When You Have to Cut . . . A Lot

In my experience, tight writing is marketable writing. In part this is because I write for the school library market. A biography for fourth graders may be only 2500 words long. Some of you write essays that dwarf that word count! But flash writers also face tight word counts. The cut off for a flash piece may be only 750 or even 250 words. 

So, what do you do when your draft is too long? One of the things that I discuss with my nonfiction students is how to tighten their writing. If it is only a little bit too long, searching out problem words and phrasing may be enough. These might include: 

START and BEGIN. At one point in my writing life, these two words were my personal weakness. I was always announcing that something was about to happen. “As the admitting nurse started to process his paperwork …” Nope. Just let it happen. “The admitting nurse processed his paperwork and …” 

These aren’t the only words that announce something is taking place. In your own work, you might look for ALREADY, EVEN, EXACTLY, FINALLY, JUST THEN, NOW, and SUDDENLY. I’m not saying that you should never use these words. Just make certain they aren’t hiding wordy construction. 

Another group of words that you might be able to revise away are imprecise words. They include ALMOST, APPEARS, APPROXIMATELY, BASICALLY, CLOSE TO, EVENTUALLY, NEARLY, PRACTICALLY, and SEEMS. Again, I’m not saying you should never use these words. When something isn’t exact, I must use the word approximately. But in general, it is better to be specific. If the noise “seems really loud” why not say that it “is thunderous”? 

You may also need to cut -LY adverbs. “Quietly walk” could become tiptoe. Is something “largely unseen” or is it “hidden”? 

Sometimes I need to cut one-third or even half of the total. That’s the case with the chapter I am revising today. Each chapter should be 500 words long. The first draft of chapter five came in at 760 words. 

I know that I can do it. But one of the problems with cutting a significant percentage of the word count is that the final piece often feels choppy. The best way to avoid this isn’t to cut. It is to start over. 

Whoa! Calm down! 

When I’ve already drafted a piece, I know where it needs to go, and I know I don’t have space for anything extra. If I start over again, my draft will be tight, and it won’t feel like something is missing. Sometimes I open a blank document and start from scratch. Other times I open a blank document and copy over two or three paragraphs at a time. Then I set about finding shorter, tighter ways to give much of the same information. I’m not sure why, but it works. 

How do you go about revising when you have to make big cuts?

--SueBE

Sue Bradford Edwards' is the author of over 55 books for young readers.  

• To find out more about her writing, visit her site and blog, One Writer's Journey.  
• Click here to find her newsletter.

She is also the instructor for 3 WOW classes which begin again on July 1, 2024. She teaches:

• Pitching, Querying and Submitting Your Work 
• Research: Prepping to Write Nonfiction for Children and Young Adults 
• Writing Nonfiction for Children and Young Adults 

INTERVIEW WITH KIMBERLY CROW: WINTER 2024 FLASH FICTION CONTEST RUNNER UP

Kimberly Crow is an accountant living in Massachusetts with her two young children, husband, and roughly three billion LEGO pieces. When she’s not working or parenting (or picking up LEGOs), she writes novels and flash fiction, spends time outdoors with her family, and fantasizes about moving to London. Her flash fiction is featured in the literary journals, Every Day Fiction and the tiny journal.

interview by Sue Bradford Edwards

WOW: What was your inspiration for “The Chaperone?” 

Kimberly: I was at a local farm with my family one weekend. At the same time, there was a kid's birthday party--kids running everywhere. We were checking out the hay maze, and a random kid from the party said, "Here," and handed me his trash. I was a young mother then and thought, I must really be sending out mom vibes, or at least safe adult vibes. It got me thinking about how children view adults and strangers, and I knew this short experience would make it into a story one day. 

WOW: I had to laugh at your explanation.  Flash is such an abbreviated story form. Your story is rich in detail. How did you decide which details deserved a place in the story? 

Kimberly: I love detail, which is one reason I love flash. Every sentence matters, and as a writer, you get the opportunity to draw out details in unique and interesting ways. They're also a vehicle for characterization. For instance, at first glance, sea anemones are colorful and flowerlike. But from the mindset of a woman dealing with infertility, she immediately compares the tentacles to sperm. In a flash, I try to make each detail do double-time. That is, tell the reader about the setting and the characters. 

WOW: The setting can make or break a story. How did you select the setting for “The Chaperone?” How did you weave it into the story? 

Kimberly: Given that Ashanti had just come from a doctor's appointment, I needed a setting conducive to having kids around in the middle of the day. A field trip made sense, so then I had to decide where. An aquarium fit nicely because it's a contained space, unlike the sprawling layout of a zoo. Both locations have mamas and babies, but an aquarium also seems to correlate with gestation--life growing inside water. At the beginning of the story, Ashanti is trying to gather her thoughts, adjusting to the realization that she may never have kids. Enter a whole bunch of kids. As the story progresses, Ashanti is somewhat forced to interact instead of simply watching life behind the glass. Ultimately, the penguins allow her to act on her desire to be a mother. 

WOW: You’ve published two other pieces of flash in Every Day Fiction and the tiny journal. Writers often have themes that run through their stories. What do you see as the common threads that run through your work? 

Kimberly: Since becoming a mother, parenthood has been a common theme in my stories. The tiniest moments can make a huge impact. It's often a baby's giggle that makes everything right in the world or a tween's eye roll that sends a mother over the edge. Also, coming of age because that stage of life is so emotionally charged. There are moments from those years that everyone takes with them into adulthood. 

WOW: Tell us about your novel writing. How do the skills you’ve developed in writing novels play into writing flash? 

Kimberly: I'm (very slowly) writing my third manuscript. The process hasn't gotten any easier. If anything, I'm more "in my head" with this third one than with the previous two. The biggest lesson I've learned from outlining novels is that you have to think about structure—not only the beginning, middle, and end but also the character arc. As I mentioned, I love detail, so I often have to take a step back and make sure there's an overall shape to my story. Has the main character changed? Did I start the story in the right place? Is the theme coming across in an effective and/or interesting way? It's all fun, though. Thank you to WOW! for believing in me and for giving my story an audience!

WOW: And thank you for sharing something about your inspiration and writing process with us.  Good luck with Novel #3!

Interview with Elizabeth Bird, Runner Up in the Q2 2024 Creative Nonfiction Contest

 

A retired Anthropology Professor, Elizabeth Bird has published seven books (most recently Surviving Biafra: A Nigerwife’s Story), and now writes creative non-fiction. Her work appears in Under the Sun (winner, Readers’ Choice Award 2022), Tangled Locks, Biostories, Streetlight, Dorothy Parker’s Ashes, HerStry, The Guardian, Mutha Magazine, 3Elements Review, Heimat Review, and elsewhere. Her essay “Interlude: 1941,” was named a Notable in Best American Essays 2023. Her website is: www.lizbirdwrites.com. 

 ----------Interview by Renee Roberson 

WOW: Hello Elizabeth, and welcome! I love how you wove in both Margaret Mead and Leonard Cohen into your essay, Making Peace with Cute." Did you work on the piece during your recovery from the bicycle accident or is it something you began after the healing process? 

Elizabeth: Thanks - I didn't necessarily plan to reference them both, but somehow they seemed to fit! I worked on the piece during my recovery, which turned out to be much longer than I had hoped. I had jotted down some notes about what it was like in the hospital, but I didn't really start writing until some time afterwards. It was in hindsight that I really felt the fracture was a kind of watershed moment in my aging process. 

WOW: You’ve published several pieces of creative nonfiction. What are some of the topics you find yourself circling back to the most? 

Elizabeth: I only started this kind of writing when I retired, so I suppose it's inevitable that a recurrent theme is the impact of aging, and reflections on the passing of time. Several of my essays address this theme directly or indirectly. As you get older, you tend to remember things that happened long ago, and so I've also written a few things about my childhood and youth. And with aging comes loss, and that is reflected in my work too. Although much of my writing is quite serious, I also like to write short, more humorous essays, like my pieces about brussels sprouts and my high school "scarf scandal!" 

WOW: I love this--writing humor is something I'd like to try more myself! Your essay, “Interlude: 1941” received a Readers’ Choice Award from Under the Sun and was named as Notable in Best American Essays. What first gave you the idea to turn a vacation journal from your mother into a longform piece? 

Elizabeth: My mother died quite young and very suddenly, and it has always made me sad that she missed so much, like meeting her grandchildren. I always wished I had asked her more about her youth, which she rarely talked about with my siblings and me. I had read the short, typed journal about her wartime vacation when she was 19, and I felt it gave me a little insight into who she was then. It's the only written thing I have from her younger days, and I'm not sure why it survived. The fact that she kept it made me feel it must have been important to her. It wasn't until years later that I decided to write about it. This piece was the first essay I published, so it was lovely to see it recognized. 

WOW: That's wonderful and a beautiful tribute to your mother. As a retired college professor, and after so many years of writing for academic journals and books, how has the transition been to the more creative side of publishing? 

Elizabeth: I believe academic writing is creative, at least in a field like mine. Much of my academic work tells stories, although in a rather different way. And over the years I have done other kinds of writing, like journalistic and opinion pieces. So changing gear wasn't completely new, though it did require some serious adjustment! As an anthropologist, I spent my career writing about other people, and it felt odd to start writing more about myself. That first published piece was still more about my mother than about me; the editors at Under the Sun encouraged me to add a little more personal reflection, which improved it. I also took a WOW essay writing class from Chelsey Clammer; her comments and encouragement were so important in strengthening my writing and giving me confidence to submit pieces. 

WOW: Chelsey is fabulous and I hear nothing but great things from her students! What advice would you give someone who wants to explore creative nonfiction but doesn’t know where to begin? 

Elizabeth: I think taking a class is a good start. It forces you to stop procrastinating and start producing. When I began, I kept thinking that I didn't have anything interesting to say, and a class helps you develop ideas and come to realize that anyone's life can be engaging if the story is told well. I would say choose something about your life that made an impact on you - but also remember that an essay is not just navel-gazing. There needs to be something about the story that engages the reader beyond one's personal experience, so that people can relate. Thanks for the opportunity to do this; it was thought provoking and fun.

WOW: We've enjoyed having you and learning more about your writing process! Thank you again for being here and we look forward to checking out more of your work.

We're Not Competing With Human Writers Any More

 

To tell you the truth, it's not so much that I really thought other writers were my competition throughout my career. Not really, anyway. It's more that I recognized who was in the same lane as I was, so to speak. In my earlier days of professional freelancing, I knew who was in my playground. I knew the kinds of writers who would be going for the same jobs as me. They had the skills I did for the most part. And what I didn't have, I knew I could learn and take courses if necessary. 

Since I've pursued writing professionally and creatively, I've known that it isn't a competitive sport as much as an endurance race. Sure, there are awards and prizes and coveted agent representations and ideal publishing houses to be gained. Yet, somehow, I knew about the competition. And as long as I knew they shared one trait (that every one of us had, too), whatever they landed seemed possible for me.

The commonality? They were human. 

About a month ago, I found out a writing job of mine dropped my rates in half. And I was baffled. I thought to myself: What could trigger this change? Then I saw the news that the company that owned the website I was writing for was incorporating more AI in their websites. I realized that was the secret sauce that led to my rates being dropped. I wasn't being replaced with a person they hired who had advanced marketing skills and degrees in SEO. I was slowly being replaced by AI.

Now, I know that many other people know that AI isn't all that cracked up to be. It really isn't, and I'm not just being sourgrapes about it. Google's latest endeavor to change up its search engine results to include AI written summaries is one of countless pieces of evidence of that. 

Yet, there is this ever-present piece of evidence that writers are slowly being cut out of opportunities. I'm thankful that I'm where I'm at now and not where I was 10 years ago. I wonder if there are even entry-level writing gigs available like I had access to in the past. Those low-level SEO writing jobs I landed so many years ago probably don't even exist these days.

And it's tiring. I have no advice except for my fellow human writers to keep at it. At this point, we're all in the sandbox together. Sadly, our competition isn't even human anymore.

Nicole Pyles is a tired writer living in Portland, Oregon. Follow her writing website for more at World of My Imagination.

Interview with Amanda Smith: Winter 2024 Flash Fiction Contest Third Place Winner

Amanda’s Bio: Amanda Smith is a budding flash fiction writer, aspiring children’s author, poet, and former high school English teacher. She finds time for writing after working her day job in philanthropy—and putting her toddler to bed. She lives in Silver Spring, MD with her daughter, partner, and two dogs. You can find her on Twitter @amanda-n-smith. 

If you haven't already done so, check out Amanda's award-winning story "Eternity" and then return here for a chat with the author. 

WOW: Congratulations on placing third in the Winter 2024 Flash Fiction Contest! What excited you most about writing this story? 

Amanda: I was inspired by the challenge of brevity in the flash fiction form. One of my writing idols is Octavia Butler, particularly her bend towards futurism and perspectives about change. In this story, my imagination was captured by envisioning a future shaped by AI, specifically, how it might impact relationships and our experience of life and death. I enjoyed exploring a person’s emotional interior alongside a simulation of a human relationship. Hopefully, readers felt some emotional resonance with the main character, too. 

WOW: Oh, yes, as a reader I felt strong emotional resonance with the protagonist; there’s multiple levels to her experience which made it so compelling. What did you learn about yourself or your writing while crafting this story? 

Amanda: I’m falling in love with flash as a form. It suits my season of life and process well. A shorter form is wonderful since I often only have time to write after my little one’s bedtime. My process usually begins with a very sketchy free write and evolves through countless revisions into a fully realized story. Keeping the length contained still gets my creative juices flowing and helps keep the revision process tighter. I also surprised myself with the betrayal aspects of the story! Though I haven’t experienced anything quite like the main character, I’ve certainly felt the pain of not getting the answers you wish you could from someone you’ve lost and the shattering pain of someone not caring for you in the way you imagined. 

WOW: Because you’re a writer and your story is about AI, I’m curious if you have any thoughts, insights, or questions about how AI is currently being used in the writing and publishing industries? 

Amanda: In its current form, AI can be a helpful tool for a writer. I like to use it when brainstorming ideas, feeling stuck, or getting quick editorial feedback when polishing a piece. Like most things, AI is complex, and we need to resist our desire to reduce it to a binary “good for us v. bad for us” frame. Change is constant and inevitable; the writing community needs to harness and shape the direction we want this change to take. There are ethical and material intellectual property elements to consider, and the industry must pay due attention to them. While I believe AI will become increasingly integrated into the writing process, it is not a substitute for a writer. The richness and resonance of any kind of art come from it being an expression of our humanity, an experience that is messy—full of intuition and emotion that cannot be fully simulated; AI may be able to make a decent imitation, but it cannot create art. 

WOW: It is such a complex issue, for writers and other professionals, and I appreciate your insight on it. Thank you. What are you reading right now, and why did you choose to read it? 

Amanda: I usually read more than one book at a time—a “nightstand” read and an audiobook for dishwashing, driving, and bouts of insomnia. Currently, I’m listening to City of Girls by Elizabeth Gilbert. This book found me in the recommendations section of an app I use to keep up with an endless “to read” list. (AI has apparently learned that I enjoy stories about strong women.) I was in the mood for something a bit lighter after just finishing Chain Gang All Stars, and the fact that the audiobook version had good reviews sold me. This is a little jewel of a novel about a norm-shirking young woman coming of age in New York. I adore her. 

WOW: We certainly enjoy stories about (and written by!) strong women around here, too! If you could give your younger self one piece of writing advice, what would it be and why? 

Amanda: Writing is a form of freedom. Do it with abandon and rambunctiousness. Explore. Embrace the fear. It’s all part of the sublime experience of confronting the blank page and making sense of yourself on it. 

WOW: Excellent advice! Anything else you’d like to add? 

Amanda: Thank you to WOW for this community of writers. It is food for my soul. Also, love on your local public library! 

WOW: You’re welcome! And I love the shout out to local libraries. Thank you for sharing your story and your inspiring responses with us. Happy writing! 

Interviewed by Anne Greenawalt, founder and editor-in-chief of Sport Stories Press, which publishes sports books by, for, and about sportswomen and amateur athletes and offers developmental editing and ghostwriting services to partially fund the press. 

No Ordinary Thursday by Anoop Judge: Blog Tour & Giveaway

Anoop Judge is back! She had so much fun with her blog tour for Mercy and Grace that she's back with No Ordinary Thursday. It's a book for readers who love the tale of dysfunctional families or the experiences of First Generation Americans. No Ordinary Thursday has a little bit of everything: romance, friendship, scandal, feuds, adventure, secrets. You'll find it tough to stop reading about the intertwined relationships of this close knit Indian community.

More About the Book

Lena Sharma is a successful San Francisco restaurateur. An immigrant, she’s cultivated an image of conservatism and tradition in her close-knit Indian community. But when Lena's carefully constructed world begins to crumble, her ties to her daughter, Maya, and son, Sameer—raised in thoroughly modern California—slip further away.

Maya, divorced once, becomes engaged to a man twelve years her junior: Veer Kapoor, the son of Lena’s longtime friend. Immediately, Maya feels her mother's disgrace and the judgment of an insular society she was born into but never chose, while Lena’s cherished friendship frays. Meanwhile, Maya's younger brother, Sameer, struggles with an addiction that reaches a devastating and very public turning point, upending his already tenuous future.

As the mother, daughter, and son are compromised by tragedy, secrets, and misconceptions, they each must determine what it will take to rebuild their bonds and salvage what’s left of their family.

Publisher: Lake Union Publishing (August 1, 2022)

ISBN-10: 1542037751

ISBN-13: 978-1542037754

ASIN: B09KLJTJJ2

Print Length: 335 pages

Purchase a copy on Amazon, Barnes and Noble, or Bookshop.org. Make sure you also add it to your GoodReads reading list.

About the Author, Anoop Judge

Born and raised in New Delhi, Anoop is the author of four novels, The Rummy Club which won the
2015 Beverly Hills Book Award, The Awakening of Meena Rawat, an excerpt of which was nominated for the 2019 Pushcart Prize, No Ordinary Thursday, and Mercy and Grace. 

Her essays and short stories have appeared in Green Hills Literary Lantern, Rigorous Journal, Lumiere Review, DoubleBack Review, and the Ornament anthology, among others. 

 

Anoop calls herself a “recovering litigator”—she worked in state and federal courts for many years before she replaced legal briefs with fictional tales. She holds an MFA from St. Mary’s College of California and was the recipient of the 2021 Advisory Board Award and the 2023 Alumni Scholarship. 

She lives in Pleasanton, California, with her husband, and is the mother of two admirable young adults.

You can find her online at:

Website: https://anoopjudge.com/

Instagram: https://www.instagram.com/judgeanoop/

Linkedin: https://www.linkedin.com/in/anoop-ahuja-judge-94396743/

--- Interview by Jodi Webb

WOW: Welcome back to WOW Blog Tours! We had so much fun with your first tour for Mercy and Grace. You have four published novels and another on the way. What made you choose No Ordinary Thursday for your second blog tour?

ANOOP: I loved how the Wow book team represented my latest published novel, Mercy and Grace—the questions the bloggers asked me were astute and insightful, and I enjoyed getting feedback from the bloggers about the book. I wanted to repeat the experience with my previously published novel No Ordinary Thursday.

WOW: I’m so glad because your books are on my TBR list. While reading No Ordinary Thursday, I noticed that the women mentioned a pivotal moment in their friendship that happened during a card game. That got me thinking about your novel The Rummy Game. Do the characters in No Ordinary Thursday and The Rummy Game crossover?

ANOOP: Yes, you are right, these are crossover characters from my first book The Rummy Club. When I first began writing No Ordinary Thursday I thought it would be a sequel to The Rummy Club, and that’s why you have the scene where the women are playing the card game—rummy—which originated from my first novel. Ultimately, I abandoned the idea of a sequel but decided to let the names stay the same as a fun fact. How astute of you to get that!

WOW: Fascinating, a great example of how writers have to be open to changes in the plan mid-writing. Another thing that stayed with me from No Ordinary Thursday was one section that was so frightening and realistic it gave me shivers. I don’t want to publish a spoiler so we’ll leave it at that. How do you make the events in your books so real?

ANOOP: The idea for this book actually came from a real-life story. I read about a young man, who left a young girl to die in a car that caught on fire because he was driving drunk, in the ethnic newspaper India West. That got me thinking as to how a sheltered, protected young man coming from a conservative South Asian background could behave like a criminal. I decided to make him part of a shattered family and a secret that led to alcohol poisoning for fifteen years and that’s how I came up with the character of Sameer. 

This is a very good question because, although I have not experienced any of these things personally, there is always YouTube videos to consider when you want to research your character. I also wanted to give the novel The Night Of vibes which is a drama miniseries (aired on HBO in 2016) that stayed with me for a long time after I watched it.

WOW: Oh no, now I have another series to add to my streaming list. Where will I find the time? But my schedule challenges are nothing compared to yours. Writing a novel, promoting another, teaching a class on novel writing. Not to mention a family wedding! How do you fit it all in? 

ANOOP: Thank you for finding out a little about me. Yes, I like to stay busy. Born to a professional family in New Delhi I was raised on the mantra of “Study hard. Get a job. Be financially independent. Get married.” In that order. I love attending Indian weddings but I also love writing, and teaching. As I grow older, I focus on the things that matter to me instead of cynicism, petty gossip, excessive criticism, and demands of any nature that drain me emotionally. I love this quote from Meryl Streep:

“I no longer have patience for certain things, not because I've become arrogant, but simply because I reached a point in my life where I do not want to waste more time with what displeases me or hurts me . . . I no longer spend a single minute on those who lie or want to manipulate. I decided not to coexist anymore with pretense, hypocrisy, dishonesty, and cheap praise. I do not tolerate selective erudition nor academic arrogance. I do not adjust either to popular gossiping. I hate conflict and comparisons. I believe in a world of opposites and that's why I avoid people with rigid and inflexible personalities. In friendship, I dislike the lack of loyalty and betrayal. I do not get along with those who do not know how to give a compliment or a word of encouragement.” 

WOW: Marvelous, we should all keep that in mind. Can you tell us a little about how you became involved in mentoring and teaching other writers? 

ANOOP: To write a novel and to be successfully published, takes not just one person, but a village. I have been lucky to be helped by many other writers, including my writing coach from my Amherst writing classes and various writing friends that I met along the way while attending writing retreats. Now that I know the tricks of the trade I want to help all kinds of emerging writers, young and old to make sure their stories find a place in the world.

WOW: I’m sure your students have so much to learn from you. Can you tell us a little about being a writing teacher?

ANOOP: Teachers and students of creative writing have a symbiotic relationship. Almost all authors teach because we learn so much from our students. Students bring a variety of backgrounds, experiences, and viewpoints to the classroom, which broadens my understanding and challenges my preconceptions. Additionally, fresh and unfiltered creativity from students often introduces me to new narrative techniques, unique story structures, and original thematic explorations. Likewise, observing students navigate challenges and overcome writing blocks demonstrates the importance of perseverance and flexibility in the creative process.

Another takeaway is feedback and reflection. Engaging with student feedback on my teaching methods helps me refine my approach and adapt to meet their learning needs more effectively. And of course, the enthusiasm and passion students exhibit for storytelling reinvigorate my own love for writing and remind me of the joy and excitement that originally drew me to writing.

Overall, teaching creative writing is a reciprocal process that continually enhances my growth as both an educator and a writer.

WOW: Can you give us a sneak peek of your next novel?

ANOOP: My next book is about an open marriage between an Indian couple—secret from their family and friends, of course—which gets upended when all the rules are broken. The working title is Let’s Just See What Happens. I’m still in the process of researching and writing the book.

WOW: Well, here at WOW we can’t wait to just see what happens!

-- Blog Tour Calendar

June 17th @ The Muffin

Join us as we celebrate the launch of Anoop Judge's book No Ordinary Thursday. Read an interview with the author and enter to win a copy of her book.

https://muffin.wow-womenonwriting.com

June 19th @ Writer Advice

Novelist Anoop Judge stops by with a guest post about Ways To Begin a Story.

https://www.writeradvice.com

June 21st @ A Wonderful World of Words

Let's have some fun with a book giveaway and a guest post from Anoop Judge tracing her journey through four novels.

https://awonderfulworldofwordsa.blogspot.com/

June 22nd @ A Storybook World

Make an addition to your TBR pile with this spotlight on No Ordinary Thursday.

https://www.astorybookworld.com/

June 24th @ My Beauty My Books

Author Anoop Judge visits with advice to her twenty year old self and a chance to win a copy of her novel No Ordinary Thursday.

https://mybeautymybooks.com

June 25th @ Words by Webb

Read a review of No Ordinary Thursday at Words by Webb.

https://www.jodiwebbwriter.com/blog

June 28th @ What Is this Book About

Stop by for a spotlight on a new book for a new month: No Ordinary Thursday by Anoop 
Judge.

www.whatisthatbookabout.com

June 30th @ Choices

Anoop Judges gives readers a peek at her writing life with today's guest post.

http://madelinesharples.com

July 2nd @ Boys' Mom Reads

Karen shares her review of No Ordinary Thursday, a novel of love, friendship and family.

karensiddall.wordpress.com

 

July 3rd @ The Faerie Review

Want to enjoy the July 4th holiday with a great book? The Faerie Review is spotlighting No Ordinary Thursday by Anoop Judge.

https://www.thefaeriereview.com/

July 5th @ StoreyBook Reviews

Anoop Judge shares her thoughts on Crafting Dialogue: How Can You Best Give Voice to Your Characters?

https://www.storeybookreviews.com

July 9th @ Word Magic

Fiona welcomes novelist Anoop Judge sharing a few things you didn't know about her.

https://fionaingramauthor.blogspot.com/

July 11th @ Knotty Needle

Read a review of No Ordinary Thursday, a novel about family and friendship.

http://knottyneedle.blogspot.com/

July 12th @  Author Anthony Avina

Pop by the blog of Author Anthony Avina for a guest post about what inspires Anoop Judge.

https://authoranthonyavinablog.com/

July 17th @ Chapter Break

Ready to head for the hammock (or your favorite reading spot) with an engrossing summer read? Learn more about No Ordinary Thursday and author Anoop Judge.

https://chapterbreak.net/

July 20th @ Seaside Book Nook

Jilleen shares her thoughts on No Ordinary Thursday and a guest post on first memories from the author Anoop Judge.

http://www.seasidebooknook.com/

***** BOOK GIVEAWAY *****

Enter to win a print copy of No Ordinary Thursday by Anoop Judge! Fill out the Rafflecopter form below for a chance to win. The giveaway ends June 30 at 11:59 pm CT. We will randomly draw a winner the next day via Rafflecopter and follow up via email. Good luck!

a Rafflecopter giveaway

Interview with Barbara Y. Phillips: Q2 2024 Creative Nonfiction Contest Runner Up

Barbara’s Bio: Barbara Y. Phillips, a social justice feminist and emerging creative nonfiction writer, appears in Brevity Blog, Herstry, New York Times, Southern Cultures, The Citron Review, 2023 Anthology Aunt Chloe: A Journal of Artful Candor, Black Memoirs Matter Anthology of Memoir Magazine (forthcoming) and others. Her essays on democracy include Imagine and Create the Third Reconstruction in The Struggle in the South Continues (ed. Kent Spriggs, University Press of Florida forthcoming); Joaquin Avila: Voting Rights Gladiator, 18 Seattle Journal for Social Justice 1, 21 (Summer 2019); How I Became a Civil Rights Lawyer in Voices of Civil Rights Lawyers: Reflections from the Deep South, 1964-1980 (ed. Kent Spriggs, University Press of Florida 2017); and others. She was honored by the Mississippi Center for Justice in 2022 as a Champion of Justice and lives in Oxford, MS. 

If you haven't done so already, check out Barbara's award-winning essay "Be a Traveler, Not a Tourist" and then return here for a chat with the author. 

WOW: Congratulations on placing in the Q2 2024 Creative Nonfiction Contest! How did you begin writing your essay and how did it and your writing processes evolve as you wrote? 

Barbara: I feel called to explore and make sense of my life through writing memoir. Fortunately, I have kept journals since I was fourteen years old. In one of those journals, I captured my experience recounted in the essay on the day of its occurrence. Reflecting upon it now, years later, my independent recollection was richly enhanced by my efforts at the time to capture the experience in the journal. My memory of the experience was sparked by a conversation with friends about the commodification of travel as yet another form of consumerism. 

WOW: I love that you have not only been keeping journals since you were 14 years old, but that you also re-read and reflect on them and use them to create new work. What did you learn about yourself or your writing by creating this essay? 

Barbara: Creating the essay gave me the adventure of marrying my memory with both craft and reflection. 

WOW: Reflective writing can be so empowering. In what ways do you see your social justice and feminist advocacy intersecting with your creative writing? 

Barbara: Because my creative writing is usually in the genre of memoir, the voice always carries the notes of my life as experienced by a Black woman in the United States – so the bass guitar is always playing social justice and feminism. 

WOW: Which creative nonfiction essays or writers have inspired you most, and in what ways did they inspire you? 

Barbara: bell hooks and Toni Morrison inspire me to trust myself and value my life. Nancy Aronie’s writing inspires by making clear that the reward for vulnerability is powerful connection with other human beings and her workshop made writing safe for me. Nadine Kenney Johnstone has an unshakeable belief in the value of women’s literary voices. Joanna Acevedo, a brilliant poet and CNF writer, is now my coach and taking me on a deeper exploration of craft accompanied by sister-Critique Group members Ruth O’Dell, Bliss Goldstein, Pamela Jackson, and Susan Wadds – and they inspire me every week to do the work, to be brave, to grow, to show up on the page. 

WOW: How wonderful to have found an amazing and supporting critique group! Thank you for sharing about the many people who have inspired you. If you could tell your younger self anything about writing, what would it be? 

Barbara: I began creative nonfiction writing in my late 60s. From my current perch of 75 years old, I would simply reassure her that publication is not the biggest reward. I find that writing leads me to deeper understanding of myself and my life – and that’s the precious reward. 

WOW: That’s important advice. That end goal of publishing often mutes the many benefits of the writing process. Thank you for sharing it with us. Anything else you’d like to add? 

Barbara: It is one of the great fortunes of my life to be in this community of women writers. 

WOW: And we are so fortunate to have you in the WOW! community! Thank you for sharing your writing with us and for your thoughtful responses. Happy writing! 

Interviewed by Anne Greenawalt, founder and editor-in-chief of Sport Stories Press, which creates sports stories by, for, and about sportswomen and amateur athletes. Engage on Twitter or Instagram @GreenMachine459.

Friday Speak Out!: The Savvy Reader

by Megan Staffel

When I first started to write fiction, I was afraid to read. I didn’t want to pick up a published author’s style. We writers are good mimics and often, I would slide into the voice from whatever novel was my current book. But a life without reading fiction would have been dreary indeed, so luckily, I learned that the bits and pieces of other writers’ work sifting into my work would ultimately be transformed through the multiple revisions that anything I write goes through.

And when I started to teach, one of the things I enjoyed most about working with MFA students was discussing a literary work in class. Together, we would deconstruct a scene to figure out what made it compelling, and I would always learn from my students’ input. When I retired, it was that shared discovery that I most missed. So, now, on my own, when I finish a novel or story, I examine it as though I were preparing it for that class. This practice has turned into a Substack newsletter called, “Page and Story.” I give a brief description of the book or story to entice my readers, and then discuss an aspect of craft that the author does particularly well, showing how it shapes the narrative.

This close examination increases my enjoyment and I believe it helps me as a writer because it widens the possibilities. When I begin to write a new piece of fiction, do I want to start with a long shot as Dominic Smith does in Return to Valletto, situating the town within its landscape as the narrator approaches, or do I want to start with a close up, a view from a character’s interior as Margot Livesey does in the opening to The Road from Belhaven when Lizzie thinks about her visions? Or do I want to begin with a story that appears in a newspaper as in Clare Chambers novel, Small Pleasures? There are endless choices and from the fiction I’ve read I have a sense of how each choice affects the reader’s experience. Paying attention to the craft of a story I’m enjoying is reading like a writer and opening myself to methods that are different from the ones that may have become my default.

In my next posting I’ll discuss Held, a novel by Anne Michaels in which the narrative is episodic and fragmented and the story is not about characters in a particular time and place, but in multiple locations at different time periods. What unifies them is the theme of love. It’s a wholly original approach to narrative and the elasticity and suppleness Michaels gives it is exciting. Held has suggested new tools to consider as I work on my next piece of fiction, but even if I borrow something, my revision process will make it my own. What I’ve learned over these many years is that reading fiction while I’m writing fiction is necessary, helpful, and enriching.

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photo credit Brian Oglesbee

Megan Staffel's new novel, THE CAUSATIVE FACTOR, won the Petrichor Prize at Regal House Publishing and will be published by Regal House in October 2024. She is the author of two recent collections of short fiction, THE EXIT COACH and LESSONS IN ANOTHER LANGUAGE (Four Way Books) and two novels, THE NOTEBOOK OF LOST THINGS (Soho Press) and SHE WANTED SOMETHING ELSE ( North Point Press) and a first collection of short stories, A LENGTH OF WIRE AND OTHER STORIES (Pym-Randall Press). Her short stories have appeared in numerous journals including the New England Review, Ploughshares, The Common, and others. Her stories have been shortlisted in Best American Short Stories and nominated for The Pushcart Prize. Megan taught in the MFA Program for Writers at Warren Wilson College as well as at the University of Iowa, Kansas State University, Rochester Institute of Technology and Vermont College. She lives with ceramic artist Graham Marks and has two adult children. She splits her time between Brooklyn, New York and a farm in a small town in western New York State. 

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Would you like to participate in Friday "Speak Out!"? Email your short posts (under 500 words) about women and writing to: marcia[at]wow-womenonwriting[dot]com for consideration. We look forward to hearing from you!
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The Role of an Unreliable Narrator

 

I have a love-hate relationship with the unreliable narrator literary device. I love that a story told from the POV from an unreliable narrator can keep you turning pages, questioning reality, or maybe, gasping in surprise at the end of a book. (This was me recently, when my mouth dropped at the conclusion of Lisa Jewell’s suspense/thriller None of This is True, followed by me shaking a fist at my Kindle). 

An unreliable narrator is a protagonist who cannot be trusted to share events and recollections pertinent to the story accurately. Edgar Allan Poe used this device in the short story The Tell-Tale Heart, where a murderous narrator tries to defend his actions. Charlotte Perkins Gilman wanted to share the dangers of placating women and not believing their health issues in The Yellow Wallpaper, where the narrator has gone mad after being forced on prolonged bed rest for what was likely postpartum depression. 

I never realized it until I did a bit more research, but there can be at least three different types of unreliable narrators. According to this article on Reedsy, a Deliberately Unreliable narrator is completely aware of their deception. Amy Dunne from Gillian Flynn’s Gone Girl comes to mind with this one. One that is Evasively Unreliable is a character that unconsciously alters the truth. Josie from None of This is True, could fall into this category, along with Charlie from Riley Stager’s Survive the Night. The Naively Unreliable narrator is one that is honest but lacks a traditional, “greater” understanding (think five-year-old Jack in Rebecca Donoghue’s novel, Room.) 

I’ve been trying to figure out if I have an unreliable narrator in the manuscript I completed this past year as I put together comp titles for my query letter. The book is about a podcaster trying to solve the disappearance of her sister from a summer camp years earlier. The only descriptions of the missing sister, named Addie, are given through the lens of the protagonist, her younger sister Nikki, and through Addie’s diary entries that are shared throughout the book. Addie is hiding a dangerous secret, so many of these entries are purposefully ambiguous, until the very end of the book, where she finally decides to leave a record of the facts behind. (Of course, this diary has been missing for many years and only the readers are privy to the information until the conclusion). I can’t decide if this makes her a Naively Unreliable narrator or not. 

Other books with unreliable narrators include One of Us is Lying by Karen McManus, The Curious Incident of the Dog in the Night-Time by Mark Haddon, The Girl on the Train by Paula Hawkins, Rebecca by Daphne du Maurier, Life of Pi by Yann Martel, and The Murder of Roger Akroyd by Agatha Christie. 

What do you think about using an unreliable narrator as a literary device? What books have you read where you thought it worked well? I’d love to hear your thoughts! 

Renee Roberson is an award-winning writer currently seeking representation for her suspense/thriller novel, “It’s a Miracle I’m Alive.” She also produces the weekly true crime podcast, “Missing in the Carolinas,” which receives more than 50,000 downloads per year. Learn more at FinishedPages.com and MissingintheCarolinas.com.

Interview with Mira Fu-En Huang, 2nd Place Winner in the WOW! Winter 2024 Flash Fiction Contest

 

Mira Fu-En Huang is a professional musician who likes to tell stories through singing as well as writing. When she is not dashing about for concerts or working her day-job in the nonprofit sector, Mira enjoys reading, writing, café-hopping, crafting, and collecting stuffed animals. She is currently working on a young adult coming-of-age novel (which may or may not ever see the light of day), and is honored to have her first publication under WoW. To learn more about Mira’s other work, please visit mirafuenhuang.com. 

 ----------Interview by Renee Roberson 

WOW: Welcome, Mira, and congratulations on your win! The imagery in “That Place Beyond the Sky” is beautiful and evokes so much emotion. How did you get the idea for this story? 

Mira: I had no idea what I was going to write about until I read Hannah's bio [guest judge Hannah Andrade], which said she was "interested in stories that explore the intricacies of multicultural identities." I'm Taiwanese American, and as I typically engage in writing sci-fi and fantasy, I figured this could be a good incentive to write more explicitly about my identity. So, I thought about something uniquely Asian American from my childhood, and I ended up landing on my late grandfather. I would visit his grave as a child with my extended family, and all my relatives would line up to whisper prayers in Taiwanese, a language I didn't and still don't understand. I'd helplessly tell my mother that I didn't know what to say, and she'd reply, "Just tell him you hope he's happy in that place beyond the sky." So then I thought about the sky, and wishes, and the things we lose before we realize we've lost them, and I remembered that the floating lanterns you see in "Tangled" are actually from the Chinese and Taiwanese tradition. That's about it, really. 

WOW: As a professional vocalist, how did you first discover your love for the art form? 

Mira: Sheer exposure. I arbitrarily sang in choir as my childhood extracurricular, and after years and years of doing that multiple times a week, I stopped being able to imagine a world I could live in without singing. 

WOW: You have such an amazing array of talents. Along with your day job and performance schedule, how do you determine which projects to focus your interests on at any given time? 

Mira: For me, music—and to some degree my day job—are my life partners, while writing is my on-again-off-again love affair. I love singing and I love my day job, but I'm never so passionate that I lose sleep over them. Writing is more extreme for me; sometimes I'm unable to write properly for weeks, and sometimes I'm on such a roll, I find myself jotting down scenes during gigs or writing at 3 a.m. Because of that, whenever I'm compelled to write, I let it happen, and in those moments I push through all my other obligations with the help of a little luck and a lot of practice in time management. 

WOW: I love that description of writing being an on-and-off again love affair. Can you tell us a little about the young adult novel you’re working on? 

Mira: Broadly speaking, it's a character-driven story about identity, prejudice, and what it means to be "human." It takes place in a fictional world that's post-telephones, pre-Internet, but with some soft sci-fi elements thrown in. There are six major characters—a warrior princess, a child soldier, a teen idol and her bodyguard, an assassin with a bomb in his brain, and a girl who will die in thirty days—and they all cross paths as they get sucked into various aspects of a political coup. Needless to say, chaos ensues. I'd say I'm about a third of the way through the first major draft right now. 

WOW: Sounds like a compelling plot and I'm sending you positive writing vibes! How has your study of music inspired or influenced your writing? 

Mira: I think my background in music is most obvious in the mechanics of my prose, as well as the kind of content I gravitate toward when writing. As a singer specifically, I'm hugely concerned with how my prose sounds—I often select words according to their rhythms first, and meanings second. More importantly, though, I think my musical background inspires my interest in eliciting emotion. I love building worlds and characters, and I'm an absurdly meticulous and perhaps overly complex plotter, but ultimately, I'm most interested in writing in a way that is equivalent to getting chills after listening to a song. To me, the highest compliment is when someone says my work gives them "the feels," be that from music or from writing.

WOW: Mira, thank you again for joining us today and we look forward to reading more of your work!

Reader Review Wrap Up and Giveaway for Karen Jones Gowen's We Burned Our Boats

Today I'm excited to host a reader review event for Karen Jones Gowen's We Burned Our Boats! 

About the Book:

Bruce and Karen Gowen are facing a retirement that neither one wants. Bruce can't imagine life without employment. Karen wants change, adventure, a chance to spread her wings and fly away after thirty years of raising their large family.

Their opportunity comes in a way they can both support: helping their daughter and son-in-law with a hotel project in Panajachel, Guatemala.

Never ones to do anything half way, the Gowens sell everything, including one of their businesses. What they can't sell, they give away. With their worldly possessions down to two checked bags and two carry-ons each, they fly one way to Guatemala City. Then on to Panajachel, a tourist town on scenic Lake Atitlan, in the southern highlands of Guatemala.

Here they begin their new life, a time filled with incredible experiences, tough challenges, and unexpected adventure in one of the most beautiful settings on earth. A place where the Maya culture permeates the land. A land and people that will transform anyone fortunate enough to encounter the magic of these hills in Guatemala.

Publisher: ‎ WiDo Publishing (January 18, 2024)

Language: English

Paperback: 306 pages

ISBN-10: 1947966685

ISBN-13: 978-1947966680

We Burned Our Boats  is now available to purchase in print and as an e-book at Amazon, Barnes & Noble, and Bookshop. Add it to your GoodReads reading listing as well.

Here's what WOW! readers thought:

Sara says: When starting this book I felt like I might struggle reading it. I’m new to reading for fun and have found thrillers keep my attention. Picking up this catchy title surprised me within the first couple chapters. I found myself dreaming of being in the writer’s shoes. I envy how she was able to let go of her possessions and start over. I’m in my mid 40s and have lived in a small town all my life. I cannot even imagine a different country. This book was amazing. I felt hope, promise, fear, hurt, struggle, love, and so many more emotions. Although I do not see myself ever taking a leap as Karen did, this past week of reading gave me such amazing adventure. I didn’t like setting my timer and quitting when it went off. By the second night I wanted to read to the end. 

If you are feeling stuck in your life, pick up this book. It was so energizing. So much adventure in so little time. Family always wins. Karen, I envy how Bruce saw the light. 

Joan says: This is a realistic account of leaving everything behind and traveling to a new country upon retirement. Their experiences were not always the wonderful adventures they had anticipated. Be ready to encounter some difficult family tension. (Read the full review here: https://www.goodreads.com/book/show/203123046-we-burned-our-boats) 

Linda says: I really, really enjoyed the adventures of Karen and Bruce in Guatemala. I loved Karen’s “warts & all” descriptions of life as an expat in a country that is so different from their life in the USA. The dynamics between Bruce, Karen and their son in law had me in hysterics at times, but I can understand how frustrating it must have been at the time. I think my favorite part was Karen’s first jaunt on the paddle boards with said son in law - although I admire Karen’s bravery for attempting paddle boarding in the first place. My friends do it down my local river …. I’m too much of a scaredy-cat! 😊 Being an avid traveler, for real and as an “armchair traveler”, it made a refreshing change to read about a country not on the main tourist track - maybe more popular with Americans but I am from the UK. I have been close to the Guatemala border, in Mexico, so I loved remembering my time there, whilst reading the Gowan’s adventures. The descriptions are such that I could almost smell the spices through the pages….all in all, an excellent travelogue/memoir. 😊 

Katherine says: I found the title of the book was mysterious and I wanted to know more. The synopsis made the book sound like it was full of exciting experiences. I was intrigued so and happy when I got an eARC. I've never been any area of Central, or South, America. I'm passionate about Hispanic culture and fluent in Spanish. 

We Burned Our Boats is told openly and honestly. It's immediately visual and immersive, and I felt as if Brain and Karen Gowan had invited me along for the journey. I really liked them and their family members. I was happy that they decided to put their family first and go on an adventure. 

We Burned Our Boats is truly a testament to what turned out to be an unforgettable experience and to Karen, Brian and their family and the people they met along the way. It shows what can happen if you take a chance to make a change. 

We Burned Our Boats is an excellently written memoir that I will not forget. 

5 stars but it deserves more. 

Melissa says: Many people - me included – fantasize about giving up everything we know and going on a mad adventure in another place. Most of us never do so, but Brian and Karen Gowan did, and their story is chronicled in We Burned Our Boats. 

Part adventure-travel memoir, part personal examination, part analysis of a marriage and a life, the Gowans' story has it all: love, fear, courageous acts, and international intrigue. Okay, maybe more like being intrigued by new customs and habits. It's an easy read, and very vividly related. Karen's writing makes you feel like you're with them on their journey. 

I've never really considered relocating to Guatemala (my fantasies typically involve Fez or Marrakech), but this book made me almost – almost – consider it. 

I recommend We Burned our Boats to anyone who loves memoirs or travel, or travel-memoirs. 

Goes well with tostados and Moza dark lager. 

Stephanie says: Karen and Bruce are facing retirement and made a drastic decision to move to Guatemala to help their daughter and son-in-law open a hotel in Panajachel. They 'burned their boats' and either donated or sold everything they owned and went all in on their new plan. There was no turning back. This book chronicles that story with such detail that I could see the termites, smell the tamales and hear the foreign sounds. Rather than a lofty memoir with messages of transformation and deep learning, it's a day-to-day account of what it was like to literally begin a new life together. I was struck by their adventurous spirits, their devotion to family, their love for one another and their attitude of living life to the fullest surrounded by what matters most. 

Crystal says: I absolutely loved the inspirational book We Burned Our Boats by Karen Jones Gowen. I was looking for a book that was well written and would provide inspiration and this read checked all the boxes for me. Take a risk, live your life, and keep looking forward – this was absolutely a 5 star book that I will tell my friends and family about!

About the Author Karen Jones Gowen

 

Born and raised in central Illinois, Karen Jones Gowen attended Northern Illinois University in DeKalb and the University of Illinois in Champaign-Urbana. She transferred to Brigham Young University, where she met her husband Bruce, and there graduated with a degree in English and American Literature.

Karen and Bruce have lived in Utah, Illinois, California and Washington, currently residing in Panajachel, Guatemala. They are the parents of ten children. Not surprisingly, family relationships are a recurring theme in Gowen's writing. She is the author of eight books.

Website: https://karenjonesgowen.com

Blog: https://karenjonesgowen.blogspot.com

Amazon Author Page: https://www.amazon.com/stores/Karen-Jones-Gowen/author/B007FQDG8A

***** BOOK GIVEAWAY *****

Enter to win a copy of the memoir We Burned Our Boats by Karen Jones Gowen! Fill out the Rafflecopter form for a chance to win. The giveaway ends June 23rd at 11:59 CT. We will choose a winner the next day and announce in the widget and also follow up via email. Good luck!

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Interview with Tess Kelly: Q2 2024 Creative Nonfiction Essay Contest Runner Up

Tess’s Bio: 

 Tess Kelly’s work has appeared in Cleaver, HerStry, Dorothy Parker’s Ashes and Sweet Lit, among other publications. Her essay, “Woman in the Covid Bubble” was the first place winner in the Women’s National Book Association 2021 writing contest, in the category of flash prose. A former public school teacher, Tess lives and writes in Portland, Oregon.

----- Interview by Angela Mackintosh

WOW: Welcome, Tess! I'm thrilled to interview you today about your beautifully written, award-winning essay, "Facade." What was your initial spark or "way in" to writing this essay?

Tess: First of all, thank you for this opportunity!

There wasn't an initial spark for the writing—it was more like smoldering embers. I spent a long time struggling to leave someone who could no longer suppress her desire to transition. I had grappled with the dilemma for years so the story had plenty of time to percolate. It was just a matter of re-reading pertinent journal entries and clarifying my thoughts in essay form. It was the second piece I'd written on the topic. The first was "Last Week," about our last week together, but I wanted to dig deeper into what it meant to be involved with someone whose attempts to be true to herself ultimately drove us apart.

WOW: Oh wow, thank you for sharing "Last Week"! I love the daily format, and it's so great to see the different ways we can write about a topic. With "Facade," I also loved your structure and pacing, and I was moved by your honesty. You've written a well-balanced, complete story arc—with rising tension and a climax—in so few words. And your theming is tight—how it starts and ends with the image of your partner's face and how it had changed, which also emphasizes your title. How long did it take to write, and how did it change over time? Did you have to cut a lot?

Tess: Over the course of a year and a half I went through about a dozen rewrites. This was a piece that didn't change much over time. The content was mostly the same, I just played around with the language. I actually added a little volume to it, instead of cutting. That's not how it always works, but it did in this case.

WOW: It's nice when that happens! So I looked up your essay, "Woman in the Covid Bubble," which won first place in the Women’s National Book Association 2021 writing contest, flash category. It really captures what life was like during Covid, and the use of second person amplifies that feeling for the reader. Well done! The structure is sharp, too. I can tell you study CNF forms. Who are some of your favorite creative nonfiction writers?

Tess: There are so many inspiring essayists to learn from! A few that I especially like are Eula Biss, Poe Ballantine, Samantha Irby, Heather Sellers, Brian Doyle, and Jamaica Kincaid.

WOW: Great essayists! I'm a fan as well. You've had your work published in a lot of wonderful literary journals. Do you have any tips or resources you can share with our writers for targeting potential publications for your CNF?

Tess: If I read an essay that resonates with me or seems to be similar to my style of writing I'll see where else the writer's work has appeared and research those publications. I use Submittable as a means to see who's looking for CNF or flash submissions. If I've never heard of a publication I'll check it out and read at least a few pieces to see if it's a good enough fit. It's a numbers game, as far as I'm concerned. I know writers who are far more accomplished than me that only get about one in ten pieces published. There's a lot of competition, especially with the better-known journals, but it's important to consistently submit in order to get accepted occasionally.

WOW: Agreed! It's very competitive out there, but we've got to keep submitting. What's your favorite piece of writing advice?

Tess: I don't know if I have an all-time favorite. I just finished reading Stephen King On Writing and one of the things I found fascinating is that he said he puts his first drafts in a drawer and lets them sit for six months before looking at the writing again. Six months! Apparently it gives King a perspective he wouldn't have otherwise and gives him the ability to more easily cut what doesn't belong. I've never waited six months after a first draft but I do sometimes put a piece aside for a few weeks. It definitely helps to give me the detachment I need as an editor.

WOW: I actually read On Writing for the first time last year, and I remember that piece of advice. Six months is a long time! So what are you working on right now?

Tess: I've been working on an essay on getting older that explores my fear of death. Fun stuff!

WOW: Ha! Sounds incredible, and I hope to read it when it publishes. Thank you, Tess, for chatting with me! Congrats again on your placement in the contest and for writing an incredible essay. It's such a pleasure to read your writing. 

Find out more about WOW's quarterly flash contests here: https://www.wow-womenonwriting.com/contest.php

Reader Review Wrap Up and Giveaway for Elizabeth Maria Naranjo's What Was Never There

Today, I'm thrilled to share a reader review event for Elizabeth Maria Naranjo's short story collection, What Was Never There.  

About the book:

A mother and daughter lost in the woods must overcome their worst fears to find their way back. A father going through a divorce witnesses a seemingly impossible motorcycle accident, which forces him to question the truth of his own perceptions. A little boy with a terrible secret routinely steals away at night to meet a girl beneath a willow tree—only to discover she has a secret of her own.

What Was Never There is a collection of short stories with the common theme of memory, or rather, the way memory haunts us.

Includes Pushcart Prize nominated stories “We Never Get to Talk Anymore” and “The Dinosaur Graveyard” and the award-winning “Windows,” selected for Best Microfiction 2023.

ASIN: B0CQSTX8WT

ISBN-13: 979-8866571697

Publisher: Independent (December 2023)

Length: 276 Pages

What Was Never There is available in print and as an ebook at Amazon. Add it to your Goodreads list.

Here is what WOW! readers had to say about What Was Never There by Elizabeth Maria Naranjo:

Rosh says: An indie short story collection with a mix of emotional and bittersweet tales. The writing is exceptional, but the endings could have worked better for me as many fail to provide resolution. A great option for those who are more about the journey than about the destination. (Read the full review here: https://www.goodreads.com/review/show/6402014039) 

Katherine says: What Was Never There got me interested just from the title. The premise is gripping. I wanted to find out more. It sounded so mysterious. The first story was just perfect to start the book off and left me feeling warm, fuzzy and satisfied. I eagerly progressed through the book and enjoyed it so much. (Read the full review here: (https://www.goodreads.com/review/show/6354395031) 

Beth says: I was pleasantly surprised to find variety in the collection and especially liked the varied lengths of the stories in this collection. The author has a beautiful talent for imagery and placing her reader in the scene. (I have a willow tree in my front yard and can attest to how magical it is to step under it!) (Read the full review here: https://www.goodreads.com/review/show/6516657641) 

Angela says: What a captivating short story collection! I enjoyed the variety of stories in What Was Never There by Elizabeth Maria Naranjo. What ties them together is a cohesive style, which comes from Elizabeth’s sparkling prose, authentic characters, and atmospheric settings. Reading one is like having lived in a dream with all its vivid surrealism. I couldn’t stop thinking about these stories and their open endings, which are very much alive and breathing. (Read the full review here: https://www.goodreads.com/review/show/6517803976) 

Leslie says: These stories are filled with wonder, too. There was really nothing off the table for this author. I really enjoyed how she wrote her stories to engage the reader (ok, me!), and this is an author that I wouldn’t mind reading more from in the future. (Read the full review here: https://www.goodreads.com/review/show/6508736915) 

Lily says: A beautiful collection of short stories, many of which will tug at your heart strings. Each story is unique, and often deal with difficult themes. Memory and the past that shape us are complicated things, and change people differently. Naranjo did an amazing job of drawing you into each story, and while they vary in length, I wouldn’t mind spending more time with the characters in some. The stories that revolved around the memories of children were the most memorable for me, but each story sticks with you a bit after you finish. Overall, the short stories have a literary fiction vibe, but shorter than what you’d normally associate with that genre. Definitely recommend this if you’re looking for a collection of emotional short stories. (Read the full review here: https://www.goodreads.com/review/show/6544848733)

Andrea says: As a reader, I find it difficult to resist the allure of a well written short story, so when I came across Elizabeth Maria Naranjo’s collection in her book, What Was Never There, I was thrilled. In this collection, Ms. Naranjo brings to the forefront the things we fear, the things that cause us to worry, the things that make our blood simmer with dread, and has spun them into tales woven deeply with both imagination and realism. From the first story to the last I was captivated - instantly immersed in worlds and scenarios that left me satisfied yet curious. All the while contemplating the fact that it is not the trials we face, but how we deal with them that truly matters. What Was Never There is a collection of short stories worthy of reading, and one that I will surely turn to again and again. (Read the full review here: https://www.goodreads.com/review/show/6548270450)

Anthony says: Thoughtful, imaginative, and engaging author Elizabeth Maria Naranjo’s What Was Never There is a must-read short story collection. The fast pace and compelling storytelling instantly draw the reader in, and the emotional connection they make with each story will make them eager for more of this author's moving work. (Read the full review here: https://www.goodreads.com/review/show/6556098409) 

Allie says: I am so happy that it was suggested that I read and review Elizabeth Maria Naranjo's book of short stories, What Was Never There. What a delight! Elizabeth has a way of writing that is lyrical and poetic. Each story was engaging and I was drawn in by her beautiful, descriptive words. While each story was different, her style remained consistent. I have read some reviews where the reader felt that the stories did not come to a clear conclusion. I, personally, like a story that allows the reader to think and, perhaps, come to their own conclusion. It is a good story, or book, when the reader is left thinking about what happened. I look forward to reading more from Elizabeth Maria Naranjo! (Read the full review here: https://www.goodreads.com/review/show/6547033422)

About the author, Elizabeth Maria Naranjo:

Elizabeth Maria Naranjo is the author of The Fourth Wall, The House on Linden Way, and What Was Never There. Her stories and essays have been widely published and nominated for the Pushcart Prize, Best American Essays, and Best of the Net, and her short story, “Windows,” was selected for Best Microfiction 2023. She lives in Tempe, Arizona, with her husband and two children.

Visit her website at www.elizabethmarianaranjo.com.

Twitter/X: @emarianaranjo

Goodreads: www.goodreads.com/elizabethmarianaranjo

 

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