Showing posts with label contest runner up. Show all posts
Showing posts with label contest runner up. Show all posts

Interview with Kelly Stallard, WOW! Q1 2026 Essay Contest Runner Up

Sunday, March 22, 2026
Kelly is an artist and a writer who retired from teaching high school English 5 years ago. She spent 24 years encouraging young people to write and continues this mission by designing original greeting cards through her studio, Mixed Pickles Art. She can be found at art festivals throughout Virginia peddling her work. Kelly is currently writing essays to compile into a collection that will highlight the beautiful public spaces in the Commonwealth where she finds inspiration and renewal. Her novel, Circumference of a Big Man, was chosen as an Honorable Mention winner in the Writer's Digest 33rd Annual Self-Published Book Awards. Her manuscript, Circle Unbroken, placed 3rd at the Virginia Highlands Festival Creative Writing Contest. Kelly lives with her husband in Winchester, VA.

--Interview by Marcia Peterson

WOW: Congratulations on placing as a runner up in our Q1 2026 Creative Nonfiction essay competition! What prompted you to enter the contest?

Kelly: While I think anyone can relate to my essay, it is at its core, a mother’s story. The unexplainable strength I found to open my daughter’s front door that was either jammed or maybe locked, the inability to squelch my gut feeling that something was off -- these are absolute truths that I think demonstrate the irrepressible bond between a mother and her daughter. Finding a contest that features the voices of women was a perfect fit.

WOW: Your entry “Until” is a powerful essay about a horrific event for your family. What inspired you to write this particular piece?

Kelly: There were two inspirations. First, my husband and I own a 17’ Airstream, so we spend a lot of time camping. We live in Virginia where the state park system is outstanding. I started writing essays a few years ago aiming to focus at least one essay on each park in the state thinking I would create a collection that could highlight the public spaces we love so well. My essay, “Until,” started as one of those essays. Just as I describe in the essay, one day we had a lake at a park completely to ourselves. As we kayaked, I noticed the chaos of sunbleached trunks and limbs along the banks, and among the litter, one determined sapling clinging to a rock, and in that moment, that one image truly did say everything. The violence against my daughter occurred in 2017. I started this essay in 2021. I finished it in 2025.

The second inspiration is my daughter who survived the attack. She is the strongest human being I have ever known. She is still in the healing process as complex PTSD has no easy fix. Along her healing journey, she completed her PhD and wrote a book of poetry about her experience as a victim and a survivor. The book was published, and my daughter uses it and her expertise on trauma-informed education to advocate for other survivors. She has taught me about the importance of using my own voice, so a large part of my inspiration for writing this piece is to honor her bravery by being brave, too.

WOW:  Do you have any thoughts or advice for writing about difficult things?

Kelly: There was a right time for me. I had to wait until I could articulate the horror we had lived through with utter honesty. That might not be necessary for every writer, but I had to be patient with myself. It helped me to remember that while not every reader has experienced the same traumatic experience we have, it is a sad fact that nearly everyone understands trauma in some personal way.

WOW:  What writing projects are you working on right now? What’s next for you?

Kelly: Aside from the Virginia State Parks essay collection, I am completing a manuscript for a novel. I self-published a novel not long ago which has been fairly successful. This time, I am going to attempt traditional publishing.


WOW:  Thanks so much for chatting with us today, Kelly. Before you go can you share a favorite writing tip or piece of advice?

Kelly: I have to give myself permission to take risks in my writing, to allow form and content to complement each other in nontraditional ways. Not only has this permission helped me create more pleasing products, it has made the process more fun and having fun is so important. Thank you for having me on.

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Interview with Erin Brandt Filliter, WOW! Spring 2025 Flash Fiction Contest Runner Up

Tuesday, October 21, 2025
Erin Brandt Filliter loves creating. By day, she is a Public Relations professional, by night she is a Mom, writer, painter, and music-maker. One of her recent accomplishments was winning the 2025 Douglas Kyle Prize for Short Fiction from the NB Writers’ Federation. More of her work can be found at: erinfilliterature.squarespace.com

---interview by Marcia Peterson

WOW: Congratulations on placing as a runner up in our Spring 2025 Flash Fiction competition. What prompted you to enter the contest?

Erin: I'd been following your contests for a while and had entered a few times. The stories from your writers are always so inspiring and I wanted to be a part of your community of women writers.

WOW: Can you tell us what encouraged the idea behind your story, “Of Feast and Famine?”

Erin: My inspiration for "Of Feast and Famine" was the idea of cleansing - both fire and saltwater are known (spiritually) for their cleansing properties. But they can also bring with them a sense of destruction and devastation. I wanted to find a way to blend these concepts into a character arc--ending on a hopeful tone. I'm also a sucker for a hopeful ending, so I couldn't leave the family with utter desperation at the end.

WOW: We’d love to know more about your writing routines. Could you tell us when and where you usually write? Do you have favorite tools or habits that get you going?

Erin: I wish I had a better writing routine! I write on the go, on the fly, and off the cuff. Sometimes, I'm squirreling away in a doc on my phone and other times I'm sitting at my laptop at a desk. I just let the words and concepts come, and hope to catch them before I have forgetting them completely! I've written novels on long car rides in my brain that will never find their way onto a page.

WOW: Are you working on any writing projects right now? What’s next for you?

Erin: I'm not working on any projects at the moment. I have a number of short fiction stories that will be dutifully sent out for publication in the coming months with a hope and a prayer!

WOW:  Good luck with the short stories! Thanks so much for chatting with us today, Erin. Before you go, do you have a favorite writing tip or piece of advice you can share?

Erin: Don't give up! There's a reader out there for every story. Art is healing and powerful - it's the antidote to oppression and strife. Share your beautiful story with a happy heart.


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Interview with Katie Katie Zurich, WOW! Winter 2025 Flash Fiction Contest Runner Up

Tuesday, July 22, 2025
Katie Zurich is a writer whose journey began in Buffalo, New York and now continues in Madison, New Jersey. She shares life with her extraordinary husband, who brings her coffee in the morning, tea in the evening, and constant support in between. Together, they’re raising two fierce and resilient daughters who inspire her daily. Katie finds joy in capturing life’s quiet magic and turning everyday moments into meaningful stories. That spirit lives at The Forty Files, where words become art and the mess becomes a story worth telling.

WOW: Congratulations on placing as a runner up in our Winter 2025 Flash Fiction competition. What prompted you to enter the contest?

Katie: I entered the contest because I’ve been challenging myself to be braver in my writing this year. I wanted to take more creative risks, put my work out there, and see what could happen. This felt like the perfect opportunity to do just that.

WOW: Can you tell us what encouraged the idea behind your story, “Cynical Cake?”

Katie: I began working on this story years ago after witnessing an adult say something to a child that seemed to quietly take the wind out of their sails. It stuck with me, and I started thinking about how those seemingly small moments can linger in a child’s memory—how they’re absorbed, carried, and eventually recounted, sometimes years later, in unexpected ways. From there, my imagination took over, and a story was born.

WOW: We’d love to know more about your writing routines. Could you tell us when and where you usually write? Do you have favorite tools or habits that get you going?

Katie: I write daily—almost always in the late morning, afternoon, or late at night. My mind seems to wake up slowly; I spend the early part of the day absorbing and observing everything around me. By mid-morning to late afternoon, the gears start turning, and that’s when stories begin to form. It’s a rhythm that feels natural to me—living first, then writing from what lingers.

WOW: Are you working on any writing projects right now? What’s next for you?

Katie: I’m in the final stages of a labor of love: a hybrid novel that blends anecdotal, memoir-style reflections rooted in middle-aged womanhood and motherhood with a second half that shifts into entirely fictional storytelling. It’s a work that reflects both my lived experience and my imagination. A guiding phrase throughout my writing—and one that feels especially true for this project—is: “permission to wonder and wander.” Additionally, I just published an educational chapbook with Bottlecap Press entitled Margins of the Mind. That's a reflection of my first love in life, which is the classroom.

WOW: Thanks so much for chatting with us today, Katie. Before you go, do you have a favorite writing tip or piece of advice you can share?

Katie: Everything you write is valuable—every experience and every word is usable in some way, shape, or form. Stories like “Cynical Cake” sometimes need to sit for a while, collect a little dust, before they can be revisited and rewritten with a fresher perspective and renewed point of view. So, keep it all. Most importantly, feel the fear, but don’t let it stop you from sharing your work. I’m finding so much joy in facing fear head-on because on the other side lies gratitude and confidence.

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Interview with Wendy Fontaine, WOW! Q2 2025 Creative Nonfiction Contest Runner Up

Sunday, June 08, 2025
Wendy Fontaine’s work has appeared in Jet Fuel Review, Short Reads, Sweet Lit, Sunlight Press, Under The Sun and elsewhere. She has received nonfiction prizes from Identity Theory, Hunger Mountain and Tiferet Journal, as well as nominations to the Pushcart Prize and Best of the Net anthologies. A native New Englander, she currently resides in southern California and serves as the flash editor at Hippocampus Magazine.

--interview by Marcia Peterson

WOW: Congratulations on placing as a runner up in our Q2 2025 Creative Nonfiction essay competition! What prompted you to enter the contest?

Wendy: I’ve entered the contest before, and I always found the winning essays to be impressive. I routinely take classes through WOW, so the contest has been on my radar for a while.

WOW: Many of us can think of instances where, as a young woman, we sensed something was off with a person or situation and thankfully acted for our own safety. Your essay, “Lucky,” is a compelling look back at your own experience and other events where luck, randomness or fate spares a person from something tragic. What inspired you to write this piece?

Wendy: That moment in the parking lot has stuck with me for 35 years. Over the decades, I’ve wondered, why not me? Why do bad things happen to some people but not others? There are answers to that question and yet, at the same time, there are no answers to that question. This moment and many others, including 9-11 and the Boston Marathon bombing, make me think of how close we all come to tragedy every day, whether we know about it or not. And when we do know about it, we try to make sense of it. We try to give it a narrative or some kind of explanation, but of course there are times when no explanation can be made. We just “got lucky,” as they say.

WOW: How do you find or make time to write? What works best for you?

Wendy: I wish I could say that I have a regular writing practice, or that I have the discipline to set aside time and abide by any kind of writing schedule. But I just don’t. I’m sort of a mad scientist writer. When an idea takes hold, I go to the page. I write and write and write, then I stop. I tell myself that I’m done for the day but within minutes, I’m back – drafting and redrafting. Then I might go weeks without writing again. It’s cyclical. I write whenever the mood strikes. I’m also in a writers’ group that meets monthly, which means I’m on the hook for new or revised material every time we meet. That really helps. My writing group keeps me generating new work.

WOW: Are you working on any writing projects right now? What’s next for you?

Wendy: I’ve been writing shorter pieces these days, usually flash CNF. Part of this is because of how my attention span changed during and after the pandemic. The other part is that I’m really interested in the heat and power that comes in the flash nonfiction form. I have a few essays that I’ve been submitting and a few that I’ve been revising. I also wrote a murder mystery novel, which I hope to revisit and send out to some new agents this summer.

WOW: Best of luck to you with your novel! Thanks so much for chatting with us today, Wendy. Before you go, can you share a favorite writing tip or piece of advice?

Wendy: Whenever I’m struggling to find writing time, or I need some inspiration, I sign up for a writing class. I find Chelsey Clammer’s classes to be particularly generative. Most writing courses are online now and easy to fit into a working person’s schedule. I also rely on Sonja Livingston’s book “Fifty-Two Snapshots,” which has 52 writing prompts for nonfiction and memoir. I’ll flip to a random page, then set a timer on my phone for 15 minutes. Fifteen minutes is usually enough time to get something on the page, but not so much time that you start editing yourself. This feels like a good way to get something true on the page without second-guessing what it is that you’re writing.

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Interview with Geeta Lal Sahai: Fall 2024 Flash Fiction Contest Runner Up

Tuesday, May 06, 2025
Geeta’s Bio:
Geeta Lal Sahai is a writer, award-winning filmmaker, and mental health advocate based in Delhi-NCR, India. With a background in journalism, she transitioned into full-time writing, and mental health activism. 

Her fiction is deeply rooted in real-life experiences, shaped by meticulous research and a keen understanding of human emotions. Her work has been published by HarperCollins, Mithra Publishing, and Niyogi Books, and her short stories have received awards in multiple international competitions. 

She is the author of the non-fiction book Beyond Music – Maestros in Conversation (Niyogi Books, 2015), which explores Hindustani Classical Music through insightful discussions with renowned artists. Her short story collections include When Goodbye Begins: Life Takes Over and Once is Not Enough: Stories on Love, Passion, Desire, Family, and Loss. (Amazon Author Page: www.amazon.com/author/geetalalsahai

Her film I Remember... has received national and international recognition, winning multiple awards. She has also been honoured with the REX Karmaveer Bronze and Silver Karmaveer Chakra Awards (instituted by iCONGO in partnership with the UN) in 2014 and 2019 for her advocacy in disability and mental health. 

Reflecting on her creative process, she shares: “All my creative endeavours emerge from moments I witness—whether of beauty, pain, or anguish, but always rooted in reality. Through writing, I attempt to make sense of these moments with honesty, directness, and vulnerability.” 

Presently, she is working on her upcoming non-fiction book on Mental Health and Human Rights. She continues to write, research, and advocate for mental health and human rights while exploring stories that need to be told. 

If you haven't done so already, check out Geeta's award-winning story "The Garden She Maintained" and then return here for a chat with the author. 

WOW: Congratulations on placing in the Fall 2024 Flash Fiction Contest! What excited you most about writing this story? 

Geeta: While writing “The Garden She Maintained”, I rediscovered myself. The chance to speak about an experience that is often ignored or misinterpreted excited me. Emotional abuse steals confidence, identity, and self-worth. It leaves no visible scars. I have seen survivors of emotional abuse, and in some measure, I can also consider myself a survivor. My experience made me understand others’ silent pain. I saw how they felt trapped, unheard, and unsure of their reality. 

Writing this story allowed me to explore my journey from feeling controlled and insignificant to finding the strength to act. I wanted the protagonist to leave after a deep internal struggle. I wanted her to awaken to the reality gradually. I tried to capture the moment one realises and begins to expect more from life. Even if the world says otherwise, this process is powerful. 

Having said this, let me clarify that taking a final step is tricky. It is challenging, as only the survivor knows the truth. The world continues to be captivated by the abuser’s charm. Their adorable personality impresses everyone around them. The reality is that it is hard to talk about invisible pain, unlike the visible scars of physical abuse. Even at the police station, the officers do not believe the survivors’ story. Their response is, “But where are the scars?” It is so complex that often, the abused person doubts their own judgement. The line between reality and the “visible reality” appears like a dense fog where one cannot see beyond what is shown. The real picture remains invisible. And this makes survivors doubt their sanity. 

WOW: Very well said. And thank you for giving voice to a topic that is too often silenced. What did you learn about yourself or your writing while crafting this piece? 

Geeta: Writing about perseverance and survival speaks to me. It shows the quiet courage needed to rebuild life after trauma. This story reflects what I have always believed about myself. This story made me realise how important these tales are. I’ve always seen fiction as a way to share what often goes unsaid. Writing this allowed me to reflect on my experiences. Survivors of emotional abuse usually struggle with self-doubt. The abusive partners instruct them to think their pain isn’t “real enough and that they are going insane.” Even others begin to doubt the version of the survivors. But the validity of pain does not depend on its conspicuous presence. While writing this story, I recognised the truth. It applied not only to my main character but also to several others in similar situations. I also understood the need for moderation in narrative from a technical standpoint. Emotional abuse involves manipulation, gaslighting, and control. I aimed to present this gradually. The pauses, silences, and the protagonist – Deepali’s self-doubt are as powerful as confrontation. This story helped me understand the power of silence and how to use subtext, body language, and atmosphere. These elements convey emotions that words cannot capture completely. 

WOW: Thank you for sharing this. It’s so powerful to hear about the ways writing can help people reflect on and heal from their experiences. You have a wealth of writing experience, including filmmaking. What, if any, connections do you see between your filmmaking, or your writing in other genres, and your fiction writing? 

Geeta: Filmmaking has, in many respects, changed my approach to narrative. It has helped me see scenes. I can picture emotions, tensions, and connections with significant depth. I pay close attention to my characters’ movements and the space around them. I notice how their small actions reveal what they don’t say. While I write, I see them as though they are on screen. This narrative feels like a cinematic experience in the way it developed. 

To show the complexity of Deepali’s life, I focused on small details of her garden, her making tea in the kitchen, the dim light in the room, her tense body when her husband talks, and the heavy silence showing her inner struggle. 

As every shot in a film is essential, I approached this story to ensure every moment helped shape the protagonist’s emotions. In fact, my experience in fiction writing has enhanced my filmmaking skills, and writing helps me explore a character’s inner world better than movies can. This deep psychological insight influences how I tell stories across all media. I constantly endeavour to tell stories soaked in honesty and reality. I fictionalise and weave a tale around actual incidents, real people and situations. 

WOW: It sounds like writing in multiple genres has really enriched your writing experience. To “see scenes” is such an important concept when writing narrative. What are you reading right now, and why did you choose to read it? 

Geeta: I’m reading Edith Eger’s The Choice, which looks at trauma, resiliency, and self-discovery. It concerns the atrocities of the Holocaust. I’m drawn to stories that dive into the complexity of human relationships. I especially like those that challenge accepted ideas. This autobiographical narration is about hope and how it can bloom even in the most improbable locations. Trauma and abuse leave an indelible mark on the psychology. Our adult reactions are the outcome of our childhood. The invisible childhood trauma and scars make us what we become as adults. It’s the same situation, but two individuals react differently. They respond differently because of their childhood experiences. This aspect fascinates me. And I’m curious about how other writers tackle violence and recovery. They don’t tell a tale; they also evoke feelings. Reading The Choice has helped me understand the world and the fighting spirit of human beings. I always seek books that broaden my view of human experiences and psychology. 

WOW: I love to hear how you’re reading with such purpose and depth. If you could give your younger self one piece of writing advice, what would it be and why? 

Geeta: I would counsel my younger self to stop shying away from writing on sensitive topics. I avoided writing about emotional abuse, trauma, and survival for a long time. I’ve found that the most complex stories are often written with utmost honesty. Only authentic literature spins out once we put ourselves in others’ shoes. I would also remind myself that writing is about telling the truth, not seeking approval. I wish I had realised earlier that my voice matters. My viewpoint is valid, and the stories I want to tell matter. I would also tell myself to be patient. Like everything necessary, writing is a craft and requires time to grow. There is no need to be flawless; to keep writing, learning, and believing the process works. 

WOW: Your voice matters! And we’re so grateful that you shared it with us. It’s a true gift. Anything else you’d like to add? 

Geeta: Topics like mental health issues and the stories woven around various mental health problems, like bipolar schizophrenia, suicide and suicide survivors, childhood abuse, trauma, geriatric issues, etc., when woven into a story, will change the narrative around these issues. I believe this. 

I hope that, in some minor way, the story “The Garden She Maintained” helps to shatter the silence around emotional violence. Ending an abusive relationship without visible signs can be quite challenging. Often, society downplays emotional violence. This leads survivors to feel their pain isn’t real or that they must endure it for peace and harmony at home. I want people to see that survival means choosing yourself. The world may teach you otherwise, but it’s not about enduring. I see it as a success if one reader connects with this story. If it helps someone feel seen or understood, that’s enough for me. Let me share: just after the WOW results were announced, one woman messaged me, saying, “I am going through the same. Thank you.” I was overwhelmed with emotions. Speechless. 

Thank you for allowing me to express and share my thoughts. Thank you. 

WOW: Thank you for your thoughtful responses and for sharing your story with us. 


Interviewed by Anne Greenawalt, founder and editor-in-chief of Sport Stories Press, which publishes sports books by, for, and about sportswomen and amateur athletes. Connect on Twitter @greenmachine459.
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Interview with Anny Stone, WOW! Fall 2024 Flash Fiction Contest Runner Up

Tuesday, April 22, 2025
Anny Stone is trying to resuscitate her dream of being a writer who actually writes. In the daytime, she is a librarian. She mostly writes about the odd frequency of her mind. She writes to connect, to find those with a similar frequency. You can reluctantly find her on Instagram @mrsjohnwaters.

--interview by Marcia Peterson

WOW: Congratulations on your top ten win in our Fall 2024 Flash Fiction competition! What prompted you to enter the contest?

Anny: Thank you! I’m thrilled to have been placed and grateful that this weird little story finally has a home. I found WOW through my desperate searches for writing competitions that might give my voice a shot. I’ve entered a few past contests since, and I’m always impressed with WOW's communication and supportive environment.

WOW:  Can you tell us what encouraged the idea behind your entry “How to be unsuccessful at modern dating?” I’m guessing that the story, while darkly humorous, is close to reality for many people.

Anny: I’ve workshopped this piece several times, and I’m always amazed at how many really resonate with this one. We all want to believe we’re the most socially awkward person in the room, but it’s just not true. Modern dating, which pretty much defaults to dating apps now, is a weird form of social torture. Nobody likes it or is good at it, yet here we are. This piece rubs the border of fiction and personal essay. It definitely came from a place of feral insecurity and from that random intense hiccup of loneliness that finds you at 10 p.m. on a Friday.

WOW:  What advice would you give to someone wanting to try writing flash fiction for the first time?

Anny: Don’t get flustered by traditional plot structure. Flash is fun because there’s more acceptance for anarchy and play. Capture a moment, a feeling, a memory, whatever—it’s your move.

WOW: What are you reading right now, and why did you choose to read it?

Anny: I’m about to finish Close to the Knives: A Memoir of Disintegration by David Wojnarowicz. It’s haunting, infuriating, raw, and devastatingly beautiful. Memoirs are hugely influential to me as a writer and as a human being living in this inflamed world. Collect voices, all types of voices, and continue to fine-tune your capacity to listen.

WOW:  Thanks so much for chatting with us today, Anny. Before you go, do you have a favorite writing tip or piece of advice you can share?

Anny: I always go back to Toni Morrison’s “Write what you want to read” advice.

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Interview with Marilyn Filewood, Runner-Up in the WOW! Summer ’24 Flash Fiction Contest

Tuesday, January 14, 2025
Marilyn’s Bio:

I came to writing late in life, partly motivated by increasing hearing loss which meant I could no longer have work or hobbies which involve a great deal of talking to other humans, as did my previous career as a lawyer.

A year after starting to write, I won, on my fourth attempt, the weekly Reedsy short story contest with "Come in Spinner" (contest 180), in 2023. Encouraged, stunned and fortified by the realisation that someone might enjoy my writing, I have completed a novel, which has taken two tortuous years. It is as yet unpublished, and I can only hope this is a temporary state. My grand ambition is historical fiction. 

I am privileged to live on the beautiful and warm east coast of New South Wales, Australia, with three generations, including grandchildren, in a rambling home with views of the forest and sea. It’s wonderful to see something of a renaissance (or birth?) of Australian books and film “overseas”, which is what Australians call every other country in the world, and I hope I can add to it.

----- Interview by Angela Mackintosh

WOW: Congratulations on winning runner up with your story, "Solitude"! Your story is so beautifully written, meditative, and atmospheric. I loved it. What inspired you to write this story?

Marilyn: My local library formed a writers' group a couple of months ago. For our first exercise, we were given a photo prompt, a derelict stone building being overcome by sandy desert, so I wrote “Solitude” in response.

WOW: I love how you included dialogue of the prisoner speaking to the gecko, which shed some light on why the soldier was in prison. What made you choose a gecko as the soldier's companion?

Marilyn: I was going to have him befriend a snake, but decided that was a step too far. I wanted to try to show the possibility of "redemption" by the use of kindness. We have small geckos here, they are so cute. Also, recently I went to Namibia, and was amazed at how much life there is in the desert.

WOW: What was your revision process like for this piece?

Marilyn: I try to read something through and think if anything seems "ugly" or doesn't make sense. I found I had a habit of not explaining enough background; I try to make sure it's clear what's happening - but not TOO clear.

WOW: I read you won first place in Reedsy's short story contest with your story, "Come in Spinner." Congratulations! Your bio says you entered four times. What do you like most about their contests? 

Marilyn: I love the fact that there is a lot of peer feedback in the Reedsy short story contest - but of course that's a two edged sword, if it's not very flattering. However, since starting to try to write, I've learnt to listen to negative feedback, something which is very hard to do. Generally, though, the feedback given with Reedsy is really kind and helpful.

WOW: You recently completed a novel, which took you two years. That is a huge feat! Please tell us a little about your book.

Marilyn: My book is a legal thriller. The protagonist, a children's rights lawyer, finds her life spirals out of control when some of her young clients go missing, and she tries to find them. After writing it I've realised it's very hard to give a summary of the plot without giving all away.

WOW: Summaries are hard to write, but yours sounds intriguing, and your experience as a lawyer will certainly add authenticity to your protagonist. You mentioned the process of writing your novel as "tortuous" - great description! What did you learn about yourself or your writing throughout the process?

Marilyn: At first, I was concerned I didn't have enough to constitute a plot, especially for a thriller. I did a Novel writing course, and the best thing I learnt was to throw everything you possibly can at your character, have things really go awry, and let them sort it out. It works! The best thing was, my character would get into trouble, and then in sorting things out, she inevitably got herself into more trouble. 

WOW: That’s a terrific tip! Besides that gem, what is your favorite piece of writing advice?

Marilyn: Let yourself write rubbish. Don't worry if you have no idea what to write, just start putting anything down. If you try to start with something which is perfectly formed, nothing will ever get written.

WOW: Great advice, Marilyn! Thank you for chatting with me today, and I wish you the continued writing success in 2025!

To learn more about WOW's Flash Fiction Contest, open now, visit this page:
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Interview with Elizabeth Jannuzzi: Q4 2024 Creative Nonfiction Contest Runner Up

Sunday, December 08, 2024
Elizabeth Jannuzzi is a writer whose work explores themes of loss, motherhood, and recovery from alcoholism. Her essays have been featured in The Rumpus, Memoir Monday, The Brevity Blog, and more. Elizabeth received an honorable mention in Memoir Magazine’s 2018 Recovery Contest, was shortlisted for Cagibi’s 2019 Macaron Prize, and earned a Best of the Net nomination in 2023. Elizabeth serves as the operations and communications manager at Project Write Now, a nonprofit writing organization. She engages with her audience through a weekly Substack and is working on a memoir.

---interview by Marcia Peterson

WOW: Congratulations on placing as a runner up in our Q4 2024 Creative Nonfiction essay competition! What prompted you to enter the contest?

Elizabeth: Thank you so much! I was honored and delighted to be a runner-up in WOW’s contest. I became aware of WOW! Women On Writing when a colleague, Courtney Harler, from the organization where I work Project Write Now, won the Flash Essay contest in October 2022. Since then, I’ve been a fan of this publication that promotes women. THEN, my colleague and friend, Jennifer Gaites, won first place in WOW’s Q4 2023 Creative Nonfiction essay contest. I guess I wanted to throw my hat in the ring as well.

WOW:  Your entry, “Purgatory in Two Parts” is a quietly powerful piece, including the ending. What inspired you to write it?

Elizabeth: You know how as writers, we keep returning to the same themes, or as a memoirist, the same moment in our lives? My sister’s suicide attempt and the eight months she spent in the hospital before she eventually died is one of those moments for me. (I have other published pieces on the same topic.)

I’d like to say my inspiration is to remove the shame surrounding mental illness and suicide but to be honest, that’s just a by-product of my writing. I feel drawn to write about my sister’s suicide in order to understand it. Twenty-seven years after she passed, I’m still trying to figure it out. The second part of my essay though is a direct reaction to people (the lit mag editor) not understanding mental illness and suicide and how that hurts those of us who are survivors of suicide loss. That section IS an attempt to educate people.

WOW:  Do you have any thoughts or advice for writing about difficult things?

Elizabeth:  Ah, that’s a good question. But beyond the typical self-care advice--be kind to yourself, take breaks, go for a walk, etc.--not really. I will say that it’s important to lean into the difficult topics. Write the thing that’s hard to say. That’s where the heat is. That’s what’s going to resonate with readers. It may be difficult, but that’s what connects us and creates empathy. “Normalize,” as Brené Brown would say.

WOW:  You mentioned that you’re working on a memoir. Anything you can share about the writing process, or how the journey of writing this book is going for you?

Elizabeth: Thanks for asking! I’ve written one memoir, SOBER MOM, about my recovery from alcoholism. I’m currently querying agents for that manuscript. (Hello? Any agents out there?) And I’m writing a weekly Substack to build my author platform.

My second memoir about loss, grief, and resilience, called THIS WOMAN’S WORK, is still a draft. I plan to revise it in 2025.

I’m currently a member of a wonderful community of writers called book inc, a division of the nonprofit Project Write Now. Our Memoir and Novel Incubators are yearlong creative writing programs to guide and support writers from their initial story ideas to the completion of their manuscripts. I highly recommend this program, and I’m not just saying that as its program manager! :-)

WOW:  Thanks so much for chatting with us today, Elizabeth. Before you go, can you share a favorite writing tip or piece of advice?

Elizabeth: Thank YOU for the opportunity. Writing advice? Let’s see…I used to berate myself because I didn’t write every day. I thought I wasn’t a real writer because of that fact. As a busy working mom, I only had time to write on the weekends or if I scheduled a writing retreat for myself. Once I let go of that (patriarchial?) pressure to write every day and allowed myself to write when and how I could, I started to flourish. Don’t let others tell you what your writing practice should look like.


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Interview with Sophie Goldstein: Spring 2024 Flash Fiction Contest Runner Up

Tuesday, October 22, 2024
Sophie Goldstein is a Jewish Chicana from Los Angeles, California. Most of her professional career has been spent as a theatre educator, director, and choreographer. For the past three years she has focused more on her writing and is incredibly grateful for platforms like WOW! Women on Writing who provide a space where writers can share their voice and improve their craft. Her writing has been seen at several theatre festivals around LA, including Son of Semele, the Frida Kahlo theater, and the Amapola players. She was published in Anchor Magazine in 2017 and was a 2022 Ya Tu Sabes writer finalist for Nosotros. Her work will soon be seen at the Alcazar Ensemble in Carpinteria in August, and the LowellArts' Playbytes by Playwrights competition in Michigan in October. She is so thankful to her family, especially her husband and parents, for their support. Website: www.sophiegoldstein.org

--interview by Marcia Peterson

WOW: Congratulations on your top ten win in our Spring 2024 Flash Fiction competition. What prompted you to enter the contest?

Sophie: For the past four years, I've been focusing more on writing and have spent time finding opportunities to submit. WOW! Women Writing came up during one of my searches and I am so grateful for this platform that uplifts female voices. My work has been predominantly plays and short stories, so entering a flash fiction contest is perfect for me.

WOW: Can you tell us what encouraged the idea behind your story, “Where There is a Fight, So There is She?”

Sophie: Like most writers, I write what I'm passionate about and activism has always been a huge part of my life. My parents are both activists, having spent much of their lives fighting for quality education for all, healthcare, and rights for immigrants. This story in particular was inspired by a woman I met at a Women's March protest. She was in her 80s, using a walker and I was so impressed by her presence. She was moving slowly, but she was there, and I could tell I wasn't the only one admiring her. Many women took the time to go up to her and thank her, take pictures with her. It was powerful to witness.

WOW: Why do you write flash? What makes it different for you?

Sophie: I love writing flash fiction because of the challenge it presents. I have to write a full story with a limited word count. Even if I'm writing about a single moment, it needs to feel like a complete story (at least in my opinion). Even if I leave the reader on a cliff hanger, I as the writer, want to feel like I've given the best story I could give. I honestly think every writer should try doing flash fiction, even as an exercise. It helps me learn how to focus on what's essential; to tell a story using only the critical details.

WOW: What advice would you give to someone wanting to try writing flash fiction for the first time?

Sophie: This has been said before but embrace the word count. I always brainstorm by thinking of moments in time--fragments of my own life that I can expand on. They aren't long stories, but they're impactful moments that are perfect inspiration for flash fiction.

WOW: Great tips! Thanks so much for chatting with us today, Sophie. Before you go, do you have a favorite writing tip or piece of advice you can share?

Sophie: This isn't new advice, but it's something I find really helpful: don't edit yourself the first time. Just write. Get out all the ideas no matter how strange or ridiculous. You can edit later but that first draft is an opportunity to word vomit, and I always find that wonderfully freeing.

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Interview with Barbara Y. Phillips: Q2 2024 Creative Nonfiction Contest Runner Up

Sunday, June 16, 2024
Barbara’s Bio:
Barbara Y. Phillips, a social justice feminist and emerging creative nonfiction writer, appears in Brevity Blog, Herstry, New York Times, Southern Cultures, The Citron Review, 2023 Anthology Aunt Chloe: A Journal of Artful Candor, Black Memoirs Matter Anthology of Memoir Magazine (forthcoming) and others. Her essays on democracy include Imagine and Create the Third Reconstruction in The Struggle in the South Continues (ed. Kent Spriggs, University Press of Florida forthcoming); Joaquin Avila: Voting Rights Gladiator, 18 Seattle Journal for Social Justice 1, 21 (Summer 2019); How I Became a Civil Rights Lawyer in Voices of Civil Rights Lawyers: Reflections from the Deep South, 1964-1980 (ed. Kent Spriggs, University Press of Florida 2017); and others. She was honored by the Mississippi Center for Justice in 2022 as a Champion of Justice and lives in Oxford, MS. 

If you haven't done so already, check out Barbara's award-winning essay "Be a Traveler, Not a Tourist" and then return here for a chat with the author. 

WOW: Congratulations on placing in the Q2 2024 Creative Nonfiction Contest! How did you begin writing your essay and how did it and your writing processes evolve as you wrote? 

Barbara: I feel called to explore and make sense of my life through writing memoir. Fortunately, I have kept journals since I was fourteen years old. In one of those journals, I captured my experience recounted in the essay on the day of its occurrence. Reflecting upon it now, years later, my independent recollection was richly enhanced by my efforts at the time to capture the experience in the journal. My memory of the experience was sparked by a conversation with friends about the commodification of travel as yet another form of consumerism. 

WOW: I love that you have not only been keeping journals since you were 14 years old, but that you also re-read and reflect on them and use them to create new work. What did you learn about yourself or your writing by creating this essay? 

Barbara: Creating the essay gave me the adventure of marrying my memory with both craft and reflection. 

WOW: Reflective writing can be so empowering. In what ways do you see your social justice and feminist advocacy intersecting with your creative writing? 

Barbara: Because my creative writing is usually in the genre of memoir, the voice always carries the notes of my life as experienced by a Black woman in the United States – so the bass guitar is always playing social justice and feminism. 

WOW: Which creative nonfiction essays or writers have inspired you most, and in what ways did they inspire you? 

Barbara: bell hooks and Toni Morrison inspire me to trust myself and value my life. Nancy Aronie’s writing inspires by making clear that the reward for vulnerability is powerful connection with other human beings and her workshop made writing safe for me. Nadine Kenney Johnstone has an unshakeable belief in the value of women’s literary voices. Joanna Acevedo, a brilliant poet and CNF writer, is now my coach and taking me on a deeper exploration of craft accompanied by sister-Critique Group members Ruth O’Dell, Bliss Goldstein, Pamela Jackson, and Susan Wadds – and they inspire me every week to do the work, to be brave, to grow, to show up on the page. 

WOW: How wonderful to have found an amazing and supporting critique group! Thank you for sharing about the many people who have inspired you. If you could tell your younger self anything about writing, what would it be? 

Barbara: I began creative nonfiction writing in my late 60s. From my current perch of 75 years old, I would simply reassure her that publication is not the biggest reward. I find that writing leads me to deeper understanding of myself and my life – and that’s the precious reward. 

WOW: That’s important advice. That end goal of publishing often mutes the many benefits of the writing process. Thank you for sharing it with us. Anything else you’d like to add? 

Barbara: It is one of the great fortunes of my life to be in this community of women writers. 

WOW: And we are so fortunate to have you in the WOW! community! Thank you for sharing your writing with us and for your thoughtful responses. Happy writing! 


Interviewed by Anne Greenawalt, founder and editor-in-chief of Sport Stories Press, which creates sports stories by, for, and about sportswomen and amateur athletes. Engage on Twitter or Instagram @GreenMachine459.
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