Book Giveaway: Human Heartbeat Detected by Chelsey Clammer

You're in for a treat! We're giving away a signed copy of Chelsey Clammer's newest essay collection, Human Heartbeat Detected (Red Hen Press, August 30, 2022), and a bookmark, knitted by Chelsey! To enter, fill out the Rafflecopter form at the bottom of this post.

Human Heartbeat Detected is a collection of essays that explores how we are wonderfully and terrifyingly human. Hitting on themes such as trauma, emotional abuse, marriage, mental illness, and grief, these essays delve into how humans are simultaneously beautiful and terrible to one another. Though regardless of how we might make each other shatter, our hearts continue beating—even when we might not want them to—and we wade through the wreckage of our lives to find ways to survive. With exquisite language and captivating storytelling, the essays in Human Heartbeat Detected face what it means to be human. 

Publisher: Red Hen Press (August 30, 2022)

Paperback: 248 pages

ISBN-10: 1636280552

ISBN-13: 978-1636280554

ASIN: B0BB65SVKK

Human Heartbeat Detected is available for purchase at Red Hen Press, Amazon, Barnes & Noble, and Bookshop.org.

About the Author:

Chelsey Clammer is the author of BodyHome (Hopewell Publications, 2015) and Circadian (Red Hen Press, 2017), which was the winner of the Red Hen Press Nonfiction Manuscript Award. Her work has appeared in The Normal School, Black Warrior Review, The Rumpus, McSweeney’s, Hobart, Essay Daily, and The Water~Stone Review, among more than one hundred other publications. She is an online creative writing instructor for WOW! Women On Writing. Chelsey received her MFA in Creative Writing from Rainier Writing Workshop. Her third essay collection, Human Heartbeat Detected, looks at the ways in which we are "human" to one another. Chelsey is currently working on a new collection about the empowering women in her life. Visit her website at www.chelseyclammer.com.

What Readers are Saying:

“Chelsey Clammer’s Human Heartbeat Detected pulses with energy, peril, sexuality, and fearless compassion. These innovative essays, many of them in flash form, push at the boundaries of conventional prose, while at the same time pushing toward revelation and understanding.” 

—Dinty W. Moore, author of To Hell With It 

“The women in these essays, including Clammer herself, are 'just taking it blow-by-blow, bracing . . . for the impact,' struggling against assault or abuse or mental illness or a court system that doesn’t believe them, a healthcare system they can’t afford, or silences they don’t understand. Human Heartbeat Detected introduces us to women on l(edges) who scramble back, or don’t. Clammer, who describes herself as a 'terribly impulsive woman,' once again showcases how the essay, as a genre, follows its own impulses. 'We’re all full of surprises,' Clammer writes. So is this bold collection.” 

—Jill Talbot, author of The Way We Weren’t: A Memoir

“In her third collection, Clammer’s command of—and true delight in—the lyric essay is on full and marvelous display. Human Heartbeat Detected is an exquisite and almost improbable marriage of opposites, in both content and form. Brash, bawdy, and tender by turns, these essays linger in the shadow where love and hatred overlap, pinpoint the instant when the past bleeds into present tense, articulate with awful beauty how the body chafes against the mind. Shelve this somewhere between Purpura and Baudelaire; these essays exist at the precise juncture of the sublime and the profane.”

—Marya Hornbacher, author of Madness

“It’s rare to read a book as daring and alive as Human Heartbeat Detected. Chelsey Clammer isn’t afraid to take us to the darkest places, but it’s always in service of ongoingness, a deep belief in love and what it exacts of us. How do we live in the wake of catastrophe? Every sentence here strobes with the light of that question.”

—Paul Lisicky, author of The Narrow Door

“In Human Heartbeat Detected, Chelsey Clammer’s innovative and gripping essay collection, trauma lives side by side with possibility. Lives are fractured, yes—by assault, abuse, self-harm, mental illness, suicidal acts—but, as the narrator reminds us, ‘fractured is better than shattered.’ Like trauma, which ‘isn’t a linear experience’ but rather ‘loops,’ Clammer’s essays bend and twirl and spiral and twist, transforming pain into art.”

—Rebecca McClanahan, author of In the Key of New York City: A Memoir in Essays

***** BOOK GIVEAWAY *****

Enter to win a signed copy of Human Heartbeat Detected by Chelsey Clammer and a knitted bookmark! Fill out the Rafflecopter form below. The giveaway ends September 7th at 11:59 CT. We will announce the winner the next day in the widget and follow up by email. Good luck!

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16 comments Chelsey Clammer, creative nonfiction essays, essay collection, Human Heartbeat Detected

Review and Giveaway: Circadian by Chelsey Clammer

Review by Angela Mackintosh

It’s no secret that I’m a big fan of Chelsey Clammer’s work. She’s a columnist and writing instructor at WOW, and you better believe I checked out her credentials and work thoroughly before she came aboard. I read her essays and her first book, BodyHome, and fell in love with her prose and her brain. She’s been through a lot and isn’t afraid to share her experiences with the world. I admire her fearless, vulnerable, self-reflective, brilliant writing. She’s also very funny, and manages to give the reader a break and a laugh while she plunges into dark subjects. So when I heard Circadian was publishing in October—and it feels like I heard about it forever ago (Don’t you just love the snail-like pace of traditional publishing?)—I preordered a couple copies. One of those copies, I’m giving away to a lucky reader! Just enter the Rafflecopter giveaway below. But first, I’d like to share my impressions of Circadian.

I don’t think I’ve ever read an essay collection that affected me this deeply and emotionally. Winner of the 2015 Red Hen Press Nonfiction Award, Circadian is a masterfully written collection of 12 lyric essays that are poetic, bold in subject matter, and razor sharp in wit and language. Chelsey uses different frames and structures to analyze her relationship with her father, his alcoholism, and ultimately, his suicide, which is still up for debate, but I think a 0.46 blood-alcohol level qualifies as suicide (which is 5.75 times the legal limit of 0.08). In “Outline for Change,” she uses numerology, geometry, and biology to logistically solve the problem of understanding an alcoholic father. I would say the crux of this essay collection, to me, anyway, is about finding acceptance with his suicide and their relationship. As a writer and a survivor of a family member who committed suicide, I strive for this kind of depth in my writing, and it brought me to tears a few times.

Writers will delight and completely relate to her essay, “I Could Title This Wavering,” where she shares her lack of self-confidence as a writer and examines the absurdities of the English language—wound and wound (as in: injury to the body vs. past tense of winding a clock), wind and wind (as in: wind a clock vs. moving air)—and shares one of her favorite things to do: verb a noun (as in: “No one ever told me you can’t verb a noun, that you can’t Chelsey a sentence.”) But this essay in all its literary debate and linguistic myths really has a secret message: it’s about a time when Chelsey fainted at the post office because of her eating disorder. And that’s what makes these essays a genius work of art—the form, twist, and introspection of her words, without making it all about her, and broadening the context. I’ve taken her classes before, and I think she calls this approach a sideswipe—where you explore ideas in a different way to see what more they have to say, rather than head on.

All twelve of the essays are standouts, and I don’t want to reveal all of them, so I’ll pick a couple more. “Mother Tongue” is an essay every woman writer will fall in love with; it analyzes women’s oppression through the lexicon—names like “Lazy Susan” and “wife beater” and “Debbie Downer,” and phrases like “Throws like a girl” and “Cries like a bitch,” and lexicon points! Which is a game that Chelsey and her friend made up where they get points for coming up with a new word that is as witty as it is perfect for the situation it describes. Example: “Hippies living in Texas? Those dreadnecks!” (Lexicon point!) It’s hilarious. This essay is the perfect example of taking a serious issue and having fun while getting to the root of the problem.

“Then She Flew Away” is personally one of my favorite essays of all time because it’s about a girl Chelsey befriends while working in a transitional residency for homeless youth with drug addiction and mental health issues. The teen, Sophie, was suicidal, and one night she got drunk and climbed up a building to commit suicide, changed her mind, but ended up falling off the building. Chelsey struggles to understand what happened to Sophie by recounting their time together—including one trip where Chelsey took her and three other youth to the mountains for a writing retreat—and analyzing Sophie’s journal. This essay and others in the collection provide different perspectives and an honest look at suicide and mental illness that I really appreciated.

I will pick only one more because I want you to have some surprises when you read this! In “Trigger Happy,” Chelsey interviews a fellow survivor of sexual violence, Lacy Johnson, and author of The Other Side, about whether books, college texts, and other material should include trigger warnings. “Who should be responsible for warning you of your uncertainties?” It’s something that writers need to think about. I can’t tell you how many times I’ve come across an Amazon review where the reviewer says something like, “I really wish the author would’ve put a trigger warning on this,” or “If you have issues with _________, beware, this is a trigger warning!” Can you really put a trigger warning on the world? The most revealing part is where Chelsey starts out with “Funny story” and that story is anything but funny. She tells the story of how she was sexually assaulted, and how that moment changed her life for the next six years (or more). Ultimately, the message is, “Push harder to think critically about your discomfort.”

And thinking critically about her discomfort by writing about difficult subjects with heart is what Chelsey does successfully in these masterful, innovative, and truly moving essays. Highly recommended, Circadian gets five stars and then some from me.

About the author:

Chelsey Clammer is the author of BodyHome and Circadian, which was the winner of the 2015 Red Hen Press Nonfiction Manuscript Award. Her work has appeared in The Normal School, Black Warrior Review, The Rumpus, McSweeney’s, Hobart, Essay Daily, and The Water~Stone Review, among more than one hundred other publications. She is the Essays Editor for The Nervous Breakdown, a reader for Creative Nonfiction magazine, and an online creative writing instructor and columnist for WOW! Women On Writing. Chelsey received her MFA in Creative Writing from Rainier Writing Workshop. She lives in Austin, TX. Visit her website at www.chelseyclammer.com.

*****BOOK GIVEAWAY*****

Enter to win a copy of the award-winning essay collection, Circadian by Chelsey Clammer by filling out the Rafflecopter form below. We will choose a lucky winner a week from now, next Thursday, October 19th. Good luck!

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8 comments alcoholism, book review, Chelsey Clammer, Circadian, Creative Nonfiction, essay collection, essays for writers, grief, memoir, Red Hen Press, suicide, trauma