Showing posts with label Runner up. Show all posts
Showing posts with label Runner up. Show all posts

Interview with Vienna Folliard, Runner Up in the WOW! 2024 Fall Flash Fiction Contest

Tuesday, April 29, 2025

 


Vienna Folliard is an Irish-born, American writer. Her tales are rooted in Irish folklore and history with modern themes. She teaches literature and creative writing in Minnesota, where she lives with her husband and their two children. Her story, “Ned’s Tale,” won The Letter Review Prize for Short Fiction in 2024. Vienna earned her MA in English at University of St. Thomas and BA at Mount Holyoke College. Visit: viennafolliard.com.

 ----------Interview by Renee Roberson 

WOW: Hello, Vienna, and congratulations! “Banshee’s Song” is the haunting tale featuring an otherworldly bond between two sisters. How did you first get the idea for this story? 

Vienna: My writing is typically rooted in Irish myths and legends and Halloween had me in the mood for a banshee story. The opening line, “You still wear the dress,” popped into my head, quickly followed by the question: who would talk to a ghost with such familiarity? The fears and strengths of a younger sister shaped by her love and loss spoke to me. Banshees are spirits of lamentation. Women fighting for their voice and freedom seems a timeless struggle. I wanted it to read like it could be in the distant past or during our lifetime. Looking back, the fact that this tale poured out of me two days after the election I will leave for others to psychoanalyze. 

WOW: We’d love to learn more about the inspiration behind your award-winning story, “Ned’s Tale.” 

Vienna: Ned is the hapless hypochondriac storyteller in my novel, "The Mottled Raven." I wanted him to have a wonderful backstory about how he learned to weave Ireland’s epic tales “as fine as gold filigree.” There are many old Irish laws pertaining to beekeeping, as well as folklore about how much bees love a good bit of gossip. They want to know all the “buzz,” you see. So when Ned thoughtlessly offends one of the powerful Fair Folk with his lazy selfishness, what better punishment than a few selfless deeds while entertaining hardworking bees? 

WOW: Ah, a prequel toyour novel, "The Mottled Raven," which you are currently shopping around. Could you tell us a little more about it? 

Vienna: "The Mottled Raven" is a medieval Irish tale, but reflects on modern themes and the many faces and phases of womanhood often painted over in traditional lore. My hope is to develop a planned trilogy around the Maiden, Mother, and Crone. This novel blends Christian and Pagan beliefs, takes the reader on an adventure with myriad magical creatures, and has a good dose of romantic and familial love. The story follows two characters from vastly different backgrounds as they navigate a world beyond their understanding. 

WOW: As a writing instructor, what are some of your favorite parts about teaching the craft to your students? 

Vienna: My current students are 16-20 years old. They spent a good chunk of junior high or high school disconnected with distance learning. I focus much of their writing on personal reflection, as well as making connections to others, no matter how different their experiences have been. It can be eye opening to relate to people of different ages and walks of life and it has helped many of them form deeper insights in their writing. 

WOW: Being Irish born and now living in Minnesota, I’m curious to know more about the path that led you to the United States. Do you get to return to Ireland often? What do you miss about it? 

Vienna: My brothers and I were born in Dublin and raised on tales of our fairy folk. When my parents moved us to the U.S. for new opportunities, I hung around and worked in my father’s pub. It helped keep my roots to be surrounded by the music, storytelling, culture, and humor from home. We spent many Augusts living with my grandmother in Mayo and I took opportunities to work and study Irish literature and history as a third-year college student in Dublin. It has been a wonderful experience bringing my husband and our children back with me in recent years. What I miss most are the little things: Staring out the train window as the fields and towns fly by; the smell of burning peat and freshly trimmed hedges; a strong cup of tea and hot sausage rolls; the signs written in Irish and English; and being kept on my toes by the sharp wit that is distinctly Irish.
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Interview with Cate Touryan, Runner Up in the WOW! Q1 2025 Essay Contest

Sunday, March 30, 2025

When she isn’t editing or teaching technical writing, Cate Touryan writes short fiction, creative nonfiction, and novels. Her debut YA novel, Turning Toward Eden, is slated for a 2025 spring release. Cate’s work has won second place and an honorable mention in past Women on Writing contests. Her recent creative nonfiction piece, published in Under the Sun, has been nominated for a Pushcart Prize as well as for inclusion in The Best American Essays, 2025. You can read her essay here.

Cate lives on California’s foggy but beautiful central coast with her husband, the sweet spirit of her Yorkie, and a rafter of turkeys—as in both a whole bunch of them and in the rafters.

To connect with Cate, head to her website or Facebook page or send her an email. She loves to hear from her readers.

Interview by Jodi M. Webb

WOW: Congratulations on being a runner up in the Q1 2025 Creative Nonfiction Essay Contest for Beyond the Safari Sunset. The imagery is so rich I felt like I was watching a slideshow, not reading. Any insights on how you make your writing so incredibly descriptive?

CATE: That’s a lovely compliment, thank you. As a reader, I most admire that writing which perfectly melds form, function, and fabric such that the narrative transcends the telling and becomes a work of art in itself, an astonishment. I’m not there yet, more miss than hit, but continue to work toward a mastery of craft. To render physical setting well, I rely on conventional advice: infuse scenes with relevant sensory detail, tease out nuanced meaning through juxtaposition, backlight the symbolic, and much more.

But to render description immersive—that’s my ultimate goal, requiring me to reach beyond the physical, intellectual, and symbolic characteristics of a place. To harness the power of setting demands that I see the landscape, for example, as an indispensable thread in the story, not a character so much as a revelatory shading or texturizing. Even that—the descriptive as immersive—has a greater goal: to make my story yours, the distinction between us lost as we converge into one shared moment.

WOW: What made you decide to submit this piece to the contest? 

CATE: There’s something about putting a pet down that, as if not heartrending enough, brings mortality front and center, speaking to the loss of all things. We can, as the story illustrates, try to hem in those we love, prolong their wilted lives, concoct workarounds, tether them with unbreakable love, yet nothing can stave off the inevitable. It may be a fact of life that all things eventually perish, will be lost, but that doesn’t mean we aren’t driven by some fierce force to hold on. Death is anathema to us; though of perishable bodies, we have been set with eternity in our hearts (Ecclesiastes 3:11). Trying to come to terms with the loss of Wee Willie Winkie meant revisiting the permeating sorrows of this life. And as writers do, I wrestled with those sorrows in story, refusing to let loss have the last word and perhaps doing the one thing we can do: make beauty from ashes. It just so happened that a last-call email from WOW provided the impetus I needed to put fingers to keyboard.

WOW: Yes, I agree that a looming deadline can give us the extra nudge to write. Do you frequently enter writing contests? 

CATE: I don’t, entering maybe a half-dozen essays for WOW over the years, but I do have a
wonderful story to tell with a shoutout to two tremendously kind and encouraging editors, Angela Mackintosh and Martha Highers.

When a CNF essay I submitted to WOW last year made it to the finals but no farther, I reached out to a WOW editor to ask if the topic was too political for the contest. She thought not and pointed me to the literary journal Under the Sun, saying its editor-in-chief had recently written her own piece on the same topic. Even though my entry was too short at 1,000 words for their preferred style, what would it hurt? The editor-in-chief liked it enough to ask me to expand it. After nine months of collaborative work, my now 3,000-word essay was published and subsequently nominated for a Pushcart Prize as well as for a 2025 Best American Essays selection. As if that wasn’t honor enough, I was asked to be a reader for Under the Sun and am now working with authors we’d like to publish, paying it forward as it were. I am loving the behind-the-scenes reading and editing and can’t speak highly enough of the terrific team rooting for every submission.

Not making it past the finals in the WOW contest was a blessing in disguise. There is reward ahead for those who persevere.

WOW: Pushcart Prize and American Essay! That is an incredible story. And a wonderful example of how we all, in our turn, lift our fellow writers up. On your website, you write that you reach for "....the beginning beyond The End." Can you share what that means to you?

CATE: Simply explained, I write stories, fictional and otherwise, where real life meets real faith.
While we cannot see beyond this temporal life—and indeed, many believe there is nothing to see—I believe we catch glimpses of another story that awaits us after “the end,” a story of redemption and the renewal of all things. Or as the apostle Paul put it far more eloquently, “the things which are seen are temporal; but the things which are not seen are eternal.” Christianity provides, if not the easiest, safest, or most popular life, the only one that offers both meaning to our own stories and the promise of a story beyond our own. I write to capture glimpses of that which lies beyond our temporal vision, to offer that which has brought my life both purpose and hope.

WOW: What an inspirational look at your writing process. So, what's your next big writing project?

CATE: I’m excited to be launching my debut historical YA novel, Turning Toward Eden, along with the audiobook in May. It’s a crossover in many ways—historical, mystery, coming-of-age, small town, YA/women’s, not fitting neatly into any particular genre, but with appeal to those who enjoy a good story with heart. I have a middle grade novel in the works as well as more creative nonfiction, perhaps my favorite format.

WOW: You are busy! What is your upcoming novel about?

CATE: When chasing another is easier than facing yourself. It’s 1971. The Cold War has cast a chill over the hot summer of California’s central coast. Caught in her parents’ own cold war, 14-year-old Eden is strapped with caring for her severely disabled brother until the arrival of a mysterious Russian immigrant unleashes a rash of escalating crimes. Rumors swirl: the “commie” is to blame . . . and Eden is her accomplice. Determined to prove her innocence, Eden embarks on a reckless game of chase—even if it means risking her brother’s life. Stumbling upon the girl’s secret, she unearths her own. But will it be too late to save her brother?

To read the short story prequel, set in 1910, please visit my website and subscribe to my quarterly newsletter.

WOW: I 'm signing up today because I can't resist a sneak peek inside a new world.

CATE: Thank you for inviting me to share about my creative process and works. It’s an honor!



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Interview with Jennifer Paquette: Q1 2025 CNF Contest Two-Time Runner Up

Sunday, March 16, 2025
Jennifer’s Bio:
Jennifer Paquette is the founder and retired artistic director of a theatre program for young people. She now enjoys hanging with her gaggle of granddaughters, and co-producing/directing Voiceover work out of her home studio with her partner in all things, Jason. She is a prize-winning essayist (Eden Mills Literary Contest, Stratford Writers Festival) whose creative work has appeared in The National Arts Centre’s Canada Performs Series, Canadian Stories Magazine, Memoir Writing Ink. and elsewhere. She credits the community of writer friends she meets with regularly for inspiring her. Jennifer has been a contest reader for the Amy MacRae Award for Memoir since 2021 and is the author of two early reader books. Find her at: jenniferpaquette.ca 

If you haven't done so already, check out Jennifer's award-winning essays "New Ride" and "Goodwill" and then return here for a chat with the author. 

WOW: Congratulations on placing twice in the Q1 2025 Creative Nonfiction Contest! How did you begin writing your essays and how did they and your writing processes evolve as you wrote? 

Jennifer: Both essays were written for a bi-weekly writing group I belong to. “New Ride,” an account of a day spent with my 90-year-old mother came easily, requiring less editing than much of my writing. As the day unfolded, I knew I would write about it, so I made a point of observing, taking in the details. It may be interesting to note that I wrote the photograph section first and built the rest of the piece around it. The process for “Goodwill” was different. It was originally a much longer essay. It lacked focus. I played with tense and voice, trying it in first person, then third person, before landing on the idea to use both. Editing it down to under 1000 words gave the piece clarity (thanks WOW! for that word count!) 

WOW: We’re glad to play a role in the success of your essays! Thank you for sharing your process. What did you learn about yourself or your writing by creating these essays? 

Jennifer: Writing “New Ride” helped to unlock some of the mystery surrounding my relationship with my mother. The decision to pay attention, to witness and record the many versions of her has resulted in a deeper sense of compassion for us both. “Goodwill” tells the story of a time in my life I had been avoiding writing about. It took years to work up the courage which, in the end, was a good thing. Writing nonfiction, particularly about a traumatic experience, requires enough distance from the event to understand its larger meaning. When a photo of me in “the dress” recently surfaced, I began to write, knowing the dress was somehow key. It was. The third person narrative around the dress helped to temper the brutal immediacy of the diary entries and gave the piece a forward focus. 

WOW: From your bio, it sounds like your writing community has been very influential for you. How did you build your writing community? For any readers here who are new and/or still building their writing communities, do you have any tips for doing so? 

Jennifer: I can’t say enough about my writing community. It developed out of a writing course we attended together five years ago. The course came to an end, but we decided to continue meeting, even zooming our way through the pandemic. I strongly recommend registering for writing classes/workshops/courses. Connecting with other writers can be such a source of motivation and inspiration. 

WOW: Which creative nonfiction essays or writers have inspired you most, and in what ways did they inspire you? 

Jennifer: My community of writers. They have very different styles, and I admire them all. We have the luxury of meeting in person and reading our stories aloud. I learn so much, just by listening. And Joan Didion. I love this quote from her The Paris Review interview, 2006: “You get the sense that it’s possible simply to go through life noticing things and writing them down and that this is OK, it’s worth doing. That the seemingly insignificant things that most of us spend our days noticing are really significant, have meaning, and tell us something.” 

WOW: That’s a powerful quote. And it’s wonderful that you draw such inspiration from your writing community, too. If you could tell your younger self anything about writing, what would it be? 

Jennifer: When I was a kid, I’d sit at the kitchen table with paper and pen and an essay to write. I’d moan and groan that I didn’t know what to write and my mother (a teacher) would say, “Just write. It will come.” That has been my mantra ever since. Also, don’t imitate or compare. Allow your own voice to surface and trust that it knows best. 

WOW: Great advice and poignant mantra. Thank you for sharing your writing with us and for your thoughtful responses. Happy writing! 


Interviewed by Anne Greenawalt, founder and editor-in-chief of Sport Stories Press, which publishes sports books by, for, and about sportswomen and amateur athletes. Engage on Twitter or Instagram @GreenMachine459.
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Interview with Anne Walsh Donnelly Runner Up in the WOW! Q1 2025 Creative Nonfiction Essay Contest with: "Eruption"

Saturday, March 08, 2025
Congratulations, Anne! It is my sincere joy to introduce you to the lovely Anne Walsh Donnelly who is a runner up in the WOW! Q1 2025 Creative Nonfiction Essay Contest with her submission, "Eruption". I interviewed Anne in 2019 (check that out here!) and I'm delighted to be with her again today. Please take a moment to check out her submission as well as all the other talented writers who submitted their work! After you've read "Eruption", pop back here for our engaging interview!

Anne’s Bio:  Anne Walsh Donnelly lives in the west of Ireland, writes prose, poetry and plays and loves to experiment with form in her writing. She is the author of the poetry collections, Odd as F*ck, and The Woman with the Owl Tattoo, both published by Fly on the Wall press. 

Her novel, He Used To Be Me, was published by New Island Books in 2024. Her essays have reached the top 10 in WOW's Creative Nonfiction Essay Contests several times for which she is eternally grateful. 

Facebook: AnneWalshDonnelly 
Instagram: annewalshdonnellypoetry 
X: @AnneWDonnelly 

Interview by Crystal J. Casavant-Otto

WOW: Thank you for writing such a personal essay and thank you for joining me again today. It's always lovely to be reunited with a long-time friend. Your writing is as always a joy and pleasure. Let me ask you this Anne, what was your intended take-away with writing Eruption? 

Anne:  Thanks to you all at WOW! for publishing it. What is the take-away I’d like readers to gain from reading Eruption? To be honest I don’t have one. What the reader gains from reading this essay is outside of my control. All I can do is hope that it resonates with the reader in some way. 

WOW: That's a great point - thank you for your transparency. Anne, who is your support - what have you found to be most supportive in your writing life as well as in life in general? You are clearly an accomplished author - are there other writers/readers in your life who help you through? 

Anne: I am fortunate to have many supports both in my writing and in life in general. My family of course, particularly my two (now young adult) children. They were quite young with I started writing 13 years ago and I can still remember their excitement when they discovered I was writing. They were planning my first book before I even thought I was capable of writing a book, my daughter was going to design the cover and my son said he’d look after the ‘business’ side of things! I’ve been fortunate too to have encountered many fellow writers who have been very supportive and encouraging and who believed in me even when I didn’t believe in myself. And of course the Creator of all creators has been with me all my life, giving me the strength and courage I needed to make some pretty tough life-changing decisions for both myself and my children. 

WOW: I'm sure your bravery inspired your children and it warms my heart to hear how supportive they are of you and your writing career. This is such a wonderful tidbit about you! What advice would you give to others (specifically females) when it comes to self care, authenticity, and finding their voice?

Anne:  Just be you and don’t get too hung up on all that ‘on-trend’ stuff we’re supposed to be doing, like being authentic and finding our voices. Sometimes doing nothing and just ‘being’ is enough. I nearly killed myself trying to find my voice! What I didn’t realise was that it was already within me, I just needed to give it time to emerge. As for self-care the most loving thing you can do for yourself is to stop doing, stop striving and be as gentle to yourself as you would be to a baby. 

WOW: I love that advice - now we just need to hear and follow it. I admit, the follow through is what's a struggle for me. Hopefully if you say it to me often enough it will eventually sink in!

That said, what’s next for you dear Anne? What are your writing goals for the rest of 2025 and beyond? Do you have a new book on the horizon? 

Anne:  I’ve stepped back from writing for now. I’ve been experiencing some ‘writer burnout’ over the past few months. It’s been hard to accept that I need to take time out but I understand why I need to. I’ve been writing for 13 years, in addition to single parenting my two children, working a day job and coping with chronic pain, and in that time I’ve published two poetry collections, one short story collection and a novel as well as having some of my plays performed. And of course I’ve been successful with my creative personal essays thanks to WOW. So I’ve exhausted myself in more ways than one and now I’m practicing what I preach i.e. spending more time ‘being’ rather than ‘doing’. 

 WOW: I love that you can acknowledge that need and move forward with it. I wonder if that's something that's come with age? Do you have advice for your younger self when it comes to making decisions, believing in yourself, and/or writing? What would your current self say to the younger you? 

Anne: Listen to your inner voice and trust it. Ignore the nagging self-doubt. You are more lovable, more precious and more talented than you think. 

WOW: You give the best advice - thank you again for sharing your wise words with us. Speaking of advice, what advice do you have for others during turbulent times? What works or doesn’t work for you when it comes to dealing with stress and the pressures of everyday life? 

Anne: What works for me is my belief that there is a transcendent force working its magic in the universe. When things are really tough I repeat a quote attributed to the 13th Century English mystic, Mother Julian of Norwich. She says: “All shall be well, and all shall be well, and all manner of thing shall be well…for there is a force of love moving through the universe that holds us fast and will never let us go.” I find the thought that - there is a force of love moving through the universe and holding us - very comforting.

WOW: Oh Anne - that's absolutely beautiful! I hope you're feeling better soon and back to writing. You have such a poetic nature and I enjoy reading your works. Thank you again for your time today and always and congratulations again my dear!

And until we meet again - may your paths be abundantly filled with enough lemons, sugar, and sunshine to make the most delicious lemonade you've ever tasted!

Hugs,
~Crystal

Today's post was penned by Crystal J. Casavant-Otto

Crystal Casavant writes. Everything. If you follow her blog you have likely laid eyes on every thought she has ever had. Her debut novel, It Was Never About Me, Was It? is still a work in progress and shall be fully worthy sometime in 2025. She has written for WOW! Women on Writing, Bring on Lemons, and has been featured in several magazines and ezines relating to credit and collections as well as religious collections for confessional Lutherans. She runs a busy household full of intelligent, recalcitrant, and delightful humans who give her breath and keep her heart beating day after day. 

Crystal wears many hats (and not just the one in this photo) and fully believes in being in the moment and doing everything she can to improve the lives of those around her! The world may never know her name, but she prays that because of her, someone may smile a little brighter. She prides herself on doing nice things - yes, even for strangers! 


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Interview with Bethany Jarmul, Runner Up in the WOW! Q1 2025 Essay Contest

Sunday, March 02, 2025
Bethany Jarmul is an Appalachian writer, poet, writing coach, and webinar instructor. She’s the author of two chapbooks, including a mini-memoir 
Take Me Home from Belle Point Press. Her debut poetry collection Lightning Is a Mother was released on February 7 from ELJ Editions. Her work has been published in many magazines including Rattle, Brevity, HAD, and Salamander. Her writing was selected for Best Spiritual Literature 2023 and Best Small Fictions 2024, and has been nominated for the Pushcart Prize, The Best of the Net, Best Microfiction, and Wigleaf Top 50.  Several years ago, Bethany got her start in the literary world through taking classes offered by Women on Writing, so she’s very grateful for this organization and all that they offer. Connect with her at bethanyjarmul.com or on social media: @BethanyJarmul.

Interview by Jodi M. Webb

WOW: Congratulations on being a runner up in the Q1 2025 Creative Nonfiction Essay Contest for "When the Scheduler Calls and Refers to My Upcoming Procedure as an "Emergency Colonoscopy”. It was a very powerful "life flashing before my eyes" piece with a focus on family. Do you often write about family?

Bethany: Thank you! Yes, in fact, my mini-memoir (a chapbook of flash nonfiction essays) Take Me Home, is about family and roots and home. It's about coming to terms with growing up in West Virginia and what it means to belong somewhere even after you've left. 

WOW: You identify yourself as an "Appalachian writer". Can you share with us what that means to you and how it influences you as a writer?

Bethany: I now live near Pittsburgh, PA which is Appalachia, although certainly more urban. I was born and raised in West Virginia, the heart of rural Appalachia. My great grandpas were coal miners. My grandpas were a factory worker and a carpenter. I come from a line of hard-working, Bible-believing folks. The mountains themselves, the creeks and the critters, they all show up in my writing. As well as the destruction of nature, the mining and fracking and polluted drinking water. The sense of belonging somewhere, to a people, even after I’d left home. A deep spirituality and religiosity. The culture, a rich history of storytelling and folk music and pepperoni rolls and moonshine. The friendly and hard-working people. The unsafe working conditions and oppression that has often been experienced by the people living here. All these things influence who I am as a writer and what I engage with in my writing. 

WOW: What an image evoking description! You've been publishing and winning writing prizes for about four years now. When did you start writing? 

Bethany: I've been writing for as long as I can remember. However, there was a period of about five years in my early 20s when I didn't write. I returned to creative writing in 2021, as a new mother during the pandemic. In fact, I took a class through Women on Writing then, and that was near the beginning of my publishing journey. It was in 2021, when I first discovered literary magazines and began publishing my work. 

WOW: Your work takes many forms: essays, poetry, short fiction. Do you have a preference for any particular format?

Bethany: I write short things. Flash essays, flash fiction, and poetry. The large majority of my work is 1,000 words or less. What fascinates me most about writing is what language can do. I like to focus on each word, and writing in compressed word counts allows me to do that. Also, I'm a busy mom of two preschoolers, so it also fits my lifestyle. 

WOW: Aside from being a busy mom, what do you feel is your biggest challenge as a writer?

Bethany: My biggest challenge is balancing the creative mindset and the business mindset. Although being a successful writer means putting some time and effort into the business side of things, If I get too focused on or spend too much time on publications and promotions, it does impact my creativity and how I feel about my work. 

WOW: I think many of us struggle with that particular Catch-22. What is your next goal for your writing career?

Bethany: What's next for me? I'm going to continue to pursue excellence in the craft of writing and help others do the same. I have another poetry manuscript completed, so I hope to find a publisher for that. And in the meantime, just write my heart out. That's pretty much always the plan. 

WOW: That sounds like the ideal plan, considering just how much you've accomplished in your brief writing career. We look forward to reading more!
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Interview with Jane Cleere Johnson: Summer 2024 Flash Fiction Contest Runner Up

Tuesday, February 04, 2025
Jane’s Bio:
Jane Cleere Johnson has been a member of SCBWI (Society of Children’s Book Writers and Illustrators) for over 30 years and has been published in children’s magazines like The Friend and knowonder! Jane’s first Indie tween fantasy The Legends of Caraigdun: Quest to Slay the Dragon was released to global distribution through IngramSpark in September. Jane is currently working on developing her picture book manuscripts and is working on a middle grade novel. Every now and then Jane feels the muse singing to her, “write for adults.” She knows she can appease the Goddess by writing flash fiction. Way back in the beginnings of WOW!—in 2007, Jane was honored and ecstatic to be awarded 1st place for her story "Funding a Memory." She has submitted to WOW! on and off since then, has recently been awarded honorable mention for her story "The Haunting" and has been grateful for the opportunity to have her stories critiqued by the insightful women of WOW! When Jane is not writing she enjoys spending time with her family, reading (especially picture books to her nine grandkids), and going for walks on crisp autumn days. You can read more about Jane and purchase her debut novel on her website Mushroom Manor Books. 

If you haven't done so already, check out Jane's award winning story "Never Too Late" and then return here for a chat with the author. 

WOW: Congratulations on placing in the Summer 2024 Flash Fiction Contest! What excited you most about writing this story? 

Jane: This story came from an idea I had many years ago and I was excited to submit to WOW, get an excellent critique last year, make some revisions, and place with this story. It was a fun task, to fit this tale of love into a flash fiction format. 

WOW: Excellent! We’re so glad you found the critique beneficial and that you resubmitted! What did you learn about yourself or your writing while crafting this piece? 

Jane: This story came from deep within my heart, a tender heart that loves people and still believes in soul mates. David and Margaret and the beginnings of their story sat in a file for many years. Their story needed to be told! What I learned is to look through all my files because there are a lot of good ideas and first drafts in there. 

WOW: From your bio, it sounds like much of your writing has been for children. Why do you think you’ve been called to write for adults through flash fiction recently? What differences and similarities do you see between writing for children and adults? 

Jane: I have written many short stories aimed at children's magazines over the years, but every once in a while, an idea pops in my head that is about adults. Flash fiction is perfect for me, especially as I've gotten older and feel that there's no way I could remember enough to write a novel! I write for children because I know children. There is rarely a day that has gone by in my life that I wasn't with children. Even in college I volunteered with children and youth. So, I write what I know and for those I know. Writing for adults doesn't come as naturally for me. 

WOW: What are you reading right now, and why did you choose to read it? 

Jane: This question makes me smile. I always seem to have at least three books that I'm reading at once. I am reading Atomic Habits. I'm 61 and even though they say you can't teach a dog new tricks, I'm retired and want to focus on getting in shape, eating more healthily, and writing. I'm learning some great concepts! I'm also reading Bird by Bird by Anne Lamott which was recommended to me by my oldest daughter and a great read for writers! And, I'm re-reading The Hobbit, because I can and it's so much fun! 

WOW: What a great array of classics from different genres! If you could give your younger self one piece of writing advice, what would it be and why? 

Jane: Write. Revise. Submit. Repeat. My writing literally got buried many times over the years. I kept little yellow notepads and wrote down so many ideas, beginnings, and I typed up so many first drafts, first chapters, even got up to 5th and 10th chapters on some YA, and Middle Grade attempts, but life would get in the way. I'd get distracted. There was work, rearing six children, and lots of volunteering and now my brain doesn't work the way it did even five years ago. So, I would tell myself and everyone out there. Write. Write while you're young. Write while you can. 

WOW: Great advice, and I love the idea of mining your old drafts for gems to work with. Anything else you’d like to add? 

Jane: WOW is always in my mind as a place to submit. I really value the critiques I've gotten. Your words of encouragement are a boon to my soul. Thank you. So much. 

WOW: You are very welcome! Thank you for sharing your story and your inspiring responses with us. Happy writing! 


Interviewed by Anne Greenawalt, founder and editor-in-chief of Sport Stories Press, which publishes sports books by, for, and about sportswomen and amateur athletes and offers developmental editing and ghostwriting services to partially fund the press. Connect on Twitter @greenmachine459.
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Interview with Zarah Elouis-Ro , Runner Up in the WOW! Summer 2024 Flash Fiction Contest

Tuesday, January 28, 2025

Zarah is a single parent living in Liverpool, United Kingdom, with her son, Kellen. Zarah holds a marketing degree from the University of Liverpool and previously worked as a paralegal in contract law. Zarah is independently learning creative writing after reassessing her life during the pandemic. In 2021, Zarah was shortlisted in the Penguin Michael Joseph Christmas Romance competition, following which she organised with other shortlistees to write and publish two Christmas Romance anthologies, with a third planned for 2025. However, Zarah writes broadly across the Fiction genre with a preference for dystopian and speculative fiction. This year, Zarah was a candidate awarded the Writers on the Rise program with the Black British Book Festival and Pan Macmillan, and she was also shortlisted in the Jericho Writers Self-Edit Your Novel course and was awarded a premium membership to enable further study of creative writing. Zarah hosts a weekly online writing group for underrepresented writers, and this year has focused on entering short, micro, and flash competitions to hone the art of saying more with less, alongside development of novel projects. Zarah crochets for procrastination, enjoys DIY (but is fairly poor at it), and is learning pole fitness. 


----------Interview by Renee Roberson 


WOW: Congratulations, Zarah, and welcome!  “Cereal, Love” employs a clever use of wording that results in a chilling end. How did you get the idea for this story? 


Zarah: I had been watching something about a serial killer a while back, and there had been a throwaway comment about how the family hadn't suspected anything. It conjured up a whole scene in my head (I usually visualise my stories as films/tv shows before writing) of a child processing that moment their life changed forever. Initially, I saw this as a novel - a child reckoning with their father's crimes and how the family of the serial killer are just as much victims but without any of the sympathy. I had thought about how they would exist in a world post exposure and how they would navigate losing someone they never really knew. I wanted to write it through a child's eyes because trauma presents so differently as you age, especially when it has occurred in childhood. That perspective really fascinated me, and the cereal/serial conversation came to me quite quickly thinking about how a child would muddle up the words, and what clues might stick out on later reflection that may have seen innocuous - if strange - at the time. Initially, this was going to be the first chapter of said novel, but as I have a million ideas every year, it got filed away for "expanding at a later date". This year, I have really enjoyed honing my skill with micro, flash, and short story comps and I realised that this would make a perfect flash with a bit of a tweaking. 


WOW: You have had success writing Christmas Romance, as stated in your bio. What are some of the most prominent hallmarks of this genre and what has drawn you into writing it? 


Zarah: I don't like to be pigeon holed, and especially when it comes to creating. I am a firm believer that even if you have a preferred genre(s) - mine are dystopian, speculative fiction and fantasy - you should always practice writing across genres. It's so fun to go places where you normally wouldn't when creating, and you never know what else it will inspire. My first dabble in Christmas Romance was in the 2021 PMJ Christmas Love Story competition. I saw the competition the day before it closed and I had just binged "It's A Sin" and the idea of an elderly gay married couple reliving their love story came to me in a flash. It was such a joy to be shortlisted because I had just left a role in contract law after hitting burnout in the pandemic and everything was up in the air. These little wins as writers can really give you a boost when needed to show that you are on the right path and that you do have talent. Writing is such a solitary process and I love creating community wherever I can. I set up a group for all the shortlisted participants (we called ourselves the penguins) to wait together in the months it took for the winner to be announced. The winner - Talia Samuels - was in our group and let us know as she got the win. From there, a few of us decided to keep the momentum going and in a few shorts months had written, edited and self-published under the name The Christmas Collective "More than Mistletoe", which was a collection of short stories with a Christmas Romance theme. The following year we did the same with "The Mistletoe Mixtape" and we have started work on our third in the series to be released Autumn 2025. Some of our authors have been traditionally published since and it's been really heart warming to see their progress. Writing is such a competitive field but among authors there is also a huge comradery and level of support that can help you along the way. Even though Christmas Romance isn't my niche, I love all things Christmas and I am a romantic, so it isn't difficult for me to indulge that when writing and I am so grateful top have a set space to do that with my anthology pals. 


WOW: As a busy mom, how do you organize your days to prioritize your writing projects? 


Zarah: This year has been unique in that I have set up several online writing groups to aid in keeping myself and others accountable in our writing. As a recently diagnosed ADHD-er and single parent to a disabled child, organising my creativity alongside all the non-dopamine inducing tasks I have to do has been super difficult. I really thrive on having external deadlines, so this year I have been entering competitions left, right and centre to keep my writing consistent. They say it takes 6 weeks to form a habit but when you are neurodivergent it is a constant effort. I do not rely on motivation to do anything because motivation (that wily minx) shows up at the most awkward times - when I am driving or when I am supposed to go to sleep. I also grapple with imposter syndrome, writer's block and rejection sensitivity - the perfect cocktail for procrastination. So this year, setting up writing groups and working with feedback partners has been invaluable. Not only has it progressed all of the separate projects I am working on, it has also given me and many others a sense of community. I host the sessions which means I stick to them because I don't want to let anyone down, but it allows others to dip in and out whenever they can without any pressure and always knowing there is a space for them to write. Sometimes, these sessions (4x a week) are the only time I will sit down and write, but because of that dedicated time, I am more productive. Finding your routine as a writer is probably one of the most difficult hurdles you will overcome, but when you do, it is so satisfying. 


WOW: What sorts of topics do you discuss in your weekly online writing group and how has it been beneficial to you personally? 


Zarah: We always start with a five minute random word exercise which one of the members suggested in our first meeting. A different person each week will choose five random words and we have 5 minutes to write whatever comes to mind. We share these in our whatsapp chat after and it's always so fun to see the different perspectives when writing even when the same words have been used. From there, we have 45 minutes to focus on our solo projects and that we have a period of time to discuss what we have been working on. In this time we offer resources to each other that we think people may find helpful, talk out sticking points in people's projects, discuss writing devises and suggest books we are reading, articles, podcasts or anything else that can help us along on our journey. For me, these groups have been invaluable - I am not able to attend night classes anywhere and because of my daily obligations it can be hard finding a community to engage in. So, ever the proactive person, I decided to create them myself! Next year, I would like to add a group specifically for carers and disabled adults who find it difficult to attend classes because of their responsibilities - we all deserve community and carving out time for yourself, even if you don't leave the house - can be a huge lifeline to many. I really want to break down the barriers for people and these free, low-commitment spaces are vital for people who are not able to keep regular schedules through no fault of their own. 


WOW: Is there any advice you would give to other writers on where to find the best places to submit their work? 


Zarah: The Penguin site has a very comprehensive list of authentic competitions which you can scroll through and decide which ones to enter. I tend to do a lot of Googling and look for the competitions that have been verified through external means like Reedsy. Recently, I have entered the Globe Soup community and they have a wonderful online community and do regular competitions where you can meet other authors online and exchange feedback.

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Interview with Carole Mertz: Summer '24 Flash Fiction Contest Runner Up

Tuesday, January 21, 2025
Carole Mertz, graduate of Oberlin College, is a poet, editor, and essayist, and author of the occasional flash fiction. Her poetry chapbook Toward a Peeping Sunrise published with Prolific Press in 2019. Color and Line (Kelsay Books, 2021) is her collection of ekphrastic and other poetry. Carole completed a two-year course at Long Ridge Writers Group, on Writing the Short Story, and a subsequent course on Writing the Novel. Her story “Wish I May, Wish I Might,” won a Silver at Toasted Cheese Lit Journal. She has judged in poetry for Kallisto Gaia Press, and the contests at Women’s National Book Association and Poets and Patrons in Illinois. Carole was Poetry Editor for Issue 8.1 of The Ocotillo Review and is Book Review Editor at Dreamers Creative Writing. She is published widely in anthologies and literary journals. Recent works are with Heavy Feather, Whale Road Review, Mom Egg, Oyster River Pages, and World Literature Today. In December, 2024, she will have published her hundredth book review since 2014. Carole has appreciated the essays, contests, courses, and newsletters from WOW! Women on Writing for the past decade. She resides with her husband in Parma, OH. Visit her website at www.carolemertz.com.

--interview by Marcia Peterson

WOW: Congratulations on your top ten win in our Summer 2024 Flash Fiction competition! What prompted you to enter the contest?

Carole: WOW! Women on Writing has been an inspiration for me in various ways over the past 10—12 years. I’ve appreciated essays from your staff contributors. I enjoyed Margo Dill’s work in writing about and publishing children’s books, and later Nicole Pyles with whom I worked on several reviews and interviews for the Blog Tours she conducts. See at http://CaroleWrites.com

You published one or two short pieces I submitted to your Friday “The Muffin” spot. I was encouraged by those acceptances. I’d entered one of your contests more than 10 years ago. Annoyed that my story didn’t “place,” I had strong motivation to try again. I think the decade has taught me to respect failures as much as successes, realizing you can learn from both. In fact, energy may derive as much from failure as from success.

WOW: Can you tell us what encouraged the idea behind your story, “One Soldier’s Afflictions?” You captured Arthur’s thoughts and experiences in such an insightful and beautiful way.

Carole: 
Thank you for your kind words. While enrolled in a novel course, I began a story fifteen years ago about a war veteran who suffered PTSD. I suppose my concept of that veteran stayed with me over the years and became Arthur. Time somehow drew me closer to this imagined character. The figure of Arthur calls me to respect the sacrifices our soldiers make, sacrifices so often overlooked.

WOW: What do you enjoy about flash fiction writing versus the other kinds of writing that you do?

Carole: It's very unusual for me to attempt flash fiction, since I spend most of my writing time in poetry. But I gained satisfaction from being able to shape and write this piece within a very short timeframe. Doing flash also made me strive to make every word count and to eliminate unneeded words. This is something Carol Smallwood, a Michigan poet, repeatedly demonstrated to me through her writing.

WOW: What advice would you give to someone wanting to try writing flash fiction for the first time?

Write what’s on your heart. Know your character(s). (In flash fiction, present only one or two characters.) If possible, use an arc with rising and falling action; then bring the story quickly to a close. In the case of “One Soldier’s Afflictions,” I’d lived with the character so long in my imagination that the story almost wrote itself.

WOW: Thanks so much for chatting with us today, Carole. Before you go, do you have a favorite writing tip or piece of advice you can share?

Carole: My tip for writers: when you’ve established a connection with a worthy literary site, stay with it and use what the site offers to your advantage. I’ve lately benefited, for example, from the Markets Newsletters at WOW! They’ve steered me to make pitches to journals I might not otherwise have considered. I also read the Craft Corner articles. Course offerings, too, were a great benefit. Chelsey Clammer boosted my writing efforts within a mere four weeks as much as a year-long course I’d taken elsewhere. I feel happy to be associated with Quill and Parchment, a journal that highlights poetry and poetry reviews, along with engaging artwork. When I contribute to that site, and to The Ekphrastic Review, I feel I’m writing directly for the editors and their readership; it helps to be able to envision your “audience.”
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Interview with Rowan Dyer: Summer 2024 Flash Fiction Contest Runner-up

Tuesday, January 07, 2025

Rowan’s Bio: 

Born, raised and still living in the New Forest in Hampshire, UK, Rowan Dyer (68) has spent her life surrounded by horses, dogs and cats. Widowed in 2015, after nearly 40 years' marriage, she is now part-way through an Open University BA Course in English Literature and Creative Writing, which was the original inspiration to start writing short stories. She is also trying to find the staying-power to progress from short stories to completing one of the many prototype novels currently languishing in the drawer. 

This is the first piece accepted to past preliminary entry stages in any competition, which is a massive confidence boost and still not really believable! 

Note from Sue:  This is an amazing piece so only Rowan finds her status unbelievable!  If you haven't read "On the Pier?," take a moment to experience her story and then come back to find out a bit about how Rowan works.

-----------------interview with Sue Bradford Edwards-----------------
 
WOW: What was your inspiration for “On the Pier?” 

Rowan: The inspiration was one of the prompts given to us on the Creative Writing element of the course a year or so back. I am studying with the Open University, and it's been brilliant, just what I needed to keep my brain active rather than just sitting in front of the TV all day as I 'drifted' through retirement. 

I was talking to a friend on the phone, telling her the titles and trying to think which one to choose, and she suggested going at it from a completely different angle. How I came up with the seagulls I have no idea - possibly something as unrelated as a clip from 'Vera' or 'Escape to the Country' with seagulls on the railings! 

WOW: I'm so glad your friend suggested that you try something unique. You do such a good job of steering the reader to the wrong conclusion about who or what the narrator is. Can you share with us the steps that you took to accomplish this? 

Rowan: I'm afraid I'm going to thoroughly disappoint my tutor now, but I actually did not plan any of the story - I wrote, let it all come out, and it was finished. Very little editing, once I had the idea, so the training they had been giving us must have really stuck - though I have found that if you get 'in the zone' it's as if someone takes over and writes through you. 

I have got to the end of a couple and thought, 'Wow! Did I write that?' Or written an ending that comes to me a few seconds before I write it, and surprises me when I read it back. Our creative brain is incredible - just look at all the diverse books and stories published every year. 

WOW: There are so many amazing details in this story. But with flash you must pick and choose. How did you decide which details rated space in the story? 

Rowan: I didn't consciously include or leave out any details. As I said, this was one of those rare, lucky times when I could write and put the pen down and it was done, no editing required. I just thought of what one sees on the pier - old folks, parents with babies, young kids - and what the seagulls would be looking for. 

Thanks to the suggestion from my wonderful friend, who lived long enough to read the story but died before the competition, I went at it from a different viewpoint. It made me laugh as I wrote it, so hoped it would do so for others. It was just a matter of focusing on the main characters, their aim, target and method - and sticking to the word count for our original assignment! 

WOW:  We're sorry to hear that you lost such a wonderful friend and advisor. Your bio says that you are working on a BA in English Lit and Creative Writing. What have you learned in your studies that would benefit other writers? 

Rowan: What have I learned that would benefit other writers? I think either write something you want to write, then worry about word count afterwards (in which case you will have to be ruthless and cut out so much that you really think is wonderful) or work to a specific word count for a specific publication. 

Define the story in one sentence - one. Write it at the top of the page and stick to it. Don't waffle. 

WOW:  Don't waffle!  That's going to be a tricky bit of advice to follow every day! What are you working on now? Is there someplace else that our readers can find your work? 

Rowan: So far I haven't published any of my short stories - I have a project for a set of linked ones I would like to develop, and there is a novel that keeps pulling me back, but the course is currently on Literature so that's taking priority until the next holidays. 

WOW:  Good luck on your course work!  I think I speak for everyone when I say I hope to read more of your surprising work in the future.


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Interview with Sandra Jensen: Q4 2024 Creative Nonfiction Contest Runner Up

Sunday, December 15, 2024
Sandra’s Bio:
Sandra Jensen has over 60 short story, essay and flash publications including in: World Literature Today, The Irish Times, Descant and AGNI. Awards include winning the Bridport Prize for a first novel and the Grindstone Novel Prize, and multiple honorable mentions, short and long-listings for her short stories and flash pieces. She was also awarded Top 10 in WOW! Women on Writing’s Q3 CNF Essay Contest. She is currently working on a hybrid memoir in essays about art, illness, trauma and her relationship with her sculptor mother. Sandra leads writing workshops and mentors writers. She has been living with chronic illness for three decades and her book for writers with chronic disabling conditions, “The Irrepressible Writer: How Writers with Ill Health Write Well”, commissioned by Story Machine in the UK, will soon be published. She currently lives in Brighton, England. You can find her at www.sandrajensen.net. 

If you haven't done so already, check out Sandra's award-winning story "Eclipse" and then return here for a chat with the author. 

WOW: Congratulations on placing in the Q4 2024 Creative Nonfiction Contest! How did you begin writing your essay and how did it and your writing processes evolve as you wrote? 

Sandra: I started this piece many years ago, and most likely started it in the same way as most of my short pieces: using a method called Freefall and my own process which I call A Page a Day. I talked a bit about these in my previous interview. Essentially, I don’t plan anything, I just sit there and see what arises, and once I start writing, I let one word follow the other, without changing anything, just to see where it goes. It often goes nowhere useful, but I’ve had a lot of short pieces published using this method, and sometimes with very little editing needed. However. I was not getting any bites with publishing “Eclipse”, so every so often I’d take another look and do a bit of tweaking. One of the main issues for me with this piece was the ending, I couldn’t get it right. But after being awarded Runner Up in a recent WOW Creative Nonfiction Essay contest, I took another look and worked hard on the ending until I was happy with it. A couple of people have said it makes them laugh, which I like, given it’s quite a dark piece! 

WOW: Thanks so much for sharing more about your writing process using Freefall and A Page a Day. Sounds like it has helped you to be a productive writer. What did you learn about yourself or your writing by creating this essay? 

Sandra: I can’t say anything specific really about this essay, but what I have been coming to terms with recently is that perhaps I’m a better nonfiction writer than a fiction writer! Most of my fiction is largely based on my own experience, but perhaps it’s time to focus on nonfiction. 

WOW: Fun! Enjoy exploring the nonfiction genre! From your bio, it sounds like chronic illness has influenced you as a writer. Will you tell us more about your experience with the intersection of writing and illness? 

Sandra: Another difficult question to answer, for me at least. While I fully agree with what Virginia Woolf said in her essay “On Being Ill”—that a person relates to, perceives, the world differently when sick, I have for most of my three decades of being ill tried to pretend I wasn’t, and considered myself ‘normal’. In the early years, this was possible as my illness was not as severe as it is now. As it became more severe, when I finally committed to being ‘a writer’ in my mid-forties, it was a great relief to focus on something other than my health and the various symptoms that plagued me. In fact, initially my health improved. I didn’t write about my illness, and I’ve only recently started doing so. I don’t – or haven’t – found it cathartic, but perhaps I haven’t yet found the right entry point. 

Much of my early work is very body-based, however. “Give all the sensuous detail” is one of the Freefall precepts, and for me this was easy as I was and am so physically sensitive: in touch with – too much so! – physical sensations, with smells, noises, textures and so on. I’ve backed off a little on this approach, but I do feel it’s given me an advantage in terms of expressing how certain characters feel and experience the world. Also, as my own world is quite limited compared to many, and these days I walk and move slowly, I notice small things that might pass others by. The shape of tiny leaves, the brush of air against my cheek. 

There’s a quote by Amy Morgan that I like “…it seems likely that living with illness may deepen writers’ capacity to imagine extreme situations.” I think this is correct, although in my case I have CPTSD which means I’ve lived through a number of extreme situations anyway! 

I should say I am grateful that it was never my dream to become a firefighter or something else that requires a strong, resilient body, although in 2021 I developed severe sciatica, and this put a massive dent in my ability to write. Sitting or even lying down made the pain worse, and I can’t stand for any great length of time. It was devastating for me. Thankfully the pain is now well managed. And my illness is still tremendously limiting. I only have about 3 or 4 usable hours in a day to do something that isn’t resting or taking care of myself (or my rescue cat!), and this of course affects how much I’m able to focus on my writing. 

WOW: Thank you for sharing your story about illness and its connection to your writing. I find it so helpful and inspiring to hear what other writers are overcoming to be productive and successful writers, and I very much appreciate hearing about your experiences. Which creative nonfiction essays or writers have inspired you most, and in what ways did they inspire you? 

Sandra: While I’d read and loved Jo Ann Beard’s The Boys of My Youth, it wasn’t until I read Alexander Chee’s How to Write an Autobiographical Novel that I realised what an art the personal essay was. And what an exciting art! That book made me want to learn how to do it. I don’t think I have, not yet at least. Not longer essays. But I’m working on it. For me, many of the best essays – personal essays – can be both personal and universal, perhaps weaving two or more threads together to create something that is so much more than a particular event or situation in someone’s life. 

WOW: Those are excellent examples that show what creative nonfiction can accomplish. If you could tell your younger self anything about writing, what would it be? 

Sandra: Don’t procrastinate and do everything else under the sun other than writing! 

WOW: I think many of us can relate to that! Anything else you’d like to add? 

Sandra: I always appreciate if there’s a touch of humour when I read essays about dark or difficult subjects. I suppose it’s something I’m trying to learn, not just in writing, but about life. How to hold onto that touch of lightness in the face of suffering or adversity. 

WOW: Thank you for sharing your writing with us and for your thoughtful responses. Happy writing! 


Interviewed by Anne Greenawalt, founder and editor-in-chief of Sport Stories Press, which publishes sports books by, for, and about sportswomen and amateur athletes. Engage on Twitter or Instagram @GreenMachine459.
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Interview with Anna Corbin: Q4 2024 Creative Nonfiction Contest Runner Up

Sunday, November 24, 2024

I found Anna Corbin to be a real inspiration. The WOW! Women on Writing Q4 2024 Creative Nonfiction Essay Contest is the first and only writing contest she has ever entered. She learned that she made the Top Ten the day before her forty-sixth birthday, confirming her belief that it is never too late to chase your dreams.


Prior to the COVID-19 pandemic, Anna spent her time advocating for health care on a local and national level. She received multiple awards and recognitions as a result of her efforts. Taking an indefinite break from the rigors of activism, Anna now spends her time pursuing her goal of becoming a published author. She is an avid reader and aspiring writer with multiple projects in various stages of development.


Anna lives in south central Pennsylvania with her husband, their two teen sons, a dog named Eloise, and an axolotl named Alfie. Check her out on Facebook.


You can read her essay "Dirty Laundry" HERE.


WOW: Congratulations on being a runner up in the WOW Q4 2024 Creative Nonfiction Essay Contest which also happens to be the first writing contest you ever entered! What made you decide that "Dirty Laundry" was the piece to enter?


Anna: Thank you so much! Winning runner-up in the WOW Q4 2024 Creative Nonfiction Essay Contest came as such a shock to me. I have written many pieces over the years as a hobby, but only recently decided to actually devote the time to becoming a professional writer. I woke up one morning to an email from Poets & Writers advertising the WOW contest and decided that morning that I would enter. It was only a few weeks before the deadline, so I chose “Dirty Laundry” simply because it was the most recent essay I had written. I was already proud of it on a personal level. It is difficult for me to talk about some parts of my past publicly, and I had written “Dirty Laundry” to help me cope with the feelings I was having over parting with the basket. 

I know that if I am going to make it as a writer, I cannot not be afraid of sharing my truth. I ultimately want to write relatable content that might help others heal from their own trauma, but my desire to maintain my privacy has always held me back. Entering this contest was about more than just being judged by strangers for the first time or seeing if I have what it takes to win writing contests. It was about having the strength to share something deeply personal with the general public. It was about exposing my vulnerability. As far I was concerned, the true contest was whether or not I was brave enough to go public, so my goal was met the moment I hit, “Send.” Making it into the top ten after having no expectations at all was an incredible feeling. I am honestly still processing it!

 

WOW: You are relatively new to the life of a working writer. Can you share what made you pivot from health activist to writer?

 

Anna: For the past twenty years, I have gone where I am needed. I am a cosmetologist by trade, but when I gave birth to my oldest son, I was needed at home, so I became a stay-at-home mom. Shortly after giving birth to my second son, the three of us were diagnosed with Noonan Syndrome, a genetic condition that affects various systems of the body. I immediately became an advocate for my boys, for the whirlwind of doctors’ visits, hospitalizations, and surgeries that followed. When they began to miss too much school from all of their illnesses, I became a homeschool teacher. Seven years ago, when there was a chance that they may lose their health care due to bills that were floating through Congress, I became a health care activist. I was in DC every week, walking the halls of the House and Senate buildings, meeting with political leaders, and fighting for the rights of not only my sons, but for myself and millions of others with chronic illnesses and disabilities. We ultimately won that battle, and it was such a relief. Now that my sons are older, they are thriving in terms of their health, and as teens, they do not need me as much. 

The writer in me has always been waiting for her turn. There has not been much room for her in the very busy life I have led over the last few decades, and she has been relegated to late nights or early mornings and any spare moments I could muster. There are so many formidable health care activists who are willing to pick up the baton, so I feel comfortable putting that part of my life aside. It is my time. I am ready to make the commitment to become a published author.  

 

WOW: An amazing story and you must have so much to say. What is one of the most surprising things you've learned about the writing world?

 

Anna: I am still very much a newbie, so I have not had much experience yet, but one thing that I have found to be refreshing is how supportive the writing community is. Whenever I feel stuck or like I might want to give up, I reach out to my writer friends or visit a social media page for writers. I have found that writers are an amazing group of people who are ready and willing to lift each other up and give encouragement. It is a beautiful thing, and I feel honored to be a part of such a remarkable vocation.

 

WOW: Yes, I appreciate that feeling of having so many people rooting for me too. Can you share a little more about the type of writing you're pursuing?

 

Anna: I have always been an essayist. It is my favorite form of writing. I love telling personal stories in unconventional ways, and taking the simplest detail (like, say, a laundry basket) and building a message around it. With my many lived experiences, my memoir is my constant work in progress. 

I am also trying my hand at fiction. I have never written fiction before, but a few years ago, I had an idea and decided to run with it. I did not to expect to have this much fun writing fiction, and it has been so enjoyable that I am now simultaneously writing two very different novels.

 

WOW: You are a very busy writer! This may have nothing to do with your writing but I think WOW readers would like to know - what's an axolotl (see Anna's bio above) and how exactly did one come to share your life?

 

Anna: An axolotl is a type of salamander that is native to Mexico. A friend of mine is a biology teacher who had acquired three of them to observe for his Masters’ thesis. He posted about them on Facebook when they were just babies. My oldest son loves exotic animals, so we asked if we could come see them in person. My friend countered by asking us if we would rather have one to keep. My son jumped at the chance. Alfie was a little over a year old when he came to live with us, and he just turned five. He has such a big personality, and we all love him so much. I never thought I would ever have a footlong salamander living in an aquarium in my basement, but now I cannot imagine life without him!


WOW: I would love to see Alfie make a cameo appearance in one of your novels! Thanks for sharing and we all look forward to your future achievements.


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Interview with Amanda J. Conley, runner up in the WOW! Spring 2024 Flash Fiction Contest

Tuesday, November 12, 2024

 

Amanda J. Conley writes to survive the tangle of words that threaten to keep her up at night. She spent twenty-five years as a metalsmith, making a living fabricating gold and silver while wordsmithing on the side. Recently, she has devoted more time to the pen and is nearly finished writing her first novel, which will be completed as soon as she can tear herself away from her addiction to entering flash fiction contests. 

She is honored and excited to be published for the first time by WOW! Women on Writing. She lives in the Pacific Northwest with her husband, four children, and her two half-Maine Coon kitties.

If you haven't read her story, Merci, click here and take a few minutes to do so.  Then come learn about her writing process and inspiration. 

WOW: So many of the stories entered in the flash contest are about families, motherhood, and the roles of women. What was your inspiration for Merci? How did you decide to enter it in the contest? 

Amanda: I was practicing writing flash fiction just for fun when I wrote “Merci.” When a friend of mine suggested I write a historical fiction piece, I was inspired by my grandfather (also named Gene) who was in World War II. He was never injured, but once I did some research and chose my setting, the story kind-of just fell out of me as I wrote. Even though I don’t always write about women, although many times I do, I do tend to consistently have a central theme of hope that makes it’s appearance in my writing. As a cancer survivor and a woman and mother, my own soul thrives on little acts of goodness and hope. When I feel that a story showcases those things well, I want others to read it. 

WOW: And hope really does come through in this piece. Revision is such a big part of the writing process. Can you tell us how your story changed during revision? 

Amanda: Since I was practicing flash fiction, I had set for myself a 500 word limit in order to create an extra challenge. This is where the revision process comes in—and the growth! When using so few words to tell a story with a beginning, a middle and an end, each word really has to count. I landed on the French word for thank you—Merci—which had a sort of double entendre—Mercy—adding a layer of meaning into the story despite it being so short. Although the story line didn’t change much during editing, the poetry of the words became much more pronounced. I whittled it down to exactly 500 words. Goal!

WOW:  I love that one word, merci, added so much to the story.  And congratulations on writing your first novel. What can you share about it? 

Amanda:  My novel is really different from “Merci,” although writing flash fiction has made me a better writer. I am writing a rather humorous mystery set in a neighborhood with a pesky homeowner’s association. It’s fun, and cathartic for me to write, as much as it is a lesson in patience with myself and perseverance. To quote Glennon Doyle: “I can do hard things!” 

WOW: How does writing a novel-length work compare to writing flash? What should writers know about writing both? 

Amanda: I love writing longer works because I can play around with piecing together multiple story lines into a satisfying conclusion which is a facet of my puzzle-loving nature. I love getting to blossom the characters and the settings to an immersive level. The truncated version of story telling, as with flash fiction, doesn’t allow for as much detail, but I tend to write both similarly in that the first go is just getting the idea out without too much overthinking or else it will never get written! Then I can go back in and reshape and mold the story by cutting away, reworking and adding. 

I find that while I’m working on a bigger or longer project, like a book, it’s fun to take little hiatuses and write shorter pieces to break up the tediousness. I use flash fiction as an amuse-bouche, if you will. The only problem—it is habit-forming. Hello, my name is Amanda and I’m a Flashoholic. 

WOW: A writing habit is a good habit to have! Like many of our readers, I've never written flash fiction. What is the most important thing that I can do to set myself up for success when I try this form?

Amanda: Writing flash fiction has a similar process as most other forms of writing. The most important thing that I have found for my own writing success is to be process orientated rather than product orientated. I try not to get bogged down with my word count, or streamlining my beginning, middle and ending. Rather, I just begin with one tiny idea and start writing. After I get a good purge of words onto the page, I go back to organize and pare down. In the last flash fiction piece I wrote, my initial draft was nearly 300 words over the word limit. However, if I hadn’t just started writing and let the story come out, I never would have gotten my complete story. So don’t be afraid of the constraints. Get it out and then you can apply the word count afterwards.

WOW:  I know I've heard a lot of editors say that  you need to get the story down before you obsess about the word count.  Thank you so much for taking the time out of your writing schedule to spend time with us!

  
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