Showing posts with label WOW! Q1 2025 Essay contest. Show all posts
Showing posts with label WOW! Q1 2025 Essay contest. Show all posts

Interview with Cate Touryan, Runner Up in the WOW! Q1 2025 Essay Contest

Sunday, March 30, 2025

When she isn’t editing or teaching technical writing, Cate Touryan writes short fiction, creative nonfiction, and novels. Her debut YA novel, Turning Toward Eden, is slated for a 2025 spring release. Cate’s work has won second place and an honorable mention in past Women on Writing contests. Her recent creative nonfiction piece, published in Under the Sun, has been nominated for a Pushcart Prize as well as for inclusion in The Best American Essays, 2025. You can read her essay here.

Cate lives on California’s foggy but beautiful central coast with her husband, the sweet spirit of her Yorkie, and a rafter of turkeys—as in both a whole bunch of them and in the rafters.

To connect with Cate, head to her website or Facebook page or send her an email. She loves to hear from her readers.

Interview by Jodi M. Webb

WOW: Congratulations on being a runner up in the Q1 2025 Creative Nonfiction Essay Contest for Beyond the Safari Sunset. The imagery is so rich I felt like I was watching a slideshow, not reading. Any insights on how you make your writing so incredibly descriptive?

CATE: That’s a lovely compliment, thank you. As a reader, I most admire that writing which perfectly melds form, function, and fabric such that the narrative transcends the telling and becomes a work of art in itself, an astonishment. I’m not there yet, more miss than hit, but continue to work toward a mastery of craft. To render physical setting well, I rely on conventional advice: infuse scenes with relevant sensory detail, tease out nuanced meaning through juxtaposition, backlight the symbolic, and much more.

But to render description immersive—that’s my ultimate goal, requiring me to reach beyond the physical, intellectual, and symbolic characteristics of a place. To harness the power of setting demands that I see the landscape, for example, as an indispensable thread in the story, not a character so much as a revelatory shading or texturizing. Even that—the descriptive as immersive—has a greater goal: to make my story yours, the distinction between us lost as we converge into one shared moment.

WOW: What made you decide to submit this piece to the contest? 

CATE: There’s something about putting a pet down that, as if not heartrending enough, brings mortality front and center, speaking to the loss of all things. We can, as the story illustrates, try to hem in those we love, prolong their wilted lives, concoct workarounds, tether them with unbreakable love, yet nothing can stave off the inevitable. It may be a fact of life that all things eventually perish, will be lost, but that doesn’t mean we aren’t driven by some fierce force to hold on. Death is anathema to us; though of perishable bodies, we have been set with eternity in our hearts (Ecclesiastes 3:11). Trying to come to terms with the loss of Wee Willie Winkie meant revisiting the permeating sorrows of this life. And as writers do, I wrestled with those sorrows in story, refusing to let loss have the last word and perhaps doing the one thing we can do: make beauty from ashes. It just so happened that a last-call email from WOW provided the impetus I needed to put fingers to keyboard.

WOW: Yes, I agree that a looming deadline can give us the extra nudge to write. Do you frequently enter writing contests? 

CATE: I don’t, entering maybe a half-dozen essays for WOW over the years, but I do have a
wonderful story to tell with a shoutout to two tremendously kind and encouraging editors, Angela Mackintosh and Martha Highers.

When a CNF essay I submitted to WOW last year made it to the finals but no farther, I reached out to a WOW editor to ask if the topic was too political for the contest. She thought not and pointed me to the literary journal Under the Sun, saying its editor-in-chief had recently written her own piece on the same topic. Even though my entry was too short at 1,000 words for their preferred style, what would it hurt? The editor-in-chief liked it enough to ask me to expand it. After nine months of collaborative work, my now 3,000-word essay was published and subsequently nominated for a Pushcart Prize as well as for a 2025 Best American Essays selection. As if that wasn’t honor enough, I was asked to be a reader for Under the Sun and am now working with authors we’d like to publish, paying it forward as it were. I am loving the behind-the-scenes reading and editing and can’t speak highly enough of the terrific team rooting for every submission.

Not making it past the finals in the WOW contest was a blessing in disguise. There is reward ahead for those who persevere.

WOW: Pushcart Prize and American Essay! That is an incredible story. And a wonderful example of how we all, in our turn, lift our fellow writers up. On your website, you write that you reach for "....the beginning beyond The End." Can you share what that means to you?

CATE: Simply explained, I write stories, fictional and otherwise, where real life meets real faith.
While we cannot see beyond this temporal life—and indeed, many believe there is nothing to see—I believe we catch glimpses of another story that awaits us after “the end,” a story of redemption and the renewal of all things. Or as the apostle Paul put it far more eloquently, “the things which are seen are temporal; but the things which are not seen are eternal.” Christianity provides, if not the easiest, safest, or most popular life, the only one that offers both meaning to our own stories and the promise of a story beyond our own. I write to capture glimpses of that which lies beyond our temporal vision, to offer that which has brought my life both purpose and hope.

WOW: What an inspirational look at your writing process. So, what's your next big writing project?

CATE: I’m excited to be launching my debut historical YA novel, Turning Toward Eden, along with the audiobook in May. It’s a crossover in many ways—historical, mystery, coming-of-age, small town, YA/women’s, not fitting neatly into any particular genre, but with appeal to those who enjoy a good story with heart. I have a middle grade novel in the works as well as more creative nonfiction, perhaps my favorite format.

WOW: You are busy! What is your upcoming novel about?

CATE: When chasing another is easier than facing yourself. It’s 1971. The Cold War has cast a chill over the hot summer of California’s central coast. Caught in her parents’ own cold war, 14-year-old Eden is strapped with caring for her severely disabled brother until the arrival of a mysterious Russian immigrant unleashes a rash of escalating crimes. Rumors swirl: the “commie” is to blame . . . and Eden is her accomplice. Determined to prove her innocence, Eden embarks on a reckless game of chase—even if it means risking her brother’s life. Stumbling upon the girl’s secret, she unearths her own. But will it be too late to save her brother?

To read the short story prequel, set in 1910, please visit my website and subscribe to my quarterly newsletter.

WOW: I 'm signing up today because I can't resist a sneak peek inside a new world.

CATE: Thank you for inviting me to share about my creative process and works. It’s an honor!



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Interview with Bethany Jarmul, Runner Up in the WOW! Q1 2025 Essay Contest

Sunday, March 02, 2025
Bethany Jarmul is an Appalachian writer, poet, writing coach, and webinar instructor. She’s the author of two chapbooks, including a mini-memoir 
Take Me Home from Belle Point Press. Her debut poetry collection Lightning Is a Mother was released on February 7 from ELJ Editions. Her work has been published in many magazines including RattleBrevityHAD, and Salamander. Her writing was selected for Best Spiritual Literature 2023 and Best Small Fictions 2024, and has been nominated for the Pushcart Prize, The Best of the Net, Best Microfiction, and Wigleaf Top 50.  Several years ago, Bethany got her start in the literary world through taking classes offered by Women on Writing, so she’s very grateful for this organization and all that they offer. Connect with her at bethanyjarmul.com or on social media: @BethanyJarmul.

Interview by Jodi M. Webb

WOW: Congratulations on being a runner up in the Q1 2025 Creative Nonfiction Essay Contest for "When the Scheduler Calls and Refers to My Upcoming Procedure as an "Emergency Colonoscopy”. It was a very powerful "life flashing before my eyes" piece with a focus on family. Do you often write about family?

Bethany: Thank you! Yes, in fact, my mini-memoir (a chapbook of flash nonfiction essays) Take Me Home, is about family and roots and home. It's about coming to terms with growing up in West Virginia and what it means to belong somewhere even after you've left. 

WOW: You identify yourself as an "Appalachian writer". Can you share with us what that means to you and how it influences you as a writer?

Bethany: I now live near Pittsburgh, PA which is Appalachia, although certainly more urban. I was born and raised in West Virginia, the heart of rural Appalachia. My great grandpas were coal miners. My grandpas were a factory worker and a carpenter. I come from a line of hard-working, Bible-believing folks. The mountains themselves, the creeks and the critters, they all show up in my writing. As well as the destruction of nature, the mining and fracking and polluted drinking water. The sense of belonging somewhere, to a people, even after I’d left home. A deep spirituality and religiosity. The culture, a rich history of storytelling and folk music and pepperoni rolls and moonshine. The friendly and hard-working people. The unsafe working conditions and oppression that has often been experienced by the people living here. All these things influence who I am as a writer and what I engage with in my writing. 

WOW: What an image evoking description! You've been publishing and winning writing prizes for about four years now. When did you start writing? 

Bethany: I've been writing for as long as I can remember. However, there was a period of about five years in my early 20s when I didn't write. I returned to creative writing in 2021, as a new mother during the pandemic. In fact, I took a class through Women on Writing then, and that was near the beginning of my publishing journey. It was in 2021, when I first discovered literary magazines and began publishing my work. 

WOW: Your work takes many forms: essays, poetry, short fiction. Do you have a preference for any particular format?

Bethany: I write short things. Flash essays, flash fiction, and poetry. The large majority of my work is 1,000 words or less. What fascinates me most about writing is what language can do. I like to focus on each word, and writing in compressed word counts allows me to do that. Also, I'm a busy mom of two preschoolers, so it also fits my lifestyle. 

WOW: Aside from being a busy mom, what do you feel is your biggest challenge as a writer?

Bethany: My biggest challenge is balancing the creative mindset and the business mindset. Although being a successful writer means putting some time and effort into the business side of things, If I get too focused on or spend too much time on publications and promotions, it does impact my creativity and how I feel about my work. 

WOW: I think many of us struggle with that particular Catch-22. What is your next goal for your writing career?

Bethany: What's next for me? I'm going to continue to pursue excellence in the craft of writing and help others do the same. I have another poetry manuscript completed, so I hope to find a publisher for that. And in the meantime, just write my heart out. That's pretty much always the plan. 

WOW: That sounds like the ideal plan, considering just how much you've accomplished in your brief writing career. We look forward to reading more!
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Interview with Meredith Miller, Third Place Winner in the WOW! Q1 2025 Creative Nonfiction Essay Contest

Sunday, February 23, 2025

 


After meeting her first love (copywriting), Meredith enjoyed a successful 20+ year career writing and creating motion picture advertising for every genre from horror to popular animation. She is the author of two children’s books through one of the first read aloud apps. Now she writes primarily creative non-fiction, flash, and essays. Her personal story, “Mohawk” was performed at the nationwide showcase, “Expressing Motherhood.” She is a submission reader for Hippocampus Magazine and has volunteered as a mentor for Write Girl. meredithmillerwriter.com 

 ----------Interview by Renee Roberson 

WOW: Welcome, Meredith, and congratulations! "It Does Look Like a Brain" shares an insightful and emotional take on the journeys of motherhood that we are often not prepared to take. How did you get the idea to weave your experience in Peru with your daughter's trip to the hospital? 

Meredith: Thank you. Weirdly, the ant memory popped into my mind in real time while sitting in the ER. In both a literal and literary sense, I wanted to travel (escape) during the essay, far away from current difficulties. My hope was to give both the narrator and the reader a much-needed break from intensity. Also, writing about emotions/reactions such as shock in a setting removed in time and space from the more current scene softens the “telling” (again, protecting the reader) and acts as a reminder that everything/everyone/basic human feeling is ultimately connected. 

WOW: Writing creative nonfiction can be tricky and overwhelming at the start. Do you have any tips for writers on how they brainstorm ideas for their essays? 

Meredith: Prompts: If stuck, finding prompts can help to generate new ideas or new ways of incorporating the stories that have always been there. Look to magazines, journals, books, writers or teachers you like for prompts. One piece of advice I received was to experiment writing one experience as a letter, a comedy, a drama, a recipe… one scene in different ways. It can help open up a new way of thinking about a piece. 

Take a class: Always helpful and can create community. Giving and receiving feedback from fellow writers is key. 

Write a lot: Write with all the senses in mind. Don’t worry about the finished product. Everyone has their own process: Everyone has that nagging image, moment, or conversation, person or dream that they can’t shake. Start there. Then write about the present, the small things – the mustache of a stranger on the train, the crack in the sidewalk near the park, morning coffee - do you wrap your hands around a gifted mug or just slurp it down on your way out the door? As long as writing happens often, connections will be made. Even if you write for five minutes a day: Words on the page may not fit neatly into sentences or paragraphs at first but keep the writing practice moving. 

Personally: I tend to open and close documents a lot, adding, delete, moving things around before examining from an editorial point of view. Have fun. Join a writing group. Read. I hope this is helpful. 

WOW: Very helpful tips! You mention in your bio that your first love was copywriting. How did you first get exposed to the craft and what are some of the things you loved most about it? 

Meredith: I was first exposed to copywriting when I started my career in motion picture advertising (trailers and tv commercials). You know, the famous, “In A World…” I love word play, the challenge of communicating in few words (the ultimate Flash), how even one word choice can shape and communicate tone, meaning, impact, interest level, style of an entire campaign. 

WOW: That sounds like a wonderful experience! We'd love to hear more about the two picture books you've had published. 

Meredith: “Oh Buoy” is little poem about the harbor seals in CA climbing on top of a buoy one by one. If you’ve ever seen them in person, it’s pretty funny how many blubbery brown bodies can squeeze together. (Spoiler alert. Ha) they fall off when a bird lands on them. “Farm Fresh Pajamas” is a silly story about a farm animal complaining a Llama ate her pajamas – illustrated beautifully by Cal Sparrow. Things get more ridiculous as all the animals start complaining: “The emus chewed my shoe, it’s true, it was new! Then the ewe and a gnu chewed my other shoe too!” 

WOW: As a reader for a literary journal, what are some common mistakes you see writers make during the submissions process? 

Meredith: Um… the mistake of not following submission requirements? Some essays aren’t quite ready for publication or not the right fit for a certain journal. But I wouldn’t say I see a lot of mistakes.

WOW: That makes a lot of sense. What journals accept is subjective, but even I've been guilty myself of not reading submission requirements closely enough. It's an important step! Thanks again for being here today, Meredith, and we look forward to reading more from you in the future. 
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