Showing posts with label Q1 2025 CNF Contest. Show all posts
Showing posts with label Q1 2025 CNF Contest. Show all posts

Interview with Jennifer Paquette: Q1 2025 CNF Contest Two-Time Runner Up

Sunday, March 16, 2025
Jennifer’s Bio:
Jennifer Paquette is the founder and retired artistic director of a theatre program for young people. She now enjoys hanging with her gaggle of granddaughters, and co-producing/directing Voiceover work out of her home studio with her partner in all things, Jason. She is a prize-winning essayist (Eden Mills Literary Contest, Stratford Writers Festival) whose creative work has appeared in The National Arts Centre’s Canada Performs Series, Canadian Stories Magazine, Memoir Writing Ink. and elsewhere. She credits the community of writer friends she meets with regularly for inspiring her. Jennifer has been a contest reader for the Amy MacRae Award for Memoir since 2021 and is the author of two early reader books. Find her at: jenniferpaquette.ca 

If you haven't done so already, check out Jennifer's award-winning essays "New Ride" and "Goodwill" and then return here for a chat with the author. 

WOW: Congratulations on placing twice in the Q1 2025 Creative Nonfiction Contest! How did you begin writing your essays and how did they and your writing processes evolve as you wrote? 

Jennifer: Both essays were written for a bi-weekly writing group I belong to. “New Ride,” an account of a day spent with my 90-year-old mother came easily, requiring less editing than much of my writing. As the day unfolded, I knew I would write about it, so I made a point of observing, taking in the details. It may be interesting to note that I wrote the photograph section first and built the rest of the piece around it. The process for “Goodwill” was different. It was originally a much longer essay. It lacked focus. I played with tense and voice, trying it in first person, then third person, before landing on the idea to use both. Editing it down to under 1000 words gave the piece clarity (thanks WOW! for that word count!) 

WOW: We’re glad to play a role in the success of your essays! Thank you for sharing your process. What did you learn about yourself or your writing by creating these essays? 

Jennifer: Writing “New Ride” helped to unlock some of the mystery surrounding my relationship with my mother. The decision to pay attention, to witness and record the many versions of her has resulted in a deeper sense of compassion for us both. “Goodwill” tells the story of a time in my life I had been avoiding writing about. It took years to work up the courage which, in the end, was a good thing. Writing nonfiction, particularly about a traumatic experience, requires enough distance from the event to understand its larger meaning. When a photo of me in “the dress” recently surfaced, I began to write, knowing the dress was somehow key. It was. The third person narrative around the dress helped to temper the brutal immediacy of the diary entries and gave the piece a forward focus. 

WOW: From your bio, it sounds like your writing community has been very influential for you. How did you build your writing community? For any readers here who are new and/or still building their writing communities, do you have any tips for doing so? 

Jennifer: I can’t say enough about my writing community. It developed out of a writing course we attended together five years ago. The course came to an end, but we decided to continue meeting, even zooming our way through the pandemic. I strongly recommend registering for writing classes/workshops/courses. Connecting with other writers can be such a source of motivation and inspiration. 

WOW: Which creative nonfiction essays or writers have inspired you most, and in what ways did they inspire you? 

Jennifer: My community of writers. They have very different styles, and I admire them all. We have the luxury of meeting in person and reading our stories aloud. I learn so much, just by listening. And Joan Didion. I love this quote from her The Paris Review interview, 2006: “You get the sense that it’s possible simply to go through life noticing things and writing them down and that this is OK, it’s worth doing. That the seemingly insignificant things that most of us spend our days noticing are really significant, have meaning, and tell us something.” 

WOW: That’s a powerful quote. And it’s wonderful that you draw such inspiration from your writing community, too. If you could tell your younger self anything about writing, what would it be? 

Jennifer: When I was a kid, I’d sit at the kitchen table with paper and pen and an essay to write. I’d moan and groan that I didn’t know what to write and my mother (a teacher) would say, “Just write. It will come.” That has been my mantra ever since. Also, don’t imitate or compare. Allow your own voice to surface and trust that it knows best. 

WOW: Great advice and poignant mantra. Thank you for sharing your writing with us and for your thoughtful responses. Happy writing! 


Interviewed by Anne Greenawalt, founder and editor-in-chief of Sport Stories Press, which publishes sports books by, for, and about sportswomen and amateur athletes. Engage on Twitter or Instagram @GreenMachine459.
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Interview with Court Harler: Q1 2025 CNF Essay Contest 2nd Place Winner

Sunday, February 16, 2025
Court’s Bio:
Court(ney) Harler (she/her) is a queer writer, editor, and educator based in Las Vegas, Nevada. She holds an MFA from University of Nevada, Reno at Lake Tahoe (2017) and an MA from Eastern Washington University (2013). Court is currently editor in chief of CRAFT Literary Magazine and editorial director for Discover New Art, and has read and/or written for UNT Press’s Katherine Anne Porter Prize, The Masters Review, Funicular Magazine, Reflex Fiction, and Chicago Literati in recent years. She also instructs and edits for Project Write Now, and formerly hosted their podcast, PWN's Debut Review. For her creative work, Court has been honored by fellowships and/or grants from Key West Literary Seminar, Writing By Writers, Community of Writers, Napa Valley Writers' Conference, and Nevada Arts Council. Court’s work has been published in multiple genres in literary magazines around the world. Links to her publications and other related awards can be found at https://harlerliterary.llc. Find her on Instagram @CourtneyHarler. 

If you haven't done so already, check out Court's award-winning essay "How to Breathe" and then return here for a chat with the author. 

WOW: Congratulations on placing second in the Q1 2025 Creative Nonfiction Contest! How did you begin writing your essay and how did it and your writing processes evolve as you wrote? 

Court: I'd been thinking about breath for a long time, and why breathing, and general matters of breath, had sometimes seemed problematic for me. So, my subconscious had been working on that idea in the background, probably for years, but the true catalyst, the actual beginning of the essay, was that text exchange. So, I made the launch the launch. And from there, I think I wrote the rest of the piece in one sitting. Granted, I had also been thinking about segmentation and fragmentation, and I had wanted to try a new (to me) structure for a flash essay. The sections seemed to flow organically from my mind right through my typing fingers. After the initial headrush of drafting, the piece underwent some tightening, but honestly, very little radical revision. 

WOW: That’s a nice combination of factors you used to pull your piece together. What did you learn about yourself or your writing by creating this essay? 

Court: The essay helped me identify and analyze my history of trauma surrounding breath. I realized that my trauma was older than I thought—that it likely began with my own birth, then was compounded by my son's birth and death. I desperately wanted to understand why breathing had never seemed "natural" to me as a bodily function, and why I felt so fiercely protective of my own breath, even when I should be letting go, trusting and relaxing. I mean, yes, we all need to breathe to live, but my issues seemed to extend beyond mere self-preservation. And it was a great relief to finally recognize those primordial fears, and to wrangle with them in a productive way. 

WOW: Wow, that is a powerful realization. Thank you for sharing that, and your essay, with us. I love hearing about the healing properties of writing. You have an impressive writing resume. Of your many literary accomplishments, which one most stands out to you and why? 

Court: Haha, you're asking me to choose between my children, which is impossible to do. I know that some literary critics feel like the mother-writer metaphor is overdone at best, fundamentally flawed at worst, but I do feel a particular type of maternal fondness for my work. I grow frustrated with it, too, just as I've done with my biological children. Maternal love can be sometimes fickle, as well, a terrible lesson I learned from my own mother. Or maybe it's more generous to say that sometimes mothers are...tired. When I read over my published work—which I do from time to time to remind myself of where my words reside in the world—I sometimes fall in love again with the text, and other times I grow frustrated with its obvious limitations. But I've learned that those natural feelings of inadequacy are my own and shouldn't be attributed to the "children" themselves. 

WOW: Which creative nonfiction essays or writers have inspired you most, and in what ways did they inspire you? 

Court: I know I am not alone in this praise, but I so admire Aimee Nezhukumatathil's deep connection with the natural world. The way that she situates herself within the world, with such deep respect for nature's creatures and landscapes. She writes a beautiful, tender blend of personal memoir and ecological literature. She's a wonderful writing instructor as well. I took an online workshop with her a few years ago on the nocturne and left the class feeling truly inspired. I hope to catch her on tour for her new book this spring, when she visits Northern Kentucky University, my undergrad alma mater. 

WOW: How wonderful to have been taught by someone whose work you admire so deeply. If you could tell your younger self anything about writing, what would it be? 

Court: Though I knew I was a writer early in life, I spent many years denying myself that identity. I let others degrade my interest in the art for the sake of financial security. Security is necessary, of course, but you can live securely as a writer—there are ways. I'm lucky that my day gig as an editor keeps the lights on while I continue to explore my craft, and I'm especially lucky that my day gig connects me with talented writers passionate about their work. I learn so much from editing the work of others, but I do sometimes lose focus on my own writing goals. So, I think I would tell my younger self to follow the light within, the one leading me to words and their wisdoms. 

WOW: I love that advice, and I imagine that rings true for many other writers, too. Thank you for sharing your writing with us and for your thoughtful responses. Happy writing! 


Interviewed by Anne Greenawalt, founder and editor-in-chief of Sport Stories Press, which publishes sports books by, for, and about sportswomen and amateur athletes. Engage on Twitter or Instagram @GreenMachine459.
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