Maybe it's because Halloween is approaching, but lately I've been paying attention to the way fear drives characters (and readers).
Fear is useful. Fear can protect us from danger, which is why we look both ways before crossing the street. Fear can keep us safe, help us succeed, and act in ways that may contrast with our normal behaviors. Our brain's fear center is the amygdala, which regulates our ability to control fear responses. But what happens when we let fear take over our characters?
Phobias
Does your protagonist have a fear or phobia? If so, how are you going to make her face her fear? If she's afraid of heights (like me) is the evidence of her innocence hidden on the roof of a skyscraper? If it's a fear of water, does she need to swim across a raging river to escape the bad guys? When there's a choice, what does she do, face her fear, or run away?
One way to build tension is to show her running away from her fear when there isn't a lot at stake. By adding this scene early in the story, you've planted a seed that will come back bigger and stronger later, when's the stakes are higher.
The hero
The more dangerous the task, the more fear, and the more heroic the effort to overcome the fear and complete the task. Anyone who risks her life to save someone may not be focused on fear, but it's there.
How does your favorite hero respond to his or her call to action? I'm reading The Outsiders, and during the fire scene, I loved the way S.E. Hinton described Ponyboy's reaction. He thought he should be scared, but wasn't, and added that he had an "odd, detached feeling."
The monster
Some of us like fear, and enjoy feeling afraid. But there's a big difference between someone who takes a risk by mountain climbing, and one who is turned on by fear in others. Is your protagonist on the trail of a serial killer or sociopath?
These stories can be compelling in that the need for control and power makes them strike again and again as the violence escalates. Does this character enjoy someone else's fear, or feed off it? Sometimes a sociopath lacks empathy to feel for others, and having the power to make victims suffer gives them pleasure. They enjoy the power, like the scientist with his subject, maintaining close contact, monitoring their breath, their fear as they gaze into their victim's pupils, listening to the fast-beating heart, smelling their fear, touching their sweat. These characters show no remorse, no conscious, and can raise the fear within a community.
Fear as a virus
Fear is contagious. It can pass from person to person in a room when the electricity goes off, or the sound of footsteps can be heard upstairs when no one is supposed to be there.
Fear also can spread across large areas and groups. Most of us are too young to remember, but have heard about Orson Welles' War of the Worlds broadcast in 1938, which caused mass hysteria when listeners believed this was a live broadcast of a Martian invasion.
So, the next time you are reading a story that evokes fear, pay attention to how it works.
Mary Horner has been afraid of heights and scary stories for many years.
Read More »
Fear is useful. Fear can protect us from danger, which is why we look both ways before crossing the street. Fear can keep us safe, help us succeed, and act in ways that may contrast with our normal behaviors. Our brain's fear center is the amygdala, which regulates our ability to control fear responses. But what happens when we let fear take over our characters?
Phobias
Does your protagonist have a fear or phobia? If so, how are you going to make her face her fear? If she's afraid of heights (like me) is the evidence of her innocence hidden on the roof of a skyscraper? If it's a fear of water, does she need to swim across a raging river to escape the bad guys? When there's a choice, what does she do, face her fear, or run away?
One way to build tension is to show her running away from her fear when there isn't a lot at stake. By adding this scene early in the story, you've planted a seed that will come back bigger and stronger later, when's the stakes are higher.
The hero
The more dangerous the task, the more fear, and the more heroic the effort to overcome the fear and complete the task. Anyone who risks her life to save someone may not be focused on fear, but it's there.
How does your favorite hero respond to his or her call to action? I'm reading The Outsiders, and during the fire scene, I loved the way S.E. Hinton described Ponyboy's reaction. He thought he should be scared, but wasn't, and added that he had an "odd, detached feeling."
The monster
Some of us like fear, and enjoy feeling afraid. But there's a big difference between someone who takes a risk by mountain climbing, and one who is turned on by fear in others. Is your protagonist on the trail of a serial killer or sociopath?
These stories can be compelling in that the need for control and power makes them strike again and again as the violence escalates. Does this character enjoy someone else's fear, or feed off it? Sometimes a sociopath lacks empathy to feel for others, and having the power to make victims suffer gives them pleasure. They enjoy the power, like the scientist with his subject, maintaining close contact, monitoring their breath, their fear as they gaze into their victim's pupils, listening to the fast-beating heart, smelling their fear, touching their sweat. These characters show no remorse, no conscious, and can raise the fear within a community.
Fear as a virus
Fear is contagious. It can pass from person to person in a room when the electricity goes off, or the sound of footsteps can be heard upstairs when no one is supposed to be there.
Fear also can spread across large areas and groups. Most of us are too young to remember, but have heard about Orson Welles' War of the Worlds broadcast in 1938, which caused mass hysteria when listeners believed this was a live broadcast of a Martian invasion.
So, the next time you are reading a story that evokes fear, pay attention to how it works.
Mary Horner has been afraid of heights and scary stories for many years.
