Showing posts with label hooking your readers. Show all posts
Showing posts with label hooking your readers. Show all posts

The Surefire Hook: The Unexpected

Wednesday, September 07, 2016
Picture this scene from a few weeks ago: It is late evening, slightly overcast with the teeniest of breeze in the air. I have just opened the screen door of my second-floor deck and my miniature dachshund, Libby, has bounced down the flight of stairs till she reaches the bottom, whereupon Libby takes off across the yard and begins to bark and growl.

In the duskiness, I peer over the stairs and a deer—not a sweet little doe, mind you, a BIG deer, is jauntily walking across the yard toward Libby. At which point, Libby hightails it back to the safety of the stairs (but continues to bark). I stand there, open-mouthed and gaping. I mean, this is a full-grown deer in the middle of my fenced-in back yard. And when I say fence, I am talking about a six foot tall fence. I glance at the gate and it’s closed tight. The deer and I lock eyeballs across the expanse of the yard and I say out loud, “How did you get in my yard?”

The deer bolts and very gracefully leaps over my six-foot fence.

Oh, okay. That’s how.

Anyway, it’s not unusual for me to see deer in the green belt behind my house. There’s a river that runs through the green belt and there are all kinds of interesting wildlife back there. But up until a few weeks ago, the wildlife, with perhaps the exception of owls, hawks, turtles, and snakes, stayed on the other side of the fence. It was completely unexpected, that deer in the middle of my backyard, and I had to call my youngest son to report this phenomenon. (He went to Berry College and deer are pretty much all over the campus so he was not as surprised as I was to find that a deer had jumped the fence. “That’s what deer do,” he said. But still, he admitted that a deer in the Hall backyard was semi-bizarre.)

I tell you all this to make a simple point about story: The unexpected is what makes this a good story, and why I had to call my son, and why I may have called all the other Junior Halls and various and sundry neighbors. You see, a deer behind the fence is pretty typical, even in a suburban neighborhood like mine. But a deer in the middle of a fenced-in backyard, well, that definitely grabbed my attention.

So the next time that you are stumped as to why your short story’s not selling or your book is mired down in the middle and no agents are biting or the article you pitched hasn’t been awarded a contract, consider whether you’ve written something predictable or something unexpected.

Make your reader stop for a moment to think, “I did not see that coming.”

Sort of like a deer in the middle of a fenced-in backyard.


~Cathy C. Hall
(Deer image courtesy of Pixabay. The deer in my backyard was MUCH bigger.)
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Empathy and Mystery Hook Your Reader

Wednesday, April 15, 2015
I’ll be one of the first people to admit it. I’m a fickle pickle of a reader. Fail to hook me in about 20 pages, if I’m feeling generous, and I close your book and move on to the next. Thank goodness for my library card.

A lot of writers try to open with an exciting, seat-of-your pants scene to hook the reader. Sometimes it works. Other times it doesn’t. Too much drama, too early on can make your reader roll her eyes. It’s too much too soon so it seems overdone.

Instead, give your reader a reason to empathize. Stir up her curiosity.

I’m reading Empty Mansions: The Mysterious Life of Huguette Clark and the Spending of a Great American Fortune by Bill Dedman and Paul Clark Newell. When I started the book, I didn’t know who Huguette Clark was so that wasn’t going to work as a hook.

Instead, Dedman relies on reader empathy. He tells about his search for a new home and, finding nothing in his market, searching way up the scale. At one time or another, whether we were car shopping or shoe shopping, we’ve all failed to love what we could afford and ended up looking beyond our price range. We get it and we empathize.

Dedman saw something about an enormous gated home in the area. He wasn’t allowed on the grounds, but the caretaker divulged the owner’s name – Huguette Clark. The man had held the job for years but never met Ms. Clark. Then Dedman chanced upon a second Clark property when he was in California with much the same results. He was determined to find out about this mysterious woman who owned, but never visited, luxury properties.

Talk about a great way to hook the reader – mystery piled on top of mystery.

When the reader meets Huguette Clark, she is an old woman being visited by a doctor who doesn’t actually know her. While he anticipates eccentric, he doesn’t expect a woman whose face is so ravished by cancer that she hides behind a towel.

We all know what it’s like to be embarrassed but . . . wow. How can you not feel for this woman and wonder what led to this situation?

Dedman didn’t start the book with a car crash or a natural disaster which he could have done. After all, Huguette had a ticket for the Titanic. Instead, he starts the story by hooking us with a mystery and building empathy for this amazing character, a character who just happens to be real.

Can you use any of these techniques to hook your readers?

--SueBE

SueBE teaches our course, Writing Nonfiction for Children and Young Adults.  The next section start May 4, 2015.

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Opening Words That Wow!

Sunday, December 22, 2013
Have you ever found yourself staring at a blank page and wondering, “How in the world do I start?” This can pertain to newspaper or magazine articles, query letters, essays, blog posts, plays, non-fiction books or novels.

Writing the opening sentence (or sentences) can be very intimidating. If you’re querying a magazine editor who receives twenty or more queries a day, they could very easily delete your e-mail if they aren’t hooked in the opening. The same goes for agents you are contacting for possible representation. There, you have to first hook the agent in the query letter, and then, if they are interested in your project, you have to further hook them in the opening page of your book. No pressure, right?

Like many aspects of writing, opening words and pages can be very subjective. I signed up for an intensive workshop with a literary agent at a Society of Children’s Book Writers & Illustrators conference this past fall and picked up a lot of great tips. During one exercise, the agent passed out a sheet that contained pieces of query letters she had received from various authors with “the hook” of each book that had been pitched. Our assignment was to circle each “hook” that we believed resulted in representation. For the most part, we were able to pick out the successful queries. There were a few that we were unsure about.

What was most obvious about the exercise was that there was no “right” way to present the hook of each book. Each author had tackled it in a different way (some started right out with a tagline of the book, others began with statistics, etc.) but we all agreed certain queries just stood out more than others. For me, I can tell during the writing and revision process what type of lead works and what doesn’t. But if I’m unsure, I hand off the piece to trusted friends or colleagues for feedback. Here are a few examples of different openings I’ve used over the years:

Magazine article lede:
He has golden hair and warm brown eyes. He loves to play in the backyard of his family home in Davidson but also appreciates a good nap, too. His best friend is a 10-year-old little girl named Eleanor Bolton, and he’d do anything for her.
--From "A Constant Companion: Davidson’s Eleanor Bolton fulfills her dream of owning a service dog," Lake Norman CURRENTS, October 2013.

Women’s fiction short story opening:
I always thought the ultimate betrayal between a man and woman would involve infidelity. I could not have been more wrong.
On the day I came home from work during my lunch hour (and when our daughter was safely tucked away at her preschool) I wasn’t sure exactly what I’d find. But I assumed it would have something to do with a scene straight out of a movie from the Lifetime channel. You know the kind I’m talking about — murmured voices behind the closed bedroom door, an unfinished bottle of wine and two glasses on the coffee table, a crumpled blouse on the floor that didn’t belong to me. Instead, it was what I found on the open laptop computer on the table that brought me to my knees.

Essay for a trade publication:
I’ve been asked the question, “how do I get my first clip?” throughout my freelance career countless times. These days, writers can go the content aggregate route and get clips published pretty quickly on those sites, but they are paid in pennies and many editors won’t consider those real clips. But when I tell other writers how I got my first clip after taking a few years off from writing to have my daughter, they look at me a little skeptically.
I offered to write something for free. And I did it more than once.

How do you figure out the best way to start out your writing projects? Share some of your favorite openings with us!


Renee Roberson is an award-winning freelance writer and editor who blogs at Renee’s Pages. Visit her website at www.FinishedPages.com.
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