Showing posts with label Tara Lazar. Show all posts
Showing posts with label Tara Lazar. Show all posts

The Rest of the (Revamp) Story

Wednesday, February 12, 2020
Last time we were here, I discussed how a link started a chain of events with my website (and honestly, I’m still working to bring all the pieces together). BUT those are just house-keeping details; the bigger picture of how all that revamping came about is, as Paul Harvey used to say, the rest of the story.

Back in December, Youngest Junior Hall asked for books under his tree. He didn’t ask for specific titles but he did ask for a subject: entrepreneurship and marketing. So like the good writer that I am, I did my homework. I checked entrepreneur websites and a couple of titles kept coming up. I expected titles like, “How to Be a Pro at Marketing and Big Business” which granted, is not very creative but I was thinking like a boring business person.

At least, I thought I was thinking like a boring business person. But boy, did I ever think wrong. Because boring business no longer exists, as far as I can tell; the best books were about thinking creatively, marketing outside the box, business beyond boundaries. And after I ordered a couple titles and read the first chapter or two, I was hooked. And I realized that much of what I was reading pertained to me as a business person, a writer, and a productive member of the human race. Who knew entrepreneurial books could do all that?

First, I cracked open How Successful People Think by John Maxwell. If you want to change up how you think about success, your work, and possibly your life, start with this slim book. I began thinking about what my success would look like long before I touched my website.

As 2020 kicked off, I participated over at Tara Lazar’s Storystorm, which is a great way to stockpile ideas and just think. (You can still take a look at the great posts if you need idea-generating inspiration; you won’t be eligible for prizes but you’re still going to win.) And I would zip over to websites of all these creatives, too. So while I was coming up with story ideas, I had Maxwell’s thinking stuff churning in my mind while I zipped. A picture of where I wanted my website to go was forming.

Then I read Building a Storybrand by Donald Miller and if I’m telling the truth here, I just checked it out of the library for Youngest Junior Hall ‘cause I was too cheap to buy every book on those lists. But I read the first couple pages because he uses the hero’s journey in his seven steps about building a story brand and getting your message out there.

What writer can resist the hero’s journey? If you’ve ever wondered about your brand and branding in general, here’s something perfect for a writer. And as an extra bonus, Miller goes into website-building, too, and so I took a couple (and by a couple, I mean a lot) of notes.

And finally, I came across finding your core story. Core story happens to be a business principle but I’m talking about it as it pertains to writers. We all have a core story, that story we write over and over again. We might dress it differently—romance, horror, mystery, humor—but we tell the same story, over and over. And not to confuse you, but it’s not the same thing as your brand.

For example, I write funny, whether I’m writing for kids or adults. There will be some sort of humor in a short story or a full-length manuscript or even a limerick, and it doesn’t matter if it’s macabre or madcap middle-school adventures. That’s my brand but it’s not my core story. I’m still fine-tuning my core story thinking and wondering how it informs my career.

Meanwhile, all of that exploring helped me see my brand, my writing, my business more clearly. And so then, I clicked on that link, making small tweaks here and there on the website and...well, you know the rest of that story and now you know the story behind it. Totally worth all that thinking!

How about you? Have a book that re-shaped your thinking? Agree or disagree with the idea of a core-story? Expand our minds and share!

~Cathy C. Hall

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Story Ideas: The Complete Package or the Fragment

Sunday, January 21, 2018

January is StoryStorm month during which author Tara Lazar challenges other writers to come up with an idea a day. Because of this, I’ve been thinking a lot about how we generate ideas and what each writer considers an idea.

Some writers claim to have very few writing ideas. After talking to one or two people who have made this statement, I realized that what they consider a writing idea is a fairly complete package. They know who their main character is, what they want, what stands in the way, as well as when and where the story is set. My definition is much more flexible and fluid.

Sometimes I know who the character is but only in a fairly broad sense. He might be a boy who is a ninja but only in his sleep. She could be a girl who is so easily startled that everything makes her jump. I write a lot of nonfiction so I might read about a historic figure such as Thomas Henry Huxley and decide that I liked to share this person with young readers. Or I might get curious about an animal like the cicada.

Other times I only know the character’s motivation. Last week my son’s engineering professor detailed the problems facing the world today. Then he challenged his students. “It is your job to learn enough to find solutions. You need to decide, do you want tomorrow to look like Mad Max or Star Trek.” I don’t know yet who my character is, but I find myself imagining a character who would be motivated by this statement. What would it be like to believe it was all on you to use science to determine the future of the planet?

Other times I’ll see a title that immediately brings a story idea to mind. This week, I saw a listing for a book called No Immediate Danger. I have no clue what the original book was about but now I’m noodling over a nonfiction book about the many real dangers people ignore while panicking over something much less significant.

Another title I recently saw was How Can We Harness a Hurricane? That inspired a fictional idea about a society that has used up all fossil fuels and has to harness energy from global disasters like hurricanes, tornadoes and volcanic eruptions.

None of these ideas are complete enough for me to sit down and start writing, but that’s okay. I keep a list of my ideas. This year they are in my bulleted journal. When I’m stuck in the middle of a project and need to ignore it for a while, I page through my journal or scroll through an old list. Because there are so many things written down, something invariably catches my attention. I have the germ of a project to play with and maybe something will come out of it.

Complete package or scattered fragment. Depending on how you define idea, in a month you may have 5 or you may have 45. Either way, jot them down. That way you’ll have something to develop when it is time to start your next project.

--SueBE

To find out more about Sue Bradford Edwards' writing, visit her blog, One Writer's Journey.  Sue is also the instructor for Writing Nonfiction for Children and Young Adults. The next session begins March 12th, 2018.
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The November Push: Time to Pick a Project!

Saturday, November 02, 2013
I’m a little stunned, sitting here writing about November goals. November? Already?

But we don’t have time for wondering where the time went. November is a crucial time-management month, if you’re a writer. And it’s no good, you looking at me with that innocent gleam in your writer’s eye. You know perfectly well that come December, we’ll thank our lucky stars if we finish a grocery list.

So November is the month for a put-your-shoulders-into-it push. And then when January rolls around, you’ll be sitting smug, ready to start on those projects. But first, you’re going to need a project:

National Novel Writing Month

Have you always dreamed of completing a novel? Would you like a little help and support along the way? For free? Then National Novel Writing Month is for you. It’s easy to sign up (and yes, it’s okay to sign up on November 2nd). NaNoWriMo is a wonderful incentive for wannabe novelists; it’s the ultimate November push tool. And you can make this tool work for whatever you need.

I need to get about 27,000 words rewritten—and even though I won’t get that cool winner’s badge, or cute halo over my head, I will get that manuscript finished and I’ll be thrilled. Maybe you’ll be thrilled with a good, strong start to your novel, and 10,000 words is exactly what you need to get it done. Or maybe you love the thrill of that 50,000-word achievement. A big boost of confidence often goes along with that sparkly blog badge.


PiBoIdMo

If you’re a children’s writer, you may have heard of Picture Book Idea Month. Picture book author, Tara Lazar, manages this great push tool over at her blog, rounding up a ton of picture book authors who encourage and share great ideas all month long. And yes, you can still sign up and be eligible for terrific prizes.

I love PiBoIdMo because come on, I only have to come up with a daily idea. (Book about a hedgehog. Done!) But I love it more for the push it gives my creativity. Suddenly, I’m finding ideas everywhere! I look out my window and hear a woodpecker—and come up with a story idea about critters sending code. And when the New Year rolls around, I have thirty ideas for picture books, children’s stories or poems. (Submissions all year long. Done!)

Pitch Push

For the writer who’s working on pitching articles, why not use November to amp up your queries? It’s absolutely necessary to keep queries in circulation; it’s a numbers game, and the more ideas you pitch, the better chance you have of getting a hit. So while all of your story-writing buddies are furiously pounding out ideas and/or novels, you can set a goal along with them. Stretch yourself to a query-a-day and send them out. Come January, the odds are good that one of your queries will pay off. And then you can pay off your holiday debt.

Okay, got your writing project? Then off you go—‘cause it’s November, people!

~Cathy C. Hall
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