Showing posts with label Creative Nonfiction. Show all posts
Showing posts with label Creative Nonfiction. Show all posts

Spooky Stories Drawn from Everyday Life

Thursday, September 03, 2026

Photo by andreluc88/Envato

 


Like many writers, I’ve finished a few full-length novels. Some of them have suspenseful or mystery elements. But while I haven’t published any of those books or landed myself an agent, I have found success with shorter pieces of writing. These shorter pieces have one thing in common—they are twisty and suspenseful tales. They’ve even landed me a few awards. 

As a budding writer, I was mesmerized by the shorter stories from authors like Stephen King, Edgar Allan Poe and Flannery O’Connor. I admired the way their prose kept me hooked turning each page, my pulse quickening as I neared the conclusion. I liked that I could be spooked by a piece of work that didn’t take me a week to read. And many of these stories I was drawn to the most featured crimes of passion or people committing unexplainable acts of violence. 

One of my favorite short stories I’ve written came to me after touring The Ringling Museum in Sarasota, Florida while on vacation. One display made me pause—it detailed the events of a 1944 fire in Hartford, Connecticut that killed more than 167 people. I woke up the next morning and felt compelled to open a new document and begin typing a fictional first-person account of a child who survived the fire: 

I don’t remember exactly when the first hints of smoke hit our nostrils, or when Mother and Father realized we were in trouble. Father scanned the crowd until he spotted the grotesque orange and red flames shooting up one wall of the tent. Soon, screams of “FIRE” were reverberating throughout the crowd. The band stopped playing. Throngs of people thundered up and down the rows of metal bleachers while trying to figure out the quickest exit. I clutched Mother’s arm as she tried to talk to Father over the mayhem. First, we tried to make an exit to the right, became trapped, and reversed our course. We couldn’t get down the stairs of the bleachers fast enough and were crushed from behind by the people trying to force their way through the crowd. 

I’ve been inspired to write two other short stories based on real-life events. They’ve placed in various contests through Writers Digest. I find it easier to complete these shorter stories of suspense because they are condensed versions of haunting tale, and you only have a short amount of time to hook the reader. You don’t have to be Alice Feeney to come up with heart pounding piece of fiction. 

In addition, I’ve grown more adept at writing short and haunting stories in the non-fiction arena as well with my true crime podcast, Missing in the Carolinas. Many of these are stories I’ve found simply by searching historical documents such as police reports and newspaper archives. These shorter podcast scripts are even more frightening because they feature events that occurred in real life. 

Do you love reading and writing suspense and dream of creating your own twisty piece of work? Do you want to write a short story, poem, or essay that will send chills up your reader’s spine but don’t want to commit to a full-length novel that has become the bread and butter of writers like Lisa Jewell, Riley Sager, or Ashley Elston? There are markets that would love to take your polished pieces, whether driven purely from your imagination or inspired from real-life! 

I'll be teaching participants how to write their own short, twisty suspense in a live Zoom workshop on Friday, Oct. 2, 2026 at 2 p.m. EST. The webinar will be recorded for anyone who cannot attend in person. To learn more or sign up, visit this link. 

Renee Roberson is an award-winning writer, true crime podcaster, and judge for WOW’s quarterly flash fiction and creative nonfiction contests. Learn more at FinishedPages.com and MissingintheCarolinas.com.
Read More »

Anatomy of an Essay

Thursday, May 28, 2026

 


Last month I shared that I’d begun working on an essay about being the victim of financial fraud in 2023. After dogged determination and enlisting the help of a local consumer affairs reporter, I got the $3,000 back from my bank only to find out my biological father had passed away penniless. I ultimately used some of that money to help pay for my father’s funeral. 

I’ve been working on that piece for the past several weeks, and wanted to share what the writing and revision process has been like for anyone curious about the process. 

First, because my essay had so many numbers, dates, and legal details involved, I dug out the folder of information I’d compiled during the process of reporting the fraud and filing claims. Thankfully, I had saved all that, but I was re-traumatized all over again reading the timeline. I had to step away from the project for a few days as I processed what I had been through. 

Next, I sat down and wrote my first draft over the course of a few days, and it was long (close to 4,000 words). I didn’t worry about the word count though, because I know I would be editing and cutting words down. 

After having a few trusted members of my family read over the draft, I sent it to my critique partner. Once she looked at it, she made a few suggestions, such as limiting the role of one of my family members in the piece and focusing more tightly on the estranged relationship between myself and my dad. She also suggested I make sure everyone had a name, even if I had to make one up, such as calling a bank representative “Barbara from Bank of America” to make the narrative flow more smoothly. I completed another round of revisions and sent those back to her, she brainstormed a good title with me, and offered up a few suggestions for places to submit the completed piece. 

The essay is now in fantastic shape (in my opinion) but I would still like to have one or two more people read it in the latest draft. And for my final step, I’m compiling a list of places to send, “Your Claim Has Been Resolved: How a Bank Scam Helped Me Heal After My Estranged Father’s Death.” 

Not only that, but this positive experience gave me some ideas on how to rework an essay I haven’t had any luck placing and braiding it with a local true crime story from my podcast. I may have finally found a good “hook” to make a stagnant piece more attractive to editors. 

Have you had a positive experience working on a project recently? I’d love to hear about it! 

Renee Roberson is an award-winning writer and editor who also produces the weekly true crime podcast, Missing in the Carolinas.
Read More »

Interview with Bethany Bruno, Runner Up in the Q1 Creative Nonfiction Essay Contest with “Half of What I Hear”

Saturday, April 18, 2026
Congratulations to Bethany Bruno from Huntsville, Alabama 
for her amazing nonfiction essay titled: Half of What I Hear 

 Check out Bethany’s submission, 
Half of What I Hear as well as all the other winning entries 
and then stop back here to read Bethany’s engaging interview with 
Crystal J. Casavant-Otto from WOW! Women on Writing. 

 
Bethany’s Bio: 
Bethany Bruno is a Floridian author and amateur historian. She holds a BA in English from Flagler College and an MA from the University of North Florida. Her work has appeared in more than a hundred literary journals and magazines, including The Sun, McSweeney’s, River Teeth’s Beautiful Things, Brevity, and The Huffington Post. A Best of the Net nominee, she won 2025 flash fiction contests from Inscape Journal and Blue Earth Review. She is the winner of the 2026 Saturday Evening Post Great American Fiction Contest. Learn more at www.bethanybrunowriter.com. 

WOW: Thank you Bethany for being with me today and sharing so intimately with the WOW! Readership. Keep up the great work and I look forward to working more with you in the future! 

What is the take-away you’d like readers to gain from Half of What I Hear? 

Bethany: For a long time, I treated my hearing loss as something to overcome. Instead, it taught me how to listen differently. I learned to pay attention to pauses, expressions, and what goes unsaid. Silence shaped how I move through the world and how I parent my daughters. I hope readers leave thinking differently about connection, and noticing how much meaning lives in quiet spaces. 

WOW: Bethany - that is such a beautiful explanation for those of us who can only imagine the silence. As someone who is often overwhelmed with an overabundance of noise I can’t really imagine it, but I try… I find myself searching for somewhere quiet when I need to study or write. That makes me wonder, if it’s different for you. Where do you write? What does your space look like? Where did you write your winning piece? 

Bethany: I write wherever I can find a little quiet. On telework days, that means writing at home while the house is empty. Most nights, it happens after my kids are asleep. Time is always the hardest part, so I’ve learned to write in short bursts and take what I can get. 

I actually wrote No Swimming at Monson’s, the piece that won the Great American Fiction Contest, in my husband’s computer lab at work. During the summer, the university is nearly silent, and I loved slipping into that empty space to focus. 

At home, I write at a large wooden desk I bought when we first moved to Alabama. I keep it mostly clear, partly by choice and partly because my toddler loves to grab anything within reach. I do keep a Far Side rip-away calendar on one corner, which feels like just the right amount of chaos. 

WOW: The computer lab sounds dreamy - but I feel like my children might find me as they just love those screens! What’s next for you? What are your writing goals for 2026 and beyond? 

Bethany: Over the past year, I’ve made a real shift toward writing more consistently. For a long time, I only produced a few pieces a year, which limited where and how often I could submit. Writing more changed everything. It opened doors I once thought were closed. 

In the last year alone, I’ve had work accepted by places I’d been submitting to for more than a decade, including McSweeney’s, The Huffington Post, and River Teeth’s Beautiful Things. I started submitting seriously in 2011, right after college, knowing this was the life I wanted. Those acceptances felt like quiet confirmation that persistence matters. 

Looking ahead, my goals are simple but big. I want to keep writing, keep submitting, and keep aiming higher. I’m also starting a new book. I’ve written two books in the past three years and queried widely without landing an agent, which has been humbling. Still, that goal hasn’t changed. I want to build a sustainable writing life. A Pushcart nomination is high on my list, not just as an honor but as a sign that the work is reaching beyond me. 

WOW: You have an impressive bio. What’s one strange story about yourself that may surprise us? 

Bethany: I’ve had a lot of interesting jobs, from English teacher to National Park Ranger to records manager for the Army. But one of the strangest experiences came when I was an undergraduate at Flagler College in St. Augustine, where I worked as a ghost tour guide. 

For two years, I dressed in full nineteenth-century mourning clothes and played a grieving Spanish widow, hoop skirt and all. In the summer, it was brutal. I used to joke that I was slowly roasting as I walked people through the city. 

One night, while leading a group of Girl Scouts, I stopped in front of the gates of the Tolomato Cemetery. As I was telling a story, several of the girls started pointing into the cemetery and whispering. One of them finally said, very calmly, “There’s a little boy in the tree.” 

What unsettled me was that there’s a well-known local story about a young boy buried there whose spirit is said to appear playing in a tree nearby. I’ve always wondered if they knew the story or if they truly saw something I couldn’t. I never saw anything myself, but that moment has stayed with me. 

WOW: Well if that isn’t the most surprising job I’ve ever heard of! Thank you for the photos - what fun! 

Who is your support? What sustains you in writing and in life? 

Bethany: Support has always been a complicated idea for me as a writer. The people in my life are kind and encouraging, but most aren’t deeply connected to what literary work means or how long the road can be. When something gets published, they’re happy for me, but the scale of it often lands differently. 

My husband supports me in the way that matters most. He knows writing makes me happy, and he believes in the part of me that needs to keep doing it, even when the process is slow and quiet. What I’ve learned is that writing requires a certain self-reliance. You do it because you want the work to exist. In the end, you become your own support system, and your own reason for continuing. 


WOW!: Bethany - next time we chat I want to know more about being my own support system and my own reason for continuing… If only we had more time. 

 Thank you for sharing so much about yourself and your life - you’re amazing and I’m so thankful for our time together!


Today's post was penned by Crystal J. Casavant-Otto 



Crystal Casavant writes. 

 Everything...

If you follow her blog you have likely laid eyes on every thought she has ever had as well as most of the recipes she's tried. She's a lot and she's not for everyone.

Her debut novel, It Was Never About Me, Was It? is still a work in progress and shall be fully worthy sometime in 2026...or maybe 2027. She has written for WOW! Women on Writing, Bring on Lemons, and has been featured in several magazines and ezines relating to credit and collections as well as religious collections for confessional Lutherans. She runs a busy household full of intelligent, recalcitrant, and delightful humans who give her breath and keep her heart beating day after day. 

Crystal wears many hats (and not just the one in this photo) including college student, mom, musician, singer, administrator, writer, teacher, and friend. She fully believes in being in the moment and doing everything she can to improve the lives of those around her! The world may never know her name, but she prays that because of her, someone may smile a little brighter. She prides herself on doing nice things - yes, even for strangers! 


 Check out the latest Contests: www.wow-womenonwriting.com/contest.php

Read More »

Interview with Laura Heaton, Runner Up in the Q1 Creative Nonfiction Essay Contest with “You Were Trustworthy and Kind”

Saturday, March 14, 2026

Congratulations to Laura Heaton from East Patchogue, New York 

for her amazing nonfiction essay titled: You Were Trustworthy and Kind 



Check out Laura’s submission, You Were Trustworthy and Kind 

as well as all the other winning entries and then stop back here to 

read Laura’s engaging interview with Crystal J. Casavant-Otto from 

WOW! Women on Writing


Laura’s Bio: 

Laura Heaton is a retired public-school educator who lives with her family on Long Island. Since retiring from teaching, she has been developing her passion for writing. Her writing journey was inspired by a desire to share her experiences parenting a son who struggled for twenty years with addiction. Now Laura is dedicated to honing her craft and expressing her heart through honest stories, just as she once encouraged her fifth-grade students to do. She is excited about her second published essay on WOW! Women on Writing and anticipates publishing additional memoir essays and short fiction she is currently working on. 

When she’s not perfecting sentences, Laura enjoys perfecting recipes, relaxing with friends on a sunny beach, and participating in activities with her two young grandsons. Whether it's a bike race, a swim contest, interval training, or whatever they suggest, “Mima” is happy to join in! 

WOW: Congratulations Laura; thank you for writing such a personal essay - what is the take-away you'd like readers to gain from You Were Trustworthy and Kind? 

Laura: I wrote this essay to share an intimate view of my counseling experience—the frustration, concern, and appreciation I felt while seeking guidance from therapists during my struggle with my son's addiction, especially with letting go. From this, I hope readers will gain understanding of the role and responsibility therapists may have in guiding families through the mental illness of a loved one, and that there is never an easy answer. There are consequences of both letting go and of not letting go. 

WOW: Never an easy answer - you’re spot on and included in this interview is a lovely photo of you and your son. I absolutely appreciate you sharing such an important part of your life with me and our WOW! Readers. Thank you! What’s next for you? What are your writing goals for the rest of 2026 and beyond? 

Laura: I am approaching three years into my writing journey since retiring from teaching. I’ve been experimenting with various genres and forms, but personal narrative nonfiction feels most comfortable for me. I have a few longer pieces that I’ve been polishing and would like to find a journal they may fit with for publication. I've also been working on developing my skills in short and flash fiction, and want to continue this work, hopefully publishing something in this genre too. 

Photo of Laura and her son

WOW: You’re a talented writer - so keep up the polishing! I have a feeling we will be hearing more from you Laura! You have an impressive bio - could you tell us one other strange story about yourself that may surprise us? What did you like most about teaching? 

Laura: I didn't complete my degree and start my teaching career until I was 37 years old. I spent my twenties and early thirties raising my sons while following my husband around the country, and to Canada, setting up temporary homes for our family in six of the seven cities of the Major League Baseball teams he played for. I once drove from Spring Training in Arizona to hunt for an apartment in Cleveland with my infant son, now forty-three, my only companion, while my husband traveled on a flight with his team. It was sometimes challenging, always exciting. 

My elementary school teaching career kept me busy and productive, and also gave me an escape from my son’s illness, requiring me to focus my energy on my pedagogical craft and my students. What I liked most about teaching was connecting with my 10-year-old students through my privileged position standing in front of the classroom, or seated in a literature circle on the classroom floor, guiding and instructing them five days a week. The appreciation on their faces when I taught them something interesting and new, or when I made a playful joke, or probably most of all, when I invited them to come out from behind their desks to play Simon Says, or run outside and play tag. It always surprised them when, up until my last few years, they had trouble tagging their teacher! 

WOW: Children are amazing aren’t they? I’m so thankful you had such a great career to help you through such a dark time. What is your history with writing contests? - tell us what prompted you to submit to this particular contest? What would you like to tell other authors concerning contests and submitting their work? 

Laura: I have submitted to a few contests outside of WOW!, but this WOW! contest especially appealed to me in so many ways. The creative nonfiction short form category, the 300 entry cap, the women audience. These conditions seemed ideal for a new woman writer like me to have my writing seen and heard. I also appreciated the opportunity WOW! offered to purchase a critique with my entry. Receiving expert feedback is a great perk. 

To other writers considering entering contests, I would say yes, contests can be valuable experiences. I would also say to find the right contests for you and your work, and to be sure to understand the contest rules regarding publishing and copyrights. Thank you to the WOW! Contest Team for this honor and to all WOW! Readers. 

WOW: Thank you Laura for being with me today and sharing so intimately with the WOW! Readership. Keep up the great work and I look forward to working more with you in the future! 

Today's post was penned by Crystal J. Casavant-Otto 



Crystal Casavant writes. 

 Everything...

If you follow her blog you have likely laid eyes on every thought she has ever had as well as most of the recipes she's tried. She's a lot and she's not for everyone.

Her debut novel, It Was Never About Me, Was It? is still a work in progress and shall be fully worthy sometime in 2026...or maybe 2027. She has written for WOW! Women on Writing, Bring on Lemons, and has been featured in several magazines and ezines relating to credit and collections as well as religious collections for confessional Lutherans. She runs a busy household full of intelligent, recalcitrant, and delightful humans who give her breath and keep her heart beating day after day. 

Crystal wears many hats (and not just the one in this photo) including college student, mom, musician, singer, administrator, writer, teacher, and friend. She fully believes in being in the moment and doing everything she can to improve the lives of those around her! The world may never know her name, but she prays that because of her, someone may smile a little brighter. She prides herself on doing nice things - yes, even for strangers! 


 Check out the latest Contests: www.wow-womenonwriting.com/contest.php

Read More »

Interview with Carole Vasta Folley, 1st Place Winner in the WOW! Q1 2026 Essay Contest

Sunday, February 15, 2026
Carole Vasta Folley is a playwright, columnist and creative nonfiction writer. Her newest play, Control Top, which examines the impact of gendered clothing on women, premiered June 2025 and was written with the support of the Vermont Arts Council and the National Endowment for the Arts. Carole’s In Musing column has won multiple awards from the New England Newspaper and Press Association and the National Society of Newspaper Columnists

--interview by Marcia Peterson

WOW: Congratulations on winning first place in our Q1 2026 Creative Nonfiction essay competition! What prompted you to enter the contest?

Carole: First and foremost - the words WOMEN and WRITING not only prompted me to enter the WOW contest, they are my pilot light! Like any powerful duo - Eleanor Roosevelt and Lorena Hickok, Oprah and Gayle, Lucy and Vivienne, Cagney and Lacey - the combination of women and writing is a winner. Evocative of meaning, insight and creativity. I love WOW and this was not my first submission to your competition (I placed as a finalist before). Now I feel my writing has grown stronger over the years not only because of the regular practice of writing, but the hallowed art of editing.

WOW: “He Hit Me” is a powerful essay written in a unique format that worked so well here. What inspired you to write this particular piece?

Carole: Last year I worked with the amazing Nicole Breit for one-on-one writing coaching. It was life- changing. This piece, “he hit me,” arose from her assignment to write a 500 word one-sentence flash essay on any subject I was flummoxed. One sentence? Only 500 words? I love words - I write so many of them - how could I say what I wanted to say with fewer words?

Well, time and again, through Nicole’s teaching and my experience practicing different forms, I’ve learned the power of compression. That constraints don’t have to lessen what I want to say, and instead they can enhance my point of view with a type of fertile precision.

Also as a side bonus - that I did not realize until the piece was in its final form - this one sentence format was SUCH A PERFECT FIT - for the entire feeling of what happened in “he hit me.” The run-away situation that I could not control, the threat of violence, the desperation of wanting to be safe - these are all heightened by the “speed” of the piece. I felt the 500 word one-sentence format hit the exact sense of chaos I felt in real life.

WOW: Do you have any thoughts or advice for writing about difficult things?

Carole: Oh yes! Learning about CNF was my game changer. Especially its hybrid forms. It gave me the freedom to write about hard things in my life (like incest and child abuse). Like many who’ve experienced trauma, what memories I have are in fragments - as sharp as glass. Using the CNF form, I can write about what happened in a framework that somehow, almost magically, contains my big feelings. I’m able to examine “what happened” along with “what did I feel” - something that wasn’t possible for me at the time (when experiencing trauma) nor later when I tried to write about my past in linear long-form. It’s been extremely healing work. Having a CNF form to write into is like having a muse hold my hand while I bare what’s inside.

Finally, although not in this particular piece (“he hit me”), I am a big fan of utilizing comedy to write about difficult things. Several of my favorite memoir CNF pieces are funny. Especially as a playwright, I’ve seen laughter expand an audience in a way that opens them up, making them more available to take in harder stuff. Without comedy as a balm, I wouldn’t be where I am today.

WOW: Your play Control Top, which examines the impact of gendered clothing on women, sounds interesting. We’d love to know more about it.

Carole: The concept for CONTROL TOP originated during a grant application process. I was inspired by Abby Wambach’s declaration: “Wear what you want. Love who you love. Become what you imagine.” This quote sparked a curiosity about WHY we wear what we wear, and the invisible expectations woven into the fabric of women's lives. Written with the support of the Vermont Arts Council and the National Endowment for the Arts, the play evolved into an ensemble piece featuring five older women who reflect on their lifetimes of experiences with clothing. CONTROL TOP is both ridiculously funny and heartbreakingly honest, confronting the subtle and not so subtle ways discrimination manifests.

From lack of pockets to varying opinions on pantyhose ~ gendered t-shirts ~ dress codes ~ not-so-miracle bathing suits and training bras (and what exactly is being trained?), my goal for CONTROL TOP is to further the conversation about the impacts of patriarchy and capitalism on all women.

As we face the erosion of hard-won rights, this dialogue is more urgent than ever. I’ll re-stage the production later this year while I get it out to theater companies across the country.

Meanwhile, I consider CONTROL TOP a living project. As a white cis woman, I am committed to expanding this play by co-writing future versions with women of diverse backgrounds and genders to ensure it speaks to everyone.

WOW: Thanks so much for chatting with us today, Carole. Before you go, can you share a favorite writing tip or piece of advice?

Carole: My favorite piece of advice comes from an interview I heard with Francis Ford Coppola. He was asked, when do you like to write, what time of day? His answer was “early in the morning, before anyone has hurt my feelings.”

Personally, my go-to writing tip is to let my fingers do the talking. I don’t plan what I’m going to write - it’s as if I only need to listen. And write what “they’ say. Sure, I can edit later. But in that initial phase, I love to capture the essence of what’s coming through and am often surprised by it in the best way possible.

***

Read More »

Friday Speak Out!: An Academic Gets Creative

Friday, January 02, 2026
by Rebecca Knuth

Trading an academic writing style for a creative one has been such a relief. The holistic permission that is retirement allowed me to cast off my straightjacket and write something I hadn’t even known existed—creative nonfiction. Finding a voice and writing with enthusiasm was hard, but oh so satisfying. I claimed myself as a writer and a woman.

The how-to-of-it meant a complete lifestyle change—moving to London, enrolling in a writing program, and reinventing myself. Creative writers are attuned differently, I thought. I set out to develop a ruminative mind-set and live a non-fiction kind of life. Changing my circumstances and shedding professional identity would foster internal percolation, the subconscious processing of thoughts, that fed expressiveness.

Over two years, I learned that popular writers have a different purpose and audience. Academics write to establish and maintain territory. The tenure system (where publications are currency) is based on judgment by peers, and how you slice and dice your work is often as important as what you are writing about. Those who can’t or won’t conform won’t be published. My dream of being creative meant something antithetical to academia—originality.

Voice and presence within one’s writing mattered, so I rebelliously shed a disciplinary mode that demanded detachment. Transitioning from academic writing meant saying “yes” to self-revelation, putting my thoughts and opinions out there. Showing that there was a moving mind (and heart!) behind my sentences.

Creative nonfiction is a genre of narrative in which an author tells a true story, using the techniques of fiction (evocative scenes, dialogue, and plot). For my course, I wrote a book called Emily Dickinson Had to Have Curls: The Feminist Masks Forced on Women Writers, which fell short of creative nonfiction. But it was illuminating (for me especially) and I became a confirmed feminist. While Emily Dickinson was good practice, I hit my CNF stride with London Sojourn: Rewriting Life After Retirement, a memoir coming out on January 27, 2026.

How I say something is super important because words are my conduit to readers. When I wrote my first academic book, Libricide: The Regime-sponsored Destruction of Books and Libraries in the Twentieth Century, I felt like I had climbed the mountain, Martin Luther King-style, and what I had to say was really important. It was however so densely written that even my mother nodded off when reading it. With London Sojourn, I am similarly exhilarated, though it’s a different mountain, with a much greater portion of the accomplishment in the writing.

It's a true story about transitioning, evolving, and writing my way to self-understanding. I tell many different stories and take readers on a ride through life change and a city beloved to book-lovers and writers. London Sojourn is accessibly written for those who want that kind of ride, find an examined life interesting, and are open to reinvention.


* * *

REBECCA KNUTH is a retired professor and expert on censorship and cultural destruction. Formerly at the University of Hawaii, she authored Libricide: The Regime-Sponsored Destruction of Books and Libraries in the 20th Century and has contributed to Smithsonian Magazine, Cabinet, History News Network, CBC Radio, and more. Transitioning to creative nonfiction, she earned another master's degree, her third, to add to her doctorate, and immersed herself in London's literary scene. Now a full-time writer, she published Emily Dickinson Had to Have Curls in 2024. She lives in Portland, Oregon where she coordinated the Sylvia Beach Writers Conference as part of the Oregon Writers Colony. Learn more at rebeccaknuth.com.

.~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Would you like to participate in Friday "Speak Out!"? Email your short posts (under 500 words) about women and writing to: marcia[at]wow-womenonwriting[dot]com for consideration. We look forward to hearing from you!
Read More »

Interview with Tracy Buckner, First Place Winner of WOW! Q4 2025 Creative Nonfiction Contest

Sunday, November 09, 2025
Tracy's Bio: Raised in the hollers of Southern West Virginia, Tracy Buckner has been weaving stories since she could speak. Now living in Raleigh, NC, she is a mom and grandma who works in the tech world. She channels her love for storytelling into writing, drawing inspiration from her Appalachian roots and the rich tapestry of everyday life. This is her first published flash piece.

--interview by Marcia Peterson

WOW: Congratulations on winning first place in our Q4 2025 Creative Nonfiction essay competition! What prompted you to enter the contest?

Tracy: Thank you so much! I’ve followed WOW! Women on Writing for years and have always admired how the website celebrates women’s voices in all their raw, messy, beautiful forms. I’d entered before but never placed, so this time I told myself I’d do it for the joy of sharing — not the outcome. “Two Lost Souls” had been sitting quietly in my folder for months, waiting for me to be brave enough to send it into the world. I finally realized that if a story keeps tugging at you, it’s probably because it still has something to say.

WOW: “Two Lost Souls” is a powerful essay, and a bit unsettling. What inspired you to write this particular piece?

Tracy: The piece grew from a memory that never quite let go. One of those moments that feels ordinary on the surface but haunts you years later. I wanted to explore the intersection of compassion and regret, the way we sometimes recognize pieces of ourselves in someone else’s pain. Writing “Two Lost Souls” was my attempt to make sense of the helplessness I felt as a young woman who wanted to save someone but couldn’t. It’s about loss, yes, but also about empathy—how seeing another’s struggle can awaken something deep and enduring in us.

WOW: Do you have any thoughts or advice for writing about difficult things?

Tracy: Write it before you’re ready. You’ll never feel perfectly brave or perfectly healed, and that’s okay. I learned from Chelsey Clammer to start with what you can bear to say today, even if it’s only a sentence. Later, you can shape it into something truer and stronger.

For me, writing about hard things isn’t about reliving the pain. It’s about reclaiming it, giving it form so it can finally breathe outside of me. And if you’re scared, that’s a good sign. Fear usually means you’ve found the truth worth telling.

WOW: What writing projects are you working on right now? What’s next for you?

Tracy: I’m currently revising several essays and developing a humor-infused collection of Southern stories called Spillin’ the Sweet Tea. My focus right now is consistency. I am learning to show up for the page every morning, even when the words come slowly. I’m learning that writing is less about waiting for inspiration and more about keeping the door open so it can find you.

WOW: Thanks so much for chatting with us today, Tracy. Before you go, can you share a favorite writing tip or piece of advice?

Be curious and kind — especially to yourself. Don’t rush to judge your early drafts; they’re just your heart clearing its throat.

And I have to quote one of my favorite books, On Writing: A Memoir of the Craft by Stephen King. He says, “Writing isn't about making money, getting famous, getting dates, getting laid, or making friends. In the end, it's about enriching the lives of those who will read your work, and enriching your own life, as well. It's about getting up, getting well, and getting over. Getting happy, okay? Getting happy.”

So write the story only you can tell, in the voice only you have, trust that someone out there needs to hear it, and most of all…get happy!

***
Read More »

Switching Gears to Creative Nonfiction

Thursday, March 13, 2025

 

For the past several years, I have focused my writing efforts on podcast scripts (true crime reporting) and novels. Lately I’ve been feeling restless almost to the point of being burned out and have had the urge to work on a few essay ideas, inspired by reading the work of the WOW! Essay Contest winners. 

I’ve always struggled with this art form, thinking that the only way to write an essay was in chronological order and with a thesis statement much like the ones my high school teachers expected from us. But creative nonfiction is much more than that, and in my opinion, it’s more difficult to execute it well than writing fiction! Learning that you can use literary devices found in fiction to strengthen an essay had made the process much less daunting for me now. 

There are many topics that arise time and time again in creative nonfiction—personal relationships, parenting, health issues, death, family members with memory loss, love, trauma, cultural observations, lifestyle choices, and much more. But it’s the way you execute these themes that really make a piece stand out. 

One essay idea has been nagging me for a while, and yesterday I sat down to finally write a first draft. I’ve been trying to process something that happened in my neighborhood this past year, where a couple were arrested and charged with neglect in abuse of their 1-year-old daughter (they also had two other children at the time). I wove in heartbreaking lines from the initial news reports, like “Medical reports said that the child had a bruised head, protruding ribs, abrasions on her genitals and a sour smell.” Interspersed with these details, I shared the thoughts and feelings that we as a collective neighborhood felt, knowing the children were living in a volatile domestic household in the months leading up to the arrests: 

“We knew it wasn’t a good situation. But we also tried to mind our own business, because you never know what is really going on behind closed doors. Unfortunately, we should have paid more attention, because we really didn’t know what was going on behind those closed doors.” 

Writing this first draft was cathartic, and helped me get out of the writing “funk” I’ve been in. I have another essay idea I want to tackle, too, that’s more of a revision of an existing piece, and it includes a possible experience with what I believe was a guardian angel. 

Writing is such a big part of my life that I can’t envision ever giving it up, but I believe it’s a good idea for us to take breaks or switch gears occasionally. For me right now, that means more reading books for pleasure and working on something outside of my normal scope of work. 

What helps you when you require a change of pace with your writing? Do you prefer fiction or nonfiction? 

Renee Roberson is an award-winning writer who also produces the true crime podcast, Missing in the Carolinas. She’s currently seeking representation for a novel about, what else? A podcaster trying to solve a mystery. Learn more at www.FinishedPages.com and www.MissingintheCarolinas.
Read More »

Interview with Amy DeFlavis, Runner Up in the WOW! Q4 2024 Creative Nonfiction Contest

Sunday, December 22, 2024

 


Amy DeFlavis resides and writes in Bucks County, Pennsylvania. Her short stories, flash fiction, and creative nonfiction essays have earned placements in Writers Digest, NYC Midnight, and WOW Women on Writing competitions.Outside her corporate day job, she spends her time editing her debut romantic suspense novel and refining her author website. Her moments of respite are found in renovating her historic home, planning adventures to various corners of the world, and manifesting the life of her dreams. 

----------Interview by Renee Roberson

WOW: I loved reading your essay, "Neglected Gardens and Other Untended Things," about the discovery of a mother fox and her brood living in your backyard. There are so many elements woven throughout, from your relationship with your beloved dog, to the still and quiet of the moment, to the realization that you and the fox could be one and the same. What was the process of writing and revising this piece like for you? 

Amy: From the moment I saw the mother fox standing on top of my shed, I knew I'd write a story about her. My biggest challenge was keeping within the word count because I had so much to say. But I had a connection with her that felt more than coincidental, and she proceeded to tell me her story without much fanfare or frivolity. I have a tendency to be wordy, but she got straight to the point, which helped me keep the revisions to a minimum. I've lived in my home for a little over twenty years and this past spring was the first time the foxes showed up. Their arrival took me by complete surprise, and I looked forward to watching their antics every day. When I started posting videos of them on Facebook, my friends and neighbors were as excited as I was, and they would stop by for watch parties. It became a fun pastime that brought so many people together for a brief and magical moment in time. I knew there was a reason for it and that I needed to write about it. 

WOW: What is your favorite line from this essay and why? 

Amy: I think my favorite line is about my relationship with my dog. "It's like our own Grey Gardens, and we're the human/canine versions of Big and Little Edie--eccentric, annoying, and set in our ways." My dog is almost 19 years old. I got her only a few years after I moved into my home. In a lot of ways, we've grown up together. We've seen and put up with each other at our worst and our best, and like the Edie's, we find it difficult to function without each other. I often tell her it's okay if she wants to "go to the light," and I find myself saying it more and more recently. I think it's time. She doesn't agree. So we continue our dance. 

WOW: Your bio mentions you are working on a romantic suspense novel. What do you enjoy about writing in that genre? 

Amy: I've always loved romance. Like a lot of Gen X girls, I grew up reading Kathleen E. Woodiwiss, Johanna Lindsey, Julie Garwood, and Jude Deveraux. I liked the fantasy of perfect love, but I also had a fascination with horror, mystery, and suspense novels. To me, romantic suspense is the best of both worlds-- combine the love story of two people who are fighting against the odds, the killer, or the outside forces, and I'm hooked. I have no idea if I've pulled it off successfully, but I guess I'll find out once my Beta readers get back to me. 

WOW: Having experienced success in numerous writing contests, what do you think is the key to crafting a competitive essay or short story? 

Amy: I've been genuinely surprised at the success I have been having lately with short stories and essays. I can only speak for myself, but the key for me is to show the emotions of my characters and express them in a way that people feel they can connect with. It seems to be resonating with others because I get a lot of feedback from people who tell me they felt like they were actually in the story as they were reading it. I think that's the highest compliment I could ever get because I want people to feel things when they read my words, and I've worked so hard on showing vs telling. 

WOW: Do you have any fun or interesting stories about renovating your historic home? We’d love to hear them! 

Amy: Oh, gosh, I don't know about fun or interesting. As a single woman trying to do it all on my own, it's been more like nightmares! Ha ha! But I'm so happy I landed where I did all those years ago and took a chance. My father was a contractor, and while he paid for two weddings for my sisters, I told him it might be a better investment of his time and money if he helped me fix up an old house instead. He took me up on it. I must say, it was nice not having to run ideas past anyone. Everything I picked out for this place was all me. I didn't have to take anyone else's opinion into consideration when picking out tile, flooring, or furniture. But then again, I have only myself to blame if I don't like something now!
Read More »

Interview with Kerby Kunstler Caudill, Runner Up in the WOW! Q4 2024 Creative Nonfiction Essay Contest

Friday, November 29, 2024

 

Congratulations to Kerby Kunstler Caudill from Culver City, California for her award-winning story, "Counting," and to all of the other contestants and winners of the WOW! Women on Writing Quarter 4 2024 Essay Contest!

Today, I'm excited to interview Kerby about her award-winning essay.


Interview by Crystal J. Casavant-Otto

WOW: Welcome, Kerby! Thank you for being here with me today - I'm sure our WOW! readers are excited as I am to learn more about Kerby and Counting! Readers - if you haven't already, pop over and read Counting and then return here for this fun interview! Don't rush - we will wait! And of course - here's a little more about Kerby:


Kerby's Bio:

Although born in Ashland, Oregon with family roots in New York, Kerby Kunstler Caudill has spent most of her life in Southern California. She earned a BA in Film Studies from the University of California at Irvine and an MA in education from Cal State Long Beach. After 20 years in education, she put pen to paper for more than just grading tests. For several years she workshopped her memoir Oma & Me and YA Novels Elle and You First, with author Francesca Lia Block and is currently in a workshop with author/composer Dale Trumbore. 

Her work has been published in The Good Life Review, Months to Years, Lit Angels, MUTHA Magazine, and Dorothy Parker’s Ashes. As an empty nester, she currently works at an afterschool enrichment program called Lighthouse in South Central Los Angeles, copy edits the online magazine Lit Angels and the book Time by Design by Dr. Dawna Ballard, and reads for Hippocampus Magazine. When not petting her dogs, or futzing with her plants, she is chipping away at her third novel, Facing Reality. 

 Visit her website at www.kerbycaudill.com and connect with her on Instagram @kerbnerd.

Now that everyone has had a chance to read your fabulous submission - let's get down to it, shall we?

Thank you Kerby for submitting - can you tell us what your intended take-away was when you sent this portion of your memoir out into the world? What did you want readers to get from this?


Kerby: Thank you for publishing Counting! The take-away of this abridged chapter (and my entire memoir) is to have compassion and acceptance for those who may not be where you are: whether it be their physical or cognitive ability, mental health, or level of self awareness. People overlooked my sister, or worse, outright bullied her, yet she was the compass that guided my life. I grew up resenting my role as a third parent. I didn't consider what my parents were going through - caring for our family while under emotional and financial duress. Looking back, we were all trying our best to hold on; to sanity, to love, and to each other. We all need more of that.

WOW: Boy does that speak to me and my mama heart right now - thank you for your honesty! As a mom, I'm so busy caring for everyone that I don't always think about how my older children are feeling. I hope they know they have my support, but the support of others is important too. Where do you go for support? Who helps you and how when you feel like you need a shoulder?

Kerby:  To be honest, as the perpetual caretaker I rarely accept care from others, but my husband Jeff and daughter Melody support me, gas me up and are rooting for me and my writing career. When I had to quit teaching due to medical concerns, my husband didn’t bat an eyelash and just wanted what was best for me. I am lucky to have an assemblage of friends who are surrogate siblings, many you will see in my memoir! Women in my writer’s groups have also been invaluable, especially Dale Trumbore.

WOW: I can definitely feel the caretaker in your writing - speaking of nurturing and caretaking; what would your current self like to say to a younger a version of yourself? 

Kerby: Oh, my sweet, dear younger self, you lonely child. Heed your teachers’ advice and take your writing seriously—SOONER. Get an MFA in writing instead of an MA in education. Have confidence in yourself and your good heart and know that you deserve love, regardless of achievements, accolades, or acts of service.

WOW: Sounds like great advice for young Kerby and all the young writers out there! You have an impressive bio - sounds like you are busy writing - what is your latest/current project?

Kerby: Thank you! I am currently trying to whip up inspiration to finish my fourth book Facing Reality which is a fun romance novel about Naomi, whose daughter convinces her to go on a vacation years after her husband died of Covid. When Naomi gets off the plane, she realizes she was set up to be on a reality dating show. Of course, she falls in love with one of the producers who then ruins her reputation in the edit—but true love prevails against all odds. 

WOW: That sounds like a fun read and who doesn't want a break from reality for a nice vacation? One last question before we part ways (for now, not forever as I like to say): what advice do you have for other caretakers and/or writers when it comes to stress, turbulent times, etc... you mentioned covid which let's talk about stress right? Give us your tips!

Kerby: Since October 7, 2023, life has changed for me and many of my fellow Jews on a molecular level. The upcoming election doesn’t help my emotional state as our democracy and women’s rights hang in the balance. I’d love to say I exercise, eat healthy, meditate and find peace within. What I actually do is: my own version of prayer, take breaks from reading the news, visit friends, spend time with family, eat chocolate covered raisons or Oreos by the handful, cuddle with my dogs, play all the NYT word games and a hell of a lot of Candy Crush. 

Thank you so much for this interview! Again, I am honored to be a part of this publication and group of women writers.

WOW: Thank YOU Kerby - I certainly enjoyed our chat and hope to help you once your novel is complete - I have a feeling we will be working together again soon!

Hugs! 

*

Interviewed by Crystal J. Casavant-Otto who just keeps on keeping on and can be found blogging and sharing on social media hashtag #raisingkidsandcattle #shelovesgodandsheridesgoodhorses #thankfulgratefulblessed 

 Check out the latest Contests: 
Read More »
Powered by Blogger.
Back to Top