Showing posts with label WOW writing contests. Show all posts
Showing posts with label WOW writing contests. Show all posts

Interview with Jeanine DeHoney, Runner Up in the WOW! Spring 2025 Flash Fiction Contest

Tuesday, October 28, 2025

 


Jeanine DeHoney's writing has been published in Essence Magazine, Empowerment For Women, Tea Magazine, Mused Bella Online, Mutha Magazine, Literary Mama, Mothering.com, Please See me Literary Magazine, Jerry Jazz Magazine, Brain Child Magazine, Scary Mama, Devozine, Rigorous Literary Magazine, Soul In Space Literary Magazine, The Write Place at The Write Time, The Dirty Spoon Radio Hour and Journal, Gemini Literary Magazine (she won an honorable mention in their 2025 poetry contest), Lemonwood Quarterly Review, Five Minutes Literary Review, Sisters AARP, Mahogany Blog, Australia's The School Magazine, MER, among others. Her writing has won or been shortlisted in several literary contests including The Colorism Healing Contest and Australia's Voices of Women Embellishment Contest and The Substack One Room One Hour. She is also an essayist in several anthologies including the Chicken Soup For The Soul series, Zora's Den, Black Lawrence Press, Black Freighter Press and BLF Press. Jeanine was a 2022 Honor winner of Sleeping Bear Press Own Voices Own Stories competition and her picture book manuscript was acquired for publication. Her picture book, This Sunday My Daddy Came To Church, was published on August 1, 2025. A Mom, grandmother and great grandmother, she lives in Pennsylvania with her best friend; her husband Sam. 

 ----------Interview by Renee Roberson 

WOW: “The Stew Pot” is a powerful story of the connection and unspoken bonds between mothers and their children. How did you first get the idea to write on this topic, and how did the story evolve throughout the drafts? 

Jeanine: I had this idea a few years ago. It was first published in an anthology and I made a few changes when I submitted it to WOW’s Spring 2025 Flash Fiction contest. The topic came about because so much of our lives from the time we are children revolves around food, and the cooking and eating and gathering around meals. Often, we can close our eyes and envision the memories associated with those meals; the aromas that permeated throughout the kitchen and entire house, the conversations had, or even the silence that hung uneasily in the room, the print on our kitchen curtains and how the light streamed through and landed on our hands or legs while we sat at the kitchen table, and so much more. We can remember how not only our bellies were full if we were lucky enough not to have food insecurity, but how our soul was full, how our emotional hunger was satisfied or not. Food offers us so much comfort especially in the midst of chaos. I wanted to convey that familial and emotive chaos yet also show that strong bond between a mother and daughter using the symbolism of the stew pot and the ingredients that were in it. It was such an easy story to write that just flowed, so there weren’t many drafts, maybe one or two in which I mainly concentrated on tightening my writing, deleting redundant words, fixing my grammar, etc. 

WOW: What do you think is the most powerful line from “The Stew Pot?" 

Jeanine: “Maybe she wanted to teach me how to deal with unhappiness and pain because she knew when I became a woman it might land at my feet.” That line resonates with me the most and so many other women that I know, how our mothers mirror for us how to deal with pain, sometimes in good and not so good ways often because they didn’t have a blueprint when it came to carrying their own pain. 

WOW: You have such an impressive writing bio, Jeanine! What advice would you give any writer hoping to explore flash fiction for the first time, as the limited word count can often be tricky? 

Jeanine: Write without restraint. Write until that story that refuses to let go of you is out in all of its beautiful and messy hues and you feel spent. And then let out an elongated sigh or cry or splash water on your face, or laugh until you roll on the floor if it’s a humor piece, and then go back to what you wrote with fresh eyes. Strip it down, word by word or sentence by sentence, edit until you get to the pulse of your story and the word count needed. 

WOW: Could you tell us about the first time you had a piece of work published? 

Jeanine: My first story was published in a magazine called Black Romance but the story that made me feel really seen as a writer was in Essence Magazine. I wrote about the gap in my tooth and how I learned to embrace it after doing some research and learning that several African tribes view a gap in the teeth as a sign of beauty and spiritual strength and wisdom and good fortune. That essay meant a lot to me because my mother carried the magazine it was in folded in her pocketbook, yes, that’s what we called it back then. My mother would show it off to anyone she met, even strangers at her doctor’s office, letting them know her daughter had an essay published inside. 

WOW: You have a children’s picture book that received publication as part of a prize package for the Sleeping Bear Press Own Voices Own Stories Competition. Could you tell us more about This Sunday My Daddy Came to Church

Jeanine: This Sunday My Daddy Came to Church is a “heart story,” a “family story,” about accepting the different ways we all worship. It centers around a young boy who loves going to church with his mother on Sunday but his father doesn’t join them, and he wonders why. When he asks his mother about it, she explains that there are different ways we worship and also talks about faith and belief. I was so fortunate to have a wonderful Senior Children’s Editor from Sleeping Bear Press, Barb McNally, to work with who saw my vision, and the talented USA Today Best-Selling Illustrator, Robert Paul Jr., illustrate my book. His illustrations captured the characters in my story perfectly and I am in awe each time I look at them. I must admit I do that almost daily.

WOW: Thank you again, Jeanine! We are in awe of your success and can't wait to read more from you.
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Interview with Amy DeFlavis, Third Place Winner in the Q3 2025 Creative Nonfiction Contest

Sunday, August 17, 2025

 


Amy DeFlavis resides and writes in Bucks County, Pennsylvania. Her short stories, flash fiction, and creative nonfiction essays have earned placements in Writers Digest, NYC Midnight, Tadpole Press, and WOW Women on Writing competitions. Outside her corporate day job, she spends her time editing her debut romantic suspense novel and refining her author website. Her moments of respite are found in renovating her historic home, planning adventures to various corners of the world, and manifesting the life of her dreams.

If you haven't already, please take a few minutes and read "Red, White, and Blueland", then return here for an interview with the author!

 ----------Interview by Renee Roberson 

WOW: Welcome back Amy, and congratulations! We're excited to learn more about you and your process for writing and creating thought-provoking essays. Writing about our personal experiences can be therapeutic, but sometimes it’s difficult to arrange our thoughts into a cohesive essay form. Do you have any tips for writers just starting out in creative nonfiction? 

Amy: I think most writers, whether conscious of it or not, pull from the well of their own experiences. We’re shaped by the world around us and the events that mark our lives. Personally, I never set out to write full-on creative nonfiction, so I’m not sure about tips. Being a romance writer, I’d always preferred immersing myself in a world where I knew a happy ending was guaranteed. But as we all know, real life holds no such promise. And the more I tried to incorporate my experiences through the lives of my fictional characters, the more I realized it wasn’t resonating with me any longer the way it had before. It felt hollow and two-dimensional. Somehow, not genuine. So, I made the decision to drop the pretense and dive into the deep end of creative nonfiction. I thought it was going to be scary to pull back the curtain all the way, but it turned out to be the thing that opened the floodgates to deeper, more powerful writing for me. I began to keep a notebook, jotting down any experience, brief interaction, or conversation that struck me for whatever reason. Then I dug into the memories of things I’d pushed aside over the years—the fear that comes with getting older, my father's death, friendships I’d lost, people I’d met during my travels, and the broken hearts scattered along the way. I pulled all those feelings together and then incorporated them into a specific event or scenario in my daily life. So, I would say if you’re just starting out, make notes of the things that happen to you during the day. It could be a brief interaction or passing someone on the street. Or maybe a song that takes you back to a certain place and time. Were you happy, sad, angry? Sit with those emotions. Write about them under the cover of a fictional character if you have to. And then dissect that character until it’s stripped down to its raw components. You might be amazed that underneath all of it, it’s you. At least I was. 

WOW: That's solid advice! As writers, I believe first and foremost, we are observers. What happens when we mix those daily observations with our memories and emotions is magical. The last line of “Red, White, and Blueland” is so powerful and poignant. Writing the final sentence in any short story or essay can be intimidating. Did you struggle at all with figuring out how to wrap up this piece in a way that would resonate with the reader? 

Amy: I’ve always been more of a panster than a plotter, so it’s rare for me to know how I will close out a piece. This one was no different. I just know that for everything I write, I want to do my best to make it stay with the reader. I love it when art/movies/books make me think about them for days after the movie credits roll or I turn that last page of the book. I want my readers to feel that. I want them to take whatever they can from my work and come to their own conclusions about what it means to them or how it makes them feel. For this one, when I thought about that day in New York, the one thing that kept coming back to me was how cold my feet were. It was bitter, and the wind made standing outside almost unbearable. I even considered abandoning the tour. When I’d gotten to the end of the piece, I knew I had to circle back to my cold feet because, through everything I heard and saw, in the back of my mind was the constant throbbing. My feet were the main character that day—a nagging, inconvenient reminder of how uncomfortable I was with so many things in the world. 

WOW: You have to love the double meaning there and I applaud you bringing that physical and emotional discomfort through in your piece. Like you mentioned above, this winning essay revolves around an excursion you took to New York City as a form of distraction, and you’ve also discussed other trips in other essays. We’d love to hear about some of your favorite journeys! 

Amy: I love learning about other cultures and meeting new people. London has quickly become one of my favorite places. I visited last month and wish I could have stayed longer. I have a soft spot for Italy and hope to retire there someday. Australia and Spain had the best food. The most wonderful thing to come from my writing journey, aside from the creative outlet it provides, is that I’ve made friends all over the world through my various virtual writing groups. After only knowing these supportive, creative, wonderful souls online, it’s been amazing to actually meet them in person when I travel. The world has become so much smaller through the power of the internet. The days of writing letters to a pen pal from middle school French class seem so long ago. Now, I can get on a plane and meet the people I’ve only known through a screen for years, but who’ve had as much of an impact on my life (if not more so) than people I see every day. And with the recent passing of my nineteen-year-old dog, I feel like I’m on the precipice of some pretty cool adventures. I’ll miss her, but Japan has been calling to me in my dreams for a little while, and I’m looking forward to seeing where the wind blows me next. 

WOW: What amazing journeys you've had! I just read One Italian Summer by Rebecca Serle and truly felt like I was transported to Positano. I can't wait to visit there and try the food and wine! To many of us, our writing spaces are sacred and help us to be our most productive. Living in a historic home, we’d love to hear about any special areas you’ve created for your writing. 

Amy: I’ve tried a few different places in my home to write. I’ve tried music, having plants around, and sitting outside on my patio. But at the end of the day, I always seem to end up sitting on my couch with my laptop on my knees. As much as I want to make some kind of zen space for writing, this old couch seems to hide all my creative secrets under its cushions. 

WOW: Ha! I love that. You’ve experienced success in writing competitions and are working on a novel when you’re not at your full-time job. Are there any other dream creative projects on your list to tackle? 

Amy: Right now, I think I need to dust off my manuscript and dive back in. Halfway through the second draft, I lost steam. I turned to writing competitions to keep the creative juices flowing so I wouldn’t become stagnant. But I also found that it served a greater purpose. Pouring my energies into the Flash Fiction and Creative Non-Fiction pieces improved my writing more than I realized. They took me to greater depths with my creativity and helped me understand more fully what kind of writer I want to be moving forward. I have a renewed passion for my novel and am looking at it with fresh eyes and a new perspective. I look forward to completing the edits to produce a more polished and tightly written novel, so I can finally start the query process.

WOW: You've got this, Amy! Looking forward to reading more from you in the future. 
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When a Loss is a Win

Thursday, September 10, 2020

 Yesterday I got the initial results of WOW’s most recent essay contest. I had not made it to the next round. Again.

That means I’m 0 for 2.


This piece that didn’t pass muster is close to my heart. It’s organized to echo the format of one of my favorite essays: Joyas Voladoras. It’s on a topic I’m passionate about: racisim. I really wanted it to snag at least a runner-up spot.


It didn’t. To advance, it needed a score of at least 14. The pieces were scored on subject, content and technical aspects--each was worth 5 points. Mine earned only 11 points.


image by Pixabay

About 6 months ago, I entered my first WOW contest. It was also an essay that was close to my heart. This one focused on postpartum psychosis. I have two friends who have daughters that suffered from it. One killed her three children, in the span of three years. She’s been in prison for 30 years. The other friend’s daughter shot her husband, and her baby daughter. She then killed herself.


Both pieces would have shed some light on an issue that’s important to me. Getting a large audience to read them would have been wonderful.


However, this time (just like the previous time), I got a critique as part of the package. Earlier, a friend paid for the critique. When I entered recently, I paid for a critique. I mean, how often does a writer get feedback (other than from their writing group colleagues)? We might get a rejection email. We might get no response, which means a no. But rarely do we get specific constructive criticism.


Lucky for me, I got several pages of feedback. Some of it spoke to me needing to tighten my piece. Some of it tried to school me on the use of ellipses. (The audacity! Doesn’t everyone know that the ellipsis is king? It should be used as often as possible… at least once every other sentence.) But, a lot of the critique involved lines being crossed out--parts that weren’t really necessary to the piece.


And double-lucky for me: I got the same judge to critique my piece that I got last time. I know it’s random, but my earlier feed-back was so spot-on, when I paid for the feed-back this time, I had a wish: I hope Chelsey critiques mine again. Without even knowing if she’d be involved in this round of essays… (See? Ellipses are always welcome and appropriate.)


I’ve heard many of my respected writer friends froth at the mouth over workshops they’ve taken with Chelsey Clammer. I can see why. If her suggestions are any indication of her talent as a teacher and a writer… well, I can see why she’s able to inspire so many pieces into existence. (Chelsey: I know you’re rethinking the ellipsis thingy. You’re warming up to embracing pieces with 42 ellipses, right?)


Even though I failed to earn a spot as a runner-up, I’m calling myself a winner. I got an incredible start at reworking my essay. I also got something I’m planning on using in my classroom. When my students write essays this year, I’m going to put Chelsey’s crossed-out version of my essay up on my smartboard… to show my classes that sometimes we love our words, but there’s always room for improvement.


Sometimes, there’s lots of room for improvement… (Chelsey--You’re hot for ‘em now, right?)  




Sioux is a middle-school teacher by day, and a failed contest writer by night. Lately, she's found great success at falling asleep (sitting upright) on the couch, her laptop in her lap. If you'd like to read more of her stuff, head to her blog.
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