Showing posts with label halloween. Show all posts
Showing posts with label halloween. Show all posts

Scary Good

Wednesday, October 31, 2018
Happy Halloween! Was there any doubt I would write about my favorite scary literature on this special day?

But first, a word on the chilling and eerie. I’m a horror lover by nature. I always gravitated towards the paranormal as a child and, by the time I was in high school, I sat at the back of my classes and read Stephen King novels - not in English, of course. Though the amount of gore I can stomach varies year to year, my love of all things scary, mysterious, dark and horrifying has never changed.

Edgar Allan Poe and Mary Shelley
Let me start with a few classics. I’d be remiss if I didn’t mention Edgar Allan Poe, the “father” of the macabre. He delves into psychological horror with The Tell-Tale Heart, Cask of Amontillado, and his famous poem The Raven. I mean, the man lost both women he ever loved to tuberculosis, so we can hardly blame him for his twisted tales. But he weaves stories that deal with our deepest fears: intense guilt, the paranormal, and being buried alive. His unreliable narrators are often mad, which only ups the insanity. Shirley Jackson gives a more modern take on the macabre with her less-paranormal horror short stories, like The Lottery. If you’re looking for a longer classic, Mary Shelley’s Frankenstein gives you a monster, his creator, and a tragically scary story that you’ll never forget.

Scary Stories Artwork

If you’re more young-adult literature oriented, try reading The Witches by Roald Dahl, where a boy discovers that witches plan on turning all children into mice. It may sound tame, but these witches are particularly mean and merciless – even to children. I also must mention the Scary Stories to Tell in the Dark series, which terrified me as a child. I have a memory of it lying face-up on my floor one night, the pale white of the twisted face on the cover staring up at me. I catapulted out of bed, grabbed it with the tips of my fingers to avoid too much contact, and threw it out into the hallway. It’s that scary.

And then, of course, there are the horror masters like Stephen King, Dean Koontz, Anne Rice, and Clive Barker. My life would not be the same were it not for Needful Things and The Stand. I faced my severe clown phobia and read It, only to conclude that I would never get over my coulrophobia. The Taking by Dean Koontz is one of the most fascinating and horrifying looks at the second coming I’ve ever encountered, and Interview with a Vampire only solidified my intense fear and fascination with vampires.

I can’t write horror. I wish I could. But I can worship those writers who make me look over my shoulder at night, race up the basement stairs when the lights are off and I’m by myself, and huddle under my covers as my mind imagines every scary thing that haunts my bedroom.

So Happy Halloween horror lovers everywhere. Hope it’s the scariest one yet!



Bethany Masone Harar is an author, teacher, and blogger, who does her best to turn reluctant readers into voracious, book-reading nerds. Check out her blog here and her website here.


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Fright Factors: Regenerate Decrepit Imagery

Saturday, August 20, 2011
There was a summer storm brewing last night. Although the rain never came the thunderheads gathered across the sunset turning the sky an ominous shade of orange. Visibility was low and as I gazed across the street I thought of sinister plots and London fog. Why is it, I thought, that so many writers still use fog to build atmosphere? Surely creepy things can happen in dust storms as well. An apt conversation as this is the time to be writing Halloween tales.

Part of the charm of the Halloween tale is the nostalgia, a traditional telling of a tale set in autumn. But tradition can border on boredom if we refuse to see it through new eyes and refresh the imagery. The dark and stormy night with the dilapidated old mansion in a heavily wooded middle-of-nowhere place doesn’t reflect our current day experience. What about that creepy foreclosure at the end of the street though? You know, the one that keeps changing hands—people move in, people move out—they’re gone before you can make an introduction.

What are some of the elements we usually use to build a frightening tale? We touched on a couple, abandoned houses and, of course, the fog. What are some other images that might be over used? What can we substitute for them?

A fun exercise is to take your favorite traditional tale and re-work it. What substitutions can you make to bring this tale into modern times? Can you change the elements around so that the story takes place in a different part of the country without loosing the fright factor?

As my mother once told me, “There is nothing there in the dark that wasn’t there when the lights were on.” Which leads me to my next question… what is that standing next to you?

photos and text by Robyn Chausse

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The Curse of the Candy

Friday, October 17, 2008
I was going to wait until much closer to the end of the month to buy Halloween candy.

The problem is that our family got "Boo-ed" early in the month. This is a game played in our neighborhood where you place a goody bag on someone's doorstep, along with a bright orange paper that says "Boo!" on it, which you tape to the front door. According to the attached poem, once you've been tagged, you must Boo! two more neighbors within the next 24 hours.

So I had to go out and get the candy. Even if I wanted to break the chain, my kids knew it was our turn, and they were into it. Now, you may be thinking, why doesn't she buy some candy that she doesn't really like? Danger averted!

Don’t get logical on me. Of course, I had to buy "good" candy. I need to pass out the first-rate stuff on Halloween night; we all know each other here in town.

We completed our "Boo-ing" earlier this week, so the candy sampler bag is open for business (two different kinds of sampler bags, actually). My house is a minefield of temptation. When I'm here, the little candies beckon me for an afternoon pick-me-up, or small dessert after dinner, or just to say, "Hi, eat me," as I'm walking by the dining room where they are.

Well, that behavior is going to stop today. I'm announcing it here and now. A writer can't write well with a sugar-addled brain. That's how I'm tying this in to be relevant to you. Writers must eat well and stay hydrated to produce clear copy!

No more candy for me during this Halloween season. Let the kids have their fun, I've got skinny jeans to fit into and articles to write. Wish me luck!

--MP
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