Showing posts with label high concept novel. Show all posts
Showing posts with label high concept novel. Show all posts

Friday Speak Out!: You Oughtta Write a Book! (Part 1— Discover Your Style of Writing)

Friday, December 26, 2014
by Heather Heyford

If you want to write a book, it’s essential to understand where your natural style falls within the wider realm of literature. “What genre do you write in?” is one of the first questions asked when writers, editors and agents convene.

There’s a practical reason for being familiar with your style, too. You have to know which publishing houses and editors to target. It won’t do you much good to send your mystery manuscript to a romance publisher!

Literary fiction is character driven. It’s been described as distant, serious, often dark. It is slower paced, concerned with beautiful writing, and intellectual. Focused more on broad themes, such as human suffering, than on plot. Literary style encompasses the 3Rs: reflection, remembering, and reaction. Examples of literary fiction and its sweeping themes are:
The Great Gatsby — the quest for wealth, the American dream
Romeo and Juliet — star-crossed love leads to tragedy
Catcher in the Rye — alienation as a form of self-protection, the phoniness of the adult world, it’s painful to grow up.
In contrast, commercial fiction is considered to be plot-driven. It is pro-active, fast-paced, emotional, and personal. Usually broken down into genre (romance, thrillers, etc.). Examples of commercial fiction are:
Gone Girl — the wife in what appears to be the perfect couple disappears on her fifth wedding anniversary
The DaVinci Code — an ingenious code is thought to exist in the works of Leonardo DaVinci
Outlander — a WWII combat nurse falls into a standing stone and lands in 1743 Scotland
Mainstream fiction falls somewhere in the middle of literary and commercial. To go a step further, the type of contemporary, emotional, universally appealing, mainstream fiction that occasionally becomes a blockbuster is often referred to as high concept. High concept novels and films can be explained in a quick elevator pitch. For example, here’s a pitch for the high concept movie, Jurassic Park: What if we could build dinosaurs?

In preparation for bumping into a potential editor at a national writer’s conference, I pared my current 4-book series down to this: “The Napa Wine Heiresses is a series about the lives and loves of the daughters of the most notorious vintner in the Napa Valley.” I feel sure this exercise helped me get multiple offers from publishers.

Sometimes the entire premise of a high concept story is evident in the title:
Snakes on a Plane
Try distilling your idea into 1-3 sentences. Even if you have more of a literary bent, boiling your book down to its essence is a great exercise in clarifying what it is you are trying to say.

Whatever your style, good story transcends genre. To paraphrase literary agent and writing coach Donald Maass, the reason fiction exists is to use a stranger in strange circumstances to surprise us with ourselves. Personally, I aim for both powerful story and beautiful writing.

[In Part 2 of You Oughtta Write a Book, I’ll explain the myriad methods—print, digital, indie, and so on—by which you can consider publishing your book. And be sure to stay tuned for Part 3 — The Importance of Social Media in Helping Your Book Get “Found”.]

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Heather Heyford is the author of Wine Heiresses Series: A Taste of Chardonnay,  A Taste of Merlot, A Taste of Sauvignon, and A Taste of Sake, from Kensington Publishing. She is represented by The Nancy Yost Literary Agency. Visit her at HeatherHeyford.com, https://www.facebook.com/heatherheyford1 and http://www.pinterest.com/Romance_Writer/.
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Would you like to participate in Friday "Speak Out!"? Email your short posts (under 500 words) about women and writing to: marcia[at]wow-womenonwriting[dot]com for consideration. We look forward to hearing from you!
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High-Concepting Your Nano Novel with Agent Sally Apokedak

Sunday, September 28, 2014
If you’re taking the NaNo plunge this year—that’s the National Novel Writing Month challenge where writers pen an entire novel of at least 50,000 words in the month of November—you’ll want to take literary agent, Sally Apokedak’s upcoming WOW! class. It’s called NaNo Prep: Planning the High Concept Novel and it’s the class that’s going to take your little gem of a premise and make it sparkle like a blockbuster.

Oh, I know what you’re thinking: But I already have a great idea, Cathy. Bring it on!

And good for you! But chances are, your great idea is…well, not so great. I know that sounds harsh, but here’s what Sally, associate agent of the Leslie H. Stobbe Literary Agency, shared: “The rejection I get most often from editors is, ‘Great work, but it just doesn’t seem fresh enough.’”

Ouch.

Listen up, you wonderful would-be published novelists! If you’re going to go to all the time and trouble to pound out 50,000 words, don’t you think those words should be worth it? Says Sally, “a high concept novel will give you the best chance of catching and keeping readers.”

So how do you take your idea and writing from stale rehash of a tired plot to a fresh and exciting high concept novel? Let’s go straight to your instructor for answers.

What exactly do agents and publishers mean when they talk about “high concept novels”?

Ask five publishing professionals what the definition is of high concept and you'll get eight different answers (because, undoubtedly, a few will hem and haw and give you more than one answer).

My answer goes like this: A high-concept novel is a novel with a premise that has three necessary components. 1) It needs to be familiar enough to make it appealing, 2) it needs to be fresh enough to make it exciting, and 3) it needs to be universally appealing (to its intended audience).

In other words Amish Vampires in Space is not a high-concept novel because while it's certainly fresh, it's not familiar enough to make it appealing to the vampire lovers, the sci-fi lovers, or the Amish fiction lovers. It's not clear who the intended audience is.

What will students be doing in the class that will get them from boring to blockbuster?

They will listen to lectures and practice their pitches.

They will get my lectures on plot and character, which will tell them the kind of action and conflict I want to see in proposals people send me. I get a lot of proposals each week and the writing is very good on many of them. But if there is not enough action or conflict, I'm going to get bored pretty quickly. They will also get my lecture on high concept. And then they will send me their synopses—a two-sentence pitch, a three-paragraph pitch, and a three-page synopsis—and I will critique these once, let them revise and critique them again.


Gosh! That’s a short class—and a short turn-around! What’s the big rush?

Well, NaNo starts November 1st so I thought it would be great to give students some good direction before it starts. But not to worry . . . if anyone wants more time with me they can have it in January. After their novels have sat for a month, and they've enjoyed Christmas, we'll have a NaNo Polish course that will go for another two weeks. So they will have the option of taking a whole month from me, with Christmas in between.

Okay, then, writers. You know what you need to do. There’s a limit of twenty students for this class, so please don’t wait! Sign up for NaNo Prep: Planning the High Concept Novel today.

What? You’re still reading? GO!

~Cathy C. Hall
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