Showing posts with label improve your writing. Show all posts
Showing posts with label improve your writing. Show all posts

The 3 Biggest Things You Can Do For Your Writing Craft

Thursday, April 26, 2018
Have you ever read a piece of your writing that you wrote when you first started? Does it even sound like the way you write now? You've most likely improved your craft with each piece you've written. But why has that happened? And can you improve it more? Or maybe you're a newbie, and you want to improve your craft and get published. Wherever you are in your writing career, here are three things you can do to improve your writing craft.

1. Get Honest Feedback.
I really think this is the number one thing you can do. You can do this with a good critique group, trusted beta readers, or hiring a reputable editor. No matter how you accomplish it, you need honest feedback. You need to know what is working and what is not working in your novel, short stories, memoir, etc.

With this honest feedback, you can decide what resonates with you and what doesn't. But it's so true that we are not objective about our own writing. Some of us are harder on ourselves than readers would ever be--and that's still not objective. So find other writers or industry professionals whom you trust, give them your manuscript, and accept their honest feedback.

2. Study a Writer You Admire.
I say this to my novel students and editing clients all the time. It's so important to read what you're writing. If you're writing middle grade, then read middle grade. While you're reading these professional and well-loved authors, study the craft. How do they open the book? How much dialogue do they include? How do they handle internal thoughts? What about dialogue tags and description? Use a highlighter and take notes. You're not going to copy from these authors; you're learning!

Some writers say that they don't want to read in their genre for fear of copying; others say they don't have time. But even 20 minutes a day will help. Want a challenge to get yourself reading 20 minutes a day? I have one starting April 30 on my blog ,and it's free to join!

3. Allow Yourself to Dream. 
Your imagination and creativity are always active when you're writing, even if you're a non-fiction writer. But don't just dream about your manuscript. Dream about where you want your writing career to take you. Create a vision board. Write down your career goals. Daydream of giving your Pulitzer Prize acceptance speech. It's important to envision yourself having success while also being realistic about how much hard work it will take to get you to that success. But without the vision, you can feel discouraged at the amount of hard work and rejection that comes with writing. So...allow yourself to dream.

What about you? Do you have anything else to add to the list?

Margo L. Dill is a writer, editor, and teacher, living in St. Louis, MO. She teaches a novel course for WOW! each month, which includes 4 critiques of your work-in-progress. To check out more about her, go to http://www.margoldill.com. To check out her next class starting May 4, go to the WOW! classroom. 
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Friday Speak Out!: How Meditation Can Improve Your Writing

Friday, September 30, 2016
by Laura Carter

You wake up, take a few sips of coffee and then sit in front of your laptop expecting words to run out of mind into your hands and then appear as millions of pixels on your screen.

And, it just doesn’t happen.

Why? If you’re looking for a complex answer to this trivial question, you are wrong. It’s all because writing is hard. Writing is unique. At the same time, it is similar to every other craft in the world. It’s similar because writing requires practice and preparation. We call it reading. If you don’t have time to read, you will never have time and skills to write.

Though, it’s not all.

Finally, you have to gather all your emotions, knowledge, ideas and desires. See the angel in them. And carve until you set him free. That was a pompous way to say “create something beautiful.”
Nevertheless, it’s the most difficult part. It takes great courage and concentration to express your mind in a way that unknown people will understand you and maybe, just slightly, enjoy what you’ve written.

Great writing tool that will increase that capability is meditation.

As trivial as it may sound, you need silence to be a successful writer. Some people may disagree and say that time they spend in pubs with a pint of beer, taking notes, is usually the most productive. This is also true, to some extent. While you on the top of your game, any other activity does nothing but improves your writing. But when you hit that notorious “writing block,” meditation is your savior.

Practice 5-10 minutes every day and soon you will notice how your attention has improved. This will lead to the interesting effect that might be called “self-perception”. As a writer, it is difficult to stay true to yourself. There are so many genius writers that did what you are doing now but find the better way. So many techniques, styles that you can use, want it or not. It is hard to be yourself if you use words. But if there is something that helps to reveal the essential self – it is meditation.

With such state of mind, the fear of critics just can’t exist. You’ll start enjoying the process much more, not just the result. And this will make your life as a writer much easier.

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Laura Carter is a former educator and now a writer of Dissertationwritingservices.org. Laura’s passion is great fiction and short story writing. Follow carterlaura15 to see more of her works.

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Would you like to participate in Friday "Speak Out!"? Email your short posts (under 500 words) about women and writing to: marcia[at]wow-womenonwriting[dot]com for consideration. We look forward to hearing from you!
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Improve Your Writing by Reading Author Interviews

Thursday, July 30, 2015
I love hearing writers talk about their writing process and craft. It inspires me not to copy their process but to reflect on my own. What has been working for me? What doesn’t? What else could I try to make myself a better writer?

I remember reading an interview with Philip Roth in the New York Times a few years ago. I don’t remember how or why it caught my attention because [insert embarrassed face here] I have never read any of his books. But some of the quotes from the interview made me feel better about my writing.

For example, he said, “Writing is frustration – it’s daily frustration, not to mention humiliation. It’s just like baseball: you fail two-thirds of the time.”

Clearly not an inspirational quote. However, it feels good to know that a well-acclaimed author also feels self-doubt, even humiliation, about his writing. Yet persisted and published.

It’s my love of discussing the writing process and craft that has inspired me to collect author interviews. I’m providing you with some author interview links below.

Of course, seek interviews with your favorite authors, but don’t be afraid to listen to or read an interview with an author outside of your preferred genre or an author you’ve never read. These are important, too, to provide additional perspectives to your ideas on the writing craft.

Have other author interview that inspired you? Share them in the comments below!

Links for Author Interviews:



Enjoy!

Compiled by Anne Greenawalt – follow me for a fusion of creative writing and competitive sports with a twist of feminist intent


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After the Writer's Conference

Sunday, May 11, 2014
A month ago, I attended the Nebraska Writer's Guild spring conference. I'd been planning to go for months, but the week of the conference was hectic and I almost skipped the three hour drive (and a chance to spend my daughter's birthday with her) to get caught up on work.

Glad I didn't.

For at least ten years - and probably more like 12 - I've read Funds For Writers, and now I had a chance to meet the woman responsible for that website, Hope Clark. So, I awoke at 4 a.m. and drove to Mahoney State Park, near Omaha, for the event.

Throughout the day, editors, writers and screenwriters presented a lot of valuable information, but information is only valuable if you put it to use AFTER you get it. How can I take the tidbits of insider info and put it to use for my writing career?

That's the point, isn't it? 

In this past month, I've read and reread handouts and notes from that day, but I still have not taken any steps to apply the info to my writing. I need to, and I know I need to, but now I'm wondering what's holding me back. Is it a too-busy schedule? Possibly. Is it too many projects in the fire? Maybe. Is it fear of failure? I have a sneaking suspicion, this is the culprit.

So, even though it's Mother's Day, and I should be spending time with family, I've made an appointment for writing time today - just time for me to take a work in progress and apply what I learned. My family will understand because they know writing is important to me.

Advice is welcome and good, but only if you put into practice what you've learned. If we, as writers, are willing to invest in our craft by attending a conference, we need to be willing to take a hard look at our work and how to improve it.

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Friday Speak Out!: Sometimes It's a Velcro Day, and Sometimes It's More Teflon

Friday, March 28, 2014
by Sioux Roslawski

On the show CBS News Sunday Morning recently, they did a piece on how criticism impacts us. Movie reviewer Leonard Maltin was interviewed. The book Hardwiring Happiness: The New Brain Science of Contentment, Calm and Confidence was discussed. An actor claimed that they could recite the negative reviews word for word...the positive ones—not so much.

A term that was new to me--”negativity bias”--came up. According to some experts, the brain is like teflon when it comes to positive things. They don't stick with us. But when it comes to the bad things, the brain is like velcro.

And it's been this way since the caveman days. It makes sense, I guess. According to the news feature, we remember the bad things because bad can kill us. It's a matter of survival. If cavemen and dinosaurs were around at the same time, the image of one of their family members being swallowed, appetizer-style like a spinach ball by a Tyrannosaurus rex, would probably stay with them forever. The memory of themselves eating a chunk of greasy triceratops...most likely forgettable.

As writers, the positive comments about our work make us feel momentarily proud. We bask in the glow for a second but if we're serious about our craft, we cast the compliments aside as we insist, “But how could I improve it? What parts do I still need to work on?” People gushing over the lines we've crafted doesn't move us forward as writers.

(At this point, if you'd like to shower me with glowing praise, I'll gladly accept it, but then let's move on.)

Certainly, not all negative remarks help us. When people comment, “Sioux, what is that shade called that you've chosen for your hair? Metallic Magenta? Lucille Ball Gone Awry? Tangerine Terror?” I only smile. Left to their natural state, my tresses are the color of rat fur. I have a limited budget. My dye jobs are DIY. You do the math.

And sometimes, even the negative comments about our writing shouldn't stick to us. If one person (perhaps a family member?) is completely clueless about the point of your essay or the plot of your story—and everyone else (especially writers/editors you respect) thinks your piece is spot-on—just accept the criticism with a comment like, “Thanks. I'll consider that,” and forget about it.

But when plot holes are pointed out...when characters' voices are not distinct...when our story is dragging, and more than one of our respected writing friends is making the claim—that is the sort of thing that should stick to us like velcro.

If we're going to survive as a writer, we have to constantly be trying to improve our work—because bad writing can kill us as authors. (And now, please excuse me. I've got to re-dip my hair. The gray has sprung up like weeds.)

* * *
Sioux Roslawski is a third grade teacher and a freelance writer. She's been published in twenty or so national anthologies and magazines, including ten Chicken Soup for the Soul books. You can find more of her work at http://siouxspage.blogspot.com.
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Would you like to participate in Friday "Speak Out!"? Email your short posts (under 500 words) about women and writing to: marcia[at]wow-womenonwriting[dot]com for consideration. We look forward to hearing from you!

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Show and Tell in a Nutshell (Book Review and Giveaway)

Tuesday, November 27, 2012
What do writers like to get in their holiday stockings? How about helpful writing books, such as Show and Tell in a Nutshell: Demonstrated Transitions from Telling to Showing? How many of us have had our manuscripts critiqued and have also heard during that critique, "You are telling too much. You need to show"? There are countless blog posts about showing vs telling, and I often cover this when I teach children's writing courses for WOW! So, how does Jessica Bell's book help writers learn to show and not tell in just a little over one hundred pages?

Jessica's entire idea is to create a handbook for writers that shows how to show and not tell, and she succeeds by presenting sixteen scenes to read and learn from. In her introduction, she suggests that you read each scene four times and focus on different parts of it each time. After reading it through once, then the second time, writers should  "identify the telling words/phrases." By the last time a scene is read, a writer will be brainstorming their own ways to "fix" the scene. (In the print version of the book, Jessica provides blank pages to take notes and try your own wording of the scenes.)

So, what does a scene entail? First, readers will encounter a list of attributes that a writer is trying to portray in a scene. For example, in the first scene, the list is: "amazing view, awe, feel hot, relief, feel tired." The next page has a paragraph, full of telling.

Sandy stood at the foot of the Egyptian Pyramids. Though she was hot, tired and sore, she was awestruck by the amazing view and felt a sense of relief. Finally, she’d made it.

Obviously, there's a lot of telling in that above example. Can you pick that out? The next page in the book, which I won't share with you here, provides Jessica's version of the same paragraph, but with showing details, instead of telling. Then there's a page for notes.

What I like about this book is that the author tells you what she wants to portray in each paragraph with a list, provides a simple telling example, and then she gives a good example of showing instead of telling. She is also encouraging you to do the same--in your own style. How could you rewrite the above paragraph to show Sandy was hot without telling the reader she's hot? Would you do it the same way as Jessica? Can you figure out more than one way to do it?

Each of the sixteen scenes is set up like this. There's no long explanations on why the author chose to do what she did. This is a short, concise book, but it gets the point across. In the end, the author provides three writing exercises and her e-mail address, where she invites readers to contact her if they have questions or need more writing prompts.

Jessica Bell is also the author of String Bridge (a women's fiction novel), Fabric (a poetry collection), and Twisted Velvet Chains ( a poetry collection). She is an Australian-native, living in Athens, Greece, and she hosts the Homeric Writers' Retreat & Workshop on the Greek island of Ithaca, home of Odysseus, with Chuck Sambuchino of Writer's Digest.

If you or anyone you know is struggling with showing vs telling in their writing, then purchase (for under $5.00 a copy) Show and Tell in a Nutshell by Jessica Bell!

We also have a copy to giveaway.


~*~ BOOK GIVEAWAY ~*~

Enter the Rafflecopter giveaway below for a chance to win a copy of  Show and Tell in a Nutshell: Demonstrated Transitions from Telling to Showing!

a Rafflecopter giveaway


Good luck!

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How To Improve Your Writing

Wednesday, October 10, 2012
I love connecting with writer friends through social media. They’re always passing along wonderful advice in the form of helpful links. So the other day, I came across a mention of agent Chip MacGregor and his blog post about how to improve your writing.

I clicked on the link. Because a. who doesn’t want to know how to improve her writing? And b. I have a soft spot for agent Chip MacGregor. Not because he met me at the first writer’s conference I ever attended and said, “Holy cow, Cathy! I must sign you up today!” That would’ve been swell, huh? But honestly, I’m just glad that when he met me, he did not say, “Holy cow, Cathy! You call this writing?”

I had brought my first ever (children’s) manuscript for critique to that conference, and I thought it was awesome. Chip did not exactly agree. He was kind, though, and offered a few ideas as to how I could improve the story. Basically, it came down to me needing a lot more writing practice.

Which brings me to my point today (and coincidentally, Chip MacGregor’s point, as well): If you really want to improve your writing, you have to write. You have to write a lot.

I don’t mean that you have to sit down and write 3,000 words (although that’s certainly impressive, so good for you if you do!). I mean that you have to write regularly. You have to practice writing, pretty much every day. And I’ll add that you have to write for an audience.

It’s helpful if you write in a daily journal. But if you write every day, knowing that someone else will read your words, you’ll write with more care. Your grammar will be just a bit better, your word choice a bit stronger, your structure a bit more cohesive. Your writing will improve, whether you’re sharing it with a critique group, a contest judge, or the blog readers who follow your posts.

This weekend, I’m attending the Rutgers One-on-One Conference, and I’m taking several of my children’s manuscripts with me. Including that same, though much improved, story I put in front of agent Chip MacGregor, lo those many years ago.

Holy cow, I’ve put a lot of writing practice into that manuscript. (And honestly, it really is awesome now!)

And P.S. Please come say hello if you're there, too!





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