! Again, we appreciate you being here today and can't wait to read more of your work.
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Interview with Susan Moffson, 2nd Place Winner in the WOW! Fall 2022 Flash Fiction Contest

Tuesday, March 28, 2023

 


Susan Moffson has been working in the field of international development for nearly 25 years, some of that time spent living and working in Africa. For the past 12 years, she has worked for the non-governmental organization, Jhpiego, the leading partner in a consortium implementing the global health project, Momentum Country and Global Leadership. She has written several work-related blogs about the positive impact Jhpiego-led programs have had on many women and children and has realized she is a journalist at heart. Susan loves to write fiction, pulling from her time abroad, to capture the incredibly rich and varied cultures she has been fortunate to experience. 

Read Susan's winning story here and then return for an interview with the author. 

----------Interview by Renee Roberson 

WOW: Congratulations, Susan, and welcome! How did you work in the field of international development inspire your story, The Healing Power of Crystals?” 

Susan: We lived in Madagascar and this story was inspired by true events there where the expatriate women would attend jewelry parties. It wasn't until after attending some of these jewelry parties that I realized from my husband's colleague that children mine some of the stones, and that the mines aren't safe. I was completely shocked and ashamed and felt for a long time that this was a story that had to be told. Of course, many people aren't aware about the unsafe mines and buy jewelry not knowing where the stones come from. Sadly, this applies to many countries and many products, not just stones. A lot has been in the news lately about the dangerous mining conditions in Democratic Republic of Congo for minerals like cobalt, used in cell phones and electric cars. 

WOW: Thank you for bringing awareness to this important topic! What is your favorite line from this story and why? 

Susan: I think the last line, "Fanja's still working in the pit, supporting herself and Mama after the mines destroyed Papa’s lungs with their fine red dust." I wanted to show how people in developing countries, as smart or savvy as they may be - like the main character, Fanja - often have so many barriers to overcoming poverty and improving their lives. I also wanted to write the typical flash surprise ending, in this case showing that Fanja's papa was sicker than was known all along and that as a result, Fanja couldn't get away from mining like she had hoped.

WOW: Could you share some of your favorite memories of your visits to the continent of Africa. 

Susan: Absolutely loved our time in Africa! We hope to go back someday and live there after our youngest is out of high school. I think our time in Uganda in many ways was the most special because we were there the longest and got the most integrated into the culture, in terms of friendships and comfort with the community and surroundings. You certainly can't beat the weather there, since it lies on the equator and the temperature generally ranges from about 60-80 degrees Fahrenheit. We enjoyed bird watching from our patio and often saw Monkeys swing from trees in the trees just outside our gate! 

WOW: When did you first discover your love of storytelling? 

Susan: Really not until a training for work on how to write success stories 12 years ago in Madagascar. Our project donor, the United States Agency for International Development (USAID) put it on for all their grantees and I realized how much I loved writing the stories about how the lives of beneficiaries' - usually pregnant women and newborns- were improved from the work we were doing. Eventually I branched out into flash fiction. 

WOW: It's never too late to try new things, right? What do you think the is the most important aspect to consider when working on a shorter piece of fiction such as this one? 

Susan: Finding ways to pack a lot of detail into sentences without being wordy- I've gotten so much more concise in my flash and also in my writing for work. 

WOW: Susan, thank you again for these great responses and for sharing your memories from your time in Africa. We hope to read more of your work soon!




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Interview with Abbie Barker, 2nd Place Winner in the WOW! Winter 2022 Flash Fiction Contest

Tuesday, June 14, 2022

 


Abbie Barker is a creative writing instructor living with her husband and two kids in New Hampshire. Her flash fiction is featured or forthcoming in several publications including, Berkeley Fiction Review, Cutbank, Cincinnati Review, Superstition Review, Pithead Chapel, Atlas and Alice, and Best Microfiction 2022. She earned a degree in fiction from the Mountainview MFA and an MA in literature from Fordham University. She loves the ocean, large dogs, and coffee shops. Read more of her work at abbiebarker.com or connect with her on Twitter


 ----------Interview by Renee Roberson 

Read Abbie's winning story here and then return for an interview with the author. 

WOW: Hi Abbie, congratulations on your 2nd place win in this contest! Your piece contains a unique structure with three different segments. How did you first get the idea for the the story and what inspired you to format it this way? 

Abbie: Thank you! Like many of my stories, “Store Aisles I Passed Through Before Leaving Town” was first drafted in a workshop. This one transpired from a Sarah Freligh prompt. Her micro classes are wonderful, and I recommend them for anyone wanting to sharpen their skills writing tiny, distilled stories. I won’t share the full prompt, but in general, we were asked to write about a character or narrator’s specific memory while focusing on concrete, sensory details. 

When drafting this story, my initial intention was to focus the entire story in the cosmetics aisle. However, one thing that excites me about any workshop is how a prompt provides a starting point, or a way in, but as the writer, we have to find our own way out. It didn’t take me long to realize that the larger story happened outside or beyond that first interaction with the mother. At the time, I was also in the middle of a bathroom renovation and had spent several hours in Lowe’s staring at tile, so that second scene was pulled directly from life, and then tweaked to fit the story and narrator. When possible, I try to pull from my own settings and experiences and those details find their way into my work in a variety of ways. This helps me keep my fiction more concrete and specific. Once I had written two segments, I knew I wanted to write a third to round out the story. So, I chose a third store aisle that I hoped could provide another glimpse into the lives of these three characters while creating movement. In segmented flash, I love playing around with white space and what’s been left unsaid, and it was a lot of fun tying these segments together through the store aisle setting. 

I feel fortunate that I discovered the structure in the first draft. Subsequent drafts focused on tightening the language and finding the right title. I first titled the story, “Store Aisles I Remember,” which was functional, but I really liked the idea of choosing a title that could do a little more “work” and perhaps hint at the aftermath. This is one of my favorite titles that I’ve written, and I’m glad I waited to send this piece out until I landed on one that excited me. 

WOW: That sounds like an amazing class. Speaking of classes, you also work as a writing instructor. What are some of your favorite college-level English courses to teach and why? 

Abbie: I have been teaching college English courses part-time since 2009 and have taught several different composition courses, as well as a few literature courses, and now I teach creative writing online. My favorite course to teach is a beginning fiction workshop. My students spend the term working on a 6-8 page short story (twice as long as the stories I’ve published!) and I’m tasked with guiding them through the process of writing a complete and contained work of fiction over the course of eight weeks. While I love helping students sharpen their skills, what makes it so fun is how passionate and excited my students are to be there. Most of my students are creative writing majors and the rest are students that choose the course as an elective because they enjoy writing and want to pursue that interest at a deeper level. When I taught composition, I always had to work hard to convince students that they could become stronger writers with patience and practice and beyond that, I had to encourage them to put effort into that practice. Now, when I teach fiction, my students generally show up excited to write, and my biggest challenge is helping them maintain that excitement through the process of drafting a complete story (because we all know the process is sometimes frustrating and even discouraging). 

WOW: You have an impressive list of publications. What advice would you give writers hoping to break into literary journals? 

Abbie: Thank you! I’m sometimes so focused on “what’s next” that I forget to step back and acknowledge what I’ve been able to accomplish so far, so I appreciate you saying this. I wish I had something new and profound to say on the topic of lit mag publishing, but for me it simply comes down to patience and persistence. It’s easy to become focused on the final product and lose patience in the writing process. I have to remind myself to slow down and give every story the time it needs. I am a slow writer, so this is why I enjoy flash because even the slowest writer can complete a story of 1,000 words or less in a reasonable amount of time. Sometimes I miss submission deadlines because a piece is not ready, but I remind myself that these journals will open again for submissions in a few months or a certain contest deadline will come around again next year, and hopefully I’ll be better prepared by then. I’m in my early forties, so I’m not a particularly young writer, and I’m always balancing my own sense of urgency to get my work out there with the necessary patience required to wait for the right opportunities. 

I have also spent a lot of time researching literary magazines. I read ranked lists and the annual “best of” anthologies, including Best Small Fictions, Best Microfiction, and the Wigleaf Top 50. Spending time reading a wide variety of literary magazines has helped me find the right home for the work I have been fortunate enough to publish. There are a range of opportunities out there, and I think it’s important to focus on publications that excite you. Beyond that, it’s also important to not give up when the magazines you admire turn you down. The selection process is both competitive and subjective! One of my stories collected over 30 rejections before placing in a contest that I am thrilled to have placed in. Publication success will come, but it requires this careful balance of patience and persistence, or in other words, learning when to stubbornly submit, and when to take a step back and stubbornly revise. 

WOW: What is your writing process like? How do you know when a piece is complete and ready to find a home? 

Abbie: This is a challenging question to answer because I feel like my process is always evolving and I don’t fully understand it. Sometimes first drafts come together quickly for me, and other times I have to fight my way through them. When everything (including my kids’ schools) went remote in 2020, online workshops were crucial to my writing process – I wasn’t completing story drafts without them. I needed the deadlines and regular feedback. Earlier, while I was earning my MFA in fiction, I wrote much longer stories, and I hadn't received any formal training in flash, so I craved instruction specifically on the form. A workshop I took with SmokeLong Quarterly in 2020 was crucial to my understanding of the form and led to some publication success in my first year of submitting. This year, I’ve been enrolling in fewer workshops, so I’m not drafting nearly as many stories, but I’m spending a little more time with each draft and finding my own pace and rhythm. I really enjoy editing at the sentence level and also cutting out extra words or even entire paragraphs, but I’m still learning how to take bigger risks in the revision stage. In my response above, I mentioned the importance of patience, and I’m still figuring out how to be patient with my own work and how to gauge when a story is ready for publication. Sometimes I have to send a story out to one journal before I know whether or not it’s ready. Hitting “submit” tends to crystalize my feelings. There have been a few times where I stopped submitting a piece after only one rejection because I recognized the need for more time. I am also involved in a wonderful group of flash writers who are always willing to offer support and feedback when I’m stuck. Knowing when a story is ready for publication mostly comes down to a gut feeling, and to be honest, I still sometimes get it wrong. I’ve gradually grown more confident in knowing when to submit, but this confidence has come with experience and receiving generous feedback along the way, beginning in graduate school. 

WOW: It's good that you know without workshops and submission deadlines you would have difficulty finishing drafts. It sounds like accountability is crucial in your writing process. “Blue People” was nominated for The Pushcart Prize. How hard was it to develop and revise what must have been a highly personal piece of writing? 

Abbie: It was such a huge honor when Cease, Cows nominated “Blue People” for the Pushcart Prize. This was my third story accepted for publication, but the first piece of flash fiction that truly excited me in the process of writing it. Like many of my stories, the idea began with the first line and from there, the voice of the narrator snapped into place, and I was able to draft the story rather feverishly without the aid of a deadline or workshop. I appreciate that you recognize the personal nature of the story. It is fictional, and while most plot elements are made up, the core of the story does come from a personal place; writing it became an indirect way for me to reflect on my relationship with my sister and how those dynamics might change once our mother is no longer here. (I will say, the Blue Man Group detail is true). When composing "Blue People," I was meeting with a couple writer friends in person, and they provided me with some tremendous feedback on the first draft. I’m so glad I had sensitive readers; they both had intimate knowledge of schizoaffective disorder, which gave me the confidence I needed to send the story out after revisions. I ended up removing a scene from that first draft and making it into a separate flash, which was later published in Monkeybicyle. I have since written a couple other pieces that explore this sister relationship in different ways, and I have certainly considered expanding these stories into a larger project, but have not made that leap yet.

WOW: Thanks again for all this great information, Abbie. I know our readers will find this helpful. We wish you continued success in your writing journey!
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