Showing posts with label writer tips. Show all posts
Showing posts with label writer tips. Show all posts

Interview With Breeann Adam, Winter 2026 Flash Fiction Contest Runner Up

Tuesday, August 04, 2026
Breeann Adam is a writer, stay-at-home-mom, and former special education teacher. Hope, love, and the beauty in everyday life inspire her creative endeavors. Her first book, a children’s book rooted in exploration, joy, and wonder, will debut in July 2026. A lifelong Montanan, she currently lives in Bonner, Montana, with her family. You can connect with her on Substack at Just Write Mama, or on her website, justwritemama.com.

--interview by Marcia Peterson

WOW: Congratulations on placing as a runner up in our Winter 2026 Flash Fiction competition. What prompted you to enter the contest?

Breeann: Thank you! I love writing short fiction stories, but I never write them as often as I’d like. Over the past seven years, I’ve been working hard on a personal memoir-style book about my experience as a foster parent, publishing personal essays on my Substack page, and, more recently, writing a children’s book. These have been wonderful projects, but they have been very all-consuming creatively, and I haven’t written much fiction while working on those other projects. I found this contest online, and I thought it would be a good motivator to write a fiction story and have some fun.

WOW: Can you tell us what encouraged the idea behind your story, “Aromas, California, 2007?”

Breeann: Sure. I was actually reading the guest judge’s biographical information, and in her bio, she mentioned she enjoyed CrossFit. I also loved CrossFit for a number of years, so it sparked my interest as a setting for a story. What I really wanted to focus on from my own CrossFit experience was how empowering it felt as a woman to lift heavy weights and become stronger; an important part of CrossFit gyms is that there are rarely mirrors in the gyms. The focus is on getting stronger and improving your own skills, not on losing weight or having a certain aesthetic. I had done a lot of types of exercise leading up to CrossFit, but CrossFit was certainly the most empowering activity that I had participated in up to that point. While the story and characters are entirely fictional, the feeling behind the main character’s journey is inspired by my own journey. Oh, while the current-day CrossFit Games are a big, polished production with money, sponsorships, and professional athletes, the inaugural Games in 2007 were, as described in the story, casual, low-budget, and open to anyone who wanted to try. Ultimately, this story is about a woman who knew she had to try–for herself.

WOW: We’d love to know more about your writing routines. Could you tell us when and where you usually write? Do you have favorite tools or habits that get you going?

Breeann: I’m a mom of three children, so typically I write during my toddler’s naptime. I like to use my lap desk and write from bed. Although sometimes writing during naptime just can’t happen due to other responsibilities, so I will often also write in my Google Docs app on my phone while in appointment waiting rooms, in my backyard while my kids play, or while I have a few extra minutes here and there. My favorite tool is not very exciting: it’s a piece of notebook paper with a bunch of checkboxes drawn on it. I check off one box every day that I write for any amount of time, and I try to get as many consecutive days as I can. For me, I’m a task-oriented person, so it’s motivating to see all the boxes get checked and a project start to come together, box by box.

WOW: Great tips to try! Your first book is set to debut in July 2026, which is exciting. Can you share a bit about the book? What was your writing and publishing journey like?

Breeann: Yes, it’s so exciting! The book is an ABC rhyming picture book for children called “B is for Bonner: The ABCs of Bonner, Montana.” Bonner, Montana, is where I live, and it’s a tiny gem of a town that I wanted to write a book about, so I could share it with my own children first and foremost, and then share the beauty of our town with others. Ultimately, the book features nature, animals, music, history, and other local highlights, but encourages each reader to find joy, wonder, and beauty wherever they are in the world. The idea for the book mysteriously came to me as I was walking through a local bookstore, having a little pity party for myself about a completely unrelated creative failure! Funny how that works, isn’t it? I went home and immediately began to write my first draft. I went through many, many drafts, rewrites, and edits. I had others read it and give feedback on each version, and then I was lucky to find a local illustrator who does gorgeous work. She brought the book to life in a really magical way. I chose a printing company, and in just a couple of months, the books should arrive! As with most creative endeavors, the process took longer than anticipated, and the book will debut a couple of months later than planned. The process from first draft to publication has taken about one year total, and it has been so much fun! My next step will be sharing the book with local bookstores, schools, and anyone else who is interested in an adventurous and fun book about a trip through a Montana town.

WOW: Good luck with your book promotion, and thanks so much for chatting with us today, Breeann. Before you go, do you have a favorite writing tip or piece of advice you can share?

Breeann: My most proven tip is to never underestimate the power of taking even the smallest steps forward. Patience and perseverance win the race every time. Stuck? Add page numbers to your draft and walk away for the day. Come back tomorrow. Write one sentence. Change one word. Literally, take a single tiny step forward. Keep doing that as consistently as you can, and it’s amazing what you can create over time.

*    *    *
Read More »

Interview with Tracy Buckner, First Place Winner of WOW! Q4 2025 Creative Nonfiction Contest

Sunday, November 09, 2025
Tracy's Bio: Raised in the hollers of Southern West Virginia, Tracy Buckner has been weaving stories since she could speak. Now living in Raleigh, NC, she is a mom and grandma who works in the tech world. She channels her love for storytelling into writing, drawing inspiration from her Appalachian roots and the rich tapestry of everyday life. This is her first published flash piece.

--interview by Marcia Peterson

WOW: Congratulations on winning first place in our Q4 2025 Creative Nonfiction essay competition! What prompted you to enter the contest?

Tracy: Thank you so much! I’ve followed WOW! Women on Writing for years and have always admired how the website celebrates women’s voices in all their raw, messy, beautiful forms. I’d entered before but never placed, so this time I told myself I’d do it for the joy of sharing — not the outcome. “Two Lost Souls” had been sitting quietly in my folder for months, waiting for me to be brave enough to send it into the world. I finally realized that if a story keeps tugging at you, it’s probably because it still has something to say.

WOW: “Two Lost Souls” is a powerful essay, and a bit unsettling. What inspired you to write this particular piece?

Tracy: The piece grew from a memory that never quite let go. One of those moments that feels ordinary on the surface but haunts you years later. I wanted to explore the intersection of compassion and regret, the way we sometimes recognize pieces of ourselves in someone else’s pain. Writing “Two Lost Souls” was my attempt to make sense of the helplessness I felt as a young woman who wanted to save someone but couldn’t. It’s about loss, yes, but also about empathy—how seeing another’s struggle can awaken something deep and enduring in us.

WOW: Do you have any thoughts or advice for writing about difficult things?

Tracy: Write it before you’re ready. You’ll never feel perfectly brave or perfectly healed, and that’s okay. I learned from Chelsey Clammer to start with what you can bear to say today, even if it’s only a sentence. Later, you can shape it into something truer and stronger.

For me, writing about hard things isn’t about reliving the pain. It’s about reclaiming it, giving it form so it can finally breathe outside of me. And if you’re scared, that’s a good sign. Fear usually means you’ve found the truth worth telling.

WOW: What writing projects are you working on right now? What’s next for you?

Tracy: I’m currently revising several essays and developing a humor-infused collection of Southern stories called Spillin’ the Sweet Tea. My focus right now is consistency. I am learning to show up for the page every morning, even when the words come slowly. I’m learning that writing is less about waiting for inspiration and more about keeping the door open so it can find you.

WOW: Thanks so much for chatting with us today, Tracy. Before you go, can you share a favorite writing tip or piece of advice?

Be curious and kind — especially to yourself. Don’t rush to judge your early drafts; they’re just your heart clearing its throat.

And I have to quote one of my favorite books, On Writing: A Memoir of the Craft by Stephen King. He says, “Writing isn't about making money, getting famous, getting dates, getting laid, or making friends. In the end, it's about enriching the lives of those who will read your work, and enriching your own life, as well. It's about getting up, getting well, and getting over. Getting happy, okay? Getting happy.”

So write the story only you can tell, in the voice only you have, trust that someone out there needs to hear it, and most of all…get happy!

***
Read More »

Interview with Emily Rinkema, First Place Winner in the WOW! Spring 2025 Flash Fiction Contest

Tuesday, September 16, 2025
Emily Rinkema lives and writes in northern Vermont. For her real job, she works as a district curriculum and instruction leader, supporting and facilitating professional learning for teachers and administrators. She has written about education for years, but has now shifted almost entirely to writing fiction, partly as a way to escape the world, and partly as a way to understand it. Her stories have recently appeared in Fictive Dream, Variant Lit, Flash Frog, Ghost Parachute, and Wigleaf, and she won the 2024 Cambridge Prize and the 2024 Lascaux Prize for flash fiction. When not writing or working, she enjoys spending time with Bill, her husband; Chet, her dog; and Jack Reacher the Cat. You can read her work at https://emilyrinkema.wixsite.com/my-site or follow her on X, BS, or IG (@emilyrinkema).

--interview by Marcia Peterson

WOW: Congratulations on winning first place in our Spring 2025 Flash Fiction competition. What prompted you to enter the contest?

Emily: The timing was just right. I came across the reminder about the WOW deadline online, and I thought I had a story that would be a great fit. I have a spot in my heart for WOW as it was the first flash comp I ever entered, so I was excited to try again.

WOW: Can you tell us what encouraged the idea behind your story, “Huff and Puff?”

Emily: After a long day at work, a man I ran into decided to explain AI to me. It was sort of the last straw in a series of similar experiences and so I came home and rage-wrote the first draft (there was a lot more violence in that first draft…). I decided to incorporate the fairy tale components because there’s a common template and expectations in fairy tales that I thought played well with my main character’s situation. And honestly, it was really cathartic to write.

WOW: What advice would you give to someone wanting to try writing flash fiction for the first time?

Emily: This isn’t mind-blowing advice, but I’d tell them to read flash every day. One of the great things about flash is that there’s always time to read a complete story. I’d find a few flash journals or sites that you admire and go to them whenever you have a few minutes (instead of doom-scrolling, for example). One of my go-tos is Matt Kendrick’s site (https://www.mattkendrick.co.uk/resources), but I also recommend Bluesky, which has an amazingly prolific and supportive flash community. SmokeLong also has an incredible Fitness offering on their site; so many of the stories I publish were started in SmokeLong Fitness.

WOW: Are you working on any writing projects right now? What’s next for you?

Emily: I love writing (and reading) flash, so for the foreseeable future, that’s what I’ll continue to do. Maybe someday I will publish a collection!

WOW:  Yes, keep writing! Thanks so much for chatting with us today, Emily. Before you go, do you have a favorite writing tip or piece of advice you can share?

Emily: I guess I would say to find what you love to write and then just do a lot of it. I spent a few years trying to be a kind of writer that I’m not, beating myself up for not having discipline and for not writing a novel and for not doing all of the things that I thought a “writer” was supposed to do. But then I just gave into what I really love, which is flash fiction, and I’ve been so happy (okay…like it’s all relative, right? I mean the world is a complete $h*tshow, so my happiness is balanced by a good dose of existential dread, rage, and despair, but in terms of my writing life? Happy.).

***
Read More »

Friday Speak Out!: So You Got Rejected Now What?

Friday, May 09, 2025
By Laura Yeager

Rejection is something with which all writers are familiar. Writers can be rejected for many reasons from weak grammar to an illogical storyline. There are many causes of rejection, but what are some of the effects of rejection on the writer?

The some of the effects include the following –

Throwing the piece out and beginning afresh. This is a drastic response to rejection and is likely to be a result of hurt feelings and devastation. I don’t recommend this action, but if you’re completely tired of working and reworking a story or article, starting from scratch might be the way to go.

Getting advice from an editor or a reader and proceeding to rewrite from there. I do recommend this action. Sometimes a second set of eyes will move the story or article along and will take it to completion. My editor has saved me from looking like a fool many times, as well as spotting typos and misspellings.

Stopping writing entirely. NOT RECOMMENDED. Chalk the rejection up to an editor having a bad day.

Working harder on your own and perfecting the manuscript. Nuff said.

Shopping the piece (as is) around. This method stems from the idea that your piece will gain acceptance if it finds just the right editor. I recommend this action if you know that the manuscript is clean and interesting.

Putting the piece aside (in a drawer) and sleeping on it for a while. It’s amazing what time will do for one’s editing capabilities. You’ll be able to grasp the totality of the piece – the meaning, the syntax…everything about the story.

Of course, all these reactions have their pros and cons. What’s important is to keep at your art and to not give up. Rejection is part of the writing process, and writers should get used to being rejected. If writers can get over and learn from rejection, they can sell more of their work, which is an object of the business.

Back when writers sent their work out in paper form and received paper rejections, it was a fad to paper a wall of one’s home with rejection slips. Since most everything is electronic these days, this doesn’t occur, but, oh, those were the days! A wall papered with rejections was, in a way, a status symbol. It showed years (perhaps) of hard work and perseverance.

The most important thing to remember is to trust your instincts in your writing. This is easy to say and hard to do.

You will be rejected, and what I haven’t said is that maybe you should be rejected at that point in time. Maybe an editor is doing you a favor.

This brings me to a final point. Whether you sell a story or get rejected, don’t forget to thank the editor for her readership. This polite action will take you far.

They say that writing is rewriting. This is true. What’s also true is that writing for publication is rejection. That’s it in a nutshell.

* * *

Laura Yeager is a frequent contributor to Curetoday.com, a cancer website. She teaches writing at Kent State University at Stark and at Gotham Writers. Laura is happy and proud because her son, Thomas, has started writing and illustrating children’s books.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Would you like to participate in Friday "Speak Out!"? Email your short posts (under 500 words) about women and writing to: marcia[at]wow-womenonwriting[dot]com for consideration. We look forward to hearing from you!
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Read More »

Interview with Râna Campbell, First Place Winner of WOW! Fall 2024 Flash Fiction Contest

Tuesday, March 18, 2025
Râna is a Montreal-based freelance editor and was, until recently, a full-time caregiver to her beloved mother, Füsun Atalay of Ankara, Turkey. Having lost her mother days before receiving WOW contest news, Râna dedicates this bio to promoting Füsun’s intimate collection of writings, Monkey Appetite. Füsun was a force of nature in nurturing, encouraging, and inspiring Râna in writing just as in life, and it is with a heavy heart but overwhelming gratitude that Râna shares her success in this contest with her.

“Werewolf Syndrome” was Râna’s first semi-professional publication; it originally appeared in Intrepidus Ink. For editorial services, Râna can be contacted through her website.

--interview by Marcia Peterson

WOW: Congratulations on winning first place in our Fall 2024 Flash Fiction competition. What prompted you to enter the contest?

Râna: In a general sense, I like WOW. I’ve been following the site for about a year, and I’m always impressed with the quality of the articles and stories that are published. So, I wanted to position myself among all these talented writers, and I took my shot by entering a previous WOW contest (in which I was thrilled to have been awarded an honorable mention). As far as this contest is concerned, honestly, it was a spontaneous, last-minute decision. I had high confidence in my story, so I figured I should take a chance on it. I was also encouraged by reading up on Quressa—I got a vibe about her that I liked and related to, and I wanted to share my story with her.

WOW: Can you tell us what encouraged the idea behind your story, “Werewolf Syndrome?”

Râna: Well, if the ideas behind the story are that (1) we live with warped notions of beauty (and, arguably, of wellness); and (2) we can resist these by embracing our authentic selves, then what foregrounded these ideas was probably the fact that, at the time of writing, I was suffering from extremely uncomfortable (and visually unattractive) flare-ups of my multiple chronic skin conditions. This put me at odds with myself—I felt like my own skin was eating me alive and making me look monstrous (just like my protagonist feels as though her body is waging war on her with her condition of rapid/excessive hair growth). In retrospect, I think that, subconsciously, that feeling gave way to a question about what it would be like to engage in radical self-acceptance—which would include accepting the discomfort, the ugliness, etc. In a more conscious and immediate way, I was writing to a prompt from my writers’ community, and the prompt engendered an interested in exploring the theme of transformation. I’ve commented on this in a prior interview.

WOW: What advice would you give to someone wanting to try writing flash fiction for the first time?

Râna: This is really important for a work of any length, but I feel it’s critical to the success of a flash piece: Know your story’s substance, and focus on weaving it into every developmental and stylistic aspect of the story. A longer story, like a novel, will have a number of themes and preoccupations, and will take many ins and outs, detours and sideroads, etc., in driving to the heart of its substance. But I would argue that flash fiction has to dive right into its substance and dwell in it the whole time. Is your story essentially about grief? Then let grief drip off every line and permeate every space. Is it about redemption? Then show us redemptive actions and engage with your characters’ redeeming qualities. Is it about love, hate, blame, forgiveness? Then be bold and thorough in using language that expresses, embodies, suggests, or reflects these things.

WOW: What are you reading right now, and why did you choose to read it?

Râna: I just finished reading Albert Camus’s The Plague, which I picked up out of a sense of intellectual responsibility—I’m a philosophy major with an interest in existentialism, yet I had only ever read one of Camus’s books before (and disliked it, at that). I’m around the same age now that Camus was when he won the Nobel Prize for literature, so I felt a kind of humble kinship with him and wanted to give a brother a chance!

I’ve also been leafing through various pieces in my mom’s book, Monkey Appetite, as a way of coping with grief and feeling close to her, having recently lost her to illness. I worked on this project with her, as her editor, so I feel really fortunate to have this tangible and deeply storied legacy to hold on to.

WOW: Thanks so much for chatting with us today, Râna. Before you go, do you have a favorite writing tip or piece of advice you can share?

Râna: I’m going to share a quote from Kenneth Atchity’s book, A Writer’s Time, that I transcribed onto a piece of paper and have hanging above my desk for whenever I need that extra push: “Write from the heart about things that matter to us all, and let nothing deter you from writing what only you can write.”

***
Read More »

Interview with Sophie Goldstein: Spring 2024 Flash Fiction Contest Runner Up

Tuesday, October 22, 2024
Sophie Goldstein is a Jewish Chicana from Los Angeles, California. Most of her professional career has been spent as a theatre educator, director, and choreographer. For the past three years she has focused more on her writing and is incredibly grateful for platforms like WOW! Women on Writing who provide a space where writers can share their voice and improve their craft. Her writing has been seen at several theatre festivals around LA, including Son of Semele, the Frida Kahlo theater, and the Amapola players. She was published in Anchor Magazine in 2017 and was a 2022 Ya Tu Sabes writer finalist for Nosotros. Her work will soon be seen at the Alcazar Ensemble in Carpinteria in August, and the LowellArts' Playbytes by Playwrights competition in Michigan in October. She is so thankful to her family, especially her husband and parents, for their support. Website: www.sophiegoldstein.org

--interview by Marcia Peterson

WOW: Congratulations on your top ten win in our Spring 2024 Flash Fiction competition. What prompted you to enter the contest?

Sophie: For the past four years, I've been focusing more on writing and have spent time finding opportunities to submit. WOW! Women Writing came up during one of my searches and I am so grateful for this platform that uplifts female voices. My work has been predominantly plays and short stories, so entering a flash fiction contest is perfect for me.

WOW: Can you tell us what encouraged the idea behind your story, “Where There is a Fight, So There is She?”

Sophie: Like most writers, I write what I'm passionate about and activism has always been a huge part of my life. My parents are both activists, having spent much of their lives fighting for quality education for all, healthcare, and rights for immigrants. This story in particular was inspired by a woman I met at a Women's March protest. She was in her 80s, using a walker and I was so impressed by her presence. She was moving slowly, but she was there, and I could tell I wasn't the only one admiring her. Many women took the time to go up to her and thank her, take pictures with her. It was powerful to witness.

WOW: Why do you write flash? What makes it different for you?

Sophie: I love writing flash fiction because of the challenge it presents. I have to write a full story with a limited word count. Even if I'm writing about a single moment, it needs to feel like a complete story (at least in my opinion). Even if I leave the reader on a cliff hanger, I as the writer, want to feel like I've given the best story I could give. I honestly think every writer should try doing flash fiction, even as an exercise. It helps me learn how to focus on what's essential; to tell a story using only the critical details.

WOW: What advice would you give to someone wanting to try writing flash fiction for the first time?

Sophie: This has been said before but embrace the word count. I always brainstorm by thinking of moments in time--fragments of my own life that I can expand on. They aren't long stories, but they're impactful moments that are perfect inspiration for flash fiction.

WOW: Great tips! Thanks so much for chatting with us today, Sophie. Before you go, do you have a favorite writing tip or piece of advice you can share?

Sophie: This isn't new advice, but it's something I find really helpful: don't edit yourself the first time. Just write. Get out all the ideas no matter how strange or ridiculous. You can edit later but that first draft is an opportunity to word vomit, and I always find that wonderfully freeing.

***
Read More »

Friday Speak Out!: Journal Submissions as a Path to Success

Friday, September 20, 2024
By Ellen Birkett Morris

When I publish a book or chapbook, people are often curious about how I built the collection, got the confidence to send it out and built an audience interested in reading it. My answer is by submitting to journals and getting work published there. I’ve used literary journals as a training ground, as motivation, to market test my work, and as a stamp of legitimacy and a way to build my reputation as a writer.

There’s so much I’ve learned reading journals. The more I’ve read, the better I’ve become at reading like a writer, with a critical eye on how a story comes together. When a story really works for you, ask why. How has the writer used word choice and imagery to illuminate character and drive plot? Did they pull you in at the beginning and leave you with a satisfying ending?

When you read like a writer, your journal subscription can become a mini-MFA illuminating craft and showing you new ways to write. Be sure to read the editor’s letter at the beginning of each issue because they often comment on why they picked the stories in that issue. You can get a feel for what editors are looking for at various journals. While styles may vary you can begin to see what published stories have in common, and gain insight into elements of craft and style and where your work might fit best.

Journals can also be a wonderful place to read new work, exciting work. You will see certain writers published over time, see their prose develops and get ideas about which writers you might want to take classes with.

Lit journals can be great motivators. Finding calls for submission and answering those has helped me get to work. Use submission deadlines and calls for themed submission as “assignments” to help fuel your writing. I even keep notes in my calendar about which journals are open when and work to have new material to share when submissions open.

Getting published in journals has offered much needed encouragement as my skills have grown. I began writing as a poet, taking classes, reading a lot of good poetry, and letting myself write badly before I got better. When I got a number of poems together, I mustered the confidence to send my work to journals. I started with smaller journals and got a big boost when one of those lit mags published a poem and nominated it for a Pushcart Prize.

I also “test market” my work through submission. When I think a piece is ready, I send it to five or six journals. If they reject the story, I will take another look and work to re-vision the story. In that way I was able to build enough short stories to develop my 2020 collection Lost Girls. The publisher at my small press could see from my journal publications that I was a serious writer.

Beware the Tall Grass by Ellen Birkett Morris
Now that I have added novels to the mix, I seek out stories that might be best told in an expanded form. My novel Beware the Tall Grass began as a short story “Landing Zone Albany” published in the journal Upstreet in 2016. I greatly expanded the story and added a second point of view character. Many revisions and eight years later, the novel won the Donald L. Jordan Literary Prize and was published by Columbus State University Press. I am sure my list of journal publications helped me when it came to judging whether I was a serious writer.

Writing is hard, and submitting your work and facing rejection can be painful. Let literary journals educate you, motivate you, deepen your work and cement your reputation as a writer.

* * *

Ellen Birkett Morris’s debut novel Beware the Tall Grass won the Donald L. Jordan Award for Literary Excellence, judged by Lan Samantha Chang. She is the author of Lost Girls: Short Stories, winner of the Pencraft Award. Morris is also the author of Abide and Surrender, poetry chapbooks. Her fiction has appeared in Shenandoah, Antioch Review, Notre Dame Review, and South Carolina Review, among other journals. Morris is a recipient of an Al Smith Fellowship for her fiction from the Kentucky Arts Council, and grants from the Kentucky Foundation for Women and the Elizabeth George Foundation. Her essays have appeared in The Keepthings, Newsweek, Next Avenue, AARP’s The Ethel, Oh Reader magazine, and on National Public Radio.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Would you like to participate in Friday "Speak Out!"? Email your short posts (under 500 words) about women and writing to: marcia[at]wow-womenonwriting[dot]com for consideration. We look forward to hearing from you!
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Read More »

Interview with 2024 Q3 Creative Nonfiction Essay 3rd Place Winner, Carol Ovenburg

Sunday, August 11, 2024
Carol Ovenburg—A visual artist. A writer. An Argentine tango social dancer. Her habits: 1) timed writing every morning perched in her favorite chair, sipping a cup of mushroom blend “coffee.” 2) searching through recipe books and preparing delicious hot lunches (She’s a real foodie); 3) Traveling to other U.S. cities for social tango dancing festivals; 4) searching for great fabric to make her own flashy tango dresses. 5) Painting and creating digital art.

When Carol is not writing, cooking, sewing, dancing, or making art, she and her long time partner enjoy good books and foreign films in their Talent, Oregon home, rebuilt after a devastating fire that leveled 2,600 homes. Her biggest desire is to find more time in the day to do it all without wearing herself out.

Her memoir is currently going out to publishers—small presses—for consideration, even though she’s still tweaking and changing the title—more titles than she can count.

Carol has had four CNF essays in the top ten of WOW-Women on Writing, two of which have been in the top three. She’s excited to have her latest CNF essay published in this year’s Q3.

Visit Carol’s website at carolovenburg.com.

Facebook: Carol Ovenburg
Linkedin: Carol Ovenburg

---interview by Marcia Peterson

WOW: Congratulations on winning third place in our Q3 2024 Creative Nonfiction essay competition! What prompted you to enter the contest?

Carol: Thanks, Marcia.

What prompted me to enter the WOW contest is simple—I feel my writing has a home with Women on Writing. I love the opportunity for critiques whether I make it to the top ten or not. The critiques keep me inspired to write better. And I love to be in the company of other wonderful women writers.

WOW: Your entry, “Borrowed,” is a compelling look at what it’s really like after a catastrophic wildfire destroys your home. What inspired you to write this essay?

Carol: To heal from the trauma, I wrote about the Almeda Fire of September 8, 2020 in several longer essays but nothing much happened with the essays. Writing gave me distance from the devastation. Still, during the summer months, the constant threat of fire keeps me anxious.

Through WOW, I enrolled in Chelsey Clammer’s course on writing about trauma. For me that meant write about the fire. For inspiration, I pulled up the previous essays I had written. I saw them as overwritten—too much unnecessary detail—too many words to resurrect for Chelsey’s assignment. I decided I wanted to write about the one aspect of the fire trauma that lingered—the seventeen months of displacement waiting for a home of our own again. The content of this new essay unfolded in one complete package. But the re-writes along with Chelsey’s deftness, helped me create a piece of writing worth submitting to WOW.

WOW: Do you have any thoughts or advice for writing about difficult things?

Carol: Yes. First, don’t be afraid to write from your gut. Go deep. Get it out and on the page. Bleed. Read it aloud to yourself. If you cry while you’re reading, you’ve hit pay dirt. Don’t judge yourself. You’ll re-shape your writing in the re-writes. Take breaks. Long breaks if necessary. Pamper yourself. Eat chocolate. Walk in nature. Swim. When you’re soaked in self-love, go back to the page and write from your gut again.

WOW: Great advice! You’ve also completed a memoir that’s going out to publishers. Can you tell us anything about it? What was your writing journey like with this project?

Carol: Yes. The new working title (was Pearls, then Ruptured, other titles before those) is 
CHASING BLISS: An Artist’s Quest to Break Free of Mother and Mythical Daddies. It’s the story of an artist who grew up under the narcissistic thumb of a mother who expected perfection from her daughter—beauty as well as talent. It’s also the story of an absent alcoholic father who became a fantasy figure, a mythical daddy—the measure all future relationships including three marriages and a child—this artist’s third marriage came together and held together through the glue of meditation. It was the perfect marriage until it wasn’t. This is the story of an artist’s desperate journey of survival from loss and eventual liberation through meditation, creativity, and dance as told through her artist eyes.

My writing journey is still evolving This memoir project was long in the making. Finding my voice, finding the right structure, learning how to write. In the beginning, this story was all “poor me and you bastard.” But over time as I learned to write scenes, use active voice, get rid of all my clichés and “little darlings,” rid myself of “ly” adverbs, use concrete nouns, let go of traditional syntax, and find rhythm, the memoir took shape to tell the story that needed to be told.

WOW: Thanks so much for chatting with us today, Carol. Before you go, can you share a favorite writing tip or piece of advice?

Carol: You’re welcome. And yes, my favorite writing tip or piece of advice: Sit down every day (I like mornings) with a pen and a tablet. Give yourself a prompt. Set a timer for 15 or 20 minutes and write without punctuation, without lifting your pen, without editing, without thinking. Read Natalie Goldberg’s Writing Down the Bones. I find the best writing starts out this way. I write to learn what it is I’m writing about. Sometimes I write word associations—let the words lead the writing. When the timer goes off, I read it aloud, then “type” it up. Then I re-write. Do not edit your work until you’ve re-written it several times. The art is in the re-write.

***  



Read More »

Friday Speak Out!: Writing Effective Dialog

Friday, August 02, 2024
By June Trop

Dialogue is action. It moves the story forward and demonstrates conflict, the heart of every scene. Besides, external dialogue, a character’s speech to at least one other person, and internal dialogue, a character’s thoughts, reveal personalities and relationships more efficiently and convincingly than any narrated passage.

So how can you make the dialogue you write seem authentic? Just remember you’re not trying to imitate real speech. You are, however, trying to give the impression of real speech, which is much harder.

Real speech is often boring, full of small talk, false starts, and rambling repetitive phrases. Instead, make your characters get to the point directly. Strip their speech down to the essentials. Never mind whether a sentence is complete; fragments are often better. Besides, characters interrupt each other, especially when they’re in the throes of conflict. Just make sure the idioms, grammar, speech patterns, and vocabulary uniquely reflect each character’s social class, education, and age. Even without an attribution tag like “John said,” most of the time your reader should be able to infer that John is the one speaking.

Of course, you’ll need at least an occasional attribution tag when the conversation involves more than two people or when the exchange between a pair of characters is lengthy. So, what about attribution tags?

The simplest attribution tag, “he (or Jane) said,” is best. Don’t worry about being monotonous. You want your reader to concentrate on the speech rather than the tag anyway. And at all costs, avoid using a tag that refers to a gesture rather than speech. For example, avoid tags like this: he snarled, she laughed, or John grinned. Snarling, laughing, and grinning are not ways of saying anything. Instead, intensify the spoken words or add a gesture to emphasize the speaker’s emotion. Change “‘I think you are being silly,’ Jane laughed,” to something like this: “‘That’s the silliest thing I’ve ever—’ Jane said, choking with laughter.”

If you find yourself writing a solid paragraph of dialogue, then break up the passage. For example, insert a sentence to call attention to a change in the setting, such as a door slamming, or a character’s shift in posture, such as crossing her legs. Another option is to rewrite the passage as a series of shorter exchanges between the characters.

Finally, read your dialogue aloud to check that it sounds natural and rework the parts that don’t. We read with our ears as well as our eyes. Hear your writing come alive as you use more dialogue and less narrative to tell your story.

* * *

As an award-winning middle school science teacher, June used storytelling to capture her students’ imagination and interest in scientific concepts. Years later as a professor of teacher education, she focused her research on the practical knowledge teachers construct and communicate through storytelling.

Now associate professor emerita at the State University of New York, June devotes her time to writing The Miriam bat Isaac Mystery Series set in first century CE Roman Alexandria. Her most recent book, The Deadliest Returns (Level Best Books, 2024), is a collection of three nail-biting novelettes. If, like Miriam, you thrive on pursuing the twists and turns of a baffling mystery while uncovering the guilty longings, secrets, lies, and evil deeds of others, then, as Miriam’s deputy, you will have ample opportunity to engage your curiosity and escape into that world of adventure.

June, an active member of the Mystery Writers of America, lives with her husband Paul Zuckerman, where she is breathlessly recording her plucky heroine's next life-or-death exploit. She’d love to have you to visit her at www.JuneTrop.com or on her Facebook page, June Trop Author, where she publishes a blog every Tuesday afternoon about life in Roman Alexandria.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Would you like to participate in Friday "Speak Out!"? Email your short posts (under 500 words) about women and writing to: marcia[at]wow-womenonwriting[dot]com for consideration. We look forward to hearing from you!
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Read More »

Friday Speak Out!: A. S. Byatt’s “A Stone Woman”: A Primer on Making Magic Realism Work

Friday, July 19, 2024
by Cynthia Reeves

One story I never tire of reading—indeed, it affects me ever more deeply as I age—is “A Stone Woman” by A. S. Byatt, a wondrous example of magic realism. The story concerns Ines, an elderly woman who, after her mother’s death, confronts not only the grief brought on by that profound loss but also by her own aging and the peculiar sense that the last barrier to her death has fallen away. The story’s heart is an exploration of the psychology of aging and facing death, or, quoting Byatt, “the way the body intrudes increasingly as it goes about its dying.”

Broadly defined, magic realism is a story in which a detailed, realistic setting merges with the irreal. The most successful magic realist stories deploy certain strategies; “A Stone Woman” presents a case study in which to examine these strategies.

Above all, the “magic” shouldn’t be used merely for effect—it must underpin the character’s psychological metamorphosis. The central supernatural element here is Ines’s transformation from flesh to stone, which functions as a metaphor both for the bodily changes that occur with aging and the ultimate transfiguration from life to death.

Structurally speaking, magic realists can either establish the magic up front and then continue as if all other laws of realism apply or begin with the ordinary and proceed to the extraordinary. Byatt chooses the latter method: a conventionally linear story that moves gradually away from the ordinary. She opens (confidently) with, “At first she did not think of stones,” a matter-of-fact sentence that only in retrospect hints of something strange afoot. Lavished in concrete details—an older woman tending to her mother’s death, her job, and her own aging—the story fools us into believing a realistic story will unfold. That is, until the first inkling that Ines’s body is becoming decidedly unflesh-like.

Little by little, we understand that Ines is turning into stone. Engaged in the world Byatt has created, we suspend disbelief and follow Ines on her mission to find a place where she can rest after she completely solidifies. She discovers an old graveyard where the sculptor/stonecutter, Thorsteinn, lives. Their friendship builds in increasingly spellbinding scenes that culminate in Ines finding the courage to unveil her stony body:
Hot liquid rose to the sills of her eyes and clattered in pearly drops on her ruddy hematite cheeks. He stared.

She thought, He is a man, and he sees me as I am, a monster.

“Beautiful,” he said. “Grown, not crafted.”
Here, human psychology—Ines’s need to be seen for who she is but fearful of revealing herself—grounds the magic in realism.

Finally, recalling that magic shouldn’t be exploited merely for effect, ghosts ought to appear “human.” Byatt concludes with the most supernatural (but inevitable) scene of all, when in death, Ines joins her fellow stone women “spinning and bowing in a rapid dance on huge, lithe, stony legs, beckoning with expansive gestures, flinging their great wide arms in invitation.”

* * *

 Cynthia Reeves is the author of three books: the novel The Last Whaler (Regal House Publishing, 2024); the novel in stories Falling Through the New World (2024), winner of Gold Wake Press’s 2023 Spring Fiction Award; and the novella Badlands (2007), winner of Miami University Press’s Novella Prize. Her fiction, essays, and poetry have appeared widely. Most recently, her short story “The Last Glacier” was included in If the Storm Clears (Blue Cactus Press, 2024), an anthology of speculative literature that concerns the sublime in the natural world.

A Hawthornden Fellow, Cynthia has also been awarded residencies to the 2017 Arctic Circle Summer Solstice Expedition, Vermont Studio Center, Galleri Svalbard, and Art & Science in the Field. She taught creative writing at Bryn Mawr and Rosemont Colleges, and earned an MFA in Creative Writing from Warren Wilson’s low-residency program. In August 2024, she will circumnavigate Svalbard aboard an icebreaker carrying a hundred artists, scientists, and crew.

Find out more at cynthiareeveswriter.com.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Would you like to participate in Friday "Speak Out!"? Email your short posts (under 500 words) about women and writing to: marcia[at]wow-womenonwriting[dot]com for consideration. We look forward to hearing from you!
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Read More »
Powered by Blogger.
Back to Top