Showing posts with label commercial fiction. Show all posts
Showing posts with label commercial fiction. Show all posts

Friday Speak Out!: You Oughtta Write a Book! (Part 1— Discover Your Style of Writing)

Friday, December 26, 2014
by Heather Heyford

If you want to write a book, it’s essential to understand where your natural style falls within the wider realm of literature. “What genre do you write in?” is one of the first questions asked when writers, editors and agents convene.

There’s a practical reason for being familiar with your style, too. You have to know which publishing houses and editors to target. It won’t do you much good to send your mystery manuscript to a romance publisher!

Literary fiction is character driven. It’s been described as distant, serious, often dark. It is slower paced, concerned with beautiful writing, and intellectual. Focused more on broad themes, such as human suffering, than on plot. Literary style encompasses the 3Rs: reflection, remembering, and reaction. Examples of literary fiction and its sweeping themes are:
The Great Gatsby — the quest for wealth, the American dream
Romeo and Juliet — star-crossed love leads to tragedy
Catcher in the Rye — alienation as a form of self-protection, the phoniness of the adult world, it’s painful to grow up.
In contrast, commercial fiction is considered to be plot-driven. It is pro-active, fast-paced, emotional, and personal. Usually broken down into genre (romance, thrillers, etc.). Examples of commercial fiction are:
Gone Girl — the wife in what appears to be the perfect couple disappears on her fifth wedding anniversary
The DaVinci Code — an ingenious code is thought to exist in the works of Leonardo DaVinci
Outlander — a WWII combat nurse falls into a standing stone and lands in 1743 Scotland
Mainstream fiction falls somewhere in the middle of literary and commercial. To go a step further, the type of contemporary, emotional, universally appealing, mainstream fiction that occasionally becomes a blockbuster is often referred to as high concept. High concept novels and films can be explained in a quick elevator pitch. For example, here’s a pitch for the high concept movie, Jurassic Park: What if we could build dinosaurs?

In preparation for bumping into a potential editor at a national writer’s conference, I pared my current 4-book series down to this: “The Napa Wine Heiresses is a series about the lives and loves of the daughters of the most notorious vintner in the Napa Valley.” I feel sure this exercise helped me get multiple offers from publishers.

Sometimes the entire premise of a high concept story is evident in the title:
Snakes on a Plane
Try distilling your idea into 1-3 sentences. Even if you have more of a literary bent, boiling your book down to its essence is a great exercise in clarifying what it is you are trying to say.

Whatever your style, good story transcends genre. To paraphrase literary agent and writing coach Donald Maass, the reason fiction exists is to use a stranger in strange circumstances to surprise us with ourselves. Personally, I aim for both powerful story and beautiful writing.

[In Part 2 of You Oughtta Write a Book, I’ll explain the myriad methods—print, digital, indie, and so on—by which you can consider publishing your book. And be sure to stay tuned for Part 3 — The Importance of Social Media in Helping Your Book Get “Found”.]

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Heather Heyford is the author of Wine Heiresses Series: A Taste of Chardonnay,  A Taste of Merlot, A Taste of Sauvignon, and A Taste of Sake, from Kensington Publishing. She is represented by The Nancy Yost Literary Agency. Visit her at HeatherHeyford.com, https://www.facebook.com/heatherheyford1 and http://www.pinterest.com/Romance_Writer/.
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Would you like to participate in Friday "Speak Out!"? Email your short posts (under 500 words) about women and writing to: marcia[at]wow-womenonwriting[dot]com for consideration. We look forward to hearing from you!
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Friday Speak Out!: Sneetch School, Guest Post by Melissa Olson

Friday, April 15, 2011
Sneetch School

by Melissa Olson

For years now, I’ve been told that there are two kinds of fiction writing: “popular” or “commercial” fiction, and “literary” fiction. (Let’s put aside for a moment the fact that both terms are insulting to the other kind of writing.) Honestly, there’s nothing wrong with either kind of book--I probably enjoy commercial fiction the most, but I definitely read both. Somewhere along the way, though a line was drawn in the sand, and now everybody seems to have these…attitudes.

I’m not necessarily talking about the readers, though there are plenty of literary snobs and commercial junkies who fight about this stuff. No, I’m referring more to the writers themselves. Very few authors have worked in both literary and commercial fiction, and each side seems to snort at the other. It’s like (to reference a great commercial writer) the Dr. Seuss story with the Sneetches. Some have stars on their bellies, and some don’t, but both sides look down upon the other, which can only be described as pointless. Commercial writers have a lot of insecurity that their work isn’t as good as literary writers, and literary writers are embarrassed that their so-called "superior" books don’t sell nearly as much. Writers don’t like having their egos challenged.

This quiet feud has been around for decades, but it’s only recently that I’ve really been forced to get involved. Even though I haven’t sold a book yet, I’ve always thought of myself as a commercial writer, because that’s the kind of stuff I produce. My first book was a PI whodunit, and my second was a vampires and werewolves fantasy. Somewhere along the line, though, I started to wonder if I was capable of more “literary” writing. I don’t have a problem with being a commercial writer--I’ll never win the Pulitzer, but I might keep food on the table--but I just really wanted to know, for me. Which, combined with my desire to be able to teach in a pinch, is how I ended up in grad school working on a master's in Creative Writing. And after two uncomfortable semesters, I think I’ve finally figured out why I don’t seem to fit in there: nobody crosses the line. There are great commercial writers and great literary writers, but you can’t have a star on your belly and no star on your belly at the same time.

I guess if I’d really thought about it, I would have realized that by even going to grad school I was heading straight into literary-only territory, but my focus was just on learning to write better--I really thought about just how snobbish it would be. My professors and all my classmates have been really cool, interesting people, but nobody wants to write genre fiction: it’s lit or bust. For these people, writing isn’t about having fun or having a career, it’s telling important messages in detailed and well-developed ways. It’s more about great art than great stories, and that’s taking some getting used to.

Sometimes I feel like I’m sneaking around behind enemy lines, and at any moment someone is going to read this blog or critique some of my writing, and I’ll get tossed out of here on my rear. And I have to admit, by about week two I was wondering if I should just drop out and focus on my book. I thought I couldn’t write literary fiction because I’ve never been taught, but maybe it’s just because I can’t write literary fiction.

The smart thing would probably be to cut my losses and walk away from grad school, but historically I'm not known for doing the smart thing, which is how I ended up trying to be a full-time student and mommy to a toddler at the same time. I'm going to go for it, but I'm going to try to remember that life is too busy and too full to worry that I might be holding onto a star, trying to figure out if/how/when to put it on my belly. The whole division thing is silly. Seriously, it's a Dr. Seuss book. Things don't get much sillier.

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Melissa Olson grew up in Chippewa Falls, WI (home of Leinenkugels) before attending the University of Southern California , where she earned degrees in English Literature and Cinema-Television. She worked as a features and reviews writer, columnist, and film editor for the Daily Trojan newspaper. After graduation, she spent a brief time in the Hollywood studio system before moving to Madison, WI. Melissa is currently pursuing her MA in creative writing and working on publishing her two completed novels. She is an occasional film columnist for the Chippewa Falls Herald Telegram, and also writes blogs on entertainment, motherhood, and writing at her website, http://www.melissafolson.com/ . Academic interests include film studies, fantasy/magical realism, feminist literature, and screenwriting.

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Would you like to participate in Friday "Speak Out!"? Email your short posts (under 500 words) about women and writing to: marcia[at]wow-womenonwriting[dot]com for consideration. We look forward to hearing from you!

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