Showing posts with label 2018 Fall Flash Fiction Contest. Show all posts
Showing posts with label 2018 Fall Flash Fiction Contest. Show all posts

Interview with Maja Scheler: 2018 Fall Flash Fiction Contest Runner Up

Tuesday, April 30, 2019
Maja’s Bio:

Maja Scheler has returned to the page.

After graduating from Oregon State University in 2015 with a Liberal Arts degree focused on creative writing and Spanish language, Scheler birthed three novel-humans within three years. Her most accomplished works to date are wiping derriéres at NASCAR speed and managing a 24hr buffet for her three sons and Oregonian husband.

Jokes aside, with the encouragement of a few published write-ups already floating around cyber space, Scheler started writing again in the summer of 2018.

Words and their power to tell an evoking story have always been among Scheler’s chief joys in life.

Exposed is her debut flash fiction. If you haven’t read it yet, click through here and then come back to learn from Maja’s writing insights.

WOW: What inspired you to write Exposed?

Maja: My very first draft for Exposed was written in the beginning of 2015 for a class I was taking in college. The piece was the result of my subconscious. About six months prior, my husband and I drove cross-country, traveling through Native American reservations and visiting several National Parks: Olympic, Banff, Glacier and Yellowstone. When we were in Yellowstone, I remember being in a constant state of wonder. I’d look out into the valleys with its mountainous backdrop and I could see them, like ghosts in their former days. I thought a lot about the history of Native Americans throughout that entire trip.

Six months later when I was required to write a 500-word story for class, I woke up one morning and wrote it all down before getting out of bed. I wrote it initially as a soliloquy of Raven’s life, and how she viewed her home, the land. I realized then that I was debriefing my travels. Images of what I had seen were coming back to me, and the rest unfurled in an effort to answer deeper questions I didn’t know I had. Later my professor said she wanted to know more of Raven’s story, and that got me thinking, what was her story?

WOW: That leads us into my next questions. How else did this story change during the rewrite process?

Maja: I picked the story back up for the first time since 2015 last summer (2018). The story began to change when I started to explore Raven’s relationship with her brother. When I read through the soliloquy-style narrative, dialogue happened, and then scenes and flash backs began to flesh out for me. Adding the dialogue and backstory gave my characters a life force; and the more I spent time with them, the more invigorating the revision process became for me.

WOW: In some ways the ending feels so dark since she doesn’t survive. How did you choose this as the essential ending for this story?

Maja: I find it interesting that you say she doesn’t survive. I’ve really enjoyed hearing different take-aways other readers have experienced from this story. I only edited a few words in the last two paragraphs from my original draft. My goal with it was to leave it open ended, to whet the appetite of the reader to wonder about what happens to Raven, when she is ultimately found out. She clearly expects to die, and chooses to accept that fate. But does she actually die? Or is she taken back to the palefaces’ camp? Does she assimilate or is she forced to assimilate? Does she discover that she is not the last of her kind, but just one of many held hostage? What really becomes of her is a question I’m still asking myself. Although these questions may not be in the back of every reader’s mind, I wanted the ending to be haunting, because the history is haunting.

WOW: That’s amazing. It’s like an inkblot test. What are your short term writing goals? What do you hope to accomplish this year? Do you have long term, such as five year, goals? If so, what are they?

Maja: My current short term goal is to finish the first draft of a manuscript I began loosely last summer and more assertively since the New Year. My next short term goals would be to write another flash fiction, and find homes for some already finished work. In five years, I aim to publish a novel and have a collection of flash fiction/short stories. Overall, my long term goal is to keep showing up to the page and write every day.

WOW: What do you hope that our readers take away from your own flash fiction writing experience? What advice do you have for other writers who are new to this journey?

Maja: Gosh, well, one take away from my own experience would be to work with your subconscious. Don’t think; just write. Sometimes this is best done as soon as you wake up. But I’ve also found it helpful to write a few pages whenever I feel that my mind is cramped. When I’m trying to produce words for my novel, but can’t for some reason, I pull out my notebook and write whatever comes to me until I feel as the “dishwasher” of my brain is unloaded. It’s like detoxing your thoughts so you can come to your piece fresh. This is an effective way to rid yourself of that To-Do list that tries to make you do everything else but write.

And for those who are just starting out, take the journey as it comes. After finishing school in 2015, I took a hiatus from writing and started a family. I had three sons within three years, and I was afraid I would never rise above the fog of mommy brain to string two words together again, but in due time— my oldest just turned four.

Since then, I’ve learned that there is no substitute for getting words out. I’ve given myself permission to write atrociously in faith that something worth keeping will emerge. So whether it is typing or writing longhand, writing daily or even a few times throughout the week is vital. I also learned to not take the advice of other writers as anything more than just an idea to try. What works for some, may not work for others. I’ve been experimenting a ton with this, and have learned a lot about myself through the process. If you don’t already know what works best for you, experiment and you’ll discover it.

More advice would be to guard your writing time and befriend Thesaurus. Making time to write and viewing that time as sacred is indispensable. This will require you to say no— a lot; but think of it as a pre-scheduled date with a friend, your friend Thesaurus. With that said, there is a sincere joy hidden in a list of vocabulary words that are new to you.

And lastly, perspective is everything. As a mother, writing often feels selfish. And when I feel torn by this emotional perspective, I remind myself of something my husband wrote to me in letter once: To create is to celebrate the Creator. This to me removes the stress of having to produce something of immediate worth and to have fun by allowing my writing process be an act of celebration of creativity. It’s not about comparing or achieving. It’s about recognizing that we all have stories to share and tell, but only you can tell the story that’s within you your way. And to me that’s a gift from the Divine worth celebrating.

WOW: What a great quote from your husband! And so much excellent advice for women who are feeling guilty about creating the time and the space to write. Thank you for encouraging our readers and good luck with your planned projects. We are all looking forward to seeing more of your writing in the future.

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Interview with Lisa Bodenheim: 2018 Fall Flash Fiction Contest Runner Up

Tuesday, April 23, 2019
Lisa’s Bio:
Lisa Bodenheim, a native of Minnesota, always thought she'd be a romance writer. But after a 10-day study journey to Chiapas, Mexico, her first book was Disturbing Complacency: Preparing for Christmas, published by Wild Goose Publications. Over the past few years, she has studied the craft of writing through blogs, has entered several 100-word flash fiction contests (snagging a few mentions but no wins), and in 2018, attended a weekend workshop at The Loft Literary Center in Minneapolis. She is now at work on a novel, searching for plot holes and getting to know the characters more in depth. Learn more at her website www.lisabodenheim.com.

If you haven't done so already, check out Lisa's award-winning story "The Oak and the Boomerang Daughter" and then return here for a chat with the author.

WOW: Congratulations on placing in the Fall 2018 Flash Fiction Contest! What excited you most about writing this story?

Lisa: I enjoyed juxtaposing my interest (and research) about oak savannas and fire ecology—and using an oak tree point-of-view—with the reality of the millennial generation—the boomerang daughter with a huge college debt, who lives with her mama, the two of them forging a new adult relationship.

WOW: Did you learn anything about yourself or your writing while crafting this piece?

Lisa: I entered this story in another contest with a different agency a few years ago and saved that version. When I brought it up again to work on it for WOW, I cringed a bit at some of my grammar. For example, the story was abundantly filled with ing verbs. Patience and time, reading published stories and having critique partners is definitely helpful to get fresh eyes on my writing projects so I can tell the story better.

WOW: I love to hear that you persisted and didn’t give up on your story! Can you tell us more about the novel you’re writing? What method(s) do you use to get to know your characters in more depth?

Lisa: It’s a braided story with two protagonists—a young millennial woman whose extended family polarizes over the censor on her cousin who was attacked and an East Prussian woman caring for her teen brother and baby niece on the eve of WWII. The focus is on the effect of violence, particularly in the form of societal censors, and how silencing voices can fragment families and communities.

Through my critique partners, I’ve learned that I’m not good at getting emotional reactions of my characters on the page of my first drafts.

Somewhere in my studies on the craft of writing, I read about Motivation Reaction Units. To study MRUs, I’ve used Randy Ingermanson’s (the Snowflake Guy) blog, Advanced Fiction Writer, and KM Weiland’s blog, Helping Writers Become Authors. Hopefully, using this method to burrow into my characters' heads will help me bring out more emotions and subtext.

WOW: Intriguing summary and great resources! Thank you for sharing those with us. What are you reading right now, and why did you choose to read it?

Lisa: Well-Read Black Girl, edited by Glory Edim, founder of the organization by the same name. I’m a white woman who grew up in a small all-white community. Yet now I work and live in communities with diverse people of color. There's so much I need to learn because I don’t know what it means to walk in the shoes of a black person. I can only guess and intellectualize and empathize. I want to depict diverse cultures in my stories without harmful stereotypes, doing my small part to envision communities of hope and laughter, joy and justice.

WOW: Not an easy task, but a very worthy goal. If you could give your younger self one piece of writing advice, what would it be and why?

Lisa: Persist. Write down your ideas. There are stories all around us.

WOW: Great advice! Anything else you’d like to add?

Lisa: Thank you for this opportunity to polish my short story and enter WOW’s contest! The ability to get feedback and reading through the winner’s lists have been great.

WOW: You are very welcome! Thank you again for sharing your stories and for your other thoughtful responses! Congratulations again, and happy writing!

Interviewed by Anne Greenawalt, who keeps a blog of journal entries, memoir snippets, interviews, training logs, and profiles of writers and competitive female athletes.
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Interview with Elizabeth Maria Naranjo: Fall 2018 Flash Fiction Runner Up

Tuesday, April 02, 2019
Elizabeth Maria Naranjo is the author of The Fourth Wall. Her short fiction and creative nonfiction have appeared in Brevity Magazine, Superstition Review, Hunger Mountain, Hospital Drive, The Portland Review, YA Review Net (YARN), Literary Mama, Motherwell, and several other places. She is currently revising her third novel (a ghost story for adults) and seeking an agent for a middle grade book and a collection of short stories. Elizabeth lives in Tempe, Arizona, with her husband and two children. She blogs about books and writing at elizabethmarianaranjo.com.

Before you read her interview, be sure to read her story Gratitude and then come on back!

--- Interview by Nicole Pyles

WOW: First of all, congratulations on your win! To start out, what was the inspiration behind your story "Gratitude"?

Elizabeth: I wrote “Gratitude” in a fall workshop where you’re provided a weekly prompt and asked to produce a story or essay of no more than 500 words. The prompt that week was “Hot Mess.” I imagined two girls, one going through a pretty terrible time with her parents divorcing, and the other who appeared to have no definable problems, yet still felt like a hot mess. I was intrigued by the second girl, because she’s having to navigate the emotional turmoil of adolescence, which is bad enough. Yet she can’t talk to her best friend about it because she feels her pain is unearned in comparison. I thought that must feel so lonely.

WOW: Oh I love how you interpreted that writing prompt! How did this story change from its first draft to the final draft?

Elizabeth: The story itself changed very little. Here’s a fun fact though—in the first draft (and most subsequent drafts), the cherries floating in melted ice cream at the end were compared to bobbers, because the main character had described her parents fishing and I thought that was a neat tie-in. My critique partner clearly felt otherwise; she highlighted the bobber phrase and wrote “awkward.” I pulled it immediately, because she’s always right, and now I cringe when I think I’d ever written it that way, hahaha.

WOW: LOL, I've had those moments myself in writing! I can't help but notice you have quite a lot of success under your literary belt! What advice do you have for new writers?

Elizabeth: Thank you! My advice to new writers is have fun and enjoy the process. It really shouldn’t be painful, at least not until the editing stage. Drafting should instead be magical—you’re creating people and maybe even worlds that didn’t exist before; you can make up anything you want. That’s incredibly freeing. If you wrote as a child, try and recapture how that felt. You weren’t worried about markets and genres and platforms. You were just excited to write a story.

WOW: Oh I love your advice and needed to hear that myself actually! So, you do so many different types of writing, from short fiction to nonfiction to novels for both adults and middle grade readers. How do you write for so many different types of readers?

Elizabeth: Stories are about the same things—fears, insecurities, loss, grief, love. We experience all of these as adults, but we also did as small children and as teenagers. If you can tap into those past selves, remembering what mattered to you, what haunted you, what brought you pure simple joy, you can write for a younger audience. Same with other points of view, only you’re imagining instead of remembering. All that’s really required is empathy.

WOW: Fantastic insight! So, can you tell us a bit about the novel you are working on now?

Elizabeth: I’d love to! It’s called The House on Linden Way, and it’s about a single mother who revisits her childhood home and literally becomes lost in her memories. Her daughter disappears inside the house and the mother is desperately trying to search for her while at the same time struggling to resist the lure of her past, which keeps pulling her back in. It’s essentially a ghost story. I never get tired of writing those.

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Interview with Kristin Bartley Lenz, 2nd Place Winner in 2018 Fall Flash Fiction Contest

Tuesday, March 12, 2019
Kristin Bartley Lenz is a writer and social worker in metro-Detroit. Her debut young adult novel, The Art of Holding On and Letting Go, was the 2016 Helen Sheehan YA Book Prize winner, a 2016 Junior Library Guild Selection, and an honor book for the 2017-2018 Great Lakes Great Books statewide literature program. Her fiction, essays, and articles have been published by Hunger Mountain, Great Lakes Review, The ALAN Review, Literary Mama, and Writer’s Digest. She writes freelance for Detroit-area non-profits and social service agencies, and manages the Society of Children’s Book Writers and Illustrators (SCBWI) Michigan Chapter blog. Learn more and connect at kristinbartleylenz.com.
Read Kristin's story "Photosynthesis" and then return here to learn more about the origins of the piece!



----------Interview by Renee Roberson

WOW: Thanks for being here today, Kristin, and welcome! “Photosynthesis” is a masterful, literary story that follows the aftermath of a family tragedy. What was the inspiration behind this story? What was the writing and revising process like for you with this particular tale?

Kristin: I’m not sure about “masterful,” I still have so much to learn, but thank you! I’ve been fortunate to have some wonderful teachers and mentors. "Photosynthesis" was one of those magical writing experiences where the story seems to appear out of nowhere and the words flow. I especially appreciate when that happens because writing can be a real slog sometimes!

Two summers ago, I was worn out from a busy year of promoting my debut novel, and I needed to rediscover the joy in writing. I took an online writing class with a local author/teacher, Peter Markus. "Photosynthesis" was the result of one of his weekly prompts.

I have no idea why, but Jack and the Beanstalk popped into my mind, and I rolled with it. That was the best part of the class – week after week, I got into the habit of writing freely, playing with words and exploring without judgment, without worrying about where the story was going or if it was worthy of publication.

I occasionally returned to "Photosynthesis" over the next year when I needed a break from writing my new novel. The story was weird and wild and unlike anything else I’d ever written. I don’t remember how many times I revised – probably a dozen. I cut the original story drastically to meet the word-count limit for the WOW! Flash Fiction contest, and it worked!

WOW: Your debut novel, The Art of Holding on and Letting Go, was published after you won a contest run by a small press. What has been your experience having that be your (unexpected) path to publication? Would you recommend seeking out these types of contests to other writers?

Kristin: I wrote an article about contests for Writer’s Digest because there are so many variables to consider. Unscrupulous companies run scam contests and publishing schemes, and writers need to do careful research. I felt safe entering the Helen Sheehan YA Book Prize competition because I knew their track record of publishing high quality, award-winning books.

The editing process was intense, and I learned so much from my editor, Jotham Burrello, who is also an author, a college professor, and the Director of the Yale Writer’s Workshop. The Elephant Rock team shepherded my book out into the world with great care, taking the steps needed to get reviews from trade journals and placement in libraries and bookstores. They organized my blog tour and some speaking opportunities. Small presses don’t have the money and resources of the large NY publishers, but they can offer more time and personalized attention.

WOW: There are so many different paths to publication, and this is a great example of one! Speaking of The Art of Holding On and Letting Go, the novel features a female protagonist who is also a rock climber, which is a sport you also enjoy. How would you compare rock climbing to the writing process?

Kristin: I don’t think anyone has asked me that before, but there are similarities with rock climbing and writing! Climbing, like many sports or creative endeavors, involves an element of risk and putting yourself out there. Writers are vulnerable on the page, and then we send this vulnerability out into the world – that’s scary, but also empowering.

Rock climbing can be very physical and technical, but what I like best is the mental puzzle of figuring out a route, and the state of flow that you often find yourself in – breathing and moving and guided by intuition that’s been shaped by practice and persistence. Sounds like the writing process to me!

WOW: That's for sure! I love the way you describe those comparisons. You’ve also been a member of the Society of Children’s Book Writers and Illustrators, where you also manage your local chapter’s blog. What has your experience been like being a member of such an organization? Have you found it helpful in networking and learning more about the craft?

Kristin: I joined SCBWI fifteen years ago when I was ready to take my writing to the next level and prepare for publication. They’ve helped me grow my craft and better understand the publishing industry. The Michigan chapter has many veteran authors and illustrators who give back to the community; they remember how hard it was starting out, and there are new challenges at every stage of your journey. This career path has so many ups and downs, joys and frustrations. I’m grateful for the guidance I’ve received from my SCBWI-MI peers – both formally from conferences and workshops, but also informally as everyone shares their experiences and lends a hand. Honestly, I’m not sure I would have persisted to publication without the ongoing support of these writer friends.

WOW: What is your writing style like? Are you a “plotter” or a “pantser?”

Kristin: I admire writers who can outline a story from beginning to end before they sit down to write. I’ve tried it, but I continue to be a pantser! And a very slow one. I outline later in the revision stage of a novel, but initially I need to write to discover the story and understand my characters. And it takes me a long time to make thematic connections and add layers of depth to a story. Come to think of it, for my flash fiction "Photosynthesis," I had no idea how the story was going to end. I had a sense of movement, I knew my character was being urged forward, but also pulled back. Even when I realized she was returning home, I had no idea what would happen when she got there! I revised that ending many times.

Thanks so much for your thoughtful interview questions!
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