Showing posts with label writing programs. Show all posts
Showing posts with label writing programs. Show all posts

Reevaluating My Writing Path

Wednesday, October 04, 2023

Image: Ann Kathryn Kelly

As autumn rolled in last week in New England, it felt like only days had passed since I’d written a blog about the upcoming spring and summer, as I prepped my garden beds and made plans for an exciting international getaway. 

I blinked, as so often happens, and months flashed past. The light has changed, coming up much later in the mornings now and falling much faster in the evenings. My perennials have yellowed. Their blooms, long gone. The trees are releasing their leaves. I’m taking autumn in stride as those of us who live in New England begin to slow down for another winter of reflection. 

I’m coming off a summer full of adventure, new friends, breakthroughs in my writing, and a big upheaval in my career. I spent the month of July in Prague, at an immersive summer writing program that brought together poets along with fiction and nonfiction prose writers from around the world to workshop our pages with an award-winning faculty. 

The experience, in a word, was inspiring. Inspiring, in the bright and talented women I met who offered insightful feedback to my workshopped pages. The city of Prague, too, was inspiring and incredibly picturesque. 

Images: Ann Kathryn Kelly 

I would have said before my trip that no European country could compete with the exquisite beauty that is around every corner of Italy—but the Czech Republic’s jewel in its crown, Prague, stands up to any Italian city for its historical architectural grandeur and romanticism. I would recommend it as a bucket list city to anyone, and it would take me ten blogs to capture everything I saw. I came home with nearly a thousand photos over the month, hundreds of which I shared on my Instagram page. (If you’re on Instagram, let’s connect! @annkkelly) 

Prague must be seen. That is all.

Images: Ann Kathryn Kelly 

I made several new friends, a few of whom I’m already planning to see again at the AWP conference, to be held in February 2024 in Kansas City, Missouri. That was the good news. The bad news was that I also came home to no job. I’d been told, days before I boarded a plane in early July, that my full-time role with a large, brand-name technology company I’d worked at for close to nine years was being eliminated. 

Yes, their timing sucked. I believe they cut my job for the very reason that I requested a monthlong sabbatical to attend this writing program. Though they initially agreed to my sabbatical request after I found out I’d been accepted in March, by late June they decided to lay me off. I refused to let their shortsighted decision dampen my excitement. I was going, regardless! For a month, dammit! Who cared if I’d just been let go? Not this girl! 

Yet, now that I’ve been home again for two months, I do kinda care that I’m without a full-time job. The buzz from Prague has worn off. The expected monthly bills, they keep a-coming. So, what’s a gal to do? 

I thought about throwing my resume into technology companies immediately for another full-time job, upon my return in early August. I’ve built a 30-year career as a marketing and public relations professional in the tech industry, so focusing my job search on another tech company was the natural fit. Yet, I wondered what it might feel like to instead apply my experience to starting my own consulting business. I asked my three brothers what they thought, two of whom have worked in tech for as long as I have. They agreed it was worth a shot. 

I’ve since hung my own shingle as an LLC, and am building my business from contacts I’ve made throughout my career. I already have three solid clients, with a potential fourth in the wings. In my first two months of solo gigging, I’ve nearly matched my previous monthly salary, but with the added bonus that I’m now doing it in about 25 hours, not 40. 

In parallel, I’m using some of the time I’d normally have spent chained to my work desk to reevaluate my book proposal for my 70,000-word memoir manuscript about living for 40 years with a bleeding brain tumor. A year and a half ago, I declared to my writing critique partner—the wonderful Angela, our fearless founder of the WOW! community—that I was ready to query. In those 18 months, I’ve sent out only about 55 queries, most to deafening silence and with only one request for a partial. After reviewing my package for four weeks that agent, too, passed on my project. 

The silence does not lie. Something is missing in my proposal. In my query. I have not yet hit on it. 

So, I signed up for a monthlong bootcamp that started the last week in September, focused on reframing proposals and query letters to drive home the business selling points of a project to agents. Like many writers, I had approached my proposal and query from the angle of recapping my storyline. Emphasizing plot, and the prettiness of language. According to our coach, a 30-year writing veteran, that approach “ain’t gonna get ‘er done.” I’m excited to learn more in the coming month! 

As I get ready to hunker down in New England for the upcoming winter, completely reframe my book proposal and query, and try to bootstrap my technology writing and editing business as an LLC, I’m facing a lot of unknowns. Maybe I’ll be writing another blog here in several months, possibly with a query success story? Maybe my consulting business will really take off, affording me the opportunity to call my own shots, rather than punching the clock for another employer? 

Or, maybe the end result won’t be what I’m hoping for, at which point I’ll reevaluate, once more. Only time will tell. 


Ann Kathryn Kelly writes from New Hampshire’s Seacoast region. https://annkkelly.com

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How to Choose a Summer Writing Program or Conference

Wednesday, March 30, 2016
It’s that time of year again to start thinking about summer writing programs and conferences!

Invitations to return to old programs and to try out new programs have flooded my inbox. A quick Google search for writing programs will provide you with hundreds of options. With so many writing programs to choose from, how do you narrow down your search?
Courtesy of Strawberry Creek Inn
Geography
There are writing programs available in every nook of the world. You could stay local, which will cut down on travel and other expenses and allow you to be available for commitments like child care. Or you could choose a different part of the country or the world and turn your writing program into your dream vacation.

Live in a city but want to get away from the hustle and bustle to concentrate on your writing? Try a program in a remote, rural setting. Or perhaps you live in a quiet suburb and you want to network with others in a major publishing city like New York.

Each option has its own perks and distractions, so you’ll have to decide what’s right for your budget, time availability, and learning and writing preferences.

Length
Writing programs can be anywhere from a few hours to several weeks long. Choosing the length of the program depends on what you hope to get out of it and, usually, what you can afford time-wise and financially.

If you want a day to network with other writers and hear some of the industry news, a 1-day conference would work for you. But if you wanted to get feedback on your writing and have time to work on it, perhaps a multi-day workshop would better fit your needs.

Type
There are multiple types of writing programs that offer different experiences and services.

Conferences tend to be 1 to 3 days long and provide lectures and/or meet-and-greets with industry professionals. These will often provide lunches and discounted hotel accommodations for participants.

Workshops can be 1-day to multi-week affairs and provide you with opportunities to share your writing and get feedback from other aspiring and professional writers. These are often, but not always, residential programs that provide housing and meal plans.

Retreats will be multi-day programs, almost always residential, that provide writers with a lot of solitude to work on their writing with optional meals, networking, and other support services.

Some programs offer a mixture lectures, workshops, and free time to write.

Instructors and Genre
The instructors or speakers at a writing program are an important consideration because you want to make sure the people giving you advice are top-notch professionals in the writing business.

You also want to make sure they work in the area of the writing business that best suits your needs. For example, if you want to write children’s books, a writing program with Romance novelists would not be the best option for you. Likewise you wouldn’t want to attend an event for creative nonfiction writers if you’re an aspiring Sci-Fi novelist.

I recommend looking up the bios of the instructors or speakers to get a sense of their writing resumes, the genres in which they write, and what they could offer you in terms of your particular writing goals.

Cost
It would be an oversight not to put cost in this list of considerations! The cost usually depends on all of the above criteria.

If you've found the perfect writing event, but it's a little to costly for you, ask if the program offers need-based scholarships. Some programs also host writing contests in which winners receive a money towards the cost of the program.

Requirements
Many writing programs and conferences encourage writers of all levels and experiences to attend, but note that some require an application and writing samples, especially in smaller workshop or retreat programs, and the program will only select a few applicants based on quality of writing.

What are other aspects of writing programs you consider before signing up?

More Information
Check out these two databases for excellent compilations of writing programs near and far!



Written by: Anne Greenawalt
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Author Salon Creates a Unique Novel Program

Wednesday, October 01, 2014
by Alexerhead (www.flickr.com)
Many writers, seeking some education and help in the novel writing process, struggle with which program to register for--MFA? Writing Retreats? Online classes? We have an amazing opportunity for you today as Michael Neff, founder of the Author Salon Novel Writing Program, gives us an inside look at what makes their program unique and successful. If you are looking for a career in writing and want to write novels that make it on bookshelves, then this program could just be perfect for you! Read on to find out what happens, the faculty, and how to sign up if you are interested. 

WOW: How did the Author Salon Novel Writing Program get started?

Michael: I was having lunch with a couple of editors from Random and St. Martins in New York during the Algonkian pitch conference event a few years ago, and we were talking about online writing courses and programs of one kind or another. We discussed the advantages and disadvantages of several before bemoaning the fact that no comprehensive, realistically tough program for novel writing yet existed that put it all together. That's when I decided to partner with several editors and agents to create just such a program, and at a cost that made it reasonable. I was already involved as a part-time admin and contributing editor at Author Salon (http://authorsalon.com), so it all meshed. Course, I didn’t realize at the time just how much work would ultimately go into it. You know, you conceive something, get a head of steam, then you're sighing with exhaustion as the reality sinks in many months later. It became an enormous task to brainstorm and develop the methods, syllabus, work modules, and all the assignments and articles, but we got it done. The emphasis was always on being comprehensive and pragmatic.

WOW: All that hard work created a special and unique program! So, what makes it different from other online novel writing programs?

Michael: It differs from other online fiction or novel writing programs in several ways, depending on the type of program you compare it to. First, we differ in two distinct ways from the approach used by top online college programs--the $7000.00+ Stanford program being a good example. They use the MFA workshop approach of peer review in nearly every module of their program. We do not use it at all. We believe, in general, that obtaining critical advice on premise, plot, and narrative development from amateur writers can be just as counter-productive as productive, not to mention confusing. If you wish to build a house, will you seek advice on installing your plumbing and electric wiring from those who have never done it?

Which brings me around to the second major difference between Author Salon and a program like Stanford: all guidance and critique in our program comes exclusively from a professional who is not only an author and editor, but also a literary agent, or someone who has been in the business of working with major publishing houses for many years. The online college programs use college-based authors or writers as instructors, perhaps even published grad students, or less often, an author who dwells outside the MFA world.

These types of people can be good instructors, but they cannot possibly provide the commercial edge an aspiring author needs to compete effectively. For example, let’s say you start your novel in a car. Okay, fine. The academic will most likely help you rewrite the scene, and perhaps even do a darn good job of it, whereas we at Author Salon will tell you to delete the scene at all costs because thousands of writers start their novels with the cliché of characters touring around in cars while delivering exposition. The academic won’t know that because she or he has never been an agent or editor in the publishing business. That's just one small thing, and amusing, but it demonstrates a huge difference in editorial approach.

Also, the instructors in the college programs, far more often than not, have little or no experience with genre and yet the programs accept genre writers because the programs earn more revenue that way. But will writers benefit productively from a literary academic giving them editorial advice and direction if they are writing a mystery cozy or a science fiction novel?

As for the non-college programs, like Gotham Workshops for example, we also differ from them in two major ways. Naturally I am biased and what I state here requires fact checking, but I believe our  program syllabus (http://novelwriting.authorsalon.com/syllabus.htm ) as well as the works studied or referenced (http://novelwriting.authorsalon.com/works.htm) in the course of the program, demonstrate that we bring a comprehensive and pragmatic rigor to the art of fiction and the act of novel writing not equaled elsewhere. You would have to take an array of courses from more than one place to come close to what we are providing.

Additionally, our program is not a linear progression from one course week to the next. You write or rewrite your novel a step at a time, but often by looping through the program modules rather than walking a straight line. Lessons learned in Module 4 might well cause you to return to Module 1 or 2 and edit your premise or plot, thus initiating necessary rewrites. Progression through the Author Salon program will depend on each writer’s skill set and the stage of the manuscript. As a bonus, this approach allows the writer to move forward at his/her own pace.

Finally, the way we differ from all other programs or sets of courses, college-based or otherwise, lies in the fact that upon completion of the Author Salon program we work directly with our writers to help them become published. We act as agent and editorial consultants, as well as assist in the editing of query letters.

WOW: That sounds amazing and makes perfect sense! What is the goal of the program? When students "graduate" they will. . .

Michael: The goal of the program is to enable the writer to effectively write or rewrite their novel well enough to become published by an established commercial house or press. But realistically, we know that commercial publication or an agent contract will not be realized for every student. It’s just not possible. No one can assure publication or an agent contract any more than an MFA program like Bennington or Iowa can assure that every poetry student who graduates will have a collection of their work published by a major academic press. All kinds of things can happen to trip up the process. I’ve seen a potential contract go south simply because the author, against my strong advice, changed the title of the work to something cliché and inappropriate. But her writer group in Small Town USA thought it sounded good. Alas, I was outvoted, and she went on to self-publish as a result. Her writer group told her that was just as good anyway. I just gritted my teeth. Suffice to say, we do everything in our power on this end to assist the writer to obtain that brass ring.

WOW: I think one lesson we all learn in this business is there are no guarantees, but it sounds like you do everything you can to get as close to a guarantee as possible. So, how is it set up? What do writers "do" during a typical week?

Michael: There is no typical week in the Author Salon program, since it varies for every writer. However, I would say that the average writer in the program, once immersed in the very first module regarding plot and premise, discovers herself or himself quickly surprised and working to conceive the right elements that have been missing from the novel since first undertaking the incredible task. Once the realizations set in, the novel improves and evolves. In our first module they address such issues as breakout title, hook line, conflict line, pitch/synopsis, comparables, and more. By the time they reach the middle or end of Part I of the program, the writer backtracks to this first module and edits it top to bottom because knowledge of market and craft has markedly improved.

Michael Neff
WOW: That sounds so familiar to anyone who has ever written a novel--how many times do we go back to the beginning and revise, revise, revise? (smiles) Who are the faculty?

Michael: Me, Michael Neff, for one, Paula Munier, Betsy Maury, agents and best seller Barbara Kyle. The Author Salon writing program faculty page can be found here. We’re proud of it.

WOW: Do you help students find representation when they are finished with the program?

Michael: If humanly possible, yes. We would like to rep the novels ourselves, but if that isn’t possible for one reason or another, we assist the writer with preparing their query letter and finding the agent suitable for them. We have their back during this tedious process and consult with the writer as needed, as well as lend moral support. We are writers, too, and we understand.

WOW: Anything else? How do writers sign up?

Michael: They can stop by the Author Salon website  and see how it works. The application and registration page can be found quite readily. All are welcome. Thank you.

WOW: Thank you, Michael. You have given us great insight into this program! 
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