Podcasts

I’m not sure if you’ve missed it, but Nina LaCour, author of We Are Okay and Hold Still, has started a podcast.

I had the pleasure of meeting her two years ago when she visited my school to talk about her latest novel and writing in general. She was lovely and intelligent and warm. My students – especially those who took the time to read one of her books and participate in a small group meeting – loved talking to her. I geeked out in typical Beth fashion because – duh – she’s a famous author of young adult fiction, so I hung on her every word and convinced myself we’d be friends forever. While the friendship wish didn’t pan out, I did get a Twitter follow, so I feel like that’s a win.

But I digress. Her podcast is called Keeping a Notebook, and I’m already hooked. Each episode is short – no longer than 12 minutes - but she focuses on different aspects of writing. Her first podcast discusses how she came up with the title, and why keeping a notebook is important. Another episode discusses what to do when you feel stuck in your writing. Her voice is inviting, she includes music and sound effects, and I’ve found inspiration in each of her episodes.

I’ve listened to John Green’s podcast Anthropocene as well, and while it’s not writing focused, hearing his words reminds me that even reviews of items like the Canada Goose, Diet Dr. Pepper and Super Mario Kart can be poetic.

And that’s the truth. While a podcast involves listening and not reading, these authors are still writing the podcasts. You can hear the description in their stories, their careful word choice, their style. I’d never thought about a podcast as a written work before, but these authors make me look at it in a new light.

I ultimately have three take-aways as I reflect on podcasts for writers.

One is that writing comes in so many forms, and we shouldn’t neglect to move forward or try a different vehicle to express our voice.

Another is that a podcast is an excellent promotional tool. The more I listen to Nina LaCour speak, the more I’m drawn to reading her books. And it’s lovely to hear her calm, rich voice, which helps me imagine how she might read her own novels.

Lastly, we can learn a lot as writers by listening to podcasts about writing, especially if they’re hosted by talented, successful writers. She’s sparked some new ideas for me and has, in fact, inspired me to go back to keeping a notebook.

No matter how you use an author's podcast, I urge you to consider them, either as a learning tool, a promotional tool, or as a way of trying something new as a writer.

Bethany Masone Harar is an author, teacher, and blogger, who does her best to turn reluctant readers into voracious, book-reading nerds. Check out her blog here and her website here.

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4 comments author podcast, Bethany Masone Harar, John Green, Nina LaCour, podcast, We are Okay, writing, writing notebook

What's in a Name?

My school had the pleasure of hosting the lovely and talented Nina LaCour, author of We are Okay, a few weeks ago, and she answered several questions about publishing her books. Her stories brought back memories of my own publishing experiences.

After signing my first book contract with a publishing company, I could not wait to work with an editor. I had grand expectations, and had romanticized the idea so well (as much as anyone can romanticize the editing process) that I believed the experience would be, well, completely different from what it was.

When I received the first email from my editor, I was giddy. I clicked it open and started reading her comments. She wanted to start with plot problems which, as any writer knows, are inevitable. A character’s eyes changed color. Another character left the scene two pages ago, but was suddenly present again. These were mostly little changes, which polished out the story.

Then, my eyes dropped to the next line. The editor hated my main character’s name.

I blinked, convinced there was an error. I read her words again. I hadn’t misread. The editor thought my main character’s name didn’t fit - that it was too strange. She couldn’t force me to change it, but it was her strong suggestion that I find something more suitable.

How could this be?

If you are anything like me, you become very attached to your characters. We name them as lovingly as we name our actual human (or fur) babies. We develop our characters for months, or even years, so to suggest changing their name is abhorrent.

But there it was. I faced a tough decision.

Despite initial my misgivings, I explored other names. I developed a list of possibilities and tried them out. If a name worked in print, I took the next step and dared to say it aloud. I tested a few names on friends. Still, a voice nagged at me. I loved the original name I had chosen, and it hurt to know that someone else hated it.

Back then – before my publishing experience – I believed that I, alone, knew what was best for my novel. I had heard horror stories of authors who gave up what they loved the most about their books just to see their work bound in hardcover. Our books are our own, but once we sign a contract, we must make concessions. I have yet to speak to an author who did not change something they loved about their book at the publisher’s request. The publishing process has to be a give and take, but what emerges is a polished, publish-worthy book of which we can be proud.

Despite my hesitations and sadness, I did eventually change my main character’s name, and it was the right move. We write for ourselves, yes, but we also write for our audience. Both are equally important. If we can find a name which we love and which makes our audience happy, then we have succeeded.

I even ended up liking the new name better than the original one.







Bethany Masone Harar is an author, teacher, and blogger, who does her best to turn reluctant readers into voracious, book-reading nerds. Check out her blog here.

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4 comments Bethany Masone Harar, books, character names, editing, names, Nina LaCour, novels, protagonist, Publishing, shakespeare, We are Okay, writing projects