Showing posts with label Educational writing. Show all posts
Showing posts with label Educational writing. Show all posts

Picking and Choosing, Or You Don’t Have to Do It All

Saturday, October 16, 2021

For the past six weeks, I’ve been working as a mentor in a program that helps prepare writers for the educational market. The goal is that by the time the program is over they will have all that they need to apply to any educational market, and there are many. 

One group of educational markets specializes in testing. The authors who write for these markets prepare passages. Some of them also write the actual test questions. Many write for state assessment tests. 

Another group writes books for the school and library market. Most of these jobs are work-for-hire with a vast range of topics. To write for this market you have to write fast and you have to be flexible. 

Then there are the curriculum markets. They write actual text and workbook pages. There is the explanation of the lesson, the lesson itself, and the challenge for the student to apply what they learned. Then there are the markets that prepare material for the teachers. 

How can one program prepare writers for all three areas? Really, we can’t. Writers with teaching experience will have an easier time getting curriculum jobs. Writers with no experience will have an easier time getting jobs writing test passages. Experience in either of these areas will help land a work-for-hire job. 

But there’s something else. Writers have to pick and choose what they are best suited to write. 

My friend Chris is a top notch question writer. Frequently she writes questions for her own passages and for those of other writers. Not everyone can see the nuances in the many requirements for question writing. Let me be honest – I am unbelievably bad at question writing. 

I write work-for-hire. I’m a good researcher who is interested in a ridiculous number of topics. And I write fast. In the last 10 days, I’ve written two elementary school books. Add to this the fact that I actually enjoying seeing the book change and grow. The finished product is always better than what I first turn in. But this means that I have to be willing to let go and follow my editor’s lead. 

I used to write test passages. This is another area that requires the ability to write fast and also an eye for detail. I’m good at this but I don’t want to do it. Let’s just say that I have philosophical issues with testing and leave it at that. 

And curriculum writing? I can write for the students but the teaching material is a challenge for me, and I don’t mean a good challenge. So I don’t accept those jobs. 

It doesn’t matter if you are writing educational material or essays, picture books or novels. You aren’t suited to do it all and you probably don’t want to anyway. There are things you like and things you are good at. You’ll have to pick and choose what is right for you. 

This doesn’t mean that you shouldn’t try new things, but don’t feel bad when you just don’t get the appeal of a certain market. Leave that for someone else, someone who may not get what you enjoy doing. We all have to pick and choose. 

--SueBE

Sue Bradford Edwards' is the author of over 30 books for young readers.  To find out more about her writing, visit her site and blog, One Writer's Journey.

The next session of her new course, Pitching, Querying and Submitting Your Work will begin on November 1, 2021).  Coping with rejection is one of the topics she will cover in this course.

Sue is also the instructor for  Research: Prepping to Write Nonfiction for Children and Young Adults (next session begins November 1, 2021) and Writing Nonfiction for Children and Young Adults (next session begins November 1, 2021). 
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Writing for Educational Packagers: Is It for You?

Thursday, July 17, 2014
Monday, I turned in the rewrites on my first work-for-hire gig for an educational packager. Educational packagers put together series books for educational publishers. They recruit authors to do the writing.

To work for a packager, you submit a resume and writing samples. Then, you wait. 

If they like your samples and have a series that matches your interests and expertise, you get an e-mail.  That’s when the serious work begins.  From the date of initial contact to final deadline, I had six weeks to research and write the book, chosen from their topic list.  I had another week to do the rewrites which were minimal. 

The deadlines are tough but the money is good.  I hope they contact me again. 

Here are five things to consider before applying for this kind of job: 
  1. Are your interests varied enough to write a book on someone else’s topic?  I lucked into a series on ancient cultures.  The list included two cultures that I’m deeply interested in, but I would have written about any of them if it meant getting the experience.  My background is anthropology.  Ancient cultures in general intrigue me.  A sports book would be a less comfortable match.  
  2. Do you have access to the resources you need?  It doesn’t matter if you go to a local university library, use Google scholar, or an online catalog, you have to have access to something.  The reality is that with a six week deadline you need to be able to access and request resources NOW.  
  3. How quickly can you write?  My final word count was 14,500 words.  This means I researched, wrote and did 2 rewrites on almost 15,000 words in under two months.  I’m not going to lie – it wasn’t easy, but I write hard and fast so for me it was do-able.  That isn’t the case for everyone.  
  4. How long do you have to let something rest before you can approach it with fresh eyes?  You can’t put this kind of project aside for a month before you finalize it.  I wrote the manuscript from chapter 1 through chapter 9 and then started again at the beginning with the rewrite.  By the time I reached chapter 9, chapter 1 was no longer fresh in my mind. 
  5. How well do you deal with an editor’s comments?  Step 1 in this job was to rough the first chapter and an outline.  When I wrote the complete draft, I had comments back and, not surprisingly, I had things to fix.  I’m not shy so when I had questions, I asked.  I looked hard at what they wanted and, the few times their fix wouldn’t work, still addressed their concerns. 

 This type of work isn’t for everyone but I love research.  I can pound out 4 adequate pages before I take a break and I’m not afraid to ask questions or tackle academic primary sources.  If this sounds like the kind of assignment for you, polish your resume and check out the listings at Evelyn B. Christensen’s EducationalMarkets for Children’s Writers.  

SueBE

To find out more about Sue Bradford Edwards and her work, check out her blog, One Writer's Journey.


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