WOW! Women On Writing Blog: drawing

Thursday, October 04, 2018

“Creativity is allowing yourself to make mistakes. Art is knowing which ones to keep.” ~Scott Adams

When I saw this quote, it brought me up short. Recharging your creative batteries is vital for anyone who writes. And one way to do this is to play with your medium. My medium is writing, but I’m lucky enough not to have a day job. I write for a living.

But that’s also a problem. Because I write for a living, I tend to focus on things I can sell. In part, it is a matter of time management. But creative energy also comes into play. I can only write so many words a day and once I’ve reached that limit, additional writing doesn’t happen. Butt in chair? No worries there. I’ll plant my butt right here, thank you very much. But my mind is not pulling any more words to the surface.

This means that creative play is going to have to take the form of something other than writing. Fortunately, the day I saw this quote, I also found out about Inktober. Inktober is a month long illustration challenge. While I would never consider myself an illustrator, I did put myself through college creating graphics for archaeological reports. I know longer work in graphics so drawing is once again fun.

Inktober sounded like a good fit. Jake Parker is the illustrator who created this event and he provides a list of prompts. That’s them at top right. Don’t want to use the prompts? No big deal. Draw whatever you want. Rather draw with pencil? Go ahead and sketch first then ink later. Rather work on the computer? That’s okay too. So is adding watercolor. Or doing calligraphy.

The point is simply to create every day. Once you’ve got an illustration you are encouraged to post it on social media along with the tag #Inktober or #Intkober 2018. Easy peasy. Right?

Unfortunately, I had yoga before I sat down to work. When I got home, I searched #Inktober and almost fell out of my chair. Seriously? You did that in a morning? That was when I discovered that a lot of professional illustrators rough their drawings in September and ink in October. Lesson #1. If you are primarily a writer, do not look at what the pros do. You will freeze up.

Fortunately, as my grandad would say, I’ve been blessed with more gumption than sense. The prompt for Day #1 was poison. Nope, my poisoned apple isn’t going to win any prizes but it is my stiff looking poison apple.

Lesson #2, loosen up. I needed to have fun so for Day #2, tranquil, I decided that I would go with basic shape and a sense of motion. I like my yoga poses way more than I liked my poison apple.

Lesson #3, do it my way. I’m a graphics girl. So for Day #3, Roasted, I did a simple graphic, adding some color.

It took me three days to get around to being creative and having fun. But the whole challenge has me thinking visually and has already sparked a story idea. Even if it is the only story spark this challenge brings me, I’m having fun which is the whole point of creative play. Care to join me?

--SueBE

To find out more about Sue Bradford Edwards' writing, visit her blog, One Writer's Journey. Sue is also the instructor for Writing Nonfiction for Children and Young Adults. The next session begins November 12th, 2018.

3 comments #Inktober, #Inktober 2018, creative play, drawing, Inktober, Sue Bradford Edwards

Can’t Write? Draw.

Wednesday, April 20, 2011

by Gila Green

All stories have a shape to them. Draw yours. I learned this in journalism school. At that time it was critical that we mastered the differences between writing for print, radio and television (there was no web writing then). We learned this through shapes. The identical story, say about a student demonstration against a tuition hike, had to be written in three different ways, depending upon which medium it was for. Each medium, we were taught, had its own shape and presumably still does.

I now use this method in my own fiction and in my fiction classes and I find it helps many writers improve their work and organize their thoughts.

Back to your story: Is it circular, a parallel line, or two parallel lines? Does the line peak anywhere? Map out your story visually with a plain pen and paper or rainbow colored markers on Bristol board; whatever inspires you the most. Why? You will see your story in an entirely new way. Using a different medium offers a lot of perspective, even on an old story.

Don’t restrict yourself to drawing; you can dance out your story if you are inclined (and I have two-stepped a story more than once in one of my creative writing workshops). The point of this exercise is to transfer your work into another art form. Paint a scene from your story. Put one whole chapter into a poem. Represent your story in another way and this could very well be the key to unlocking the secret of your work.

Now, let’s examine some possible results. If you have drawn a flat line, it’s very likely that your story reads like this: exposition, exposition, exposition. Another flat-line diagnosis: endless dialogue that tries to fit in three generations of family history in a going-nowhere back and forth between two moody characters.

Viola! You now know that you need to either cut exposition and put in dialogue or cut dialogue and throw in some exposition, atmosphere, action; something to break that long flat line!

If your writer’s block is so severe that you have not even begun your story, don’t despair. Draw a published story. But don’t just lean over and grab the closest book. Choose one that makes you see the world through different eyes; one you have read repeatedly and (best option) one that makes you burn with envy. Don’t just read it from the perspective of shape either, really draw it!

Is this story so successful because it opens on such a sharp peak? Is it the way two parallel lines—representing the heroine and her foil, perhaps—are chasing each other like Tom & Jerry that draws (pun intended) you in? Find a satisfying answer before you move back to your own tale.

Remember, art is interconnected. If the traditional “go for a walk to clear your head” advice isn’t working, stroll all the way to the art section for a pack of crayons or a paint brush.

***

Originally from Ottawa, Gila Green's stories have appeared in tens of literary magazines in the U.S.A., Canada, Australia, Israel, and Hong Kong. Her short story collection, White Zion, is a finalist for the Doris Bakwin Award (Carolina Wren Press, 2008). Her stories have been short listed for WordSmitten's TenTen Fiction Contest (2008); The Walrus Literary Award (2006/7); the Eric Hoffer Best New Writing Award (2008) and the Ha'aretz Short Fiction Award (Tel Aviv, 2006). Gila has an MA in Creative Writing from Bar Ilan University (Israel) and a Bachelor of Journalism degree from Carleton University (Ottawa, Canada).

Gila is also a WOW! Women on Writing Classroom instructor. Her interactive workshop SHORT FICTION WRITING starts Monday, May 2nd. This class is limited to 10 students, so make sure you reserve your spot today. Click here to sign up now!