Showing posts with label Spring 2026 Flash Fiction Contest. Show all posts
Showing posts with label Spring 2026 Flash Fiction Contest. Show all posts

Interview With Jennie Bricker: Spring 2026 Flash Fiction Contest Runner-Up

Tuesday, October 06, 2026
 

I'm honored to interview Jennie Bricker, one of our Spring 2026 Flash Fiction Runner-Up winners. We'll be chatting about what inspired her flash fiction story, "The Sailboat," her revision process, and more.

Before you read our discussion, be sure to read her story, "The Sailboat," then come on back. First, here's more about Jennie:

Jennie Bricker practices natural resources law in Portland, Oregon, with a side gig as a freelance editor and writer. She has previously worked as a bookstore clerk, a college writing instructor, a magazine editor, a comic book editor, a pizza delivery driver, and the brown furry mascot for a southern Oregon pizza joint formerly known as Grizzly Bear Pizza.

Jennie has published around 40 nonfiction articles, both magazine features and academic pieces, one of which received an award. Her short stories and microfiction have appeared in 100 Word Story, Third Wednesday Magazine, and a Writer’s Digest prizewinners anthology. Her first novel, Thirsty Creek (Unsolicited Press, 2025), is an ecological murder mystery set in the Wallowa Mountains of eastern Oregon. Her second novel, The Metabolic Adventures of Two-Bit Gilkey, comes out in spring 2028 from Type Eighteen Books.

--- Interview by Nicole Pyles

WOW: Congrats on winning runner-up for your story, "The Sailboat." What inspired this story? 

Jennie: This story began as a poem, during a period about 15 years ago when I wrote a lot of poetry, mostly bad. This poem was based on an actual relationship that ended, and an actual sailboat. I’ve taken several poems from that period and converted them into microfiction. I think it’s the imagery that makes the conversion effective. Very little of the poem remains, but some of the images are still there.

WOW: I love that you turned poetry into microfiction. That's something I want to remember! What was your revision process like?

Jennie: First, I converted the poem into prose, which required a narrative arc. Then, usually, a story is obese — too long, with pointless scenes and characters. So my main process is to winnow it down to something I consider its essence. With “The Sailboat,” I also fiddled endlessly with the language. I wanted the syntax to reflect the sound and the mood of the ocean, which in the story becomes the symbol  of emotion, memory, and nostalgia. So, for example, I wrote “salty sad lapping and murmur” because to me it sounded like the sea against the shore, or against the hull of a boat.

WOW: Great insights on the weight of a story. Does your career practicing natural resources law help or influence your writing in any way? 

Jennie: My law job gives me ideas for stories. My novel, Thirsty Creek, is based on an actual ecological disaster that I learned about as I was helping organize a conference for the Oregon Lakes Association. Usually my work is more of an impediment to writing. I write in the early morning, when it’s quiet, my favorite time. I start work when the hubbub of the day takes hold.

WOW: I love how your work inspires you. You have some incredible publications you’ve achieved! What advice can you share about creating publishable writing that you can share with our readers?

Jennie: Thirsty Creek took me 14 years to get into publishable shape and then find a publisher. I hope that’s not typical. So my advice is that persistence is at least as important as talent. Be patient. Laugh at rejection and never take it personally. Read constantly. And unless someone else is paying the mortgage, don’t quit your day job.

WOW: Great advice! What are you working on that you can tell us about?

Jennie: My second novel — The Metabolic Adventures of Two-Bit Gilkey — is a YA novel that comes out in 2028. It only took 2 years!! Apparently I have learned something. I’m also getting better at short stories, especially microfiction, which I adore. I’m writing short stories but haven’t settled in on my next big project. It’s between three ideas for novels. All of them, like Two-Bit Gilkey, have time travel, because I love time travel.

WOW: Time travel is really a great theme. Thank you so much for your time. We look forward to seeing more from you!

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Interview with Lydia Blundell-Patel: Spring 2026 Flash Fiction Contest 3rd Place Winner

Tuesday, September 29, 2026
Lydia’s Bio:
Lydia Blundell-Patel recently decided to take her love for reading and writing full time, retraining as a secondary school English teacher after a career in marketing. She writes a blog on Substack about these twin passions, as well as how to live a more creative life more broadly and making sense of life in her late twenties. Lydia has had a personal piece published in The Independent and a short story in Confluence magazine. She is in the trenches of drafting her first novel. She lives in Cheltenham in the UK with her husband and beloved black cats. You can find her on Instagram at @Lit_with_Lyds and on Substack here: Lydia Rose Substack. 

If you haven't done so already, check out Lydia's award-winning story "Salon Madonna" and then return here for a chat with the author. 


WOW: Congratulations on placing third in the Spring 2026 Flash Fiction Contest! What excited you most about writing this story? 

Lydia: Visual art is not something I usually write about or even think much about, so it was stimulating to explore something different while sticking to my greatly preferred medium of words! I didn't know that was the direction the piece was going to take; I was trying to pinpoint what felt so special about this seemingly ordinary mother and found myself thinking about paintings and frescoes. It was a good lesson in writing outside my comfort zone and not sticking to what I know. 

WOW: Such amazing things can happen outside of our comfort zones. What did you learn about yourself or your writing while crafting this piece? 

Lydia: Realising that inspiration really is in the everyday. You don't need to be having crazy life experiences to write interesting stories! Salon Madonna came from my daydreaming in the nail salon, surrounded by perfectly ordinary (at first glance...) fellow customers. It taught me to look again and dig deeper with my observations, which is a valuable skill for getting started on a piece, but it was also a great feeling to see something special come to life over many rounds of revisions – a lot like chipping away at a piece of rock to create a fresco! 

WOW: What a great analogy! Please tell us more about your novel. What is it about? What has the writing process been like? 

Lydia: The novel is very embryonic at the moment. I'm training to be a teacher and regularly take breaks to work on shorter fiction and my Substack so it's a deliberately slow process and I'm trying not to put too much pressure on it. Originally, I set out to write a short story but realised it was something bigger, so started mapping out how that might look. I'm moving between plotting and sporadic drafting and taking it as it comes. I'm really interested in how different generations perceive the world and interact with each other, so my main characters are a teenage girl and a woman in her sixties. I'm not either of those ages, so it's another example of not writing what I know! In a twist of circumstance, they need to come together to find a missing person, but more secrets are unveiled along the way. 

WOW: It sounds like a fun process to explore all of those elements. What are you reading right now, and why did you choose to read it? 

Lydia: I've been reading a lot of Graham Greene this summer, who is a new author to me (crazy, I know). I can't believe I waited this long... Brighton Rock has been my favourite so far. His examination of morality and Catholic guilt is about as heavy as subject matter gets, but he somehow manages to achieve the pace of a thriller with the scorching prose of a genius literary fiction writer. I've copied out lots of passages from his novels as I find this really useful for picking up skills for my own writing. 

WOW: What a great method for learning and studying prose that you love. If you could give your younger self one piece of writing advice, what would it be and why? 

Lydia: I'm young as it is but I still wish I'd started sooner. Something happens in the teenage years where so many of us reject the hobbies we loved as children only to pick them up in adulthood again and wonder why we ever left them; this happened to me with reading and making up stories. Building a writing habit is key and controversially I think quantity over quality has a greater pay off in the long term; if you show up, the rest will sort itself out. 

WOW: Thank you for your thoughtful responses. Happy writing! 


Interviewed by Anne Greenawalt, founder and editor-in-chief of Sport Stories Press, which publishes sports books by, for, and about sportswomen and amateur athletes. Connect @greenmachine459.
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