Showing posts with label Judy Alter. Show all posts
Showing posts with label Judy Alter. Show all posts

Friday Speak Out! Women, Food and Mysteries, Guest Post by Judy Alter

Friday, May 10, 2013
Male chefs and food critics still dominate the food world, but women seem to have taken over culinary mysteries. Nero Wolfe was the first to make food a character in his novels, (see The Nero Wolfe Cook Book [1973]), but the men have fallen behind. Most culinary mysteries are cozies. Are cozies more suited to sipping and munching while you read because the violence and sex is off-screen? Do we tend to include food to soften the horror of a world we hope never to step into personally, the world of mayhem and murder? Does it humanize the protagonist? Are the women who write cozies, because the books are gentler and less hardened, more likely to be cooks and homemakers? Does it matter?

The trend probably started with Virginia Rich’s The Cooking School Murders (1982)—one critic said it’s a good mystery but worth buying for the green tomato pie recipe. Today there are so many I’ll leave a hundred out, but here are some of my favorites: Diane Mott Davidson’s Aspen caterer Goldy Schulz series; Julie Hyzy’s White House Chef series; Lucy Burdette’s new series about a Key West food critic; Susan Wittig Albert’s China Bayles series of herbal mysteries; Cleo Coyle’s Coffee House Mysteries.

Some of these include recipes—Davidson sprinkles them through the text; Coyle and others group them at the back. Do readers pay attention to the recipes? I know a man who has cooked some of Goldy Schulz’s recipes with success. Other readers prefer recipes at the back of the book so as not to interrupt the flow of the story. If a culinary mystery offers recipes I want to try, I’ll buy a print copy: recipes are hard to preserve or work from on an e-reader.

A part of me loves food writing (see, for instance, my weekly blog, “Potluck with Judy”: http://potluckwithjudy.blogspot.com) So it’s only natural to me to write about what my characters are eating, what they cook at home, what they order in restaurants. Food speaks volumes about a person. Contrast someone who orders in fast food every night with someone, male or female, who whips up a meal from scratch. For some odd reason, Kelly in my Kelly O’Connell Mysteries is not a cook and feeds her children pizza or takes them out for hamburgers. By book three, she’s learning and has come up with some good dishes. But I had an editor who kept cutting my food descriptions, saying they slowed down the action.

In the Blue Plate Mysteries, I inched a bit closer to culinary mysteries. Kate Chambers owns and operates a café in a small East Texas town, serving what you’d expect—pot roast, meatloaf, chicken fried steak and chicken fried chicken, turnip greens, mashed potatoes, down-home food. And it gave me a chance to include recipes at the back of the book. Maybe someday I’ll edge closer to the more sophisticated cooking of Goldy Schulz or White House chef Olivia Paras.

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With Murder at the Blue Plate Café, Judy Alter launches a new cozy mystery series, Blue Plate Café Mysteries. She is also the author of the Kelly O’Connell Mysteries: Skeleton in a Dead Space, No Neighborhood for Old Women, Trouble in a Big Box, and the forthcoming Danger Comes Home. Her fiction and nonfiction about women of the American West has won numerous awards including a Lifetime Achievement Award from Western Writers of America.

Now retired, she was for years the director of a small academic press. She is the mother of four and the grandmother of seven and lives in Fort Worth, Texas with her Bordoodle, Sophie. Follow her at http://www.judyalter.com/


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Would you like to participate in Friday "Speak Out!"? Email your short posts (under 500 words) about women and writing to: marcia[at]wow-womenonwriting[dot]com for consideration. We look forward to hearing from you!
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Friday Speak Out!: Women Get No Respect—at least in Westerns, by Judy Alter

Friday, May 04, 2012
Women Get No Respect—at least in Westerns

by Judy Alter

Owen Wister’s 1903 novel The Virginian set a masculine standard for the western novel that endured throughout the twentieth century. Westerns, written by men, featured, among other things, stereotyped heroines—the schoolteacher, the rancher’s daughter, the dancehall girl with the heart of gold. These women were rescued by men but never came to anyone’s rescue.

In Elmer Kelton’s admittedly formulaic 1955 novel, Hot Iron, the villain traps the hero and has him at his mercy. Elmer had the heroine pick up a pair of scissors and run the villain through, saving the hero. The editor would have none of it—the heroine and her scissors momentarily distracted the villain, long enough for the hero to grab his pistol and kill the villain.

The few women who wrote western novels published under pseudonyms, usually initials. As early as the first decades of the twentieth century, Bertha Muzzy wrote a total of fifty-seven novels under the name B. M.  Bower. In 1952, novelist Jeanne Williams wrote Tame the Wild Stallion, a young-adult novel featuring a young boy who tames a wild horse while captive on a Mexican ranch. Published under the name J. R. Williams because Prentice-Hall didn’t think boys would read a girls’ book, it won the Texas Institute of Letters Cokesbury Bookstore Award. No one could find the man who wrote the book. Jeanne missed the award ceremony. Her later adult western novels were published under her full name or a feminine pseudonym.

I’ve felt the brunt of this anti-women bias myself. In 1988 my novel, Mattie, won a Spur Award from Western Writers of America, Inc., as the Best Western Novel of the Year. A man who belonged to WWA complained to one of the judges, “That has always been a men’s action category.” And my 1994 novel, Libbie, called western historical romance by Amazon today, was damned in a book review as a soap opera. I like to think a fictional biography of Libbie Armstrong Custer had more significance.

Of course there were always exceptions, women who wrote in the literary rather than genre tradition and didn’t deal with formulas and stereotypes—Mari Sandoz and Willa Cather come to mind.

Today, enough women write about the West that they have their own organization—Women Writing the West. Lucia St. Clair Robson carved out a nice career beginning with her novel about Cynthia Ann Parker. Others who’ve made a name for themselves by proudly writing fiction and nonfiction about the West include Elizabeth Crook, Linda Hasselstrom, Charlotte Hinger, Jerrie Hurd, Cynthia Leal Massey, Candy Moulton, Jean Henry Mead, Carolyn Neithammer, Carla Kelly, and many more.

I’ve written fiction about women of the West most of my career, including books about Libbie Custer, Jessie Benton Frremont, Lucille Mulhall, and Etta Place. These ladies have been good to me, and I’m proud to be in their company.

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Judy Alter has written fiction and nonfiction for adults and young adults. Her historical fiction titles feature such strong women as Elizabeth Bacon Custer (Libbie , http://tinyurl.com/botzzac), Jessie Benton Frémont (Jessie), Lucille Mulhall (Cherokee Rose),  and Etta Place, of Hole in the Wall gang fame (Sundance, Butch and Me http://tinyurl.com/cae99kg). Judy is also the author of Kelly O’Connell Mysteries-- Skeleton in a Dead Space and No Neighborhood for Old Women, with Trouble in a Big Box due in August 2012.
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Would you like to participate in Friday "Speak Out!"? Email your short posts (under 500 words) about women and writing to: marcia[at]wow-womenonwriting[dot]com for consideration. We look forward to hearing from you!

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Read More »
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